My Photography Ethnography: Capturing Emotions Through Landscape Shots

My Photography Ethnography
The story in my photography may not be a sequential story, but has been an emotional and personal
one. My experience with photography has been from both, the side of the viewfinder and the lens.
Being the photographer, you get to see items from different angles and perspective and that's
something I always try to practice. As a busy college student who juggles many tasks at once, I find
it important to always take time to enjoy fresh air and look at the nature around me. When enjoying
nature, taking a closer look at the flowers, trees, rivers etc. have always peaked an interest to me.
With my photography, I noticed that I'm drawn to landscape photography because I try to capture
that delicate, colorful, and peaceful view. The purpose of these
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Newspaper Articles : Causes And Consequences Of A...
In many publications, many newspaper articles tend to provide visuals of the topic at hand. These
visuals can sometimes impact the tone and perspective the reader interprets throughout the Article.
In "Shaken Photojournalism Industry Questions Itself After Souvid Datta Scandal" and "The Real–
ity of a Fake Image: News Norms, Photojournalistic Craft, and Brian Walski's Fabricated Photo–
graph'" it shows the effects that photo manipulation has on photojournalism culture. In both cases
with Walski and Datta, both photographers caused heavy dilemmas with journalists using photo
editing tools, manipulation, and poor ethical reasoning when submitting these photographs. Photo–
journalists can use better judgment when it comes to altering a photo to a certain degree because it is
be misleading in many cases. This causes a lot of controversy among journalists since there is a very
thin line on what is ethically right or wrong to publish. Throughout both articles, the authors use
great standpoints to clarify the issue in doing so. In "Shaken Photojournalism Industry Questions
Itself After Souvid Datta Scandal" Laurent starts off by directly stating that Souvid Datta had
already been in many conflicts. He had been in–volved in many allegations of incorporating two
separate photos and merging them together to form a more dramatic interpretation of the visual. In
this particular case, he traveled to Kolkata In–dia to take photos on sex trafficking. While he was in
India, he encountered a

Essay on Changing Photojournalism Education in American...
Changing Photojournalism Education in American Universities
Kenneth Kenney stated the obvious in 1987– "The lack of trained teachers and educators and
standard teaching materials is the most pressing problem in photojournalism education" (Kenney
1987). The same rings true today– professors in the fields of journalism and photojournalism are
practicing the same things they were taught in college– many have been out of the workforce for
years, if they were working journalists or photojournalists at all. Today's professors were trained in
the beginning of the digital age or earlier, and practices and requirements for the future
photojournalists have changed, and are continuing to change daily. Without the proper re–education
of these ... Show more content on Helpwriting.net ...
To ensure the proper training with equipment, the student must have access to the constantly–
changing and updating materials that photojournalists, photographers, and journalists regularly have
to evolve with.
Oblinger and Oblinger again address this– today's college students, the "Net–Gen", have grown up
with technology– they have the latest computer, software, programs, websites, phones, etc. Children
and youth today average more time spent on digital media than watching TV. Today's Net Gen also
expects up–to–date technology in their learning process, and expect their professors to have
knowledge of the technology similar to theirs (Oblinger and Oblinger, 2005).
Photojournalism today epitomizes the multimedia function– photojournalists are required to perform
multiple duties rather than just take pictures. Instead, they are both taking the pictures while also
writing the story, taking video, and uploading to social media. Despite the constant addition of
duties, staffers are expected to perform them all in less time than they were previously expected to
perform one duty. Education in video, audio, photography, writing, and social media is imperative
for the future photojournalist, and with skills in all of these sets, a photojournalist will be more of an
asset to the employer than one who has only one or two of these skill sets. Specialized focuses in
photojournalism education should also be

Civil War Images
As the well–known Chinese proverb goes, "one picture is worth 10,000 words." This saying means
that one can tell a story or convey information without ever using words: an image can be more
valuable and explain a situation more clearly, and with more emotion, than words, which can often
be misunderstood (Martin). This practice is common today, and can be found even 150 years ago.
Images are often used to persuade audiences into a certain point of view and evoke powerful
reactions that change how someone views a situation. Matthew Brady understood the influence that
a picture can have, and he used his photography of the Civil War to transform how Americans
viewed war. Prior to the Civil War in 1861, paintings depicted the images of ... Show more content
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Brady grew up in the mid–1800's in the state of New York, where he was tutored in the arts. Brady
enjoyed his lessons so much that he opened a studio for his paintings and miniature portraits. Brady
became very popular with the public, and when he started to gain fame in his career, he moved to
Washington D.C. where he married his wife, Juliette Handy. He opened The National Photographic
Art Gallery and published a book filled with photographs of famous Americans such as Henry Clay
and Andrew Jackson. At this time, Brady was also getting attention from the President of the United
States, Abraham Lincoln. In fact, it was Brady who took the now iconic picture of Lincoln that is on
the five–dollar bill still today ("Mathew Brady"). Brady was passionate about his career in
photography and wanted to take it to another level. As controversy over the Civil War arose, Brady
felt compelled to capture the war like no one had done before. Although people warned him of the
dangers and risks of going into the war zone with his photography equipment Brady was determined
to make it happen. After securing permission, he said his most famous words: "I can only describe
the destiny that overruled me by saying...I had to go. A spirit in my feet said, 'Go,' and I went,"
(Murray 59). This quote helps to illustrate his conviction and his willingness to go wherever
necessary in order to tell the

Jacob Maentz: A Documentary Analysis
Documentary photography is redefined as a form of photography that is used to capture every
moment as it happens in order to express a message of what is occurring around the world
("Documentary Photography," n.d.). Photographers who focus on documenting capture photographs
that attracts public attention and tells stories of situations that happen in our daily lives
("Documentary Photography," n.d.). I have always found interesting documentary photographers
because they are able to tell a story with a click of a button. Of course it is more than just pressing
the shutter button, it's about being able to use light, the limitation of space, location, and
composition to capture the most possible in order to express emotion and capture a visual ... Show
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The technique Maentz uses is to get close to his subjects and interact with them as he believes that it
is important to build relationships and recognize how to interact with different types of people.
(Rojee, 2012). An example of Maentz technique is used in a portrait of Lakay Lausan a Tinguian
man (fig 1). I personally liked this photograph because of the use of lighting and composition that
expresses so much emotion. In his website, Maentz writes that the story behind this photograph
comes from the trip that he took to the Cordilleras of Luzon in the Philippines. Maentz spent three
weeks trying to experience, understand, and capture the culture of the Igorot people and after the
weeks were over he still believed that there was still a lot more to be captured (Maentz, 2013).
Maentz writes about his experience with the Igorots people and informs the audience about the
society being "self–contained" and always going through issues due to "ancestral domain" (Maentz,
2013). Although the information on the people is very essential, the photograph of Lakay Lausan
expresses a story that is unwritten. When you first look at this portrait your eyes are directly driven
to the face of Lausan which is covered with wrinkles. Usually older people with wrinkles are
seemed to have wisdom and knowledge and that is

Life of W. Eugene Smith Essay
William Eugene Smith was an American photographer who produced photographic projects that
changed how photographs were portrayed. Rather than a photo being a photo, he told stories through
his photographs, through a practice called photojournalism. His photographic projects depicted
people in their everyday lives, but in different situations. The photographs he took did not hide
anything that he saw from the audience no matter how graphic the scenery may appear to be. His
photography methods differed from traditional methods, in that traditional
photographs/photographic projects were a distortion of reality, so that it is more pleasing to the
audience. Smith on the other showed what was actually going on in the world or wherever he was ...
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An example was five photographs he took of the Labor Day motorboat races, which described the
event in a narrative form (Hughes 12). In 1936, Smith graduated high school and attended Notre
Dame University, where a special photographic scholarship was awarded to him (Magnum Photos).
However, a year later, Smith left the university, and went to study at New York Institute of
Photography. In the same year, 1937, Gene was hired to work for Newsweek, where his first two
photo assignments were to photograph the Rockettes at Radio City Hall and the other project was to
photograph a medical operation. Many of the editors and other photographers at Newsweek were
impressed by Smith's photographs, and he secured a job at Newsweek. His newfound employment
fulfilled his goal of becoming a professional photojournalist. However, down the line he was to
change the way he took photographs, which he obliged to at first; Smith was to use a larger camera,
a tripod and the old fashioned open shutter technique whenever he needed flash (Hughes 49). He
later decided that the smaller camera he used was better to take photographs, following his instincts
Smith used his small camera rather than the larger one when taking his photographs, disregarding
the orders from the editors at Newsweek; this decision caused him to be fired from his job.
He then went job searching, and joined the Black Star Agency as a freelancer in 1938 (Magnum
Photos). Here at the agency, he

Field Of Photography Research Paper
Caysee Villela
February 2
Period 3
Field of photography
In the field of photography there are many different job opportunities. They all have different pay,
and different schedules. You would think they are all the same because they all take photos but there
is 10 popular fields in the field of photography.
There is a photojournalist which is someone who is editing and presenting the new material for the
public, and there is a television photojournalist. To become a photojournalist you have to graduate
with a bachelor's degree. Photojournalist salary is about 41,000 to 45,000 depending on what type of
photojournalist you want to be.
Wedding photography is someone who takes photos before and after the wedding, also when the
wedding is in action. The clients gives the photographer ideas and examples of what she or he
wants. To become a wedding photographer you do not have to have any form of education. The
salary is around 37,190 but that does not mean you will always get the same exact salary. It does
depend on how many clients you get and how often. ... Show more content on Helpwriting.net ...
To become a portrait photographer you have to have the proper equipment, you can not have one
simple camera just like all photography but especially this one. You have to have experience for
clients to be able to see your work.
Scientific photographer is someone who takes photos of art and of course science. Not only just
plain art and science its photos of plants dissected. To become a scientific photographer is more
serious than other photographers, you need to have your bachelors of art which is 2–4 years of
school. The salary range is

Literature Review On Participatory Photography
Literature Review on Participatory Photography
Introduction
Participatory Photography is among research tools using visual research methods for researchers and
other professionals, particularly those who are working on research for social work and community
development. In 1997, Carolin Wang and Mary Burris introduced a new methodology called
"Photovoice" which is later sometimes referred to as participatory photography. Since then
photovoice has become a popular approach in the field of participatory photography and it has been
applied in many projects worldwide, particularly those focusing on marginalized groups and the
socially excluded. A broad purpose of using photovoice is to get participants ' view and stories on
their own perspective by providing them cameras to record their realities according to any topic they
have been given. This literature review was conducted with the aim of understanding why
photovoice method is chosen for use in research, highlighting the effectiveness of the use of
participatory photography and the process of photovoice in addressing the quality of life of young
refugees, including some common concerns when doing the participatory project.
Background of Photovoice
Participatory photography was first introduced in 1992 when Dr. Caroline Wang and Dr. Mary
Burris did their community–based participatory research on the lives of rural women in Yunnan
Province, China. They provided women cameras in order to shed light on their difficulties in

The Different Types Of Photojournalism
Photojournalism is different from other types of photography since the photojournalist's job is to
document a real story throughout the photo with a high level of journalistic honesty. A documented
photograph is delivered to the public as a complement to the written article. Therefore the
photojournalist is not considered as an artist but as a reporter.
Photojournalism begun with drawings, cartoons and carvings that appeared occasionally in the 18th
Century press. When Benjamin Franklin was publishing the Pennsylvania Gazette in the 1750s, he
printed a carving of a snake chopped into little pieces and added the caption "Join, or die". That was
barely spot news, but at least it touched one of the main concerns of the time: the importance of
unity in the American colonies.
What was probably the first sample of a modern news picture appeared in the Illustrated London
News in ... Show more content on Helpwriting.net ...
This concept was a combination of two old ideas which were the image and the text. Editors and
photographers started working together to produce an actual story told by words and pictures, both
at the same time. For a photojournalism magazine to be successful, the photographers would shoot a
large number of photos, much more than they needed, and they would transfer them to the editors.
The editors would then examine the sheets with all the images on them in a miniature form, and they
would finally choose those which they believed were the best at telling the story.
Just like the new photojournalism style, the layout and writings were important in the early
invention of the photojournalism magazine, but what was more important were the captions, as they
helped tell a story along with the images. Next to every image and its caption was a short and
straight to the point written story, and the one dominant theme–setting photo would be published
larger to help shed light on the theme and reinforce

Response By Martha Rosler Summary
ARTH345 Response Paper
Ruoyin Chen (ID: 44438159)
Nov. 13rd 2016
Section A: According to Martha Rosler (1989), documentary photography started in the early
twentieth century with Lewis Hine and Jacob Riis in United States. At that time, it acted as a visual
medium to reflect social conscience through liberal sentiment expression. In addition, Rosler
pointed out that a documentary photo has two paths. The images in the first "immediate" moment
captured to be testimony evidences to support or argue against social practice. The second
"aesthetic–historical" moment characterized as having less defined boundaries to evaluate a
photograph, which means the traditional subjective judgments of an image have fell below its well–
formedness and aesthetic pleasure it brings to the public. ... Show more content on Helpwriting.net
...
Meanwhile, photography as a commodity in the industrial world at that time, its status in galleries
and museums is determined by the price it sells, which means the higher the price is, the higher
position it stands. This situation increases the gap between this photography and another type of
photography, which works simply for exposing abuses caused by jobs, races, sex, social classes and
etc. that people are unfamiliar to accept and consume. What's more, Rosler argued that photography
contains unfamiliar subculture elements like poverty and refugees would be excluded from the pop
elite culture because of their radicalness. However, when the shock of these images gradually
disappears, they eventually will be included inside. In conclusion, although there's gap between how
general society see, understand， accept and engage in documentary photography, Rosler believed
that it's better to find out a method that not only retain criticism about social culture but also run a
countering practice of photography.
Section

Reaction Paper On Photojournalism
Destiny Muñoz
July Final Paper
Photography
Fred Anderson
Photojournalism
"Photojournalism provokes conversation and thought, which all good journalism should do. The
exhibition provides an excellent teaching opportunity, fostering discussion about we cover events of
our time and the needs of society, while talking about the profession and craft of journalism" –
Michael Parks To begin, photojournalism, along with many different forms of photography is used
as a story telling technique. Yet the art of photojournalism stands apart from other forms of
photography because of three key elements; Relevance, Objectivity and Narrative. A photograph
labeled under the genre of photojournalism must be powerful in communicating a story. The
photograph must hold the emotion and truth that is the event. Meaning the photography must speak
for itself and communicate to the viewer directly, as if there where no article to support that
photograph. The history is also just as important. The history of photojournalism is long and
fascinating. Since the camera was invented, photographers have been ... Show more content on
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According to Frank Hoy, a photojournalism professor, the aim of the photojournalist is to make
viewers quickly understand a situation by communicating a clear message. This guarantees that
photojournalism should have a storytelling attribute. Storytelling is a way of conveying events in
words and images. In the context of photojournalism, storytelling means that by merely looking at a
news picture, readers can get a general sense of the contents of the news. Then readers will make a
quick judgment about whether to go into linguistic part of the news based on attractiveness level of
that picture. Curiosity may trigger us to dig more details about this news. This is how effect of
storytelling takes place. Nevertheless, there are some potential problems associated with storytelling
function of

Documentary Photography Research Paper
The photography was considered as a documentary medium because of the replicas of the subject
when it appeared 150 years ago. The technologically advanced cameras and development of
photojournalism led to the development of realistic photos. Those photographs were considered a
witnesses of reality as they expose the facts of life (Mullen 6). Gradually, manipulation in
photography was looked upon to necessary to display the subject accurately. This was because the
event was not clear in photographs at times. Thus, the photographer was compelled at times to edit
those images.
Documentary photography is seen to belong to the realm of truth. It is seen that some photographers
test the boundaries between reality and fiction. Several of those documentary projects carry a mix of
fact w`ith fiction. As a documentary photographer, one feels a responsibility that as they are
shooting someone else's life and story, it should be told as it is without any tempering. There are
several documentary photographers who experiment with fiction to tell the true stories. After all, this
is the time when there is very little exposure in newspapers and magazines for the documentary
photographic industry. Moreover, funding is hard to come by, and it is no surprise to come across
these photographers look at the new style of ... Show more content on Helpwriting.net ...
A photographer can alter a situation especially when it involves humans. However, it is to the
photographers as to how they make use of their editing powers. They can change their advantage
points by choreographing the subjects, burning, cropping and blurring a print. Pedro makes use of
digital photography for photo–documentary needs (Street Photography Pedro Meyer 16). He
believed that there was no other choices from the truth because of the use of digital

Ethics Photojournalism
Photojournalism and digital imaging ethics
Photojournalism, present day finds itself standing at the proverbial crossroads. Will digital imaging
technologies and public cynicism lead to its downfall or will journalists rise to the challenge by
practicing a new more credible form of visual /photo journalism. Ethical blunders by such
journalistic icons as National Geographic and TIME have all contributed to visual journalism losing
credibility with the public. It was only a hundred years ago that people believed what saw in
photographs was true. On the other hand present day, the increasing response to an unusual
photograph is "They did that with PhotoShop." Where does this leave a medium whose mission is to
deliver a realistic eyewitness ... Show more content on Helpwriting.net ...
TIME by manipulating this image was not seeking to report the truth. TIME was making an editorial
statement and not reporting the news.
There are many degrees of changes that can be done electronically to a photograph. There are
technical changes that deal only with the aspect of photography that make the photos more readable,
such as a little dodging and burning, global color correction and contrast control. The Society of
Professional Journalist and its code of ethics clearly state "Image enhancement for technical clarity
is always permissible". These changes, akin to there darkroom counterpart, are neither ethical nor
unethical– they are merely technical. Most sentences necessitate some editing or reorganization to
make sense, and most photographs necessitate, in particular digital photographs, require some basic
toning and preparation to meet production standards. Dodging and burning is part of that process.
The techniques did not begin with the invention of Adobe PhotoShop, the now dominant software
program found on a desktop in most photojournalist. However PhotoShop did help the process
become a lot easier making manipulation seamless and in effect virtually undetectable. "One must
understand that there are several ways to do everything in PhotoShop. You can perform the dodge
and burn procedure by three of four different means." says Kevin Connor, Director of Project

The Lifestyle Of A Documentary Photographer : Research...
The Lifestyle of a Documentary Photographer: Research Project This paper will help give insights
to those that don't know photography so they can hear from an artist perspective about the most
significant aspect of photography which is documentary photography. When you think about
photography, most think of landscape, commercial, and fine arts photography. But they fail to know
that with photography it takes documenting the things captured for those other particular aspects of
photography. In addition, photography, consisting of creativity, composition, and technical
competency is an art that allow individuals to capture moments that are not visible to those who lack
a sense of photographic perspective but this mostly is towards ... Show more content on
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In large part, this project will talk upon some of the most notable photographers to have ever done
the work of a documentary photographer to help with the insights on creativity, authenticity, and
individuality. To name a few, Henri Cartier Bresson, Vivian Maier and Gordon Parks. I'm primarily
looking at the aspect of documentary photography along with the artists I will be discussing because
I want to pursue a career for those candid moments just like I am fascinated with. I think it's
effective due to the simple fact without documentary photography or film, we would not know
solely about history and I think documentary work is a great contribute to humanity because without
those moments captured if your memory goes bad then you will not be able to relive those moments
you longed to reminiscence. This project I plan to be a part of is unique in its own right and I say
that because not everybody that documents a photo have envisioned it before taking it and that's the
difference between an artist and just someone that is a photographer. As far as new ideas, with
documentary photography it gives a sense of pride to just go and find something to shoot but do it in
a creative manner. Photography is more than just media or mass communication; it deals with what
you find the most intriguing to the eye and what makes you think beyond just simplicity. As far as
the list of the notable documentary photographers that were chosen and the reason for them being

Should Photojournalism or Documentary Photography Be...
"A photograph is not merely a substitute for a glance. It is a sharpened vision. It is the revelation of
new and important facts." ("Heilbrunn Timeline of Art History."). Sid Grossman, a Photo League
photographer expressed this sentiment, summarizing the role photography had on America in the
1940's and 50's. During this era, photojournalism climaxed, causing photographers to join the
bandwagon or react against it. The question of whether photography can be art was settled a long
time ago. Most major museums now have photography departments, and the photographs procure
pretty hefty prices. The question of whether photojournalism or documentary photography can be art
is now the question at hand. Art collectors are constantly looking ... Show more content on
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He felt that FSA photographers used stylistic elements such as sharp focus, even lighting, and
frontal composition to mark their images as factual and that they should be read as unbiased. He felt
that the work should be described as documentary style.
American photographers of the late 1950's and 60's reinvented the documentary tradition.
Photographers like Diane Arbus, Garry Winogrand, and lee Friedlander looked at the world through
the "astonish–me" viewpoint. Diane Nemerove, or better known as Diane Arbus, was an American
Documentary Photographer known for her compelling, yet often disturbing portraits of people from
the edges of society. An example is the 1962 image of The Boy with the Hand Grenade in Central
Park. As a native New Yorker, Diane Arbus photographed the people of the city, but not just the
everyday. Arbus sought out those at the edge of society. She depicts the daily life, but with an
emphasis on the abnormality of the commonplace. When looking at the image of the boy in 1962,
the child seems no different from other children; his facial expression communicating a frustration
beyond the specific image. You see a boy with the strap of his shorts awkwardly hanging from his
shoulder, with his arms tense and his hands clenched in frustration; a toy replica hand grenade in his

Photojournalism As A Form Of Journalism
Photojournalism in the 21st Century Imagine what news would appear as without photographs or the
newsfeeds and with only long paragraphs without images? Due to the advancement of technology,
the art of photojournalism has been altered. In order to understand the importance of
photojournalism, it is necessary to look at what photojournalism is and the history of it, the
responsibilities of photojournalists, the negatives of photojournalism, the impact photojournalism
has on society, and the changes of photojournalism because of modern technology. Photojournalism
is a type of journalism which gives a visual; a story or phrase without speaking words. According to
her article, "A Brief History of Photojournalism", Rachel Towne confirms this ... Show more content
on Helpwriting.net ...
Liz Masoner confirms this in her article, "An Introduction to Photojournalism" by saying,
"Photojournalism is not just 'taking news pictures.' Photojournalism doesn't mean you are employed
by a specific newspaper or working in a war zone. Photojournalism, but simply, is about capturing
verbs" (Masoner). With that, photojournalism isn't not always a career. Everyday people can be
photojournalists which can acquire these shots that tell a tale. Photojournalism is capturing a story in
one picture without words, while normal photography is a mix of actions and names in portions. A
very important piece of this is about showing the world a story of something that actually happened.
In the acknowledgement of photojournalism, supporting proof of witness is an expression that
comes to mind. Another key part of this is art is letting the world have a visual through your eyes for
just a moment. When it's done correctly, that one moment shows a volume of time (Masoner).
Photojournalism has been around for over 100 years, but it first began in 1853. When
photojournalism first began, it wasn't with cameras because they had not been invented yet. Towne
states that the very first photojournalist was Carol Szatmari who was a Romanian painter and
photographer that documented the Crimean War. The first journalistic pictures which were printed
had to be removed from engravings because there

Photojournalism In Chicago
"Education is not preparation for life; education is life itself." I chose the School of Art Institute of
Chicago because it seems like a really good school to go to for photography. I've always wanted to
go to a school out of Texas and explore out of what I know. School of Art Institute of Chicago,
largest accredited independent school of art and design is one of the top two graduate art programs
in the nation and will help me build my skills in the photography field.
A photographer is like an artist but with a camera by using technical skills and with an artistic eye.
Photographers capture images of people, places, landscapes, food, and many other things. To
prepare yourself in high school for this you can take photojournalism, yearbook, ... Show more
content on Helpwriting.net ...
The population of Chicago Illinois is 2.719 million. The tuition cost would be $45,750 for in state
and out of state. The typical cost for housing on campus is about $11,300 and for the meal plan it
would be $1,550. For your books and other supplies that you need for classes would be $1,770 and
other living expenses would be additional $2,010. All together for the room and board it would
come out to be $13,270. The photography program at the School of Art Institute of Chicago is two
years, so for those two years the room and board would be $53,080. The minimum scores for the
SAT reading and writing component is 560 and the ACT reading is 21. The application fee is $65
when you apply to SAIC you will need a portfolio that contains 10–15 of your best recent works.
You will also need one letter of recommendation from an instructor that has evaluated you to see if
you have potential to go SAIC. The graduation rate is 55.6% and the population is about 4,000
people the student to faculty is 9:1. (SAIC) School of Art Institute of Chicago would be the best
school for me because it has all my interest there. I would like to go to school in a different state
because be different than just staying in Texas. It would be a fresh start in a new place, and that's the
spot I want to start my career. SAIC would be the step in my life to be a good photographer and to
succeed in my

Jerry Uelsmann's Influence On Photography
Photographers are always taking pictures to help them define and develop their own creative vision
and do something that sets them out from the rest. Photographers struggle to express their creativity,
however photographers like Jerry Uelsmann had no trouble expressing his true creativity. He not
only expressed his creativity in a different manner, but he was also able to emulate the true meaning
of what it means to be a great photographer. If you have ever seen any of Jerry Uelsmann's pictures
you'll see that his photographs are more described as dreamlike surrealism. Jerry Uelsmann once
said that, "ultimately my goal is to amaze myself". With that being said, as a photographer I find it
crucial that creating a world with your own camera lens and being amazed by it is something any
photographer dreams about.
Uelsmann was born in Detroit, Michigan on June 11th, 1936. At the age of 14 he was influenced by
his father to become a photographer. ... Show more content on Helpwriting.net ...
He became well known for using the darkroom while printing one image using multiple negatives in
one image. Using this technique he was awarded a Guggenheim fellowship for experimenting in
multiple printing techniques in 1967. Then in 1972 he received a National Endowment for the arts
grant.
Jerry Uelsmann revived artistic recognition from many solo exhibitions and groups from the art
community. He has also been given many grants and fellowships from prestigious art groups. Being
awarded the National Endowment he became the founding member of the American Society of
Photographic Education, as well as being a member of the Royal Photographic Society of Great
Britain. As of today Uelsmann is retired from being a photography professor in the University of
Florida. Now even though he is retired he surprisingly is still committed to taking pictures in the
dark room without working with digital

Essay about First Amendment Rights, Privacy and the...
First Amendment Rights, Privacy and the Paparazzi
The question of paparazzi threatening privacy and First Amendment rights is often to situational to
argue in a conventional manner, but certainly there are many facets of the issue which can be
addressed in a quite straightforward manner. Celebrities who feel they have the right to privacy in
public places often muddy the waters of this issue. Oddly enough, those celebrities who have chosen
to speak out against what they feel are violations of their privacy most always begin their campaigns
with a large press conference. In other words, they gather together those people they wish to not
only suppress but also berate in hopes that these people will use their positions and skills to ... Show
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Their print journalist counterparts, who are afforded not only the luxury of editing, but also a few
column inches within which to develop their perception of the story fall into a different category all
together. A photojournalist must ascertain the defining image of a news event as it is happening and
capture it on film. If he or she is doing the job correctly, a reader can get a very good idea of what
happened without even reading the accompanying article. There is no luxury of editing in
photojournalism, the moment is either captured forever, or it isn't. If a fantastic shot is missed, it is
gone forever.
A good freelance photojournalist shoots what he or she knows. A good photojournalist also knows
what will sell. Some photographs really aren't worth taking from a newsworthiness standpoint, but if
a publication is willing to pay enough for them, than they will be taken. Sadly money does rule the
world, and until paparazzi photographers can feed their families without having to take these sorts of
pictures, they will continue to be taken.
It is obvious that one of two things is happening. Either the paparazzi does not threaten privacy and
First Amendment rights, or they do in such a way that the public does not care. The reason for this
goes back to the rich publications that ultimately drive paparazzi photographers to take these
pictures. These

20th Century Photography
The 20th Century was one of the bloodiest times in human history. It was a time of war, with death
tolls from politically motivated conflicts between 175 and 200 million worldwide. Over the course
of the century, the nature of war blurred and then wrecked older distinctions between battlefield and
city, soldier and civilian, peacetime and wartime. In this essay I will talk about how the role of the
20th century evolved and of how technologies and techniques helped in defining photography. I will
also talk about the impacted of Robert Capa.
Photography was beginning to be used as a visual language. It held no barriers like languages to tell
its story of what was happening in the world. Photographers used its growing influence to expose
society's ... Show more content on Helpwriting.net ...
Capa got quite close for this picture. "If your pictures aren't good enough, you're not close enough"
Scala, A (2012) About Photography. United Kingdom.
Capa's career as a journalist had him witnessing five different wars. The Spanish Civil War, the
second Sino Japanese war, World War 2. He manages to capture amazing and powerful photographs
that gave people chills. In this essay I'm going to compare two of his photographs from each of the
wars to show not only how he capture the bloodshed of war, but also the people who are living
through, Some are unexpectedly hopeful.
In 1938 at the age of 25. He was hailed as the "greatest war photo her in the world" in British
magazine Picture Post. Captured at the start of the Spanish Civil war showing the moment of a
bullet's impacts on a loyalist soldiers. This photo became the emblem of wartime photojournalism of
capturing sudden death. It also became the style to define the work of Capa and his colleagues at the
picture press agency Magnum Photos in the late 1940's.
The Spanish Civil War gave rise to modern war photography as we now know it, immediate gut–
wrenching, uncomfortable and surreal visions of life. If one photographer can be said to have
welcomed the arrival of the genre it was Robert

History of Photojournalism
"I have been a witness, and these pictures are my testimony. The events I have recorded should not
be forgotten and must not be repeated" (Nachtwey). Photojournalism is the art or practice of
communicating news by photographs, especially in magazines. Photojournalism has evolved
immensely from the beginning to the present. Photojournalism developed during the Crimean War,
submitted to its evolution throughout the course of the Golden Age, and eventually settled on its
present–day existence today.
Photojournalism was started during the Crimean war by a gentleman named Carol Szathmari.
Szathmari was born on January 11th, 1812 as a noble descent. He first studied as a painter but then
became a very enthusiastic traveler. He then began to experiment with photography in 1848, soon
after he filled a wagon with his supplies and followed the war, capturing many battles and important
moments. Roger Fenton was also photojournalist who took pictures of the Crimean War. His
mission was to capture evidence that contradicted the description of William Russell, a war
correspondent. Russell was condemning the military's failure to provide sanitary living conditions
for the soldiers. Roger Fenton faced many challenges while photographing the war for four months.
Having to develop all of his photos on wet–collodion plates with unclean water proved very
demanding. Despite all of his challenges he was able to be very successful and came back to London
with 360 snapshots of the war

Mathew Brady's Photography Of The Civil War
This Civil Award will be given to Mathew Brady for his amazing photography of the Civil War.He
shocked the nation when he exhibited his photographs of the war. Brady is also often known as the
father of photojournalism.
The best photography award is given to Mathew Brady for several reasons.For instance, he took
pictures of the civil war which gave people a chance to see the war ¨behind the scenes¨.This made a
great impact on society at the time of the war. He and his photographers took many pictures of the
war including camp life,battlefields, and famous people like Abraham Lincoln.
I also gave him this award because his photographs and artwork is still known and honored today.
His first exhibit was called ¨The Dead of Antietam¨.These images

Photojournalism and the New Visual Storyteller Essay
Photojournalism and the New Visual Storyteller
Storytelling has always been a part of culture; from Native American cave paintings, to the first
edition of the bible that Gutenberg pulled off his printing press, people have used the technology to
their advantage. It allows man new ways to get ideas across. We also live in a visual culture; from
the stained glass windows that depict biblical scenes, to the millions of billboards that line highways
across America, we have always used pictures to express ideas. In 1937 Henry Luce started a
magazine that utilized the technology of modern printing presses. He hired photographers who used
small 35mm cameras, and so began Life magazine. It advanced a profession called photojournalism,
... Show more content on Helpwriting.net ...
"We are trying to look for a way to create leverage to make our storytelling appeal to an ever–
changing marketplace." Dirck said, "We are using some of these new tools and skills to give us a
higher place to stand so that we can exert that leverage."
The Platypus is the icon for a new breed of visual journalists; they gather video, stills, and audio.
They are in control of their story all the way. The Platypus is someone who knows how to use the
Internet as a marketplace for his work and will be the one to survive the digital revolution. The
Platypus doesn't make a distinction between still and video, he uses the right medium at the right
time.
You might be asking, Why would a still photographer shoot video? There is almost no direct
connection because a still photographer goes for the moment, that split second where the action is
peak, when a man who is jumping across a puddle is just about to hit the water. The video shooter
looks for the moment, and everything before and after it. One morning while Dirck Halstead was in
bed, the New York Times called. They wanted him on a plane to Bancock, they had an exclusive
with Pol Pot, who was the head of the Khmer Rouge that took control of Cambodia in 1975 and was
responsible for the genocide of more than a million people. Only one photographer and one reporter
were allowed to go, and the New York Times wanted video also. The

Tony Ray-Jones: Documentary Photography
There is not a term or word that can be used to define documentary photography. It can be 'described
as a form, a genre, a tradition, a style, a movement and a practice' (Wells, 2009, p. 69). Documentary
photography separates itself from photojournalism as it does not specifically cover breaking news or
events, it is intended to draw attention to real–life situations, for example, focusing on a certain
group of people or certain locations. The aim of documentary photography is to expose society
naturally; it acts as a visual language. A photographer who does this in their work is Tony Ray–
Jones. Born in 1941, Jones' career lasted around a decade, despite this, he had a very big influence
on the genre and defined a new way of capturing ordinary ... Show more content on Helpwriting.net
...
Each of these are dominant within his photographs. Irony is specifically showcased within
Blackpool 1968 due to the appearance of the subject. Sitting on a deck chair at the beach, he is
photographed wearing a full suit and tie. This is not your typical beach attire; which is one of the
reasons why Tony Ray–Jones chose to photograph him. He wanted to capture scenes that were
disappearing within society, if you were to go to Blackpool today, you wouldn't find a man relaxing
at the beach dressed in a suit. Therefore, by photographing scenes like this one, it allowed the
audience at the time, to appreciate English

Comparing The Introduction Of George Eastman And The...
Part One:
Topic: How has the introduction of amateur photography affected the art of photography?
Article: Technology and the Market: George Eastman and the Origins of Mass Amateur
Photography
Why is it an academic source: This journal is a peer reviewed journal and was published by The
Johns Hopkins University Press and the Society for the History of Technology, therefore it is an
academic source.
Why is it useful: Looks at the historical development of photography since it became popular. Also
follows the journey of George Eastman (who created the concept of using rolls of film) who was a
amateur for three years before he entered the photography business, allows us to have an insight on
how he transitioned between these two realms of photography. Also interesting to look at how
through Eastman's invention he has created the public to be apart of photography and make it a mass
media product. "Eastman made the key conceptual change in who was to predominate in the
practice of photography from the professional to the novice" (Jenkins, 1975). Discusses how
Eastman changed the view towards photography through his Kodak invention, and how he created
an immediate popularity towards the product. ... Show more content on Helpwriting.net ...
She also discusses the social importance of photography. "In becoming a marker in an elite status,
fine art photography has created aesthetic boundaries that separate it from popular forms of
symbolic communication."(Schwartz,

Photography Is A Global Source Of Everything
Today photography has become a global source of everything. Millions of pictures are uploaded
every minute. Correspondingly, everyone is a subject, and each day we add the unguarded moment
of our passion. beginning to only what can be done towards my footsteps leading into my future.
and as for these top 10 career choices I prefer to take as an photographer will not only be my ardor
but the craving for beautiful, tragic, unspoken frames. each positioning will be personally, things I
would love to discover and be apart of one day.
Photojournalist attaches there strings to be the visual storyteller. by not only hypnotizing the viewers
with a photograph that comes to motion but a caption that takes the story, that is told, come to life. ...
both sayings create you as a food but what can get better than that? including the fact that this job
doesn't require a degree, but why not take the advantage of it? Lets face it Instagram already has too
many of those, so having more proper training, as a bachelor 's, can increase your creativity. on top
of all this treatment your title would bump you up a notch; other than being just someone taking a
photo behind their dinner plate.
In this for your capability, you'll need experience in the world of digital cameras, computer editing
software, interpersonal legibility, including business and marketing knowledge If you want a watery
mouth from description. all this for an annual wage of $30,490 per year.
Pete Flores
From Violence, to remembrance, to tears of joy, and many more, Street Photography captures it all
in one shutter. due to remarkable captures, this is another one of those risk takers, self–employed, on
call for any obligations type of choices. there is so many techniques and skills to over take from this
road I'd list in all by taking the path of a bachelor's or perhaps social orientations, working
conditions, street tolerance, Innovations, Time management, communications, media, and foremost
many alternatives.under these conditions I recommend taking the courses of an advancement to any
source of digital arts and/or photojournalism. living the life of adventitious, dangerous,
circumstances this fall

Photojournalism During The Vietnam War
The advent of photojournalism created new opportunities for photographers and the public. These
individuals were now able to travel anywhere to document objects and events because of rapid
technological advancements. The most significant impact of photojournalism was its ability to attain
for social change by illustrating the problems associated with the society. It has opened up a new
field that became extremely influential in conveying social issues to the general public. Social issues
like the Vietnam war that was brought to the eyes and ears of the public. The produced not only
informed, but it also helped hinder the war. Many photographs arrested the eye because within the
photo lay an untold story. Therefore, these images captivated ... Show more content on
Helpwriting.net ...
There was a similar reaction to the news In the chapter 'How to Tell a True War Story" One of the
soldiers named Rat Kiley losses a dear friend in combat. At the same time he writes his sister a letter
he reminisces on what a "badass" Curt Lemon was. Time after the letter was sent Rat Kiley starts
calling the girl a "cooze" (66) because she never wrote back. Nevertheless, Lemons sister does
respond however, not by answering Rat's letter her exact action of not answering was her response.
A similar situation happened with the telling of the story with the water buffalo, the old lady after
hearing the story had said that she liked the story. O'Brien says, "I'll picture Rat Kiley's face, his
grief and I'll think, You dumb cooze...Because she wasn't listening It wasn't a war story. It was a
love story"(81). O'Brien was trying to explain that the old lady didn't get the real truth of the story,
which is Rat's fraternal love for Lemon, because she belongs to a different interpretive community.
Similarly Lemon's sister who fails to respond was because she understands the stories in completely
antithetical ways. As the media uses pictures and secret information to inform the world, people
have different perceptions and have a hard time deciding what they want to believe. Most never
know what the 'true story

Evaluation Essay On Photography
Photography has always been a strong interest of mine, and I have decided to make a career change,
currently I do photography to share ideas and the beauty of the world with people this is a subject
that doesn't just motivate me but others as well.
Firstly I would evaluate my work and the question would be, is this work unique or just "personal"
photos without any unifying theme? If a collector would purchase a series of photographs on any of
my subjects in landscape, sports or macro photography, he most properly would buy the entire series
of images instead of a ones–off–piece, and it is difficult to make a profound statement with just one
photo. To my knowledge successful fine art photographers would dig deep into a specific style ...
Commercial photography is more in relation with editorial, promotion, weddings and advertising
this is photography with a little explanation to what is happening. The difference between
advertising and commercial photography would be the techniques and focus. To support yourself as
a fine art photographer is not that easy and there for you could focus on more then one type of
photography. The aim would be to one day see my photo on a photo shite wall of a gallery. The
question to myself is how do I get there from here? Commercial art are accustomed the be seen by
the art buyers as fine art, these buyers would be able to experience the photographers work on there

Environmental Ethnographic
Environmental photography is not only concerned with land and wildlife, photographers also
advocate for vanishing cultures such as well–known Brazilian photographer Sebastião Salgado
(Amazonas Images, n.d.; Bogre, 2012; Ritchin, 2009). Initially an economist, Salgado switched to
photography in the 1970s. Like many photographers, he photographed stories of everyday
happenings. Yearning to do more, Salgado and his wife left Magnum Photo Agency in 1994 and
formed Amazonas Images. Since then, he has photographed numerous controversial stories in over
100 countries exposing the human condition. Despite Salgado's relentless efforts, he has been
criticized for the harsh reality portrayed in his images of famine in northern Africa and his
politically ... Show more content on Helpwriting.net ...
Xi's photos have been instrumental in the way China photographs wildlife and his name is
synonymous with wildlife protection. Xi started by photographing migratory birds and documented
bird tagging. On assignment photographing the endangered Yunnan snub–nosed monkey in the
Bainmang Nature Reserve in the 1990s, Xi encountered the Deqin County government illegally
logging, which threatened to destroy the monkey habitat. He begged the government to intervene
through lettering writing campaigns, a documentary, and a media expedition of the Bainmang
Nature Reserve. The Chinese government relented and banned illegal logging. "This was the first
time that nongovernmental organizations and enthusiasts of environmental protection, with the aid
of the media, influenced the decision making of the government. These efforts also convinced the
government to ban the cutting of natural forests, exerting a far–reaching influence on the protection
of the ecological system on the middle and upper reaches of the Changjiang River and the
development of the nongovernmental movement of environmental protection in China" (Fang,
2002). In the years that followed, Xi established Wild China Film, the first and only wildlife film
and photography agency, at that time in China. In addition, Xi launched China's

Dramatic Photographs of the Civil War: Hanging at...
The role of the news–making photographer in Gardner's era was to document the history that was in
the making, documenting the battlefield and anyone that would be considered a pioneer of the news.
They also had a role to make large photographic prints. Today, photojournalist's play the role of
being a visual story teller. They have to photograph, edit and present the images they shot to tell a
story that no one else can tell. They have to be knowledgeable about the trade and have to be able to
use all the tools provided really well. The time from Gardner's era and today technology has
changed and the equipment has advanced so far that more advancement is continued to be used to
the fullest. The only thing that I have really seen be ... Show more content on Helpwriting.net ...
They are people who have disabilities and struggle from day to day whereas Gardner's images
showed people dying and being hung as well as handcuffed waiting to die. The first image that I
chose by William Albert Allard is called Untouchable midwife with discarded baby, Bihar, 2002. I
chose this image because it's similar as to the one that shows the prisoners being hung as it
represents the death. The second picture I chose called Laxman Singh, Rajasthan, 2002 I felt that
this man is a prisoner in his own world because he has no legs to walk but prosthetics. I believe that
the photographic approach of contemporary photojournalists have changed with both the idea and
the technique since Gardner's era. There is more history going on every day and there are so many
stories that can be told that each photojournalist can use different techniques and ideas to tell that
story to a viewer. There are many things that can affect and benefit the photojournalists. The internet
has made things easily accessible when it comes to things like photographs and information,
whereas the old days you'd have to find out from the newspapers. We have the option to record such
things and post for people to see. Whether it be from the TV, internet or newspaper it gets the point
across and we are able to see it. The internet and the TV are probably the fastest ways that
information can travel. The digital age has

Photojournalism Controversy
Photographic journalism has raised ethical questions for as long as it has been around. In it's
essence, photojournalism serves to enhance written and verbal journalism by giving readers and
viewers a visual, tangible link to a story. One huge problem that photos can raise is the context
they're used in. For instance, a photo could affect it's audience in complete different ways if it is on
the front cover of a magazine or if it's on an inside page. In 2012, the New York Post published an
issue with an image on the front cover that caused a lot of debate. It was a picture of a man that had
been pushed off a subway platform and a train heading straight for him. Perhaps one of the most
controversial things about this photo was it's headline: ... Show more content on Helpwriting.net ...
A photos context must be put under scrutiny as well. Context is all the information about a photo
that you couldn't necessarily gather by just looking at the photo itself such as an attached headline,
where a photo is published, who published it, who took the photo, and many other things. This is
where the ethics can get tricky to judge. When looking at the subway photo that the New York Post
published the context is where all the conflict truly lies. Probably one of the first questions that a
viewer thinks of when looking at the photo is, "who took it?" With photos like these, ones taken in
moments of life or death, can be hard to defend ethically. The photographer, Umar Abbasi, tells his
story by saying that he only captured the photos as a coincidence. He says that he had his camera on
him and, after seeing the man falling, began snapping photo to alert the driver of the train with his
flash (Collins). Another large context point to look in on is the headline that the New York Post
used: "doomed" in all caps and "pushed on the subway track, this man is about to die." Putting aside
the insensitivity the headline implies, it seems meant to grab attention. Instead of saying something
like "pushed to his death," they use "this man is about to die" leaving viewers wondering what
happened after the photo was taken. Did someone help the man, did he get out of the way, did the
train stop? This alone points to some suspect hedonistic actions taken by the New York Post. If you
saw a paper with a cover like that you are more likely to stop and buy it then to pass it by. By using
the headline that the New York Post did, they really sensationalized the story of the man's death.
Subsequently, the focus of all the media became the picture itself being published instead of the
story the picture was accompanying. When looking at Lester's ethical concerns, it is easy to see
where

Kate Sampsell Summary
Kate Sampsell as written an intellectual documentary about photographers the have lived during the
Great Depression. In this article Sampsell's claim revolves around the American artist named Ben
Shahn and how photography is equal to paintings on canvas. Shahn was a painter and a
photographer and he was selected to be a part of an exhibition that featured both paintings and
photography. Nowadays it is common for both mediums to the featured in exhibitions. So, it weird
to think about how photography was looked down upon.
For over a century there was an argument over wither photography was art or not. Photography
changed that art worlds, instead, of getting a portrait painted, people can just take a picture of the
person,

The Ethics And Morals Of Photographing The Suffering Of...
Introduction to Photojournalism
Ever since photojournalism emerged in the early 20th century as a genre of photography, there has
been criticism surrounding the ethics and morals of photographing the suffering of others. So–called
"documentary photography" has sparked questioning of the responsibility of a witness of suffering
in creating positive change. Critics continue to label certain works of photojournalists as
exploitation of impoverished people, while the photojournalists themselves argue that the purpose of
their photography is to spark attention, awareness, and change. The ethics of displaying photographs
of suffering in the media or in exhibition lies in what these images are being used for. A very direct
investigation into this idea is through the photography of Brazilian photographer Sebastião Salgado.
Salgado, who considers himself a "social photographer," has been highly acclaimed for his work– as
well as criticized. He has created several extraordinary projects throughout his career, several of
them documenting the suffering of extremely poor and distressed people. His projects "Sahel: the
End of the Road," "Workers," "Exodus," and "Migrations" are filled with shocking photographs of
humans in the most impoverished regions of the world. His photographs of people on the verge of
death contain an intimacy and sheer reality that is impossible to find in photographs displayed in the
news and social media. This individualism in each subject that Salgado

Research Paper On Photojournalist
TIPS TO ESTABLISH CAREER IN PHOTOJOURNALISM–: Photo Journalism is a lucrative
career option in India; since it has been an integral part of mainstream journalism. For the ones who
are interested in photography have a very good opportunity of converting their passion into a
profession as the field has widened its scope nowadays. But photojournalism is not only about
taking good pictures but clicking pictures which are newsworthy and can tell a story on their own.
Nowadays photojournalists are no less than the journalists who gather; write and report the
stories.Many among you all want to become a photojournalist but wonder from where to start and
what all to do. So here is a guide to how one can establish their career in this field.
RESEARCH ABOUT THE FIELD–: ... Show more content on Helpwriting.net ...
And if yes then learn what the field involves and take a look at the work of the successful
photojournalists as it will give you much more understanding of the field and work which can be
required in the field. Few famous photojournalists to look into are Lynsey Addario, Tim
Hetherington and Corey Arnold.
STUDY PHOTOGRAPHY–: It is very important to understand the basics as well as the other
technical aspects of photography to excel in the field. You can join any course related to
photography firstly to learn new skills and secondly to strengthen your resume and improve
employability. But it is not necessary to take any course or degree to become a photojournalist if you
click outstanding photos with your own learning and practice then you can go ahead without any
academic degree.

Medium Range Shots In Photojournalism
1. Why is photojournalism said to be at a crossroads in modern society?Photojournalism is said to
be at crossroads in modern society because photography can be easily edited in different ways which
makes people wonder if the photo is real or if the photographer took away from the image.
2. What is an overview shot? Why do photojournalists use this type of photograph? An overview
shot is when the viewer can have an overall view of what is happening and photojournalists use this
to make it easy for viewers to see what is going on in the picture
3. What is the purpose of medium range shots in photojournalism?The purpose of medium range
shots in photojournalism is to tell the story of what is going on in the picture
4. How can photojournalists

Documentary Photography Research Paper
Documentary photography:
The documentary photographers work is known to be long–term projects and includes verbal and
some physical contact with his subjects. Durning factual and written work connected layers of life
was shown by the photographer. Fantastic photos are taken which includes good lighting, sharp
focus and amazing detail in their work, mostly these photos are planned upfront. The framework
makes the photo an incredible piece of art. Good documentary photography is easier to sell, there
was and still is a public demand for portraits. Documentaries were known for tradition and the
photographer had no need to categorize his work, the importance was to document these photo.
Photo images described , prohibited, unseen, or difficult to access places or situations. In the USA
photo images traced the headway of the ... Show more content on Helpwriting.net ...
A new gesture of documentary, urban and rural conditions integrated during the Great Depression in
1930. Well–known photographers name Walker Evans, Dorothea Lange, John Vachon, Russel Lee
were funded by the Farm Security Administration under the supervision of Roy Stryker for their
storybook of photo documentations. 1950 Robert Frank expand a manipulation technique of more
direct , expressive and complex documentaries. The book was published in the USA during 1959
called "The Americans". During this time period, documentary photography was starting to move
away from being part of photojournalism, the reason was that the "true" original image was being
manipulated. Besides the manipulation, the story was still told. "The Americans" photo book was
known to be the most effective published books of all times. John Szarkowski the director of MoMA
( at that time) held an exhibition for a new exciting generation, this would then replace the old social
documentary

Personal Statement: Rocco Basile Photography
RocBas Realtor Age
Rocco Basile is an eminent personality in the US photography rings. He was born and bred in New
York and is the proud Founder of Rocco Basile Photography, a mesmeric studio and gallery in
Southern California. This is where Basile showcases his recent works and that of his colleagues,
who include up–and–coming photographers. The Emerson College, Massachusetts educated
photography expert is highly adept at portrait photography, fine art photography and
photojournalism. Rocco's work has a freelance photographer has taken to many places, including
Tibet, China and Okinawa, Japan, where a serene terrain always beckons.
Interview
In what state is your home or studio located?
I was born in New York and my family has lived in all of the city's 5 boroughs. My gallery and
studio, the Rocco Basile Photography is located in the Santa Barbra area. I got the inspiration to
establish the studio soon after returning from an extended assignment in the Middle East.
What was your living situation prior to starting your career?
I spent many years working as a freelance photographer before joining college to pursue my career
and dreams of becoming a successful photographer.
What motivated to establish the studio?
The idea that I can wake up in the morning to something very stupendous in both beauty and purity
is what motivates me to keep ... Show more content on Helpwriting.net ...
Academic experiences also count a lot because it helps open the doors to new possibilities and
imaginations. I studied photography and visual arts at Emerson College, Massachusetts while
venturing into film–making. My academic achievements along with first–hand experience as a
freelancer earned me a place at the prestigious California Institute of Arts. Today, I travel the world
on various assignments as a photojournalism and fine art

Doretha Lange: Film Analysis
Dorothea Lange was an American documentary photographer who specializes in photojournalism.
Photojournalism is the art or practice of communicating news by photographers (Journalism
Degree). Photojournalism is commonly depicted in magazines. Magazines are mostly pictures, and
the usage of pictures to act as an article. Photojournalism has the capabilities of telling stories just
by the usage of pictures. Photojournalism reflects the old saying "a picture is worth a thousand
words". Photojournalism is very versatile, because each viewer can receive his or her own meaning
to the photograph. Photojournalism gives viewers a way of receiving the information necessary from
an article without the time of reading through an article.
Doretha Lange ... Show more content on Helpwriting.net ...
They don't overpower the subjects themselves, but instead direct the viewer to a different type of
appreciation of the individual's views.
Doretha Lange's more in depth pieces of art shows that art and documents are not equally exclusive,
but that they can combine to produce beautiful, moving, and campaigning images (The Art Story).
Doretha Lange's use of state–of–the–art practices also proves that modern art needs not only pieces
of private feelings of the artist, but also to be put in the services of popular photojournalism.
One of Doretha Lange's most well known photographs is The White Angel Breadline, which was
captured in 1933. The image of is of an elderly man waiting for food at the soup kitchen symbolizes
the depressed mood of the Great Depression. The camera focuses on the man's hat and face, which
show texture through comparison of the rough material and wrinkles of the hat, as well as his
weathered skin; her unconventional use of the fence in the foreground to lend dynamism to the
scene is also characteristic of use of modernist techniques (The Art Story). Doretha Lange often
cites this specific scene when she is speaking about her breakthrough into photojournalism. Doretha
Lange states in one of her interviews "the discrepancy between what I was working on in the
printing frames and what was going on in the streets was more than I could

The History Of Photojournalism A Picture
The History of Photojournalism A picture is worth a thousand words. Who among us hasn t heard
that said before. Butalthough overused, it s also very insightful. Pictures can be used to relay an
infinite amount ofemotions to the viewers, and all without the use of a single word. In
photojournalism, acombination of words and pictures is used to tell a story with more effect than
any single mediumcould and photojournalism found it s peak during the twentieth century. It has
had a profoundeffect on all of us this century, and still continues to. Photojournalism is taken for
granted in ourculture. When something big occurs, we expect to see pictures. It introduces us to
people we dnever meet, takes us places we d never go, and explains things to us that we d never
understand. Photojournalism is all around us. Forms of photojournalism can be traced as far back as
Ben Franklin s, PennsylvaniaGazette . Although not photojournalism in the true since of the word,
the woodcut of snakechopped into pieces effectively conveyed the message of the caption, Join or
die. The firstexample of picture used to help a story, comes from The Illustrated London News.
Thepicture, a drawing, was of an assassination attempt on Queen Victoria on May 30, 1942. Theidea
of pictures in the news was not widely accepted. Some felt that using pictures detractedfrom the
important things , reading and writing. Among other problems that photojournalism faced were
those of getting the picture ontothe printed page.

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