Heritage Auctions Modern & Contemporary Art Prints & Multiples, April 17, 2018, Sale #5344

MODERN & CONTEMPORARY
PRINTS & MULTIPLES
APRIL 17, 2018 | DALLAS

Front Cover Lot: 60007
Inside Front Cover Lot: 60158
Inside Back Cover Lot: 60065
Back Cover Lot: 60063

48417
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Auction #5344
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Tuesday, April 17 • 11:00 AM CT • Lots 60001-60165
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TX Auctioneer Licenses: Teia Baber 16624; Edward Beardsley 16632; Sarah Davies
17505; Sophie Duncan 17901; Christopher Dykstra; 16601; Fiona Elias 17126;
Francesca Felgar 17902; Samuel Foose 11727; Alissa Ford 17104; Kathleen
Guzman 16142; Gregory Holman 17653; Jennifer Jayne Marsh 17105; Marina
Medina 17512; Bob Merrill 13408; Paul Minshull 16591; Rochelle Mortenson
17898; Brian Nalley 17134; Scott Peterson 13256; Michael Provenzale 17157;
Catherine Rigdon 17897; Michael Sadler 16129; Barry Sandoval 17649; Martin
Scammel, Jr. 17659; Nathan Schar 17365; Kimberly Serrano 17657; Anthony
Singleton 17507; Andrea Voss 16406; Jacob Walker16413; Brian Wiedman 17894;
Adam Williams 17893; Phillip Wooten 17656.
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Modern & Contemporary
Prints & Multiples
April 17, 2018 | Dallas
Front Cover: Roy Lichtenstein, Nude with Blue Hair, from Nudes, 1944, lot 60007, Property
from the collection of John Hutcheson, Master Printer © Estate of Roy Lichtenstein
This Auction is cataloged and presented by Heritage Auctioneers & Galleries, Inc.,
doing business as Heritage Auctions.
© 2018 Heritage Auctioneers & Galleries, Inc.
HERITAGE is a registered trademark and service mark of Heritage Capital
Corporation, registered in U.S. Patent and Trademark Ofﬁce.
1
Patent No. 9,064,282
Featuring: The Collection of John Hutcheson, Master Printer

Consignment Directors: Frank Hettig, Leon Benrimon, Holly Sherratt,
Taylor Curry, Naomi Thune
Cataloged by: Rebecca Knight
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PROPERTY FROM THE COLLECTION OF
JOHN HUTCHESON, MASTER PRINTER

John Hutcheson is my father. I could say “was”, as he passed away a year and a half
ago. I choose to say “is”, because in so many ways he persists — maybe none more
important than through his printmaking.
The prints that my father made contributed to the spirit and the direction of
contemporary art. He was far more than just a player in the world of fine art
printmaking. The aspects that John brought to it were fully representative of the way
art has always been made and a precursor to how it would be created going forward.
He worked on significant pieces with important artists and participated in moving the
goal-posts during an extraordinary period in American art.
This period John played a major part in also became a Golden Era of printmaking.
Art has always been linked with science; indeed, artmaking relies on science.
Throughout history, scientific innovation precedes and provides new means for
artistic innovation. At times the scientific innovation and the artistic innovation occur
simultaneously in the same piece, which then influences new pieces that again
expand both the scientific and artistic envelope. This progression describes a Golden Era. A masterful engineer,
my father embodied the link between art and science, working on seminal pieces that redefined the medium again
and again. John was not inspired to make his own images — he was inspired to master the science of printmaking.
He used his mastery to produce the images of artists and to push the medium to suit the directions those artists
were going with their work.
Additionally, John worked with artists who looked at printmaking not as an extension of their preferred medium,
but embraced printmaking as the unique art form it is. Artists like Frank Stella, Helen Frankenthaler and Robert
Motherwell are all known for their printmaking. They chose to work with John both for his considerable skill, but
equally for his personality and character. He was the full package: the consummate team member, likeable and
genuine, and the go-to guy. Everyone always wanted him in their corner, and he always made people feel like they
could succeed. Not only that, he had the technical know-how to help them succeed. I know this because as his
son, I experienced this expertise — it is what made him a wonderful father.
With this disposition, he allowed the artists he worked with to soar. They could do the things they weren’t supposed
to do in printmaking; they could transform the medium for their images. John’s devotion, consideration and
collaboration allowed these artists to outperform themselves. He combined printing techniques, which allowed
prints to be layered with varying texture. He experimented with papermaking to create huge pieces of fine art
paper and pioneered the use of commercial printing techniques like using plates instead of stones and commercial
presses that could handle making runs of giant prints. This allowed the artists to make prints in the sizes they
needed. My father loved to mix ink, and his technique in applying it gives his prints their own unique look and
quality.
Ultimately, John was a master of the technique, the science, of printing. You can see it in the prints. The ink is
luscious and vibrant — it almost looks wet. But he was also a master of collaboration. He knew how to build on
what had been done before to push the boundaries and the medium. He knew how to run teams and execute the
creative direction, and when things required his own hand, he used it deftly. As such he was chosen to be a part
of projects and collaborations that provided a prototype for the collaborative efforts that are so prevalent in the
art world today.
As fine art printmaking succumbs to the digital world, the specific techniques may not be used, but the spirit of
collaboration — of artist teaming up with engineer to push the visual by pushing the technical — pervades. John
Hutcheson is a part of that line, a line that runs through the Renaissance, through Gutenberg, through the explosion
in American Art in the 20th century and on into the massive scale multi-team productions of today. John Hutcheson
represents the age-old bond between art and science: the bond between Artist and Technician.
John Hutcheson Jr.
Property from the Collection of John Hutcheson, Master Printer
Art from one of the most prominent printmakers of the 20th century.

8 To view full descriptions, enlargeable images and bid online, visit HA.com/5344
60001
Helen Frankenthaler (1928-2011)
Divertimento, 1983
Lithograph in red on rare pink paper, with full margins
31 1/2 x 21 3/8 inches (80 x 54 cm) (sheet)
Ed. 37/39
Signed, dated and numbered in pencil in lower margin
Published by Multiples, Inc., New York
Printed by the Hartford Art School, West Hartford, and River Press
LITERATURE:
Harrison, 120
Property from the collection of John Hutcheson, Master Printer
Estimate: $3,000-$5,000

Auction #5344 | Tuesday, April 17, 2018 | 11:00 AM CT 9
60002
Madame de Pompadour, 1985-90
Lithograph in colors on Arches Cover paper
43-1/2 x 29-1/2 inches (110.5 x 74.9 cm) (sheet)
P.P. I (aside from an edition of 60 and 14 artist’s proofs)
Signed, dated, and annotated in pencil along lower edge, with publisher’s chop
Published by Tyler Graphics, Mount Kisco, New York
LITERATURE:
Harrison, 170
Estimate: $4,000-$6,000

60003
Sam Gilliam (b. 1933)
Fire, Nile, and Composition (three works), 1972
Two lithographs on handmade paper; one screenprint on
smooth wove paper
26 x 19-5/8 inches (66.0 x 49.8 cm) (sheet, largest)
B.A.T.; P.P. (each aside from an edition of 67)
Each signed and annotated in pencil along lower edge.
Composition is dedicated ‘To John Hutcheson’
Printed by John Hutcheson and Paul Maguire, Impression
Workshop, Boston
Estimate: $2,000-$3,000

60004
Leon Albert Golub (1922-2004)
Encounter, 1986
Lithograph in colors on Arches paper
22 x 30-1/8 inches (55.9 x 76.5 cm) (sheet)
P.P. IV (aside from an edition of 70)
Signed, titled, and annotated in pencil along lower edge
Estimate: $200-$300

60005
David Hockney (b. 1937)
Twelve Fifteen, 1991
Lithograph in colors on Rives BFK mould-made paper
44-1/8 x 57 inches (112.1 x 144.8 cm) (sheet)
P.P. II (aside from an edition of 50 and 8 artist’s proofs)
Signed, dated, and annotated in pencil along lower edge, with publisher’s chopmark
LITERATURE:
M.C.A.T., 327
Estimate: $8,000-$12,000

60006
Elaine de Kooning (1919-1989)
Untitled, from The Lascaux Series (two works), 1984
Lithographs on wove paper
16 x 20 inches (40.6 x 50.8 cm) (sheet, one)
15 x 21 inches (38.1 x 53.3 cm) (sheet, two)
B.A.T. (aside from an edition of 16) (each)
Each initialed, dated, and annotated in pencil lower left
Published by Mount Holyoke College, South Hadley, Massachusetts
Estimate: $600-$800

60007
Roy Lichtenstein (1923-1997)
Nude with Blue Hair, from Nudes, 1994
Relief in colors on Rives BFK paper
51-3/16 x 31-5/8 inches (130.3 x 80.3 cm) (image)
P.P. II (aside from an edition of 40)
Signed, dated, and annotated in pencil lower right, with publisher’s chopmark
LITERATURE:
Corlett, 286
Estimate: $300,000-$500,000
Heritage is honored to offer this monumental work by Roy Lichtenstein, Nude with Blue Hair, 1994 from
the Collection of John Hutcheson, Master Printer. This work epitomizes the truly incredible talent of Roy
Lichtenstein as a legendary Pop icon and the technical expertise by John Hutcheson and the Tyler Graphics
team who helped achieve Lichtenstein’s vision by using a series of complex stencils and state of the art
printing methods.
When creating his series Nudes, Lichtenstein worked from 1960’s comic book images of women, removing
their costumes and adding references to his earlier work. By removing the original context and hiding his
subject behind glass, Lichtenstein leaves his heroine confined and conflicted. The viewer is left to question
the events within the narrative and cannot fully grasp what is taking place. This creates an intentional
emotional distance between the viewer and the melodrama of the scene. The artist draws attention to the
image as a flat and somewhat meaningless construction. By cleverly reworking the original comic illustration,
Lichtenstein symbolically underscores the manner in which all stereotypes are constructed.
From a small edition, this lot offers the rare opportunity to own a work by the legendary artist along with the
printer whose celebrated work with artists such as Frank Stella, Helen Frankenthaler, David Hockney helped
influence art history.

60008
Joan Mitchell (1926-1992)
Sunﬂowers I (diptych), 1992
Lithographs in colors on Rives BFK paper
57 x 41-1/8 inches (144.8 x 104.5 cm) (sheet, each)
Signed, dated, and annotated in pencil in lower right, with publisher’s chopmark
Estimate: $10,000-$15,000

60009
Robert Motherwell (1915-1991)
Elegy Study I, 1989
Lithograph in colors on light brown TGL handmade paper
Signed and annotated in pencil lower right, with publisher’s chopmark
LITERATURE:
Engberg/Banach, 488
Estimate: $8,000-$12,000

60010
Black Cathedral, 1991
Lithograph in colors on TGL handmade paper
67 x 46 inches (170.2 x 116.8 cm) (sheet)
Initialed and annotated in pencil in lower margin, with publisher’s chopmark
LITERATURE:
Engberg/Banach, 522
Estimate: $8,000-$12,000

60011
Frank Stella (b. 1936)
Pumpkin Moonshine, from Polar Coordinates II (variant), 1979
Monotype in colors on Arches Cover paper
Initialed, titled, dated, and with dedication ‘Happy Birthday, John, xx. F’
in red crayon along lower edge
Published by Petersburg Press, New York
LITERATURE:
Axsom, 120 (variant)
Estimate: $50,000-$70,000
“My early projects with Frank Stella are probably my favorites. It was my earliest opportunity to really
test my printing skills against the world. Over the following decades I was able to work on many Stella
print projects in several different shop locations. Stella continues to be my favorite. But during those
ﬁrst few years at Tyler Workshop we also did thrilling projects with Oldenburg, Kelly, Frankenthaler,
Lichtenstein, Noland, and Hockney.”
- John Hutcheson

60012
La Penna di Hu, from Italian Folktales, 1988
Screenprint, woodcut, relief-printed etching with handcolored stencil on TGL
handmade paper
P.P. I (aside from an edition of 50 and 12 artist’s proofs)
Signed, dated, and annotated in pencil in lower right, with publisher’s chopmark
LITERATURE:
Axsom, 182
Estimate: $10,000-$15,000

MODERN & CONTEMPORARY
PRINTS & MULTIPLES

60013
Richard Anuszkiewicz (b. 1930)
No. 3, from Der Spiegel Portfolio, 1965
Screenprint in colors on museum board
From an edition of 125
Signed in pencil lower right
Published by Galerie Der Spiegel, Koln
Printed by Edition Domberger, Stuttgart, West Germany
Estimate: $1,000-$1,500
60014
Untitled (Yellow), 1965
Screenprint in colors on laid paper
Ed. 39/50
Signed, numbered, and dated in pencil along lower edge
Estimate: $1,000-$1,500

60015
Untitled, from Spectral Cadmium (two works), 1968
Screenprints in colors on paper
27-3/4 x 27-5/8 inches (70.5 x 70.2 cm) (sheet, each)
Ed. 43/125 (each)
Each signed, numbered, and dated in pencil along the lower edge
Published by Galerie der Spiegel, Cologne
Printed by Haas Stuttgart
Estimate: $2,000-$4,000

60016
Karel Appel (1921-2006)
Looking into the Inﬁnite, 1970
Ed. 71/100
Estimate: $1,500-$2,500

60017
Karel Appel (1921-2006)
Deux Personnages, 1976
Stone with handpainting
24 inch (61 cm) diameter
Ed. 12/99
Signed and dated in red paint lower right, with numbering verso
Published by Editions Press, San Francisco
Estimate: $6,000-$8,000

60018
Francis Bacon (1909-1992)
Metropolitan Museum of Art, 1975
Lithograph in colors on Arches paper, with full margins
Ed. 16/200
Signed in ink and numbered in pencil in lower margin
Published by the Metropolitan Museum of Art, New York
Printed by Alexis Manaranche, Paris
Based on the center panel of Bacon’s Triptych paintings, 1974-77
LITERATURE:
Sabatier, 11
Estimate: $7,000-$9,000

60019
John Baldessari (b. 1931)
Two Unﬁnished Letters, 1996
Screenprint and photo-lithograph in colors on Arches 88 paper
29-1/2 x 19 inches (74.9 x 48.3 cm) (image)
31-1/2 x 21 inches (80 x 53.3 cm) (sheet)
Ed. 16/80
Signed and numbered in pencil along lower edge, with printer’s blindstamp
Published by Brooke Alexander Editions, New York
Printed by Arber & Son Editions, Marfa, Texas
LITERATURE:
Hurowitz, 62
Estimate: $3,000-$5,000

60020
Banksy (b. 1974)
Sale Ends, 2006
Screenprint in colors on Arches 88 paper
Ed. 87/500
Numbered in pencil lower right
Published by Pictures On Walls, London
Printed by Modern Multiples Inc., Los Angeles
This work is accompanied with a Certiﬁcate of Authenticity from Pest Control.
Estimate: $8,000-$12,000

60021
Banksy (b. 1974)
Morons (Sepia), 2007
Screenprint in colors on wove paper, with full margins
Ed. 129/300
Signed, numbered, and dated in pencil along lower edge, with publisher’s blindstamp
Published by Pictures on Walls, London
This lot is accompanied by a Certiﬁcate of Authenticity from Pest Control.
Estimate: $15,000-$25,000

60022
Romare Bearden (1911-1988)
Dreams of Exile (Green Snake), 1971
Ed. 14/100
Signed, numbered, and titled in pencil along lower edge
LITERATURE:
Gelburd/Rosenberg GG#31
Estimate: $2,000-$3,000
60023
Romare Bearden (1911-1988)
Slave Ship, 1977
Ed. 80/144
Signed and numbered in pencil lower right
LITERATURE:
Gelburd/Rosenberg GG#61
Estimate: $3,000-$5,000

60024
Robert Bechtle (b. 1932)
Sunset Cadillac, 1987
Soft ground etching in colors on Somerset paper
9 x 12-5/8 inches (22.9 x 32.1 cm) (image)
Ed. 4/25
Signed and numbered in pencil
Published by Crown Point Press, San Francisco, CA
Printed by Brian Shure, San Francisco
Estimate: $2,000-$3,000

60025
Lynda Benglis (b. 1941)
Untitled, 1989
Monotype in colors on handmade paper
Published by Garner Tullis Workshop, Santa Barbara, California
PROVENANCE:
Property of United Airlines.
Estimate: $3,000-$5,000

60026
Lynda Benglis (b. 1941)
Untitled, 1989
Monotype in colors on handmade paper
Published by Garner Tullis Workshop, Santa Barbara, California
PROVENANCE:
Property of United Airlines.
Estimate: $3,000-$5,000

60027
Jonathan Borofsky (b. 1942)
Pied Piper # 2,466,159, 1976-80
Silkscreen on wove paper
Ed. 36/36
Estimate: $2,000-$3,000

60028
Bernard Buffet (1928-1999)
Cirque de l’etoile and Le Fil-de-Fériste, from Mon Cirque, (two works),
1968
Lithographs in colors on Arches paper
28-3/8 x 40 inches (72.1 x 101.6 cm) (sheet, largest)
28-1/4 x 20 inches (71.8 x 50.8 cm) (sheet, smallest)
Ed. 37/120; 36/120
Each signed and numbered in pencil along lower edge
Published by Fernand Mourlot, Paris
LITERATURE:
Sorlier, 157 (Le Fil-de-Fériste)
Estimate: $2,000-$4,000

60029
Alberto Burri (1915-1995)
Trittico A: 1-3 (three works), 1973
Screenprints in colors on wove paper,
with full margins
17 x 13-7/8 inches (43.2 x 35.2 cm)
(sheet, each or reverse)
Ed. 82/90 (there were also 25 artist’s
proofs) (each)
Each signed and numbered in pencil along
lower edge, with publisher’s blindstamp
Published by 2RC Edizioni d’Arte, Rome
Estimate: $2,000-$3,000

60030
Trittico B: 1-3 (three works), 1973-76
Screenprints in colors on wove paper, with full
margins
16-7/8 x 13-3/4 inches (42.9 x 34.9 cm) (sheet,
each)
Ed. 76/90 (each)
Each signed and numbered in pencil in lower
margin, with publisher’s blindstamp
Estimate: $2,000-$3,000

60031
Trittico D: 1-3 (three works), 1973
Screenprints in colors on Fabriano Rosapina paper
Ed. 84/90 (each)
Each signed and numbered in pencil in lower margin, with publisher’s
blindstamp
Estimate: $2,000-$3,000

60032
Serigraﬁa (six works), 1973-76
Screenprint in colors on Fabriano Rosaspina paper
Ed. 71/90 (each)
Each signed and numbered in pencil in lower margin, with publisher’s blindstamp
Estimate: $3,000-$5,000

60033
Stanley Casselman (b. 1963)
Luminor 3-4, 2017
Archival pigment print on Hahnemühle mounted to sintra
Ed. 5/25 (there was also 1 artist’s proof)
Signed and numbered in pencil verso
Published by the artist and TWYLA, Texas
Estimate: $3,000-$5,000

60034
Vija Celmins (b. 1938)
Drypoint-Ocean Surface, 1983
Drypoint on Arches Satine paper, with full margins
Ed. 24/75
Signed and numbered in pencil center, with publisher’s chopmark
Published by Gemini G.E.L., Los Angeles
LITERATURE:
Gemini, 1055
Estimate: $10,000-$15,000

60035
Marc Chagall (1887-1985)
Printemps au Pré, pl. 5, from Daphnis and Chloé, 1961
From an unsigned and unnumbered edition of 250
Published by Tériade/Mourlot, Paris
PROVENANCE:
International Galleries, Chicago, Illinois.
LITERATURE:
Mourlot, 314
Cramer, 46
Estimate: $4,000-$6,000
60036
Entrée en piste, 1965
Lithograph in colors on Arches paper, with trimmed
margins
21-7/8 x 15-3/4 inches (55.6 x 40 cm) (sheet)
E.A. XIV/XXV (aside from an edition of 50)
Signed and numbered in pencil along lower edge
LITERATURE:
Mourlot, 433
Estimate: $4,000-$6,000

60037
L’Arbre Fleuri I, 1977
Lithograph in colors on Arches paper, full
margins
Ed. 94/100
Signed and numbered in pencil center left
Published by Mourlot and Moderne du Lion,
Paris
LITERATURE:
Mourlot, 915
Cramer, 106
Estimate: $2,000-$3,000
60038
Le Baou de St-Jeannet II, 1969
Lithograph in colors on Arches paper, with full
margins
13 x 10 inches (33.0 x 25.4 cm) (image)
20-7/8 x 17 inches (53 x 43.2 cm) (sheet)
Ed. 24/50 (there were also 25 artist’s proofs)
Signed and numbered in pencil along lower
edge
LITERATURE:
Mourlot, 585
Estimate: $3,000-$5,000

60039
Quai des Célestins, 1975
Ed. 27/50
LITERATURE:
Mourlot, 739
Estimate: $15,000-$25,000

60040
After Marc Chagall
By Charles Sorlier
Sunset, from Nice and the Côte D’Azur, 1967
Published by Charles Sorlier, Paris
LITERATURE:
Sorlier, 26
Estimate: $10,000-$15,000

60041
After Marc Chagall
by Charles Sorlier
Avenue de la Victoire à Nice, from Nice et la Côte d’Azur, 1967
Published/printed by Charles Sorlier, Paris
LITERATURE:
Sorlier, 210
Estimate: $10,000-$15,000

60042
After Marc Chagall
By Charles Sorlier
Sirène au poète, 1967
Lithograph in colors on Arches paper, with full margins
Ed. 114/150
Published by Charles Sorlier, Paris
Printed by Mourlot, Paris
LITERATURE:
Sorlier, 27
Estimate: $8,000-$12,000

60043
Christo (b. 1935)
Wrapped Book Modern Art, 1978
Hardcover book Modern Art by Sam Hunter and John Jacobus, wrapped in transparent polyethylene with twine and chord
10 x 13 x 2 inches (25.4 x 33.0 x 5.1 cm) (book)
Ed. 17/120
Signed and numbered in ink verso
Published by Abrams Original Editions, New York
LITERATURE:
Schellmann, 95
Estimate: $6,000-$8,000

60044
Chuck Close (b. 1940)
Self Portrait, 2007
Lithograph and screenprint in colors on Somerset paper, with full margins
Published by Lincoln Center/List Poster and Print Program, New York
LITERATURE:
Riley, 205
Estimate: $5,000-$7,000

60045
Salvador Dalí (1904-1989)
Much Ado about Shakespeare, 1968
Complete set of 15 works
Engravings on Rives BFK paper, with full margins
6-7/8 x 4-7/8 inches (17.5 x 12.4 cm) (image, each)
14-3/4 x 11 inches (37.5 x 27.9 cm) (sheet, each)
Edition 5/150
Each signed and numbered in pencil in lower margin
Published by Werbungs-und Commerz Union Anstalt
Printed by Ateliers Rigal, Paris
LITERATURE:
Field, 68-7
Bruce Hochman OS has kindly conﬁrmed the authenticity of this lot.
Estimate: $6,000-$8,000

60046
Salvador Dalí (1904-1989)
Symbols, 1970
Complete portfolio of six works
Etching on Rives BFK paper, with full margins
Ed. 116/150
Signed and numbered in pencil in lower margins, with publisher’s blindstamp
Published by Vanguard Studios, Beverly Hills, California
LITERATURE:
Fields, 70-12
Bruce Hochman OS has kindly conﬁrmed the authenticity of this lot.
Estimate: $4,000-$6,000

60047
Hugo Demarco (1932-1995)
Cercles Transformables, c.1968
Relief sculpture with wood, formica, and mechanical electrical system
12-5/8 x 12-5/8 x 4-1/2 inches (32.1 x 32.1 x 11.4 cm)
Ed. 15/100
Signed in ink on gallery label verso
Published by Editions Denise René, Paris
Estimate: $4,000-$6,000

60048
Jean Dubuffet (1901-1985)
Parade Nuptiale (Courtship), 1973
Screenprint in colors on tan Canson paper, with full margins
Ed. 43/85 (there were also 15 proofs annotated ‘A-O’ and 13 hors commerce impressions in Roman numerals)
Initialed, numbered, and dated in pencil along lower edge
LITERATURE:
Webel, 1099
Estimate: $4,000-$6,000

60049
Carroll Dunham (b. 1949)
Point of Origin and Another Dimensions (two works), 1988-92; 1995
Intaglios with etching in colors, on wove paper
48 x 69 inches (121.9 x 175.3 cm) (sight, each)
Ed. 11/30; 11/23
Signed, numbered and dated in pencil lower left
Published by ULAE, New York
Estimate: $4,000-$6,000

60050
Shepard Fairey (b. 1970)
Kulture Deluxe, 1997
Screenprint in colors on paper
Ed. 58/100
Published by Obey Giant, Los Angeles
Estimate: $600-$800
60051
Hendrix, 2004
Screenprint in color on speckled paper
24 x 18 inches (61.0 x 45.7 cm)
A.P. (aside from an edition of 300) (sheet)
Estimate: $800-$1,200

60052
Sunset to Die For, 2007
Screenprint in colors on speckled paper
Ed. 57/350
Estimate: $800-$1,200
60053
Mustafa Kemal Araturk, 2008
Screenprint in colors on speckled paper
Ed. 40/100
Estimate: $800-$1,200

60054
Solar Imp, 2001
Screenprint in colors on cream wove paper
Signed twice and numbered in pencil along lower edge
Published by Lincoln Center/List Poster and Print Program, New York
Printed by Brand X Editions, Ltd., New York
Estimate: $5,000-$7,000

60055
Southern Exposure, 2005
Screenprint in colors on wove paper
30-1/2 x 37-1/8 inches (77.5 x 94.3 cm)
(sheet)
P.P. 3/9 (aside from an edition of 128)
Signed, dated, and annotated in pencil
lower left
Published by the Lincoln Center for the
Performing Arts, New York
Printed by Brand X Editions Ltd., New York
Estimate: $5,000-$7,000
60056
Aerie, 2009
Screenprint in colors, on wove paper
Ed. 57/128 (there were also nine artist’s
proofs)
Stamp signed and numbered in pencil along
lower edge
Published by Lincoln Center List Poster and
Print Program, New York
Estimate: $2,000-$3,000

60057
Philip Guston (1913-1980)
Pile Up, 1981
Lithograph on Barcham Green Crisbrook paper
Ed. 19/500
Numbered in pencil with artist’s estate stamp, and publisher’s blindstamp along lower edge
The complete edition was numbered by Gemini and embossed with an estate stamp authorized by Guston’s widow, Musa.
LITERATURE:
Gemini, 1065
Estimate: $2,000-$3,000

60058
Keith Haring (1958-1990)
Chocolate Buddha Green, 1989
E.A. 4/5 (total edition of 120)
Signed, numbered, and dated in pencil lower right
Published by Editions F.B., Paris
Printed by Arts-Litho, Paris
Estimate: $4,000-$6,000

60059
Keith Haring (1958-1990)
Untitled, pl. IV, from Pop Shop III, 1989
Signed, numbered, and dated in pencil lower right, with publisher’s blindstamp
Published by Martin Lawrence Editions, Dallas
Printed by Durham Press, Pennsylvania
LITERATURE:
Littman, 144
Estimate: $8,000-$12,000

60060
Gottfried Helnwein (b. 1948)
Modern Sleep IV, 2004
Archival digital pigment print on vinyl
78-3/4 x 51-1/8 inches (200.0 x 129.9 cm)
Ed. 1/3
Signed, numbered, and dated in ink verso
PROVENANCE:
Modernism, San Francisco
Private collection Dallas (acquired from the above in 2006)
Estimate: $4,000-$6,000

60061
Damien Hirst (b. 1965)
Ethidium Bromide Aqueous Solution, 2005
Aquatint in colors, on Hahnemühle etching paper, with full margins
A.P. (aside from an edition of 65)
Signed in pencil lower right, and numbered in pencil verso
Published by The Paragon Press, London
Estimate: $8,000-$12,000

60062
I Say They Are, pl. 16, from The Blue Guitar, 1976
Etching and aquatint in colors on wove paper
Published by Petersburg Press, London
LITERATURE:
MCA Tokyo, 193
Estimate: $2,000-$3,000

60063
Amaryllis in Vase, from Moving Focus, 1984
Lithograph in colors on TGL handmade paper, with full margins
50 x 36 inches (127 x 91.4 cm) (sheet)
Signed, numbered, and dated in pencil along lower edge, with publisher’s blindstamp
LITERATURE:
Tyler Graphics, 272
Estimate: $50,000-$70,000

60064
Robert Indiana (b. 1928)
Picasso, from The American Dream Portfolio, 1997
Ed. 186/395
Signed and numbered in pencil in lower margin
Published by Marco Fine Arts Contemporary Atelier, El Segundo
LITERATURE:
Sheehan, 82
Estimate: $1,000-$1,500

60065
Jasper Johns (b. 1930)
Target with Four Faces, 1979
Etching and aquatint in colors on Rives BFK paper
Estimate: $20,000-$30,000

60066
Alex Katz (b. 1927)
Bicycling in Central Park, 1983
Lithograph in colors on paper
Signed and numbered in pencil lower left
Published by New York Graphic Society
Printed by Siena Studios
LITERATURE:
Maravell, 130
Estimate: $2,000-$3,000

60067
Alex Katz (b. 1927)
Wedding Dress, 1993
Etching and aquatint in colors on Somerset Satin paper
Ed. 21/75
Signed and numbered in pencil lower left
Published by Simmelink-Sukimoto Editions, Marina del Rey, California
Printed by Doris Simmelink, Chris Sukimoto and Derrick
Estimate: $6,000-$8,000

60068
KAWS (b. 1974)
Untitled, from No Reply (two works), 2015
Screenprints in colors on wove paper
35 x 23 inches (88.9 x 58.4 cm) (sheet, each)
Ed. 34/100 (each)
Signed. numbered, and dated in pencil along lower edge
Published by Pace Editions, New York
Estimate: $4,000-$6,000

60069
KAWS (b. 1974)
The Thing’s That Comfort, Stay Steady, and No
One’s Home (three works), 2015
Silkscreens in colors on Saunders Waterford
white paper
36 x 30 inches (91.4 x 76.2 cm) (sheet, largest)
(each)
Each signed, numbered, and dated in pencil
lower center
Published by Pace Editions, Inc., New York
Estimate: $15,000-$25,000

60070
Ellsworth Kelly (1923-2015)
Red Curve, 1997
Lithograph in red on Rives BFK paper
Signed and numbered in pencil along lower edge, with publisher’s
blindstamp
LITERATURE:
Axsom, 274; Gemini, 1705
Estimate: $5,000-$7,000

60071
Jeff Koons (b. 1954)
Balloon Dog (Red), 1995
Chrome glazed porcelain
10-1/4 inch (26.0 cm) diameter
Ed. 2060/2300
Numbered in gold ink on the underside
Published by The Museum of Contemporary Art, Los Angeles
Estimate: $8,000-$12,000

60072
Balloon Dog (Red), 1995
No. 16
Numbered in gold ink and intitaled by another hand on the
underside
Published by Venice Oakwood Inner City Enterprise, Los Angeles
Estimate: $6,000-$8,000
60073
Balloon Dog (Blue), 2002
Ed. 1061/2300
Numbered in ink on the reverse
Published by The Museum of Contemporary Art , Los Angeles
Estimate: $8,000-$12,000

60074
GOAT: A Tribute to Muhammad Ali, 2001
Hardcover bound book with silk covered portfolio box
22 x 22 x 5-1/4 inches (55.9 x 55.9 x 13.3 cm) (portfolio)
Ed. 538/10,000
Signed by artist and Muhammad Ali in ink on title page
Published by Taschen, Los Angeles
Estimate: $6,000-$8,000

60075
Gerald Laing (1936-2011)
Two Tunnels, from Witness, 1968
Silkscreen with chrome mylar collage on smoothe wove paper
Ed. 71/75
Signed, numbered, dated, and titled in pencil along lower edge, with artist’s blindstamp
Published by the artist
LITERATURE:
Ingram/Halliwell, 31
Estimate: $1,000-$1,500

60076
Sol LeWitt (1928-2007)
Color Bands, set of eight, 2000
Linocuts in colors on Somerset Velvet paper
24 x 24 inches (61.0 x 61.0 cm) (image, each)
29 x 29 inches (73.7 x 73.7 cm) (sheet, each)
Ed. 45/75 (each)
Each signed and numbered in pencil lower right
Published by Parasol Press, Ltd., New York
Printed by Watanabe Studio, Ltd., New York
Estimate: $20,000-$30,000

60077
Brushstrokes, 1967
Screenprint in colors on off-white wove paper
Ed. 282/300
Published by Leo Castelli Gallery, New York, for the Pasadena Art Museum, California
LITERATURE:
Cortlett, II.5
Estimate: $15,000-$25,000

60078
Forms in Space, 1985
Screenprint in colors on Rives BFK paper, with full margins
Ed. 35/125
Signed, numbered, and dated in pencil in lower right
Published by the artist for the Institute of Contemporary Art, University of Pennsylvania, Philadelphia
LITERATURE:
Corlett, 217
NOTE:
Forms in Space has been created especially in honor of ICA’s beneﬁt, Rally Round the Flag (label on
frame verso)
Estimate: $40,000-$60,000

60079
Foot and Hand, 1964
Offset lithograph in colors in colors on wove paper
Ed. 138/300
Signed, numbered, and dated in pencil in upper left
Published by Leo Castelli Gallery, New York
LITERATURE:
Cortlett, II.4
Estimate: $4,000-$6,000

60080
After Roy Lichtenstein
As I Opened Fire (triptych), 1966
Offset lithographs in colors on wove paper
From an edition of approximately 3000
Signed in ink lower right
Published by Drukkerj Luii & Co. and the Stedelijk Museum, Amsterdam
LITERATURE:
Corlett, App. 5
Estimate: $3,000-$5,000

60081
Robert Longo (b. 1953)
Barbara, from Men in the Cities, 1998
Lithograph in black and gray on Rives BFK paper
Ed. 72/120
Signed and dated in pencil lower right
Published by Wolfryd-Selway Fine Art, Los Angeles
Printed by Derrière L’Étoile, New York
Estimate: $8,000-$12,000

60082
Raphael, from Men in the Cities, 1998
Lithograph in black and gray on Rives BFK paper
Ed. 72/120
Signed and dated in pencil lower right
Published by Wolfryd-Selway Fine Art, Los Angeles
Printed by Derrière L’Étoile, New York
Estimate: $8,000-$12,000

60083
Cindy, from Men in the Cities, 2005
Digital pigment on Crane Portfolio Rag paper
Ed. 1/15
Published by Adamson Editions, Washington D.C.
Estimate: $8,000-$12,000

60084
Kerry James Marshall (b. 1955)
Keeping the Culture, 2011
Screenprint and linocut in colors on Arches paper
Ed. 96/100
Signed, numbered, dated, and titled in pencil along lower edge
Estimate: $4,000-$6,000

60085
Henri Matisse (1869-1954)
Figure au visage coupé assise dans un intérieur, 1929
Etching on chine appliqué on Arches wove support
Ed. 19/25
Signed and numbered in pencil lower right
LITERATURE:
Duthuit, 187
Estimate: $10,000-$15,000

60086
Yue Minjun (b. 1962)
One Smile Elevates Us All, No. 2, from Smile-ism Series, 2006
Lithograph in colors on wove paper
Ed. 24/45
Published by Museum Collections Editions
Estimate: $2,500-$3,500
60087
Ohne Titel, No. 16, from Smile-ism Series, 2006
Ed. 43/45
Estimate: $2,500-$3,500

60088
One Smile Will Lead to Another, No. 5, from Smile-ism Series, 2006
Ed. 24/45
Estimate: $2,500-$3,500

60089
Joan Miró (1893-1983)
Le Cheval Ivre, 1964
Ed. 48/75
Published by Maeght, Paris
LITERATURE:
Mourlot, 394
Estimate: $3,000-$5,000
60090
Joan Miró (1893-1983)
Oiseau entre deux astres, 1967
Etching, aquatint, and carborundum in colors on on
Mandeure rag paper
H.C. (aside from an edition of 75)
Signed and annotated in pencil along lower edge
LITERATURE:
Dupin, 429
Estimate: $5,000-$7,000

60091
Joan Miró (1893-1983)
Agora I, 1971
Lithograph in colors on wove paper, with full margins
Ed. 14/125
Published by Musée d’Art Moderne, Strasbourg/Maeght, Paris
LITERATURE:
Mourlot, 704
Estimate: $7,000-$9,000

60092
Joan Miró (1893-1983)
Oda a Joan Miró, 1973
Lithograph in colors on Guarro paper, with full margins
Ed. 23/75
Published by Edicions Polígrafa, S.A., Barcelona
LITERATURE:
Cramer, 175
Estimate: $5,000-$7,000

60093
Joan Miró (1893-1983)
Le Bleu de la Cible, 1974
Etching, aquatint, and carborundum in colors on paper, with full margins
Ed. 13/50
Printed by Morsang, Paris
LITERATURE:
Dupin, 657
Estimate: $3,000-$5,000

60094
Joan Miró (1893-1983)
La Chasse aux Papillions, 1975
Etching and aquatint in colors on Arches paper
Ed. 28/50
Printed by Morsang, Paris
LITERATURE:
Dupin, 743
Estimate: $4,000-$6,000
60095
Joan Miró (1893-1983)
Tres Joan, 1978
Etching and aquatint in colors on Arches paper, with full margins
29-5/8 x 47-5/8 inches (75.2 x 121 cm) (sheet)
H.C. XII/XV (aside from the edition of 99)
Published by Polígrafa, Barcelona/Morsang, Paris
LITERATURE:
Dupin, 1034
Estimate: $5,000-$7,000

60096
Joan Miró (1893-1983)
Galathée, 1976
Etching and aquatint in colors, with embossing, on Arches paper
Ed. 40/50
Published by Maeght Editeur, Paris
LITERATURE:
Dupin, 931
Estimate: $12,000-$18,000

60097
Henry Moore (1898-1986)
Nudes portfolio (ten works), 1976
Lithographs in colors on J. Green wove paper
15-1/4 x 12-3/4 inches (38.7 x 32.4 cm) (sheet, each or reverse)
Ed. 2/50 (there were also ten artist’s proofs)
Each signed and numbered in pencil in lower margin
Printed by Curwen Prints Ltd., London
LITERATURE:
Cramer, 396-406
Estimate: $8,000-$12,000

60098
Gesture III, 1976-77
Lift-ground etching with aquatint in colors on JB Green paper
35 x 26 inches (88.9 x 66 cm) (sheet)
Signed and numbered in pencil in lower margin, with artist’s blindstamp
Co-published by the artist and Brooke Alexander, Inc., New York
Printed by Catherine Mousley, New York
LITERATURE:
Belknap, 171
Engberg/Banach, 207
Estimate: $2,000-$4,000

60099
Takashi Murakami (b. 1962)
Lotus Flower (Pink and White) (two works), 2010
Offset lithographs in colors on satin white paper
28 inch diameter (71.1 cm) (each)
Ed. 136/300; 109/300
Each signed and numbered lower right
Published by KaiKai KiKi Co, Ltd., Tokyo
Estimate: $2,000-$3,000

60100
Claes Oldenburg (b. 1929)
Emerald Pill, 1977
Aluminum multiple with porcelain paint
6 inch (15.2 cm) diameter x 2-1/2 inches (6.4 cm) depth
Ed. 18/35
Stamped with the artist’s signature, number, and date on the underside
Published by the Museum of Contemporary Art, Chicago
Fabricated by Lippincott, Inc., New York
LITERATURE:
Lawson, pp. 122-3, #18; Solway, 18
Estimate: $2,000-$4,000

60101
Tom Otterness (b. 1952)
Battle Cartoon (Yellow), 1982
Painted cast polyadam
24 x 21 inches (61.0 x 53.3 cm)
Ed. 3/12
Incised with signature and date lower right.
Incised with signature, numbering and date on the reverse
Estimate: $5,000-$7,000

60102
Pablo Picasso (1881-1973)
Taureau ailé contemplé par quatre enfants, from La Suite Vollard, 1934
Etching on Montval laid paper
Published by A. Vollard, Paris
LITERATURE:
Bloch, 229; Baer, 444
Estimate: $15,000-$25,000

60103
L’Etreinte III, from La Suite Vollard, 1933
Drypoint on Montval laid paper, with full margins
Edition of 260
Published by Anbroise Vollard, Paris
Printed by Roger Lacourière, Paris
LITERATURE:
Bloch 182; Baer 34
Estimate: $5,000-$7,000

60104
Nature morte au compotier, 1945
Lithograph on wove paper, with full
margins, 2nd state (of 3)
12-7/8 X 17-1/2 inches (sheet)
Edition of 18
Stamped with Marina Picasso’s estate
stamp verso
LITERATURE:
Bloch, 379; Mourlot, 6; Reuße, 47
Estimate: $4,000-$6,000
60105
Peintre et modèle avec un spectateur,
1965
Aquatint and etching on paper, with full
margins
8-3/4 x 12-3/4 inches (22.2 x 32.4 cm)
(image)
13 x 17-3/4 inches (33 x 45.1 cm) (sheet)
Ed. 19/50 (there were also 15 artist’s
proofs)
Signed and numbered in pencil along
lower edge
LITERATURE:
Bloch, 1209; Baer, 1191
Estimate: $4,000-$6,000

60106
Fumeur au Maillot Rayé Gris et Bleu, 1964
Aquatint in colors on Auvergene Richard de Bas paper, with full margins
Signed in crayon and numbered in pencil in lower margin
Published by Galerie Louise Leiris, Paris
LITERATURE:
Bloch, 1172; Baer 1172
Estimate: $15,000-$20,000

60107
Autoportrait transposé et dédoublé rêvant au cirque, avec Jacqueline en acrobate à la boule, pl. 9, from Séries 347, 1968
Etching and drypoint on Rives BFK paper, with full margins
E.A. (aside from an edition of 50)
Signed and annotated in pencil in lower margin
Published by Galerie Louise Leiris, Paris
LITERATURE:
Bloch 1489; Baer, 1504
Estimate: $8,000-$12,000

60108
Fernando de Rojas, La Célestine, pl. 33, 1970
Etching and aquatint on Rives BFK paper
Ed. 20/50
Signed and numbered in pencil at center
Published by Editions de l’Atelier Crommelynck, Paris
LITERATURE:
Bloch, 1617; Cramer bk., 149
Estimate: $3,000-$5,000
60109
After Pablo Picasso
Nature morte au Citron et au Pichet rouge, c. 1960
Aquatint in colors on Rives BFK paper laid on panel, with
trimmed margins
Ed. 173/300
Published by Atelier Crommelynck, Paris
Estimate: $5,000-$7,000

60110
After Pablo Picasso
By Guy Spitzer
Le peintre, 1963
Collotype with pochoir in colors on Arches paper
Ed. 262/350
Signed in blue crayon, and numbered in pencil in lower margin, with publisher’s stamp verso
Published by Guy Spitzer, Paris
Estimate: $10,000-$15,000

60111
Vase deux anses hautes, 1952
Partially glazed turned white ceramic vase, painted in black and gray
15-1/4 inches (38.7 cm) high
From an edition of 400
Inscribed ‘Edition Picasso’ and with the Edition Picasso and Madoura Plein Feu stamps on the underside
LITERATURE:
Alain Ramié, 141
Estimate: $25,000-$35,000

60112
Oiseau au ver, 1952
Partially glazed white earthenware ceramic round dish,
painted in white and black
6 inches (15.2 cm) diameter
Edition of 500
Edition Picasso and Madoura Plein Feu stamps on the
underside
LITERATURE:
Alain Ramié, 172
Estimate: $1,500-$2,500
60113
Oiseau au soleil, 1952
Partially glazed white earthenware ceramic round dish,
painted in white and black
6 inch (15.2 cm) diameter
Edition of 500
Edition Picasso and Madoura Plein Feu stamps on the
underside
LITERATURE:
Alain Ramié, 174
Estimate: $2,000-$3,000

60114
Pablo Picasso (Spanish, 1881-1973)
Pichet espagnol en forme de poule, 1954
White earthenware ceramic pitcher, painted in black and blue
8-1/2 x 10-1/2 x 4 inches (21.6 x 26.7 x 10.2 cm)
Ed. 130/300
Inscribed ‘Edition Picasso 130/300 Madoura ‘ and with the Edition Picasso and Madoura Plein Feu stamps on the underside
LITERATURE:
Alain Ramié, 244
Estimate: $8,000-$12,000

60115
Le hibou brillant, 1955
Glazed white earthenware ceramic plate, painted in black, brown and blue
15-1/4 x 12-1/2 inches (38.7 x 31.8 cm)
Edition of 450
Inscribed ‘Edition Picasso’ and ‘Madoura’ and with the Edition Picasso and Madoura Plein Feu stamps on the underside
LITERATURE:
Alain Ramié, 285
Estimate: $10,000-$15,000

60116
Visage, 1955
Partially glaze white earthenware ceramic pitcher, painted in
black and sepia
12 inches (30.5 cm) high
Edition of 500
Inscribed ‘Edition Picasso’ and with the Edition Picasso and
Madoura Plein Feu stamps on the underside
LITERATURE:
Alain Ramié, 288
Estimate: $10,000-$15,000

60117
Têtes, 1956
Partially glazed white earthenware ceramic pitcher, painted
in black and white
Edition of 500
Inscribed ‘Edition Picasso’, and with the Edition Picasso and
Madoura Plein Feu stamps on the underside
LITERATURE:
Alain Ramié, 368
Estimate: $3,000-$5,000
60118
Quatre visages, 1959
White earthenware ceramic pitcher, painted in black and
brown
Ed. 92/300
Inscribed ‘Edition Picasso’, ‘92/300’ and ‘Madoura’ and
with the Edition Picasso and Madoura Plein Feu stamps on
the underside
LITERATURE:
Alain Ramié, 437
Estimate: $5,000-$7,000

60119
Personnages No. 28, 1963
Glazed earthenware ceramic plate, painted in colors
9-7/8 inches (25.1 cm) diameter
Ed. 65/150
Inscribed ‘No 28’, ‘Edition Picasso’, and ‘Madoura’ and numbered ‘65/150’ on the underside
LITERATURE:
Alain Ramié, 463
Estimate: $5,000-$7,000

60120
Chouette, 1968
Partially glazed earthenware ceramic vase, painted in black, white, brown and green
Ed. 21/500
Inscribed ‘Edition Picasso 21/500 Madoura’ and with the Edition Picasso and Madoura Plein Feu stamps on the underside
LITERATURE:
Alain Ramié, 543
Estimate: $10,000-$15,000

60121
Michelangelo Pistoletto (b. 1933)
Frattali (Blue), 1999-2000
Acrylic on mirrored glass
25 x 33-1/2 inches (63.5 x 85.1 cm)
Signed, dated, and titled in white pencil verso
Estimate: $2,000-$3,000

60122
Portfolio
Resounding Heart, (eight works), 1996
Lithographs in colors on Rives BFK or Arches paper
30 x 22-1/4 inches (76.2 x 56.5 cm) (sheet, each)
Ed. 13/70 (each)
Each signed, numbered and titled in pencil along lower edge
Published by Hand Graphics, Santa Fe, New Mexico
Artists include Artis Lane, Tarleton Blackwell, John Biggers, Robert Colescott, Lionel Lofton, Ron Adams,
Renee Stout, and John Scott.
Estimate: $4,000-$6,000

60123
Portfolio
The New York Collection for Stockholm (thirty works), 1973
Seventeen screenprints, nine lithographs, two lithographs with screenprints, one offset
lithograph, and one gelatin silver print contained in a portfolio box
sizes vary
13-7/8 x 10-3/4 inches (35.2 x 27.3 cm) (portfolio)
Ed. 102/300
Thirty prints are numbered, twenty-nine are stamped with publisher’s copyright verso, and
twenty-eight are signed or initialed
Published by Experts in Art and Technology, New York
Printed by Styria Studio, New York
Artist’s include Lee Bontecou, Robert Breer, John Chamberlain, Walter de Maria, Jim Dine,
Mark Di Duvero, Oyvind Fahlstrom, Dan Flavin, Red Grooms, Hans Haacke, Alex hay,
Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Morris, Louise Nevelson,
Kenneth Noland, Claes Oldenburg, Nam June Paik, Robert Rauschenberg, Larry Rivers,
James Rosenquist, George Segal, Richard Serra, Keith Sonnier, Richard Stankiewicz, Cy
Twombly, Andy Warhol, and Robert Whitman
Estimate: $10,000-$15,000

60124
Robert Rauschenberg (1925-2008)
Page 1, from Pages and Fuses, 1974
Handmade paper pulp with fabric
12-7/8 x 20 inches (32.7 x 50.8 cm)
Embossed signature lower left, with number and date in pencil verso
LITERATURE:
Gemini 514; Gundel, 514
Estimate: $2,000-$3,000
60125
More Distant Visible Part of the Sea, from Suite of Nine Prints, 1979
Screenprint in colors with fabric collage on wove paper
Signed, numbered, and dated in pencil lower left, with printer’s
blindstamp
Published by Multiples, Inc., New York
Printed by Styria Studios, New York
Estimate: $2,000-$3,000

60126
Fort Myers, Florida, 1979
Gelatin silver print
13 x 9 inches (33.0 x 22.9 cm)
Ed. 22/100
Signed in ink in lower margin
Numbered on verso: 5-79 AA 5A-22
PROVENANCE:
Private collection, Los Angeles, California
Published to beneﬁt the Ted Kennedy Presidential Campaign of 1980
Estimate: $2,000-$3,000
60127
Statue of Liberty, from the New York, New York portfolio, 1983
Screenprint in colors with collage on japon nacré paper
Ed. 127/250
Signed, numbered, and dated in pencil along lower edge, with artist’s blindstamp
Published by the New York Graphic Society, New York
Estimate: $3,000-$5,000

60128
Samarkand Stitches III, from Samarkand Stitches series, 1988
Silkscreen and collage on fabric
58 x 45-1/2 inches (147.3 x 115.6 cm)
Ed. 7/74
Signature and date stitched in lower right
Produced by Gemini G.E.L., Los Angeles
LITERATURE:
Gemini, 1403
Estimate: $8,000-$12,000

60129
John Register (1939-1996)
Hollywood, 1989
Silkscreen in colors on heavy wove paper
Ed. 22/75
Signed, numbered, and dated in pencil in lower margin, with publisher’s blindstamp
Published by Modernism Gallery, San Francisco
Printed by Jeff Wasserman of Wasserman Silkscreen Co, Los Angeles
This image was used as the cover of the novel Hollywood by Charles Bukowski. A
paperback copy of the novel is included with this lot.
Estimate: $1,500-$2,500

60130
Bridget Riley (b. 1931)
Fragment 7, from Fragments series, 1965
Screenprint in black and white on Plexiglas
Ed. 8/75
Incised with signature and date lower right, and numbered in ink verso
Published by Robert Fraser Gallery, London
Printed by Kelpra Studio, London
LITERATURE:
Schubert, 5G; de Sausmarez, 47
Estimate: $20,000-$30,000

60131
James Rosenquist (1933-2017)
F-111 (South, West, North, East) (four works), 1974
Lithographs with screenprint in colors on wove paper
36 x 74-5/8 inches (91.4 x 189.5 cm) (sheet, East and West)
36 x 69-5/8 inches (sheet, South and North)
Ed. 43/75 (there were also 20 artist’s proofs) (each)
Each signed, numbered, dated, and titled in pencil along lower edge, with publisher’s and printer’s blindstamps
Published by Petersburg Press, New York and London
Printed by Styria Studios, New York
LITERATURE:
Glenn, 73
Estimate: $20,000-$30,000

60132
Paper Clip, 1974
Signed, numbered, dated, and titled in pencil along lower edge
LITERATURE:
Glenn, 71
Estimate: $3,000-$5,000

60133
Terrarium, 1978
Lithograph in colors on white Arches Cover paper, with full margins
29-1/4 x 44-3/4 inches (sheet)
Ed. 41/100
Signed, numbered, dated, and titled in pencil in lower margin
Printed by Aripeka, Ltd., Aripeka, Florida
LITERATURE:
Glenn, 154
Estimate: $1,500-$2,500

60134
Ed Ruscha (b. 1937)
Cheese Mold Standard with Olive, 1969
Screenprint in colors on cream wove paper, with full margins
Signed, numbered, and dated in pencil lower left
Published by the artist, Los Angeles
LITERATURE:
Engberg/Walker, 31
Estimate: $40,000-$60,000

60135
Ed Ruscha (b. 1937)
Pepto-Caviar Hollywood, 1970
Screenprint in colors on Copperplate Deluxe paper
Ed. 24/50
Signed, numbered, and dated in pencil lower left
Published by Cirrus Editions, Los Angeles
LITERATURE:
Engberg/Walker, 42
Estimate: $7,000-$9,000

60136
Richard Serra (b. 1939)
Rosa Parks, 1987
Paintstick on screenprint on Arches Cover paper
Ed. 18/30 (there were also 8 artist proofs)
Signed, numbered, and dated in pencil verso, with publisher’s blindstamp
LITERATURE:
Berswordt-Wallrabe, 41; Gemini 1330
Estimate: $20,000-$30,000

60137
Sandy Louise Skoglund (b. 1946)
The Value of Wasted Time, from True Fiction series, 1986
Dye transfer print mounted on card
Ed. 2/25
Signed, numbered, dated, and titled in white ink in lower margin
Signed, numbered, dated, and titled in pencil verso
The original series, True Fiction, was discontinued (and the edition of 25 never ﬁnished) when the Kodak Company canceled the production of the dye
transfer materials that were used in the original printing.
Estimate: $1,500-$2,500

60138
Jesús Rafael Soto (1923-2005)
Cuadrados Vibrantes, from Síntesis series, 1979
Screenprint in colors on Plexiglas
15-3/8 x 15-3/8 x 4-5/8 inches (39.1 x 39.1 x 11.7 cm)
Ed. 16/110
Signed and numbered in ink on label verso
Published by Banco Central de Venezuela, Caracas
Estimate: $6,000-$8,000

60139
Jesús Rafael Soto (1923-2005)
Jai- Alai series (four works), 1969
Screenprints in colors on Perspex
24-1/4 x 19-1/2 inches (61.6 x 49.5 cm)
Ed. 66/300 (each)
Each inscribed and numbered lower right
Published by Marlborough Gallery Editions, New York
Estimate: $1,000-$1,500

60140
Sinjerli Variation II, 1977
Offset lithograph and screenprint in colors on Arches cover paper, with full margins
Ed. 83/100 (there are also 20 artist’s proofs)
LITERATURE:
Axsom, 115
Estimate: $4,000-$6,000

60141
Polar Coordinates VI, 1980
Lithograph, screenprint and letterpress in colors on Arches Cover paper
P.P. II (aside from an edition of 100)
Signed, dated, and annotated in pencil lower left
LITERATURE:
Axsom, 124
Estimate: $5,000-$7,000

60142
Had Gadya: Back Cover, from Illustrations After El Lissitzky’s Had Gaya, 1982-84
Lithograph, linocut and screenprint in colors, with handcoloring and collage on T.H. Saunders and Somerset wove papers
Signed, numbered, and dated in pencil lower center
Published by Waddington Graphics, London
LITERATURE:
Axsom/Kolb, 181.B
Estimate: $8,000-$12,000

60143
Donald Sultan (b. 1951)
Visual Poetics Portfolio (six works), 1998
Screenprints in colors on paper, with black leather portfolio, text, and illustrations
16-1/4 x 16-1/4 inches (41.3 x 41.3 cm) (sheets)
22-1/2 x 17-1/2 inches (57.2 x 44.5 cm) (portfolio)
Ed. 105/395
Each print initialed and numbered in pencil along lower edge, with publisher’s chopmark
Published and printed by Marco Fine Arts Contemporary Atelier, El Segundo
Estimate: $3,000-$5,000

60144
Untitled, from Dominoes Portfolio, 1990
Aquatint on wove paper
Ed. 19/53
Initialed, numbered, dated, and titled in pencil in margins
Published by Parasol Press Ltd., New York
Printed by I.M.E. Studios, New York
Estimate: $600-$800
60145
Nose, Lip, Tongue, from Body Parts Portfolio, 1994
Aquatint on wove paper
B.A.T. (aside from the edition of 6)
Initialed, dated, titled, and annotated in pencil in margins
Published by Parasol Press Ltd., New York
Estimate: $600-$800

60146
Antoni Tàpies (1923-2012)
Variations sur un thème musical 6, 1987
Lithograph with embossing on Arches paper
Published by Galerie Lelong, New York
LITERATURE:
Homs, 1147
Estimate: $1,000-$1,500

60147
Wayne Thiebaud (b. 1920)
Lipstick Row, from Seven Still Lifes and a Rabbit, 1970
Screenprint in colors on Arches paper
Ed. 23/50
Published by Parasol Press, Ltd., New York
Estimate: $8,000-$12,000

60148
Glassed Candy, from Presidential Portfolio, 1980
Lithograph in colors on Rives BFK paper, with full margins
Ed. 26/150
Published by the Democratic Committee Service Corporation, Washington, D.C.
Estimate: $4,000-$6,000

60149
Neighborhood Ridge, 1984
Hard-ground etching with aquatint and drypoint on Arches 88 paper
T.P. (aside from an edition of 50)
Signed, dated, and annotated in pencil in lower margin, with publisher’s blindstamp
Published by Crown Point Press, Oakland
Printed by Peter Pettengill, Oakland
Estimate: $4,000-$6,000

60150
Andy Warhol (1928-1987)
Liz, 1964
Offset lithograph in colors on wove paper
23-1/8 x 23-1/8 (58.7 x 58.7 cm) (sheet)
From an edition of approximately 300
Signed and dated in ball point pen lower right
Published by Leo Castelli Gallery, New York
Printed by Total Color, New York
LITERATURE:
Feldman/Schellmann, II. 7
Estimate: $20,000-$30,000

60151
Jimmy Carter II, 1977
Screenprint in colors on Strathmore Bristol paper
Ed. 84/100 (there are also 25 artist’s proofs)
Signed by the artist and Jimmy Carter, and numbered in ink lower left
Published by Democratic National Committee, Washington, D.C.
Printed by Rupert Jasen Smith, New York
LITERATURE:
Feldman & Schellmann, II.151
Estimate: $4,000-$6,000

60152
Cow, 1976
Screenprint in colors on wallpaper, with trimmed margins
From the unlimited edition of which approximately 100 were signed
Signed in black felt-tip pen lower right
Published by Factory Additions, New York
Printed by Bill Miller’s Wallpaper Studio, Inc., New York
LITERATURE:
Feldman/Schellmann, II.12A
Published for an exhibition at the Modern Art Pavilion, Seattle Center
Estimate: $10,000-$15,000

60153
Untitled, from Flowers, 1974
Screenprint with handcoloring on J. Green paper
Ed. 14/ 250 (there were also 50 artist’s proofs)
Initialed in pencil lower right
Signed, numbered, and dated in pencil verso
Published by Peter M. Brant and Castelli Graphics and Multiples, Inc., New York
Printed by Alexander Heinrici, New York
LITERATURE:
Feldman/Schellmann, II.118
Estimate: $4,000-$6,000

60154
Untitled, from Flowers Portfolio, 1970
Signed in ball point pen, and numbered with a rubber stamp verso
Published by Factory Additions, New York
Printed by Aetna Silkscreen Products, Inc., New York
LITERATURE:
Estimate: $25,000-$35,000

60155
The Witch, from Myths, 1981
Screenprint in colors with diamond dust on Lenox Museum Board
38 x 38 inches (96.5 x 96.5 cm)
AP 17/30 (aside from an edition of 200)
Signed and numbered in pencil, verso
Published by Ronald Feldman Fine Arts, Inc., New York
Literature:
Note:
This work is accompanied by a certiﬁcate of authenticity from Martin Lawrence Limited Editions
Estimate: $25,000-$35,000

60156
Mammy, from Myths, 1981
Screenprint in colors with diamond dust on Lenox Museum Board
Signed and numbered in pencil lower right, with printer’s blindstamp and artist’s stamp verso
LITERATURE:
Estimate: $20,000-$30,000

60157
$ 1, 1982
Screenprint in colors on Lenox Museum Board
Signed and numbered in pencil along lower edge, with printer’s chopmark
Published by the artist, New York
Property from an important Beverly Hills interior designer
LITERATURE:
Estimate: $30,000-$50,000

60158
Grevy’s Zebra, from Endangered Species, 1983
Signed and numbered in black pencil lower center, with publisher’s blindstamp
Property from an important Beverly Hills interior designer
LITERATURE:
Estimate: $60,000-$80,000

60159
Blackglama (Judy Garland), from Ads, 1985
Ed. 177/190
Signed and numbered in pencil lower left, with the blindstamps of the printer
Literature:
Note:
This work is accompanied by a certiﬁcate of authenticity from Martin Lawrence
Limited Edition
Estimate: $15,000-$25,000

60160
Turtle, 1985
Screenprint on Lenox Museum Board
Signed and numbered in pencil along lower edge with printer’s blindstamp, and artist’s stamp verso
Published by CBS Inc., Los Angeles
LITERATURE:
Feldman/Schellmann, II.360A
Published to coincide with the 1985 ﬁlm Turtle Diary written by Harold Pinter
Estimate: $10,000-$15,000

60161
After Andy Warhol
The Souper Dress, (Limited Edition), 1968
Screenprint in colors on cellulose and cotton
38 x 22 inches (96.5 x 55.9 cm)
Labeled ‘The Souper Dress’ at the neck
This iconic dress was inspired by Warhol’s 1962 Campbell’s Soup Cans. It was made and sold by
Campbell’s Soup in the late 1960s, at a time when disposable paper dresses were a popular trend.
Vintage Souper dresses can be found in several museum collections including The Metropolitan
Museum of Art in New York.
Estimate: $3,000-$5,000

60162
Tom Wesselmann (1931-2004)
Seascape (Tit), 1967
Screenprint in colors on Museum Board
29 x 23-5/8 inches (73.7 x 60 cm) (sheet)
Estimate: $5,000-$7,000
60163
Nude with Rose, 1976
Screenprint in colors with embossing on Rives BFK
paper
Ed. 44/75
Signed, numbered, and dated in pencil lower right,
with publisher’s blindstamp
Published by Styria Studio, New York
Estimate: $4,000-$6,000

60164
Woman with Green Blouse, 1988
Screenprint on museum board
Published by International Images Inc., Putney, Vermont
Estimate: $7,000-$10,000

60165
Bedroom Blonde Doodle with Photo, 1988
Ed. 35/100
Published by International Images Inc., Putney, Vermont
Estimate: $7,000-$10,000
End of Auction

Anuszkiewicz, Richard 60013, 60014, 60015
Appel, Karel 60016, 60017
Bacon, Francis 60018
Baldessari, John 60019
Banksy 60020, 60021
Bearden, Romare Howard 60022, 60023
Bechtle, Robert 60024
Benglis, Lynda 60025, 60026
Borofsky, Jonathan 60027
Buffet, Bernard 60028
Burri, Alberto 60029, 60030, 60031, 60032
Casselman, Stanley 60033
Celmins, Vija 60034
Chagall, Marc 60035, 60036, 60037, 60038, 60039,
60040, 60041, 60042
Christo 60043
Close, Chuck 60044
Dalí, Salvador 60045, 60046
Demarco, Hugo 60047
Dubuffet, Jean 60048
Dunham, Carroll 60049
Fairey, Shepard 60050, 60051, 60052, 60053
Frankenthaler, Helen 60001, 60002, 60054, 60055, 60056
Gilliam, Sam 60003
Golub, Leon Albert 60004
Guston, Philip 60057
Haring, Keith 60058, 60059
Helnwein, Gottfried 60060
Hirst, Damien 60061
Hockney, David 60005, 60062, 60063
Indiana, Robert 60064
Johns, Jasper 60065
Katz, Alex 60066, 60067
KAWS 60068, 60069
Kelly, Ellsworth 60070
de Kooning, Elaine 60006
Koons, Jeff 60071, 60072, 60073, 60074
Laing, Gerald 60075
LeWitt, Sol 60076
Lichtenstein, Roy 60007, 60077, 60078, 60079, 60080
Longo, Robert 60081, 60082, 60083
Marshall, Kerry James 60084
Matisse, Henri 60085
Minjun, Yue 60086, 60087, 60088
Miró, Joan 60089, 60090, 60091, 60092, 60093,
60094, 60095, 60096
Mitchell, Joan 60008
Moore, Henry Spencer 60097
Motherwell, Robert 60009, 60010, 60098
Murakami, Takashi 60099
Oldenburg, Claes 60100
Otterness, Tom 60101
Picasso, Pablo 60102, 60103, 60104, 60105, 60106, 60107,
60108, 60109, 60110, 60111, 60112, 60113, 60114,
60115, 60116, 60117, 60118, 60119, 60120
Pistoletto, Michelangelo 60121
Portfolio 60122, 60123
Rauschenberg, Robert 60124, 60125, 60126, 60127, 60128
Register, John 60129
Riley, Bridget 60130
Rosenquist, James 60131, 60132, 60133
Ruscha, Ed 60134, 60135
Serra, Richard 60136
Skoglund, Sandra Louise 60137
Soto, Jesús Rafael 60138, 60139
Stella, Frank 60011, 60012, 60140, 60141, 60142
Sultan, Donald K. 60143, 60144, 60145
Tàpies, Antoni 60146
Thiebaud, Wayne 60147, 60148, 60149
Warhol, Andy 60150, 60151, 60152, 60153, 60154,
60155, 60156, 60157, 60158, 60159, 60160, 60161
Wesselmann, Tom 60162, 60163, 60164, 60165
Artist Index

Heritage Auctions Modern & Contemporary Art Prints & Multiples, April 17, 2018, Sale #5344

Heritage Auctions Modern & Contemporary Art Prints & Multiples, April 17, 2018, Sale #5344

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Heritage Auctions Modern & Contemporary Art Prints & Multiples, April 17, 2018, Sale #5344