The document provides an overview of the development of futurist sound poetry from the late 19th century through the early 20th century. It mentions works by Lewis Carroll, Edward Lear, French Symbolists like Baudelaire and Mallarmé, German poet Christian Morgenstern, Paul Scheerbart, and Marinetti's Futurist manifestos. It also lists experimental sound works from the early 20th century by Depero, Balla, Apollinaire, Canguillo, Schwitters, and passages from Joyce's Ulysses that experiment with sound and language.

1. Futurist Sound Poetry

2. Lewis Carroll (1832-1898) Jabberwocky (1871) 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand: Long time the manxome foe he sought -- So rested he by the Tumtum tree. And stood awhile in thought. Edward Lear (1812-1888) There was a Young Person of Smyrna, Whose Grandmother threatened to burn her; But she seized on the cat, And said, 'Granny, burn that! You incongruous Old Woman of Smyrna!’ (1846)

4. Christian Morgenstern (1871-1914) DAS GROSSE LALULA Kroklokwafzi? Semememi! Seiokrontro - prafriplo: Bifti, bafzi; hulalemi quasti basti bo... Lalu lalu lalu lalu lal Hontraruru miromente zasku zes rü rü? Entepente, leiolente klekwapufzi lü? Lalu lalu lau lalu la! Simarar kos malzipempu silzuzankunkrei(;)! Marjornar dos: Quempu Lempu Siri Suri Sei ()! Lalu lau lalu lalu la! (1890)

5. Paul Scheerbart (1863-1915) Kikakokú Ekoraláps! Wîso kollipánda opolôsa. Ipasátta íh fûo. Kikakokú proklínthe petêh. Nikifilí mopaléxio intipáschi benakáffroprópsa pî! própsa pî! Jasóllu nosaréssa flîpsei. Aukarotto passakrússar Kikakokú. Núpsa púsch? Kikakokú bulurú? Futupúkke - própsa pî! Jasóllu ... ... ... (1897)

7. Filippo Tommaso Marinetti Dune - parole in libertà (1914)

8. Fortunato Depero SiiO VLUMMIA - Torrente (1916)

9. Giacomo Balla Canzone di Maggio (1914)

10. Guillaume Apollinaire (1880-1918) - Calligrammes

11. Filippo Tommaso Marinetti

12. Francesco Canguillo - Piedigrotta (1913-16)

13. Kurt Schwitters : Ursonate (1926-32)

14. James Joyce - From the Sirens episode of Ulysses Bronze by gold heard the hoofirons, steelyrining imper- thnthn thnthnthn. Chips, picking chips off rocky thumbnail, chips. Horrid! And gold flushed more. A husky fifenote blew. Blew. Blue bloom is on the Gold pinnacled hair. A jumping rose on satiny breasts of satin, rose of Castille. Trilling, trilling: Idolores. Peep! Who’s in the . . . peepofgold? Tink cried to bronze in pity. And a call, pure long and throbbing. Longindying call. Decoy. Soft word. But look! The bright stars fade. O rose! Notes chirruping answer.

15. a : ah : ha : hamm : anfang in : in principio : nel mio principio : am anfang : in my beginning : ach : in principio erat das wort : en arche en : verbum : am anfang war : in principio erat : der sinn : caro : nel mio principio : o logos : e la mia carne : am anfang war : in principio : die kraft : die tat : nel mio principio A-Ronne : Text by Edoardo Sanguinetti Music by Luciano Berio

17. Now it’s your turn….!