This paper discusses the MAGICIAN in the Rider-Waite and Marseille Major Arcana Tarot Cards and contrasts them to show how they symbiotically interpret each other’s symbolism. This paper also aligns the Hebraic Coder’s letter ALEPH א to the MAGICIAN’S Tarot Card illustrating how both these Tarot Card deck and other genres of thought writes the Genesis Creation Account. In this paper it is clear that my definition of God as the Soul’s life revitalizing energizing forces amalgamating with the Soul’s raison d’etre (reason for living) creates the God/Man Christ; however, life’s revitalizing energizing forces (God) are not per se intelligence. What humans call God is life’s energy that is analogous to an acid that sustains life: i.e. creating TIME by withering away at the Soul’s raison d’etre. It is through the active contemplative comparative analysis of these and other genres of thought created by antiquity’s mystics that allows the psyche to grasp the mystical interpretation of religious numerics, literature and artworks. This is the first in a series of papers and I will attach more papers to this one as I sequence both the Major Arcana Tarot Cards with the Hebrew Coder.

1. 1
RIDER-WAITE & MARSEILLE
MAJOR ARCANA TAROT CARDS
Artistically writes the Genesis Creation Account
William John Meegan

2. 2
ABSTRACT
his paper discusses the MAGICIAN in the Rider-Waite and Marseille
Major Arcana Tarot Cards and contrasts them to show how they
symbiotically interpret each other’s symbolism.
This paper also aligns the Hebraic Coder’s letter ALEPH ‫א‬ to the
MAGICIAN’S Tarot Card illustrating how both these Tarot Card deck and
other genres of thought writes the Genesis Creation Account.
In this paper it is clear that my definition of God as the Soul’s life
revitalizing energizing forces amalgamating with the Soul’s raison d’etre
(reason for living) creates the God/Man Christ; however, life’s revitalizing
energizing forces (God) are not per se intelligence. What humans call God is
life’s energy that is analogous to an acid that sustains life: i.e. creating TIME
by withering away at the Soul’s raison d’etre.
It is through the active contemplative comparative analysis of these and
other genres of thought created by antiquity’s mystics that allows the psyche
to grasp the mystical interpretation of religious numerics, literature and
artworks.
This is the first in a series of papers and I will attach more papers to this
one as I sequence both the Major Arcana Tarot Cards with the Hebrew
Coder.
T

3. 3
PREFACE
ome of the best examples of Christ consciousness contrasting ego-
consciousness as the Good Man can be envisaged in the Rider-Waite and
Marseille Major Arcana Tarot Cards1
. The Rider-Waite Tarot Deck
appears to have been developed solely upon the psychic laws that represent
Christ consciousness in the Garden of Eden and the Marseille Major Arcana
Tarot Deck appears to have been developed solely upon the theme
representing the wilderness of the mind of man: i.e. ego-consciousness as the
Good Man doing the best he or she can to obtain Christ consciousness.
No one has to study religion per se: i.e. institutional archives via numerics,
literature and artworks explaining explicitly, via symbolism, what the Soul’s
Two-Part Psyche: ego-consciousness and the unconscious mind is all about.
The average person can live his or her life without knowledge of any of that
material’s existence and still live a contented life as expressed by
Christ/Horus/Krishna/Buddha/Tao consciousness. All that knowledge is
inherent in the Soul’s Two-Part Psyche and the average person can live life
sincerely and still be obeying all those psychic laws.
Religion became my raison d’etre; because, I lost my way in the world and
I desperately sought out the reason for life in the world. I began to see no
reason for life if the world was as vicious and contentious as I envisaged it in
the early days of my researches. I had hit my psychic bottom and then I began
to claw my way back into the LIGHT of reality. Forty-three (43) years of
researching the bible alphanumeric structure, religious symbolism,
mythology, the Tarot Cards, etc. has taught me that antiquity learned about
the dynamic structure of the tetrahedral forces (life’s revitalizing energizing
forces: i.e. God) that permeates the MONAD: i.e. Soul’s Two-Part Psyche:
ego-consciousness and the unconscious mind. This knowledge is inherently
projected onto the blank abyss of the world by the psyche and it is also
codified by ancient sages into numerics, literature and artwork: i.e. religious
archives.
In the Rider-Waite Tarot Cards the Magician is standing on the North
side of the table looking South and he is dressed like a priest with his hands
obviously saying “as above so below”, which I interpret further to symbolizes
“above: as Cosmic and below: as Archetypal/Existential”. These two
1
Let me put a codicil here about the creation of the Tarot Cards no matter what the mythoi of history say.
Symbolism in completely laid out via TIMELESSNESS instantaneously in the unconscious mind; whereas, to
illustrate that symbolism in TIME it has to be shown to be developed over a long period of TIME. This is why
the Marseille and Rider-Waite Tarot Decks were created hundreds of years apart. Of course I summarily
dismiss all the other Tarot Decks that were created. They may have meaning to their developers; however, I
can not envisage anything of value out of them and don’t have the time to do so.
S

4. 4
diametrically opposite perspectives when united create the outer world’s
experiences: i.e. Christ consciousness. The Rider-Waite and the Marseille
Major Arcana Tarot Card decks are superlative representations of the
psyche’s Archetypal, Existential and Cosmic realms of thought, which
collectively symbolizes the Trinitarian Paradigm.
This is a difficult concept to explain; because, both the Rider-Waite and
Marseille Major Arcana Tarot Cards symbolizes life lived existentially on a
psychic level. The Rider-Waite Major Arcana Tarot Cards symbolizes the
ideal version of Christ consciousness lived in the Garden of Eden: i.e.
contented life; whereas, the Marseille’s Major Arcana Tarot Cards
symbolizes the Soul’s Two-Part Psyche: i.e. ego-consciousness and the
unconscious mind living life in the wilderness of the psyche amongst the
animalistic behavior of its bias, prejudices and preconceived notions: i.e. hell
and/or purgatory. The Marseille Major Arcana Tarot Cards symbolizes the
Good-Man trying to figure out how to obtain Christ consciousness that is
analogous to the Rider-Waite Arcana Tarot Cards.
There are esoterically five mystical sets of Major Arcana Tarot Cards. The
first can never-ever be expressed; because, the MONAD: i.e. the Soul’s life
revitalizing energizing forces (God) per se has no psychic format in word or
image; for the reason that, it symbolizes what humans call God: life’s
revitalizing energizing forces that permeates the soul, which allows the soul to
live life more abundantly. Basically, what the Soul’s revitalizing energizing
forces of life (God) does is continuously ever-lastingly separates out
everything from the MONAD: Soul’s Two-Part Psyche (ego-consciousness
and the unconscious mind) other than its most desirous-craving: “desire is
prayer” and this psychic process symbolizes the psyche continuously
formatting a psychic pyramidal or conical image going from a massive
foundational base to the apex of that desirous-craving, which is the reason
that the Great Pyramid has no capstone and the reason it was architecturally
structured spirally from the base to the apex; thus, the MONAD: i.e. Soul is
basically Christ: i.e. the union of God and Man.
Those that follow these psychic enrichments of his or her raison d’etre will
become content in life and will be successful in his or her most desirous-
cravings. Alcoholics, drug addicts, gamblers, etc. are also successful endeavors
and the psyche is content in life with that swill or this is how the MONAD’S
life’s revitalizing energizing forces (God) instinctually goes after that desirous-
craving in the life of the individual as if that is what the psyche truly desires
(praying for) in life. It is the individual’s most desirous-cravings not societal
mores that life’s revitalizing energizing forces (God) hone in on to answer the
psyche’s prayers. If a person is uncomfortable with his life he or she has to

5. 5
change his or her psyche’s most desirous-craving to effect any pragmatic
changes in his or her life at all.
The Rider-Waite Tarot Cards, symbolizes the first and second sets of
Major Arcana Tarot Cards amalgamated; because, it is
Christ consciousness that illustrates the ideal symbolical
representation of the MONAD: Soul: i.e. God. Jesus
Christ in the New Testament says, “He that hath seen me
hath seen the Father (John 14:9)”; thus, it is easy to see
that Christ is taking life’s revitalizing energizing forces
(God) place to express that nuance; because, life’s
revitalizing energizing forces (God) and the MONAD: i.e. Soul: i.e. Christ
consciousness are one. The MONAD: i.e. the Soul projects itself into the world
as a Two-Part Psyche: i.e. ego-consciousness and the unconscious mind.
I show the image of the three Rose Windows in Chartres Cathedral to
discuss the overall concept of the Archetypal, Existential and Cosmic concepts
in relationship to Major Arcana Tarot Cards.
Life’s revitalizing energizing forces (God) permeating the MONAD: Soul:
i.e. God/Man Christ comes into manifested creation through the Soul’s Two-
Part Psyche: ego-consciousness and the unconscious mind. Ego-consciousness
is everlastingly submerged into the unconscious mind even through the

6. 6
awakened state. Ego-consciousness lives its entire existence in the milieu of its
Shadow: i.e. personal unconscious mind. Ego-consciousness cannot have a
thought, word and/or deed without first receiving that knowledge from it
Shadow and/or the Soul’s revitalizing energizing forces (God). When ego-
consciousness takes on the mandates of the Soul’s revitalizing energizing
forces (God) it obtains Christ consciousness and lives contently in the Garden
of Eden via his or her raison d’etre.
Chartres Cathedral’s2
North Rose Window symbolizes the unconscious
mind: i.e. archetypal mode projecting the twelve Lilies: i.e. Fleur de lis
(infinite knowledge) over to the South Rose Window, which symbolizes ego-
consciousness, twelve MATRICES OF WISDOM. The Lily is discussed in the
Prologue of the Zohar and the Lily is laid out in the 3rd
to the 23rd
word of the
Torah. The MATRIX OF WISDOM literally writes the Torah.
The number twelve symbolizes the entire cosmos; though, the individual is
concerned with just one of the zodiacal signs: i.e. raison d’etre. The twelve
symbolizing infinite knowledge is included in that divine message; for the
reason that, whatever is the psyche’s goal in life: i.e. vocation, entertainment
and/or pleasures there is infinite ways of enjoying life and the psyche does not
have to become bored and cloistered into a vocation, entertainment and
pleasures that do not bring ecstasy to its pursuit of happiness.
The Lily: i.e. Fleur de lis symbolizes life’s revitalizing energizing forces
(God) that continuously permeates the better part of that which had already
blossomed (psyche’s goal) in the Soul’s Two-Part Psyche and that which ego-
consciousness will psychically continuously take hold of addictively and/or
obsessively. The Lily: i.e. Fleur de lis is analogous to the seed within itself.
The MATRIX OF WISDOM is analogous to the Tree of Life (chosen
vocation) that is planted (sought after) in the outer world.
The MONAD’S: Soul’s life’s revitalizing energizing forces (God)
permeating the psyche most desirous cravings is analogous to comminuting:
i.e. diluting the desirous-craving to a more consolidated state by omitting
peripheral activities from the psyche main focus in life. Ego-consciousness’
hubris can accept or reject these innovating suggestions; however, such
attentiveness to one’s primary goal in life can cause the psyche to dismiss,
unintentionally, relationships with family, friends, associates and the world at
large creating a monastic kind of existence. A great deal more can be
discussed about this; but, I will curtail this discussion.
2
CHARTRES CATHEDRAL stain-glass windows file:///H:/March%202016/Hebrew%20Alphabet%20-
%20internet%20site/November%202016/MERKABAH%20(Chariot)/Chartres%20Cathedral%203-26-
2017/Chartres%20Cathedral%20stained%20glass%20complete%20medieval.htm I highly recommend this
website to all those readers that are detail oriented in their studies.

7. 7
The West Rose Window symbolizes the Cosmic: Christ consciousness and
notice that its twelve mini-circles have transformed into Roses. This latter is
because both the North Rose Window: Archetypal and the South Rose
Window: Existential have transformed their mini-circles into Cosmic
consciousness.
Another secret these three Rose Windows reveal is the twelve coffin like
images the North and South Rose Windows depict and are transformed in the
West Rose Window: i.e. Last Judgment into images that symbolize rising from
the dead. This rising from the dead is symbolic of the psyche ridding itself of
the world around it, which is basically on a symbolic level a coffin
encapsulating the soul. The LAST JUDGMENT is a continuous everlasting
process of honing in on the psyche’s raison d’etre: i.e. conically rising and
dismissing all else; for the reason that, the psyche’s raison d’etre is what make
the psyche most content in life. I believe that instinctually, not consciously, the
Soul’s Two-Part Psyche envisages itself returning to the wholeness of the
MONAD.
The North and South Rose Windows symbolizes the third and fourth sets
of Major Arcana Tarot Cards that are amalgamated into one deck of cards
just as ego-consciousness and the unconscious mind symbolize the entire
psyche. The Marseille Arcana Tarot Cards symbolizes a commentary on the
MONAD’S: i.e. Soul’s Two-Part Psyche, which in turn symbolizes the
Archetypal and the Existential dynamics of the Soul’s Two-Part Psyche. The
Marseille Major Arcana Tarot Cards illustrates how the psyche is trying to
existentially classify, diversify and individualize archetypal symbols that
emanate out of the unconscious mind, to determine what they represent in the
outer world. This latter is analogous to YAHWEH ELOHYM (Christ) telling
Adam in the second chapter of Genesis to name the animals: i.e. archetypal
images coming out of the psyche; because, Adam was living in the existential
reality: i.e. the outer world. After Adam named the animals YAHWEH
ELOHYM told him not to eat of the Tree of the Knowledge of Good and Evil:
i.e. unconscious mind (female). Then YAHWEH ELOHYM took a rib out of
Adam and created Eve from it. When Eve gave Adam the fruit from her tree
that is when Adam disobeyed the law of Cosmic consciousness. When Adam
named the animals that was him developing his raison d’etre (reason for
living) via Christ consciousness in the Garden of Eden. Eve was the solidifying
force to Adam raison d’etre encapsulating him in the Garden of Eden: i.e. his
raison d’etre. When Adam took the fruit from Eve he was, via unintentional
consequence, changing his raison d’etre to the point that he did not
understand it (Adam’s hubris was the subtle Serpent), which evicted his
psyche out of the Garden of Eden: out of a contented life.

8. 8
It is not pragmatically necessary for there to be a fifth set of Major Arcana
Tarot Cards. The fifth set is not needed seeing that the dynamics of the
individual’s psychic biases, prejudices and
preconceived notions project their own explicit
images of their psyche’s belief system that
represent the chaotic barbarian life of the
individual, which is a far better presentation of
the existential reality than any artist can
possibly produce for the individual; whereas,
the ideal versions of the Cosmic and
Archetypal/Existential are for the Collective
Unconscious: i.e. MATRIX OF WISDOM3
.
I call the fifth set of Major Arcana Tarot
Cards chaotic; for the reason that, there are
hundreds of older and newer versions of the
Major Arcana Tarot Cards, which illustrates the psychic activities of their
creators. I am not downgrading or suggesting that any of the other Major
Arcana Tarot Cards are wrong. In fact they very well may, and probably are,
what they should be, the creator’s psychic goal in life, which he or she has
mythologized into the Major Arcana Tarot Cards. The mythoi of Christianity
called this paganism or Gnosticism: i.e. meaning that each psyche creates its
own version of the outer world via the indigenous interpretation of the
psyche’s symbolic laws, which are universal; however, the individual
expresses those universal laws via different mythologies.
Every individual has to envisage his or her psyche: i.e. raison d’etre as
Emperor Constantine fighting against Emperor Maxentius on the Milvian
Bridge. Constantine symbolizes CONSTANT: i.e. Order and Maxentius
symbolizes MAXIMUM: i.e. Chaos. The North Rose Window symbolizes
CHAOS, which every soul brings into the outer world as ORDER via his or
her own raison d’etre. The Milvian Bridge is the Transept, in the church, that
divides the Apse from the Nave. Every Christian should see him or herself as
symbolic of the Roman Catholic Church; for the reason that, every religion,
3
I must admit that for over 43-years I have asked and pondered the question as to why religions and mystery
schools, around the world in all times and climes, did not teach their laity and/or memberships the explicit
meaning of symbolism. I could never phantom the answer. I learn more esoterically by writing commentaries
like this than the reader can ever hope to envisage by merely reading them. It was, actually, at this point of
the commentary that it dawned on me that teaching such knowledge explicitly to another would interfere
with his or her own progress in learning, personally, about his or her Soul’s Two-Part Psyche: ego-
consciousness and the unconscious mind. Yes, I understand that it would be thought that the Cosmic and
Archetypal can be taught to the masses; however, I also know about the tyranny of the power hungry people
of the world. I believe that it is these evil factors that force those in the KNOW not go any further than they
have in writing the sacred scriptures of the world and producing sacred artwork all over the world.

9. 9
mystery school and/or every individual’s raison d’etre is the same universal
Trinitarian Paradigm expressed via different mythologies. Every thought,
word or deed is a mythological expression of that Trinitarian Paradigm.
Every individual should envisage him or herself as a star in the sky. The
light of that star will shine spherically around the psyche exactly how the
psyche envisages itself in the outer world. In all direction all the psyche: star
in the sky see is itself and it does not see anything else; but, its own brightness.
Even if one gets rid of his or her hubris it still will be the same paradigm in
play. That would not be narcissistic behavior; because, it is what life is about.
The numerics and images of the MATRIX OF WISDOM, which is what
the symbolism of the Tarot Cards are all about do not exist per se and they
only exist so that the Soul can conceptualize and/or communicate the
knowledge of its raison d’etre to its two-part-psyche: ego-consciousness and
the unconscious mind. The numerics and images in the MATRIX OF
WISDOM are generic in every respect, which is archetypally projected out of
the unconscious mind into ego-consciousness’ outer world’s reality, which is
called existential.
Christ already exists in the psyche as the MONAD and it is the MONAD:
i.e. Soul via Christ consciousness that project itself: i.e. omniscience out
innately into the outer world. This is why the whole of omniscience is
consolidated into the number one: i.e. every atom of the universe: i.e.
MONAD and why the MATRIX OF WISDOM is a commentary on the
MONAD. The MATRIX OF WISDOM is the universe consolidated into a
single image: thought, word and/or deed and raison d’etre.
Another way of viewing the North Rose Window is seeing its database of
knowledge as metaphysical in contrast to the physical knowledge of the outer
world depicted in the South Rose Window. Reading the metaphysical works of
Mary Baker Eddy as symbolizing the North Rose Window in contrast to Carl
G. Jung analysis of symbolism depicted in the South Rose Window will
enlighten the reader as to how the unconscious mind (feminine) educates ego-
consciousness (masculine).
This is similar to how the Soul’s life’s revitalizing energizing forces (God)
invisibly unnamed and undefined comes into the psyche. The alphanumerics
of the Hebraic Coder is then instantaneously developed and that mystical
convergence transforms into God and Man, which is transubstantiated to the
North Rose Window and then the mythoi of the surface texts of the sacred
scriptures are transformed unto the South Rose Window.
Still another way of viewing the North and South Rose Windows in
Chartres Cathedral is seeing the Cerebral Lobes of the brain: right side North
Rose Window and the left side the South Rose Window.

10. 10
THE MAGICIAN

11. 11
he Rider-Waite’s Magician is standing at the East end of the table and
on the table is the four archaic elements of the Minor Arcana Tarot
Cards: Pentacle (Earth), Cup (Water), Sword (Air) and Wand (Fire).
These four Minor Arcana Tarot Cards suits symbolize the LIGHT: i.e. Christ
culled out of the DARKNESS discussed in the first four days of creation (Gen.
1:3-19). The Pentacle is in the shape of a pentagram, which symbolizes the
dimensions of the Golden Means symbolizing TIME; thus, the flowery garden,
the cup on the table symbolizes the Chalice that holds the Eucharist during
the Holy Mass, the Sword has two-edges4
and the Wand the Magician is
holding and the staff on the table apparently represent the rod and staff of the
Lord (Psalms 235
).
This is why the Rider-Waite Magician is holding a white wand and he
is looking forward illustrating he is attentive to his life’s goal. The yellow
background of the Rider-Waite Magician is symbolizing the spiritual sunlight
radiating downward and the pentacle and the chalice on the table colored
yellows symbolize Christ consciousness imbued into them; however, this does
not mean that the Magician is knowledgeable about life’s revitalizing
energizing forces (God) via that colorization. The Rider-Waite Magician
holding the white wand shows he knows himself by indicating he knows how
and why Christ consciousness exists; because, he symbolizes Christ.
The Rider-Waite Magician white cloths and white headband (halo?)
symbolize the white Lily: i.e. Cosmic) and the red garment covering the white
clothing, analogous to the Hebraic alphabet covering its numerics in the
sacred scriptures and red table symbolizes the red Roses: i.e. Existential; thus,
the red and white symbolize the God/Man Christ. In addition the red and
white clothing is pointing to the inner going into the outer world symbolically
“as above so below”. The edge of the red table has symbolic images carved on
it. The one leg on the table symbolizes the MONAD.
The MONAD: i.e. Soul’s life’s revitalizing energizing forces (God) does
nothing more than radiate itself into the soul liken to water that dilute and
disintegrate all the unnecessary parts of the MONAD: Soul’s Two-Part
Psyche’s raison d’etre. This is why Christ is called the Waters of Life. The
4
Hebrews 4:12: “For the word of God is quick, and powerful, and sharper than any two-edged sword, piercing
even to the dividing asunder of soul and spirit, and of the joints and marrow, and is a discerner of the thoughts
and intents of the heart”.
5
Psalms 23:1-6: “The LORD is my Shepherd, I shall not want. He makes me lie down in green pastures, He
leads me beside quiet waters, He restores my soul. He guides me in paths of righteousness for His name's sake.
Even though I walk through the valley of the shadow of death, I will fear no evil, for You are with me; Your rod
and Your staff, they comfort me. You prepare a table before me in the presence of my enemies. You anoint my
head with oil; my cup overflows. Surely goodness and love will follow me all the days of my life, and I will dwell
in the house of the LORD forever. Amen.
T

12. 12
four basic elements of creation: electromagnetism, weak bosons, strong bosons
and gravitons are symbolized by the four suits of the Minor Arcana Tarot
Cards; however, the four Tarot Cards suits: i.e. Pentacles, Sword, Cups and
Wands are spiritualized via the Soul’s life’s revitalizing energizing forces
(God). This paragraph is to hone in on TIME. Life’s revitalizing energizing
forces (God) continuously surrounding and radiates into these four elements
causing matter (Soul’s raison d’etre) to symbolically distill in order for the
Soul’s Two-Part Psyche to ultimately reach its goal to realize it is the
God/Man Christ. Priests in the Roman Catholic Church call every member of
the laity: Christ. TIME is cause by the continuous distilling of the Soul’s
raison d’etre. This is why the Pentacle on the table has the pentagram
imprinted on it to point out why TIME exists at all. The LIGHT that
symbolizes Christ is TIME; because, TIME travels as fast as the speed of
LIGHT. The reader should do the math down to one-tenth (1/10th
) of an inch6
.
The symbol of infinity above the head of the Magician appears to be
analogous to a halo: something that is esoterically available; but, it is out of
ego-consciousness’ hubris’s reach. The Rider-Waite’s Magician’s flowery
garden of lilies and roses is outlined in the Prologue of the Zohar and codified
into the third (3rd
) to the twenty-third (23rd
) word of the Torah, which is
developed via Christ consciousness: development of the Hebraic coder, which
also develops all the symbolism of the Major Arcana Tarot Cards.
The lilies and the roses in the Magician’s garden syncs with the
interpretation of the Rider-Waite’s Major Arcana Tarot Cards symbolizing
the MONAD: i.e. God/Man Christ: Soul’s life’s revitalizing energizing forces
(God) coming into creation symbolically through the North Rose Window.
The East side of the table (Apse: altar area of the church) symbolizes
Christ: i.e. God/Man coming into manifested creation.
In the Marseille Major Arcana Tarot Cards the symbolism is bland and
blasé, which are developed via the texts of the first twenty-one (21) words of
the Torah7
. The 1st
to the 21st
words of the Torah intertwine with the 3rd
to the
23rd
words analogous to the double helix. This is why both the Rider-Waite
and the Marseille Major Arcana Tarot Cards are symbiotic to each other.
6
186,000 (miles) x 5280 (feet per mile) x 12 (inches per feet) x 10 (inch divided into only ten parts) = c. 118-
billion (particles of LIGHT) per second and the numerics does go on infinitely greater withering down that
raison d’etre to the purest perfection to the end of TIME, which joyfully would never be realized.
7
This may seem to be contrary as to what I wrote above about the Rider-Waite Magician symbolizing the lily
or the rose that is worked out in the 3rd
to the 23rd
word of the Torah; however, it is not; for the reason that,
both psychic concepts symbolize the material and the spiritual and that is why the two sets of Major Arcana
Tarot Card Decks radiate out practically the same symbolism; because, each concept uses nineteen out of the
twenty-one words each concept uses. Those nineteen words symbolize QOPH ‫ק‬ the nineteenth letter of the
Hebraic coder that completes the spelling of the word CHRIST in the first word of Genesis: BERESHITH.

13. 13
For the most part the Major Arcana Tarot Cards symbolize the whole of
the Archetypal, Existential and the Cosmic aspects of the psyche: i.e. the
Trinitarian Paradigm.
In the Marseille Major Arcana Tarot Cards the Magician is wearing
clothing that symbolizes the MATRIX OF WISDOM, which radiates out a
dualistic reality and he is standing in a desert region on the South side of the
table looking eastward. I, for many decades, misinterpreted this Magician in
the Marseille Tarot Cards thinking he was on the North side of the table
looking westward. It is the holding of the Wand in his left hand, in an upward
position, that places him on the South side of the table mirror-imaging the
Magician in the Rider-Waite Tarot Cards.
The Magician in both Tarot Card decks obviously is, as TIME passes,
THE FOOL; because, there is a bag to store the items on the table just as
THE FOOL is seen carrying that bag. I will discuss THE FOOL more fully
when I get to that card.
Notice how many Pentacles: i.e. money (Earth: i.e. life’s resources) is on
the table in dual colors as are the two cups and two knives (notice that there is
no sword) and the Magician is wearing the symbol of infinity as if it is
something to be wholly manifested into the world via his or her psyche and
categorized. His hair is girlishly and daintily groomed like a female’s
illustrating that the Marseille Major Arcana Tarot Cards symbolize a psychic
intercourse between ego-consciousness (male) and the unconscious mind
(female). The Wand is directed ostensibly not necessarily upward; whereas,
the Pentacles: i.e. money (Earth) in his possession aligned with his belly, which
gives the impression of asking the question, “Which do I want, materiality or
spirituality?” That would be a misinterpretation of the four elements in the
Tarot Cards: Wands, Cups, Swords and Pentacles symbolize collectively
Christ consciousness and to break them up would be antichrist; however,
notice how the Magician is holding the Pentacle in the gut area as if this is his
external Earthly desire (raison d’etre); but, that
would be an Existential interpretation. I can also
interpret the Wand and the Pentacle in the hands of
the Marseille’s Magician as him trying to determine
what they represent and again that would be an
Existential interpretation.
The manner that the Marseille’s Magician’s head
is turned to the right and how he is holding the Wand
and the Pentacle is analogous to a Female Swastika,
which is a symbol that can only come out of the Kamea of Saturn (3 x 3 Magic
Square), which symbolizes the Father of Time that is inherently embedded in

14. 14
the MATRIX OF WISDOM. The feet of the Magician are positioned as if he
can go in either direction symbolizing the male (TIME) or female
(TIMELESSNESS) swastikas. The left foot of the Magician completes the
female swastika that goes counterclockwise symbolizing TIMELESSNESS,
which illustrates that the Marseille’s Magician (masculine) is aligning himself
to the unconscious mind: i.e. feminine.
Chi-Rho/Chrismon/Labarum8
is a symbol of the Roman Catholic Church,
which is formed by the first two Greek letters of the word
Christos: CHI (22nd)
, which symbolizes the Cross and Rho
(17th
) come vertically down. This Chi-Rho symbol is a
perfect analogy of how the first word of Genesis:
BERESHITH is interpreted spherically. These two Greek
letters coincides very much with the first two letters of
Genesis: BETH ‫ב‬ and RESH ‫.ר‬ I will not go into it again
here for I have written about it in a number of books and
papers; however, the point I am stressing is that the Greek
letter CHI symbolizes the pattern that the church is formatted on. The North
Rose Window transubstantiates it knowledge over to the South Rose Window
and then that knowledge in spiritually integrated forming the Apse,
symbolizing the Lily from the North Rose Window, and the Nave, symbolizing
the MATRIX OF WISDOM from the South Rose Window.
The Greek letter RHO, symbolizes the Trinitarian Paradigm, coming
down vertically upon the Crossing9
that intersect both the transept and the
Apse and Nave. This symbol Chi-Rho is also envisaged via the obelisk in
Bernini’s Square at Saint Peter’s Basilica at Vatican City and George
Washington Monument on the National Mall in Washington DC.
The eastside of the table where the Magician stands symbolizes the Apse of
the Church, where the altar is; whereas, the westside of the table symbolizes
the Nave, where the laity gathers in their pews seeking knowledge of the
spiritual realm. I call the Nave the east-west-corridor-of-time. Pass the
transept, in ancient times, during Holy Mass the females and males separated
to the pews on the north and south sides of the Nave. This separating the
males and females symbolizes the MONAD: i.e. Soul splitting into the Two-
Part Psyche: ego-consciousness and the unconscious mind: i.e. illustrating that
the MATRIX OF WISDOM not the MONAD is an image in the outer world.
8
The Chi Rho (/ˈkaɪ ˈroʊ/; also known as chrismon) is one of the earliest forms of christogram, formed by
superimposing the first two (capital) letters—chi and rho (ΧΡ)—of the Greek word ΧΡΙΣΤΟΣ (Christos) in
such a way that the vertical stroke of the rho intersects the center of the chi.
https://en.wikipedia.org/wiki/Chi_Rho
9
CROSSING https://en.wikipedia.org/wiki/Crossing_(architecture)

15. 15
This interpretation was realized after my analysis of Chartres Cathedral’s
North, South and West Rose Windows10
. The North Rose Window symbolizes
life’s revitalizing energizing forces of creation (God) symbolized by the Fleur
de lis (Lily in the 3rd
to the 23rd
word of Genesis): i.e. archetypal image
radiates down the transept to the South Rose Window that imprints the
existential image of the MATRIX OF WISDOM onto the psyche: i.e.
symbolically the clothing of the Magician in the Marseille Major Arcana
Tarot Cards. These two theological concepts: i.e. spiritual and material then
unite into Christ God/Man and travels down the east-west-corridor-of-time,
which is illustrated in the symbolism on the West Rose Window.
Interestingly, though, this same overall theological theme is played out
completely in the Apse: i.e. the altar’s stage before it radiates down the Nave.
The three readings of the bible are collectively the archetypal and the homily
is the existential and the wafer host: i.e. Eucharist symbolizes the cosmic. This
is the complete overall Trinitarian Paradigm that the North Rose Window
radiated over to the South Rose Window, which again is radiated down the
Nave of the church.
The laity in the pews separates into females and males on opposite’s sides
of the Nave again symbolizing the female (archetypal) radiating over to the
male (existential); thus, collectively creating the MATRIX OF WISDOM and
the cosmic is secretly imprinted into the labyrinth that unites the two sides of
the laity. The labyrinth is important; because, it has but one path to the center
symbolizing being born again; because, the amount of stones that make up the
path of the labyrinth is the same as the amount of days before a child is
birthed into the world; whereas, a maze: i.e. ego-consciousness’ hubris: i.e.
antichrist has many paths to the center, which creates a chaotic and miserable
life in the outer world.
Chartres Cathedral’s West Rose Window: i.e. Last Judgment, symbolizes
the cosmic: i.e. Christ consciousness: i.e. the Trinity, which has the same
measurements as the labyrinth on the floor: “as above so below”.
The red infinity hat symbol around the head of the Marseille’s Magician’s
head obviously symbolizes that infinite knowledge exist in the existential
reality; however, the yellow on the top of his head, in the landscape of the
desert and on his clothing symbolizes the absence of knowledge especially the
white atmospheric coloring, which symbolizes emptiness. Normally white
would symbolize God and in this case it does; yes, God permeates the psyche;
but, God: Soul’s revitalizing energizing forces symbolized as white in the
Marseille Major Arcana Tarot Cards is not understood. This Marseille’s
10
EZEKIEL’S MERKABAH IN CHARTRES CATHEDRAL: https://www.slideshare.net/williamjohnmeegan/ezekiels-merkabah-in-
chartres-cathedral

16. 16
Magician is wearing a white color symbolizing being a priest; however, he is
just as confused and ignorant as the laity. Normally yellow would symbolize
Christ consciousness; however, Christ consciousness cannot be classified,
diversified and individualized by materialistic objects.
The table in the Marseille’s Magician’s Card is bland and has no carvings
on its edges, which is analogous to a mixture of the yellow desert landscape
(masculine) and the atmosphere’s white coloring (feminine). There is sporadic
vegetation growing on the landscape giving the appearance of being here,
there and practically nowhere. The three legs on the table symbolize the last
three letters in the spelling of the word Christ (krst): TAV ‫,ת‬ SHIN ‫ש‬ and
RESH ‫ר‬ spelt out in Greek using Hebrew letters. The fourth leg of the table
can be seen in Rider-Waite’s Magician’s card that symbolizes QOPH ‫.ק‬ This
is somewhat how the first word of Genesis: BERESHITH is spelt out;
however, BETH ‫ב‬ first has to transform into Christ consciousness by taking
on the nineteenth Hebraic letter QOPH ‫.ק‬
Three of the four suits of the Minor Arcana Tarot Cards are colored
yellow: wand, pentacle and cup. The knives are colored blue and neither is
colored yellow; though, one half of a knife is colored white, which would
symbolize God and not Christ. These three Minor Arcana Tarot Cards suits
colored yellow coincide exactly with the selfsame concept discussed with the
three legs of the table.
The dice on the table, I see as the most despicable symbols in the card,
symbolize of course gambling and the dice are colored yellow as if it is all
Christ’s fault: i.e. “to be or not to be”. The numbers on the two dices: i.e. the
number one (1) symbolizing TIMELESSNESS: i.e. the MONAD that is
contrasted against the number five (5), which symbolizes the journey of the
Earthly Sun (TIME). The dices can also be pointing to THE DEVIL: the
Marseille’s fifteenth (15th
) Major Arcana Tarot Card.
When the sixth: i.e. 1 + 5, Marseille Major Arcana Tarot Card: i.e. THE
LOVERS are compared to THE DEVIL (15) it is obvious that the message is
that over the span of TIME from youth to old age if the psyche does not
obtain Christ consciousness it reverts to childish animalistic behavior (having
tails) trapped by the unconscious mind (Devil) in the existential reality: i.e.
ego-consciousness (shackles); because, it had not mature to a higher state of
consciousness. The old age couple in THE DEVIL card look alike, almost as if
they are twins, as most aged couples do. Nobody is supposed to be a follower
of another. Each individual is supposed to be independent and a pioneer of his
own raison d’etre. For an elderly couple to look alike clearly shows that each
is trapped in the other’s prison-like world. Compare the sixth: THE LOVERS
and fifteenth: THE DEVIL in the Rider-Waite Major Arcana Tarot Cards:

17. 17
both the male and female remained independent of each other overseeing his
and her own raison d’etre.
These dices on the table symbolize the word BERESHITH: i.e. “Separated
Six”, “Elohym separating the heavens: TIMELESSNESS and the Earth:
TIME”; to put that concept to the symbols of dice is undoubtedly declaring
life in the world is basically a gamble.
This last is a justifiable interpretation seeing that most of humanity knows
absolutely nothing about religious numerics, literature and artworks. It is as if
the Soul’s Two-Part Psyche: ego-consciousness and the unconscious mind is
literally tossed into the world, knowing absolutely nothing, to fend for itself:
Welcome to the Party Pal; however, the one possible hope and advantage that
remains secretly unknowingly opened to the individual is that if he or she
unwittingly strongly pays extreme attention to his or her raison d’etre; for the
reason that, everybody’s raison d’etre has infinite knowledge imbued into it.
I want to give emphasis in this paper to the Magician in the Rider-Waite
Major Arcana Tarot Cards as being a small figure in the overall image of the
card in contrast to the giant image of
the Magician filling out the whole card
in the Marseille Major Arcana Tarot
Cards, which would symbolize the
battle that David and Goliath endured.
That is why David beheaded Goliath:
i.e. forcing Goliath to symbolically
genuflect.
It is extremely difficult for
anybody to genuflect: i.e. deflate ego-
consciousness on his or her own
volition, ridding oneself of his or her biases, prejudices and preconceived
notions, while living in the world of opposites. No matter what anyone does in
the world, no matter how altruistic it may be, it still has ego-consciousness’
hubris flaunting itself.
The final point in contrasting the Magician in the Rider-Waite and
Marseille Major Arcana Tarot Cards is that in the Marseille’s Magician card
and every other card in that deck the number of the card overhead is
bracketed by a line; whereas, in the Rider-Waite Major Arcana Tarot Cards
there is no such line indicating that each card is symbolized by that number;
whereas, this nuance is suggesting that the Marseille Major Arcana Tarot
Cards do not symbolize these numerics other than being sequentially
numbered. There is more to these numeric in the Major Arcana Tarot Cards;
but, I will get into it later as I continue the commentary on the other cards.

18. 18
LEPH ‫א‬ symbolizes life’s revitalizing energizing forces (God) that
comes into creation separating out the best parts of the psyche: i.e. the
Heavens (symbolically the Rider-Waite’s Tarot Cards) and dismissing
all the superfluous aspects of psyche: i.e. the Earth (symbolically the
Marseille’s Tarot Cards). This is all worked out in how the first word of
Genesis is developed via the first two written letters of Genesis.
The Hebraic letter ALEPH ‫א‬ is named and defined; however, it symbolizes
the Trinitarian Paradigm: Christ
consciousness that symbolizes the
MAGICIAN not the Unknown God: i.e.
life’s revitalizing energizing forces.
ALEPH ‫א‬ is actually the first
Hebraic letter spiritually codified into
the Judaeo Christian Scriptures;
though, the Hebrew letter BETH ‫ב‬
claims that honor from a totally
materialistic perspective. If ALEPH ‫א‬
was not the first Hebraic letter
mystically and ethereally to take
spiritual action in the book of Genesis
then the word BERESHITH would
never have been written; thus, BETH ‫ב‬ would never have been the first
materialistic letter into manifested creation.
A

19. 19
ALEPH ‫א‬ is a silent letter that symbolizes the WORD OF GOD; for the
reason that, it symbolizes the Holy Trinity : ALEPH (1) ‫,א‬ YUD (10) ‫י‬ and
QOPH (100) ‫;ק‬ thus, when ALEPH ‫א‬ arrives in manifested creation it
symbolizes the GOD/MAN Christ; for the reason that, ALEPH ‫א‬ already
symbolizes as the Mashiach: i.e. Messiah ‫משיח‬ (H4899) that has the Gematria
value of 358 and this same Gematria value is found in the word SERPENT ‫נשח‬
(H5175) in Gen. 3:1. This word Serpent in the first verse of the third chapter
of Genesis is obviously the antichrist; though, both words Mashiach and
Serpent have the same Gematria values they are spelt differently.
Clues like this number 358 being associated to both Mashiach and the
Serpent in the sacred scripture help the initiate to interpret the message that
is being conveyed. First of all 358 is a sequence in the Fibonacci sequence: i.e.
3, 5 and 8 inferring the Golden Ratio. Fibonacci11
merely rediscovered that
pattern 1202AD. The 358 is a direct reference to TIME sequence;
additionally, Eve speaking to the serpent in Genesis 3:1; indirectly references
Jesus’ conversation with the Serpent in the desert. Jesus saying to the serpent,
“get thee behind me, Satan”. The serpent symbolizes waste product that is
dumb into the outer world; thus, the serpent symbolizes the past. This is why
the conversation between Eve and the Serpent is in the third chapter of
Genesis; because, the number three (3rd
chapter) symbolizes structure in the
outer world. Yes, it is difficult for modernity to believe that ancient authors
would structure everything in the bible to be associated to the alphanumerics
of the Hebraic Coder.
NUMERICAL STRUCTURE OF
THE FIRST CHAPTER OF GENESIS
Look at the verse structure in the thirty-one (31) verses in the first
chapter of Genesis. Thirty-one (31) is the cube of PI: 3.1415³. The letters in
the word ELOHYM are reduced to their lowest common denominators to
the formula for PI: 3.1415; thus, Elohym cubed symbolizes the 31-verses in
the first chapter of Genesis. The first chapter of Genesis has 434-words,
which symbolizes DALETH (Door), which is interpreted as Christ.
The first four days of creation symbolizes LIGHT and they collectively
have seventeen (17) verses, which symbolize PEI ‫,פ‬ the seventeenth (17th
)
letter in the Hebrew Coder and that is imitating the motif of eighty (80)
letters that the first two verses of Genesis contain. Eighty (80) is the ordinal
value of the Hebraic letter PEI ‫.פ‬
The first word of Genesis: BERESHITH, as does the first verse of
Genesis, “separates the beginning and ends of the heavens and the beginning
11
FIBONACCI https://en.wikipedia.org/wiki/Fibonacci

20. 20
and ends of the earth earth”; thus, the first two verses of Genesis and the
first two days of creation imitates that motif.
Day One and the Second Day of creation both have three verses
symbolizing: BERESHITH: i.e. “separated six (3 + 3)”; thus, symbolizing
the first and second verses of Genesis, which has the word EARTH (3) at
the end of the first verse and the word Earth (3) at the beginning of the
second verse.
The third and fourth days of creation have five and six verses
respectively imitating the fifth and sixth days of creation’s numerics. What
associates the third and fourth days of creation with the fifth and sixth days
of creation, other than the numerics, is the fact that in the third day the
waters went onto one place and the structured land called EARTH
appeared and in the Fifth Day of creation the birds flew out of the water. In
the Fourth Day of creation the luminaries gave LIGHT to the Earth and in
the Sixth Day of Creation Elohym created and made Adam into his image
and likeness.
The Fifth and Sixth Days of Creation both imitate the motif of the first
two verses of Genesis; for the reason that, the Fifth Day has four (4) verses
and the Sixth Day has eight (8) verses and that is a 1/3 ratio, which is the
same 1/3 ratio that the seven words in the first verse of Genesis has in
contrast to the fourteen words in the second verse of Genesis.
Having that kind of intertwining connective mathematics in the first
chapter of Genesis is no coincidence; enigmatically, that is esotericism
(hidden knowledge) at its peak performance.
I interpret this kind of precision mathematics as symbolizing an infinite
amount of data inexplicably emanating out of the first letter of Genesis:
BETH ‫ב‬ as the WORD OF GOD.
The Kabbalistic Tree of Life’s (GRA Tree of Life: i.e. Natural Array) in
the MATRIX OF WISDOM has fifty-four cells totaling to three-hundred and
fifty-eight (358). This Kabbalistic Tree of Life has a great deal of mathematics
that infers it is the spiritual space: i.e. cube of six (6³: i.e. 9 x 18 = 162, which is
the transposition of 216); thus, 358 – 216 = 142: i.e. the transposition of 412,
with is the Gematria value of BETH ‫;ב‬ however, more profoundly point the
GRA Tree of Life to the Messiah is that the Mutable numbers of Astrology:
3s, 6s, and 9s total to 234, which is the reverse of 432, which are the first three
Hebraic letters into creation: i.e. TAV ‫ת‬ (400), SHIN ‫ש‬ (300) and RESH ‫ר‬
(200) spelling out the word BERESHITH. The Mutable Quadruplicity
numbers infer that Christ symbolizes TIME when he dissipates into
manifested creation; because, in the MATRIX OF WISDOM the Kamea of

21. 21
Saturn (Cronus: Father of Time) is designed solely upon the numerics of the
Mutable Quadruplicity numbers.
The Cardinal Quadruplicities (7s present and the 1s and 4s are not
present) and Fixed Quadruplicities (2, 5 and 8) numbers total to 124, which is
the transposition 412: i.e. BETH ‫.ב‬
The Fixed Quadruplicities total to 82, which is the combination of the
covered letter PEI ‫פ‬ (80) that inundates and surrounds the revealed letter
BETH ‫ב‬ (2). This is the precise height of the obelisk in Bernini’s Square in
Vatican City; whereas, the six (6) sevens (7) total to the 42 letters that the
Prologue of the Zohar speaks about that explains creation. These six (6)
sevens (7) split in half symbolizing the first Lily that dissipated into
manifested creation and the ‘second’ Lily that the Prologue of the Zohar
speaks of. These six (6) sevens (7) can well be one of the reasons that the word
BERESHITH was created to also be interpreted as “separated six”; which
corresponds to “separating the heavens and the earth”.
The word BERESHITH has six letters. Three of those letters are Cosmic
symbolizing the Heavens: i.e. TAV ‫,ת‬ SHIN ‫ש‬ and RESH ‫.ר‬ The other three
letters symbolizes the Earth: YUD ‫:י‬ Existential letter and ALEPH ‫א‬ and
BETH ‫:ב‬ are both Archetypal letters in the word BERESHITH that are
separated from the Cosmic-letters via the skip pattern sequence, which also
corresponds to “separating the heavens and the earth”. The Archetypal and
Existential letters symbolizes the Earth that dissipates back into the
DARKNESS from whence it came. The Cosmic letters that symbolizes Christ
consciousness has no fixed structures as does the Archetypal and Existential;
however, the Cosmic-letters do descend into the Existential and Archetypal
psychic realities formulating the word BERESHITH; for the reason that, that
symbolizes Christ dying on the Cross. There can be no doubt that the spelling
of the word CHRIST (krst) in Greek using Hebrew letter completely
overshadows the Existential and Archetypal letters putting together Christ
consciousness. QOPH can only come into the psyche when BETH: i.e. hubris
genuflects: i.e. deflates its ego. This is why the Hebraic letters BETH is the
first letter of Genesis and is a large BETH. Inundating and surround the
second letter BETH is the seventeenth Hebraic letter PEI ; thus when BETH
genuflects both BETH and PEI are essentially destroyed; though,
hypothetically a fault perspective would make it appear as if BETH and PEI
amalgamated to form the nineteenth letter of the Hebraic coder: i.e. QOPH.

22. 22
When each of these letters/words TAV (406), SHIN (360), RESH (501) and
QOPH (186) are broken down into their constituent components they
collectively total to the Gematria value of 1453: 1 + 4 + 5 + 3 = 13, which is
symbolically the Lily that the Prologue of the Zohar speaks of that is codified
to the first two verses of Genesis. These four Cosmic letters that spell out the
word CHRIST symbolizes the four elements: Fire, Earth, Air and Water,
which symbolizes collectively the LIGHT: Christ culled out of the
DARKNESS described in Day One of Creation.
The letters/words YUD: Yahweh (20) and ALEPH: Elohym (111) totals to
the Gematria value of 131 = 1 + 3 + 1 = 5. These two Hebraic letters
symbolizes the other two parts of the Trinitarian Paradigm.
The Cosmic, Existential and Archetypal letters totals 13 + 5 = the five
leaves and thirteen pedals of the Lily that is laid out in the first two verses of
Genesis as the Prologue of the Zohar indicates. The Existential and
Archetypal obviously symbolizes the five leaves that contain the Lily. The four
Cosmic letters’ ordinal numbers: TAV (400), SHIN (300), RESH (200) and
QOPH (100) totals to the Gematria value of one thousand (1000), which is the
MATRIX OF WISDOM cubed, which symbolizes the 1000-pedal lotus in the
Hindu’s mythoi.
Another beautiful nuance out of the totals of the Cosmic letters 1453 and
the Existential and Archetypal letters 131 is that the Trinity totals to the
Gematria value of 1584, which symbolizes The Cycles of Divine Creation12
that astrologically orientates all the words to the sacred scriptures.
ALEPH ‫א‬ is between letters RESH ‫ר‬ and SHIN ‫ש‬ in the word
BERESHITH, which symbolizes “separating the beginning and ends of the
heavens and the beginning and ends of the earth” and this symbolizes ALEPH
‫א‬ being mystically positioned between Scorpio: i.e. first verse of Genesis and
Sagittarius: the second verse of Genesis. ALEPH ‫א‬ (1) is positioned between
12
THE CYCLES OF DIVINE CREATION:
https://www.slideshare.net/williamjohnmeegan/the-cycles-of-divine-creation-the-universal-mathematical-matrix

23. 23
Scorpio (8) and Sagittarius (9); because, Cygnus X-3 can be seen between
these two zodiacal signs. The numbers one (1) and nine (9) are the same on a
symbolic level; because, one (1) symbolizes the MONAD: i.e. God and nine (9)
symbolizes heavens; because, all manifested creation is culled out of it.
The Prologue of the Zohar tell the story of how Hebrew alphabet comes
into creation from the last letter to the first asking the Lord of the World
(hubris: ego-consciousness) to make one of them the conduit of creation. All of
the alphabet except BETH and ALEPH were rejected for some positive or
negative reason. BETH was chosen as the conduit of creation and ALEPH did
not have a chance to make such a request. ALEPH does not go through
BETH; because, it does not per se come into the world.
The numerics of the MATRIX OF WISDOM are:
 1 (TIMELESSNESS: Christ) and 8 (TIME: antichrist: hubris),
o One is symbolized by the MONAD (God), which symbolizes the ALL.
o Eight symbolizes the Kamea of Saturn, which is shaped into an eight-
sided octagon design; because, in experiencing TIME only a small
portion of existence can be experienced at any given moment.
 2 (LIGHT: Truth) and 7 (DARKNESS: Slanted perspective: i.e. ignorance
to reality),
o New (2 Kundalini rising) and Old Testaments (7 dormant Kundalini)
respectively
o Two (2) wrapped around seven (7) is 3½ symbolizes the Kundalini
Serpent; because, seven symbolizes the dormant Kundalini Serpent.
 3 (EARTH: structure and motionless) and 6 (SPACE and movement):
o Space is needed for the earth to exist in the atmosphere above the
waters
o Earth symbolized structural thought and can intertwine with other
thoughts via the symbolism of infinite space in the psyche.
 4 (WATER) and 5 (FIRE):
o Waters symbolizes Yahweh: ego-consciousness and Elohym:
unconscious mind united in blissful materialistic marriage.
 This is not a mystical alchemical marriage.
o Fire (thought) evaporates the stagnated waters (Attention Deficit
Disorder: ADD or ADHD).
 Fire: life’s revitalizing energizing forces (God) symbolizes the
spiritual sun developing Christ consciousness by culling out the
best parts of the waters to be re-experienced from a spiritual
perspective.
 This is a mystical alchemical marriage.

24. 24
In the GRA Tree of Life illustrated above in the number nine (9), in the
top right-hand corner of the MATRIX OF WISDOM symbolizes the Hebraic
letter TAYT ‫:ט‬ the good and repentant soul and its negative side is the
serpent. This number nine is positioned between Sagittarius (9) and Scorpio
(8). Initially, one would think that the Hebraic letter PEI ‫פ‬ (17) was being split
in half into Sagittarius and Scorpio and this interpretation would not be
wrong; however, with the ALEPH ‫א‬ in the center: i.e. 9-1-8 it can additionally
be interpreted as the spiritual forces in creation: UNKNOWN GOD
separating out TIMELESSNESS (1) from TIME (8). This would mean that
the spiritual forces in creation: UNKNOWN GOD took a nine (9) and split it
into two parts. This would also infer that all of manifested creation that was
not nines (9s)13
was destroyed and that the psyche of the initiate was born-
again/gifted with a new creation to govern his or her life.
The spiritual forces in creation: UNKNOWN GOD does not become the
number one (1) until it merges with manifested creation; for the reason that,
prior to that instance the spiritual forces in creation symbolized zero; but,
then it smashes into manifested creation taking into its fold the psyche’s
inherent desires and forms a new raison d’etre for the initiate to live by. The
implications here are that this new raison d’etre can very well be reinforcing
an initiate’s addictions and/or obsessions: criminal activities, etc.; because,
this is hubris raring its head over that of spirituality.
The ARI Tree of Life has a tail and it apparently symbolizes the
animalistic nature and interpretation of the MATRIX OF WISDOM before it
transubstantiates psychically into the ETERNAL TEMPLE OF GOD.
Opposites are always present in the scriptural texts; though, they may not be
immediately envisaged.
The difference between the spiritual forces in creation: UNKNOWN GOD
and CHRIST: i.e. Trinity is that the spiritual forces in creation: UNKNOWN
GOD symbolizes nothing material and all of manifested creation is material:
i.e. the Soul’s Two-Part Psyche: i.e. ego-consciousness and the unconscious
mind. If the spiritual forces in creation: UNKNOWN GOD represents
anything it would represent the ZERO attached to the Hebraic Archetypal
letters raising them to different levels of consciousness: i.e. Existential (0),
Cosmic (00) and Christ consciousness (000).
ALEPH ‫א‬ is spelt out as Aleph ‫א‬ (1), Lemmed ‫ל‬ (30 - 3) and Pei ‫פ‬ (80 – 8):
i.e. 1, 3, 8 symbolizing 138, which is the transposition of the number 318,
which is the Gematria value of the Greek word CROSS. When the spiritual
forces in creation: UNKNOWN GOD radiates towards the Soul’s Two-Part
13
PRECESSION OF THE EQUINOXES: How the Ancient Astrologers learn of it.
https://www.slideshare.net/williamjohnmeegan/precession-of-the-equinoxes-how-did-ancient-astrologers-learn-of-it

25. 25
Psyche, which it does every nanosecond of time, it initially is not at that
precise instance the Trinitarian God known as Christ: i.e. God/Man. The
instant that the Soul’s Two-Part Psyche accepts the spiritual forces in
creation: UNKNOWN GOD, Christ: i.e. the Trinitarian God appears in the
psyche. Ego-consciousness (Yahweh: i.e. Yud ‫)י‬ and the unconscious mind
(Elohym: i.e. Aleph ‫)א‬ spiritually unify with the spiritual forces in creation:
UNKNOWN GOD; thus, the God/Man Christ: i.e. Trinity (Trinitarian
Paradigm) arrives in the psyche.
When ALEPH ‫א‬ comes into the world as the Trinity it brings all of its
dynamics with it to form the Vesica Piscis: i.e. only QOPH ‫,ק‬ two YUDs ‫י‬ and
ALEPH ‫א‬ from out of the Genesis Formula that forms the two circles that
developed the Vesica Piscis.
The discussion in Rabbi Ginsburgh’s work on how ALEPH ‫א‬ is structured
with two YUDs ‫י‬ and a VAV ‫ו‬ in the center in a diagonal position has to be
very well meditated on. The Zohar mentions that the
word BERESHITH symbolizes the six directions. In
another paper I showed how BERESHITH symbolizes
a sphere, which put all six letters of BERESHITH
plus a seventh letter QOPH ‫ק‬ into the sphere’s seven
directions. The letters ALEPH ‫א‬ (up), QOPH ‫ק‬
(center) and YUD ‫י‬ (down) were placed in the up –
down positions.
In Rabbi Yitzchak Ginsburgh’s work he speaks
about the structure of ALEPH ‫א‬ as the two YUDs ‫י‬
symbolizing the waters above and below the firmament: i.e. Vesica Piscis and
the VAV ‫ו‬ as representing the firmament as it is all discussed in the second
day of creation (Gen. 1:6-8). The Hebraic letter VAV ‫ו‬ is the sixth (6th
) letter,
which symbolizes space: i.e. nothing. The two YUDs ‫י‬ flanking the VAV ‫ו‬
symbolizes that which is above (up) and beneath (down) the firmament
(heavens): i.e. Trinity, ALEPH ‫,א‬ YUD ‫י‬ and QOPH ‫.ק‬ Every Hebraic letter is
symbolized by ALEPH ‫:א‬ i.e. Trinity. The Hebraic letter’s symbolism: esoteric
meanings symbolize the waters above the firmament (heavens) and the
numerics of the Hebraic letter are the waters beneath the firmament. The
Hebraic letter actually has no substance until it rises above the waters as
described in the third day of creation: it becomes the mastaba: i.e. mound of
creation. It is because the content of the firmament: Vesica Piscis symbolizes
the waters above and beneath the heavens is why Christ, in the New
Testament said, “Whosoever drinks the water that I shall give him shall never
thirst; but the water that I shall give him shall be in him a well of water
springing up into everlasting life (John 4:14)”.