Sworders Design 13 - 14 July 2021

Tuesday 13 and Wednesday 14 July 2021

jewellery@sworder.co.uk | 01279 817778
TUESDAY 27 JULY 2021
Fine Jewellery and Watches

Live Online - Tuesday 13 and Wednesday 14 July 2021 at 10am
ORDER OF SALE
Day One - Tuesday 13 July, from 10am
Lots 1-2 Automobilia
Lots 3-155 Arts and Crafts
Lots 156-318 Art Deco
Lots 319-361 The Trevor Coldrey Collection of Studio Pottery
Lots 362-411 Studio Ceramics
Day Two - Wednesday 14 July, from 10am
Lots 412-441 The Hunsberger Collection of Photography
Lots 442-807 Modern Design, Furniture and Lighting
to include
Lots 657-665 ‘Salvage Hunters, The Restorers’
VIEWING TIMES
Due to current social distancing restrictions, we will be
offering viewing by appointment only. You can book an
appointment on our website.
Thirty-minute time slots will be available from:
Friday 9 July 9am - 5pm
Saturday 10 July 10am - 2pm
Sunday 11 July 10am - 2pm
Monday 12 July 9am - 5pm
ONLINE BIDDING
Bid live at www.sworder.co.uk
(0% surcharge)
REMOVAL OF LOTS
We operate a booking system for collections at
www.sworder.co.uk/appointments. You must
book your appointment 24 hours in advance, to
ensure your items are ready when you arrive.
All lots will be available to collect from Thursday
15 July at our Stansted Mountfitchet Auction
Rooms. Please select ‘Collection’ as your
appointment type when booking your collection
time. Lots not collected by 5pm Friday 23 July
will incur storage charges.
FURTHER INFORMATION
Contact:
Telephone: 01279 817778
Email: auctions@sworder.co.uk
To obtain more detailed images and
condition reports for lots in this catalogue,
please visit our website www.sworder.co.uk
John Black
Head of Design
Otto Billström
Valuer

This lot is subject to Buyer’s Premium at 15% inclusive of VAT @ 20%
Day One
Tuesday 13 July from 10am
Lot 1

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AUTOMOBILIA
1-2
Lot 1
1930 Austin Seven Box Saloon
Registration number: HX 9375
Chassis number: 114785
Engine number: M102712
Presented in dark blue over black with a black vinyl roof insert, this diminutive Austin is in generally very presentable condition throughout.
The interior is trimmed in black vinyl for the seating and blue for the door cards. Instrumentation is Smiths MA for the speedometer and a fabulous
DH Ltd. oil pressure gauge.
Stated to be in good running and driving condition, it has been driven to Holland and Belgium during the present ownership. Sensible modifications
to allow safer road use include flashing indicators and hydraulic brakes. Prospective purchasers should, of course, carry out their own inspection to
satisfy themselves as to the mechanical condition of the car.
In the current ownership since 2013, paperwork with this lot includes a number of expired tax discs and MoT test certificates, along with a number
of invoices for work undertaken, the last major works having been carried out in 2017.
£5,000 - 7,000
Lot 2
‘MS 88’,
a UK registration number, with V778
Retention Document expiring 19/08/2030,
with two registration plates for the same (2)
£20,000 - 25,000
Please note the buyer will pay any transfer
fees if required.
1 details
2 one of a pair

6
ARTS AND CRAFTS
3-155
Lot 3
An Émile Gallé cameo
glass vase,
c.1900, decorated with
a mountain landscape,
in shades of purple,
blue and yellow, signed
‘Galle’,
26cm high
£1,500 - 2,000
Lot 4
A Daum cameo glass lamp base,
c.1910, of baluster form, red and yellow
coloured, with acid-etched decoration
in the form of Brugmansia, with iron
fittings, signed ‘Daum Nancy France’ and
marked with the cross of Lorraine to the
base,
45cm high
£800 - 1,200
Lot 5
A Daum cameo glass
lamp base,
c.1910, of baluster
form, purple and
yellow coloured, with
acid-etched decoration
in the form of a
woodland scene with a
lake, with iron fittings,
unsigned,
47cm high
£800 - 1,200
Lot 6
An enamelled cameo glass vase,
in the manner of Daum, with enamelled
relief decoration of green leaves, indistinctly
signed ‘A. Voicvl’ in cameo,
20cm high
£150 - 250
Lot 7
Gabriel Argy-Rousseau,
c.1920, a pâte-de-verre
vase, decorated with
spiders and spiderwebs
among brambles, signed
‘G. Argy-Rousseau’,
12cm high
£100 - 200
Lot 8
A cameo glass table lamp,
in the manner of Émile Gallé,
of conical form, with a
loose internal light fitting
of bulbous form, with an
acid-etched decoration
of vines in shades of
pink and yellow,
22cm high
£100 - 200
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3-155 ARTS AND CRAFTS
Lot 9
A Daum enamelled glass vase,
1920s, France, decorated with
red flowers, the glass with yellow
inclusions, signed ‘Daum Nancy’ with
the cross of Lorraine to the side,
19cm high
£1,000 - 1,500
Lot 10
A Loetz Phaenomen iridescent
glass vase,
c.1899, possibly pattern PG 7767,
of baluster form, with a pulled trail
design, with impressed details,
20cm high
£250 - 350
Lot 11
A Gallé cameo
glass vase,
with a spiralling
green and
yellow ground,
fire-polished with
clematis in a brown
cameo, signed,
44.5cm high
£3,000 - 5,000
Lot 12
A Le Verre Français cameo vase,
with a mottled yellow and orange ground,
overlaid with bluebell-type flowers, engraved
‘Le Verre Français’,
32cm high
£250 - 350
Lot 13
A Le Verre Français cameo glass vase,
by Charles Schneider, with dahlia flowers, on a
mottled pink ground, and two hues of purple,
signed ‘Le Verre Français’,
26cm high
£650 - 750
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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20%
Lots marked * will be subject to an additional fee - please see ARR details on page 204
ARTS AND CRAFTS 3-155
Lot 14
An Émile Gallé cameo glass lamp,
c.1900, the base of flat-shouldered baluster
form, with a cone-shaped shade, with blue
acid-etched decoration in the form of clematis
on a yellow ground, with a three-armed brass
insert for two bulbs, signed ‘Gallé’ in cameo,
60cm high
£12,000 - 15,000

www.sworder.co.uk 9
Lot 15
An Émile Gallé cameo glass lamp,
c.1900, the base of baluster form,
with a dome-shaped shade, with
purple acid-etched decoration in the
form of daisies on a yellow ground,
with a three-armed brass insert for
two bulbs, shade and base signed
‘Gallé’ in cameo,
62.5cm high
£15,000 - 18,000

10
Lot 16
A set of five French Art Nouveau
pochoir prints,
early 20th century, by Gustave Raynal,
each with designs of Art Nouveau interiors
and furniture, each signed in the print
‘G. Raynal’,
each 25 x 37cm (5)
£200 - 250
Lot 17
An Armor Bronze Art Nouveau-style
lamp,
in the manner of Tiffany, a central bronze
column with a spiralling grapevine relief,
the top with a painted glass shade with a
motif of leaves and berries,
61cm diameter
182cm high
£400 - 600
Lot 18
An Art Nouveau inlaid
mahogany corner chair,
with line inlay and
stylised tulip details to
the frame and top rails,
the supports united with
a ‘X’ stretcher,
63cm wide
60cm deep
79cm high, seat
41.5cm high
£200 - 300
Lot 19
An embossed leather and walnut fire screen,
late 19th century, the embossed panel with Greek gods Triton and
Hermes, flanking a cartouche with initials bordered with the tails of two
dragons beneath, the beasts bellowing smoke and fire, with a winged
wheel heraldic charge, the border and background with scrollwork and
bulrushes, mounted with leather string on a turned walnut frame, the
reverse plain,
110cm wide
103cm high
£300 - 500
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Lot 20
A secessionist brass
adjustable standard lamp,
early 20th century, in the style
of Gustave Serrurier-Bovy, on a
tripod base,
165cm high
£250 - 350
Lot 21
A pair of Russian silver spill
vases,
84 standard, probably Moscow,
indistinct marks possibly ‘BTC’,
each of tapering form, engraved
with flowers and a rustic cottage,
with a gilt interiors, stamped
marks,
19.5cm high (2)
£200 - 300
Lot 22
An Art Nouveau WMF silver-plated
and green glass claret jug and
stopper,
of slender tapering form, mounted with
a handle and mounts cast with sinuous
fruit, two maidens to the base mount,
raised on lily pad feet, faint stamped
marks,
37.5cm high
£200 - 400
Lot 23
A secessionist copper and
brass tray,
c.1900, designed by Gustave
Serrurier-Bovy, of swollen
rectangular form with
geometric pierced decoration
to the handles and gallery,
53.5cm wide
£300 - 400
Lot 24
A WMF silver-plated
twin-handled
centrepiece,
no. 331, of pierced oval
form, embossed and
moulded with a lady to
each side, a matched
clear glass liner, moulded
mark,
45cm wide
£200 - 300
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Lot 25
An unusual Art Nouveau cold-painted spelter table lamp,
modelled as a lady gazing into a well whilst seated on the edge,
beneath a naturalistic arbour of entwined vines, mounted with five
lights, the edge silvered, the well cast with a faun’s head, his mouth
open and mounted with a green glass panel, also mounted to the
centre of the well,
56cm wide
43cm deep
101cm high
£3,000 - 5,000
Lot 26
Alphonse Mucha (Czech, 1860-1939)
‘L’Estampe Moderne’, April 1898
lithographic print on paper, signed and dated in the print
59.5 x 40cm
£250 - 350
Lot 27
A set of eight Art Nouveau walnut dining chairs,
a pair of armchairs and six singles, each with a carved top rail
over a shaped splat, with an overstuffed upholstered seat and
on turned tapering legs,
carvers 65cm wide
60cm deep
118cm high (8)
£400 - 600
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26
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Lot 28
Emmanuel Villanis (French, 1858-1914),
‘Lucrèce’, a patinated bronze bust, c.1890,
titled and signed ‘E.Villanis’ and with applied
‘Société des Bronzes de Paris’ foundry stamp,
71cm high
£1,000 - 1,500
Lot 29
A Fischer Islamic pottery vase,
1910, on a cream ground, with
pierced panels and twin handles,
painted with flowers and foliage,
impressed and printed marks,
37.7cm high
£200 - 300
Lot 30
A Delphin Massier pottery jardinière,
moulded with nymphs to the rim, with flowing
purple robes that form the stand, painted with
flowers, inscribed ‘Delphin Massier Valluauris
(A.M.)’,
48cm high
£400 - 600
Lot 31
A large Delphin Massier pottery charger,
painted and tube lined with flowers, signed ‘Walter’ and inscribed
‘Delphin Massier Vallauris (A-M)’,
60cm diameter
£300 - 500
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Lot 32
An Émile Gallé faience teapot,
c.1890, of twisted form, with partially-gilt
floral decoration, the spout in the form of
a goose, signed ‘Émile Gallé à Nancy’ to
the underneath,
27cm high
£1,500 - 2,000
Lot 33
An Émile Gallé faience pitcher,
c.1890, in the form of a minstrel with a lute sat on a drum,
signed ‘E Gallé Nancy’ under the left foot,
40cm high
£1,500 - 1,800
Lot 34
An Émile Gallé faience
‘Gockel’ bowl,
c.1880-1890, in the
form of a rooster, signed
‘Gallé’ and marked ‘E G’
with the cross of Lorraine
within a shield to the
underneath,
20cm high
£800 - 1,200
Lot 35
An Émile Gallé faience
charger,
c.1890, in the form of a
moth, partially gilt, with
painted decoration of a
dragonfly amongst reeds,
signed ‘Émile Gallé à Nancy’
and marked ‘E G’ with the
cross of Lorraine,
43 x 21cm
£1,500 - 1,800
Lot 36
Two Émile Gallé chargers,
c.1900, Nancy, both with painted decoration, one
depicting Hans Holbein, the other depicting Rembrandt,
signed ‘E.G E. Gallé à Nancy’ and marked with the cross of
Lorraine,
33cm diameter (2)
£1,200 - 1,800
Lot 37
A French faience table clock,
early 20th century, in the manner of Émile Gallé, with
polychrome floral decoration, the clock raised on columns, the
cornice in the form of fleur-de-lys, the base with flanking lion
heads, with an enamelled dial with Latin numerals and Arabic
minutes,
36cm high
£150 - 250
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35
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Lot 40
A Royal Copenhagen crystalline glazed vase,
designed by Valdemar Engelhardt, with a trailing blue-grey glaze, underglaze wave mark,
inscribed ‘No. 171’ dated ‘1892’ and with monogram ‘VE’,
19.5cm high
£1,000 - 1,500
Valdemar Engelhardt (Danish, 1860-1915), was a ceramic chemist employed at
Royal Copenhagen from 1892 until 1915. An expert in crystalline and flambé glazes,
he was responsible for some of the best pieces to come from the manufactory.
Lot 38
After Jules Cheret,
‘Tableaux & Dessins de
A.Willette’, an exhibition
poster,1897, framed
£200 - 300
Lot 39
A Royal Copenhagen vase
and cover,
the ovoid vase with a
crackle glaze with orange
panels with gilt borders, the
cover modelled as a cherub
holding a floral cornucopia,
underglaze blue wave mark,
a green printed factory mark
and inscribed ‘212 2847 dcx’,
43cm high (2)
£650 - 750
Lot 41
A Rozenburg Den Haag
eggshell porcelain
twin-handled vase,
decorated by Simon Schellink,
c.1902, painted in light green
and yellow with flowers on the
tapering body, rising to a square
neck and rim, printed and painted
marks, numbered ‘593’, with
artist’s monogram,
30cm high
£500 - 700
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Lot 42
A Bock-Steger
anatomical face,
c.1890, a painted
plaster and wax model
of a human face, by
Franz Josef Steger,
Leipzig, mounted on
an ebonised plinth,
35cm high
£300 - 500
Lot 43
A Riessner, Stellmacher & Kessel
‘Amphora’ porcelain bust,
designed by Eduard Stellmacher,
depicting a young woman with a
plumed headdress, in gilt, painted
and enamelled decoration, stamped
with red factory mark for ‘Riessner,
Stellmacher & Kessel’ to base and
inscribed ‘Ed Stellmacher’ to the
reverse,
50cm high
£400 - 500
Lot 44
A majolica centrepiece,
c.1910, ‘Schale Kinderreigen’, by Wilhelm Süs (German, 1861-1933) for
Karlsruhe, Staatliche Majolika-Manufaktur, Germany, modelled as eight naked
putti forming a ring amongst blue-green foliage, impressed blue factory mark
and numbers,
35cm diameter
£300 - 400
Lot 45
A majolica
centrepiece,
c.1910, designed by
Wilhelm Süs (German,
1861-1933), for
Karlsruhe, Staatliche
Majolika-Manufaktur,
Germany, modelled as
four putti supporting a
central swagged bowl,
impressed blue factory
mark and numbers,
26cm high
£200 - 300
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44
43
42 reverse
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Lot 46
A set of six oak dining chairs,
c.1880, each top rail carved
with panels, with a moulded
frame, original stuffover seat,
united with an ‘H’ stretcher,
48cm wide
48cm deep
87cm high, seat 47cm high (6)
£300 - 500
Lot 48
An Aesthetic Movement
Anglo-Japanese fire screen,
mounted with a glazed panel,
surrounded with latticework,
the back covered in patterned
velvet,
65cm wide
39cm deep
105cm high,
a folding screen,
with carved panels
58cm wide
80cm high
and another mahogany
fire screen,
in the manner of
E W Godwin (3)
£200 - 400
Lot 49
A pollard oak chaise longue,
c.1875, in the Aesthetic taste, upholstered in burgundy velvet,
with spindles carved in ebony and reeded tapering legs,
188cm wide
69cm deep
110cm high
£700 - 900
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49
48
47
46
Lot 47
A Gothic Revival oak desk,
with a sloping embossed leather writing top, opening to an arrangement
of pigeonholes, with fret cut sides, on castors,
68cm wide
56cm deep
85cm high
£400 - 600
Lot 50
An ebonised ‘Sussex’
armchair,
designed by Dante
Gabriel Rossetti for
Morris & Co., with
a lyre back, rush
seat and on turned
supports, the back
legs with castors,
51cm wide
47cm deep
82cm high, seat
36cm high
£150 - 250

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Lot 51
An Athelston oak
armchair,
c.1900, designed by
Leonard Francis Wyburd
for Liberty & Co., with a
drop-in rush seat,
66cm wide
70cm deep
89.5cm high, seat
41cm high
£500 - 800
Lot 52
A pair of Gothic Revival brass candlesticks,
each raised on a central column with an elliptical mirrored glass panel
flanked with cast monograms, a castellated drip pan, all on a tapering base
with sunburst motif and on three claw feet,
60cm high (2)
£400 - 600
Lot 53
An Egyptian Revival marble and
slate mantel clock garniture,
profusely engraved with hieroglyphs
and surmounted with a patinated
bronze sphinx, flanked with winged
lions, the dial with Arabic numerals,
50.5cm wide
42cm high, and
a pair of garnitures, modelled as
obelisks,
56.5cm high (3)
£1,000 - 1,500
Lot 54
Robert Weir Shultz (1860-1951),
‘The Beaumont Album’,
a photograph album belonging to Shultz with
photographs of him, his family, his Arts and
Crafts garden at the Barn, Hartley Wintney
and holidays in Scotland (100 photographs
approximately)
£100 - 150
Lot 55
An Arts and Crafts brass standard lamp,
designed by W A S Benson, stamped ‘Regd No. 127090’,
with a central screw, raised on an ‘X’ stand with
gadrooned feet, with applied chains,
138.5cm high
£350 - 450
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54
54 details
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58
57
56
Lot 56
‘Science in Modern Life’,
six volumes, published by the
Gresham Publishing Company, 1909,
full decorative cloth gilt, the covers
designed by Talwin Morris (6)
£120 - 150
Lot 57
An oak centre table,
in the manner of
E W Godwin, with a
shaped circular top, raised
on an hexagonal apron and
on ring-turned supports,
united with five double
stretchers,
76.6cm diameter
73cm high
£500 - 800
Lot 58
A William Birch ash side chair,
with a tapered base, centred with
a panel with fret cut detail, over a
rush seat on turned supports, with
a ‘X’ stretcher
£200 - 300
Lot 59
Attributed to Walter Crane (1845-1915)
A medieval crowd scene with town crier
signed l.l. in pencil with monogram, ink and gouache
33.5 x 46cm
£200 - 300
Lot 60
A pair of Morris-type mahogany reclining armchairs,
differently upholstered, each with spindle turned arm supports, on brass
castors,
62cm wide
82cm deep
95cm high (2)
£300 - 500
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Lot 61
A Tudric pewter clock,
designed by Archibald Knox for Liberty & Co., with an enamelled
dial and copper chapter ring with Roman numerals, impressed
‘English Pewter 0761’,
21cm high
£2,500 - 3,500
Lot 62
An Art Nouveau mahogany boxwood and brass-inlaid
mantel clock,
with an enamelled dial, inscribed ‘Elkington’ with a French
eight-day movement, on brass bun feet,
25.5cm high
£200 - 300
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Lot 65
An Aesthetic ebonised side chair,
in the manner of E W Godwin, with
a mashrabiya turned panel back,
original seat, no cover,
37cm wide
45cm deep
75cm high, seat 34.5cm high
£100 - 200
Lot 66
An Arts and Crafts embossed copper
casket,
by John Pearson, dated 1903, the hinged
cover embossed with two birds beneath a
tree, the front panel with petalled scrolls,
with nailed panels, inscribed to the back
panel ‘JP1903’ and ‘LLT 1937’,
17cm wide
13cm deep
7.5cm high
£300 - 500
Lot 67
An Aesthetic corner chair,
with spindle panels over a rush seat,
on ring-turned supports,
58cm wide
57cm deep
46cm high
£100 - 150
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Lot 63
Henry Ryland (1856-1924)
A lady holding a pitcher, another figure below
a pencil sketch, unsigned
78 x 57cm
£200 - 300
Lot 64
Sir William Nicholson (1872-1949)
‘Fishing’
a print, from ‘An Almanac of Sports’, 1897,
19.5 x 19.5cm,
and another
‘Persimmon’
17 x 17.5cm, both framed and glazed (2)
£100 - 150
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Lot 68
A Minton Aesthetic pottery vase,
c.1880-1900, of baluster form, with
a scrolling floral design, with factory marks
to the underneath,
62cm high
£200 - 300
Lot 69
Two Minton secessionist pottery vases,
each with tube-lined decoration,
a tapering vase, with a red ground, incised ‘3334’, impressed ‘18’, printed marks
and ‘No.1’,
25cm high, and
a small bullet form vase, with a blue ground, incised ‘0545’, impressed, printed marks
and ‘No.46’,
15cm high (2)
£150 - 200
Lot 70
A Foley ‘Intarsio’ pottery bowl,
designed by Frederick Rhead, the
compressed globular vessel with a band
of fish in colours, raised on slender
brown supports on a circular foot,
printed marks and numbered ‘338’,
17cm high
£150 - 200
Lot 71
A Burmantofts faience pottery spoon
warmer,
modelled as a toad, impressed and incised
marks ‘451’ and ‘WH’,
13.5cm high
£120 - 150
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Lot 72
A Minton Art Nouveau frieze,
c.1910, comprising fourteen quadratic tiles arranged in two
tiers, composing a motif of sinuous floral sprays with yellow
and blue flower heads, with green wave design extending
to the borders, against a cream ground, moulded ‘Minton’s
China Works, Stoke on Trent, England, Reg No. 269779,
No. E211 Col.’,
105 x 30cm (14)
£500 - 700
Lot 74
A Hancock & Sons Morris ware vase,
model C11-7, designed by George Cartlidge, decorated with
tube-lined cornflowers, printed and painted marks,
27cm high, and
a small squat bowl,
model C6-8, printed and painted marks,
12.5cm diameter (2)
£120 - 150
Lot 75
A Compton Potters’
Art Guild pottery figure
group,
‘Hear No Evil, Say No Evil,
See No Evil’,
15cm high
£150 - 200
For a similar figure, see
Hilary & Louise Boreham
‘Mary Seton Watts and
the Compton Pottery’,
2019, p.210. 75
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73
72
Lot 73
A pair of Bretby Art Pottery figures,
modelled as a boy and girl, each with faux wood supports on
square section bases, impressed marks and model numbers
‘2355’ and ‘2356’,
76cm high (2)
£400 - 500

24
Lot 76
A pair of Arts and Crafts oak settles,
by William Birch, High Wycombe in the manner of George Walton, each with turned finials,
shaped back rails, outswept arms and ring-turned supports, now with red vinyl backs and seats,
125cm wide
65cm deep
146.5cm high, seat frame 45cm high (2)
£2,000 - 3,000
Similar examples have rush panels at the back and rush seats. The panels at the back still have
the frame supports.
Lot 77
An Arts and Crafts oak overmantel mirror,
with a shaped and pierced frame, centred with
a bevelled mirror plate, under a shelf,
127cm wide
94cm high, and
an oak two-tier shoe rack,
with open rails and pierced ends,
69.5cm wide
21cm deep
72.5cm high (2)
£250 - 350
77 shoe rack
77 mirror
76

Lot 78
After John White Alexander
‘Isabella and the Pot of Basil’
oil on canvas, c.1950s (the original
painted in 1897), unsigned
120 x 59cm, framed
£350 - 450
Lot 82
An Arts and Crafts silver-plated
mantel clock,
of shaped form with a moulded edge,
centred with a blue enamelled face
and an engraved chapter ring with
Arabic numerals, with a key, raised on
squat pad feet, stamped marks to the
underside ‘15765’,
25.5cm wide
7cm deep
14.5cm high
£200 - 300
Lot 80
A silver-plated lidded
jug,
in the manner of
Dr Christopher Dresser,
stamped ‘4 Gill 2014’
and maker’s marks for
Joseph Haywood & Co.,
Sheffield,
17.5cm high
£100 - 150
Lot 81
A Tudric pewter pierced
shamrock dish,
stamped ‘0287’,
28.5cm wide, and
two twin-handled pewter
vases,
stamped ‘01215’ and ‘030’,
18cm and 14cm high (3)
£100 - 150
Lot 83
An Arts and Crafts pewter ‘owl’
bowl,
of pinched triform shape, embossed
and engraved with owls’ faces, the
eyes inset with shells, stamped ‘036’,
18cm diameter
£100 - 150
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80
79
79 detail
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Lot 79
An Arts and Crafts oak hanging bookshelf,
centred with a shelf and flanked with embossed
panels of fruiting trees,
48.5cm wide
11cm deep
35cm high,
together with ‘The Old Testament’,
thirty-one copies, J M Dent & Co., worn (32)
£200 - 300

26
Lot 84
A large Arts and Crafts copper ceiling light,
of circular section stamped in low relief with rose
flowers and foliage to the rim and column supports,
hanging from cylindrical supports decorated with
similar roses and three pierced light apertures, the light
with a red silk shade, unsigned,
52cm diameter
77cm high
£450 - 550
Lot 85
A Gothic oak dinner gong,
with a chamfered frame with quatrefoil and circular
details,
61.5cm wide
107.5cm high
£150 - 250
Lot 86
An Arts and Crafts oak
settle,
with shaped ladder backs, over
a rush seat, with ring-turned
uprights and bobbin-turned
front supports,
160cm wide
60cm deep
107.5cm high, seat
45.5cm high approximately,
together with a pair of
matching armchairs,
54cm wide
60cm deep
106cm high, seat 45cm high,
all with custom-made squab
cushions (3)
£300 - 500
Lot 87
An oak overmantel mirror,
centred with a bevelled edge mirror
plate beneath an arched pediment,
flanked with further mirrored panels
over embossed copper panels, with
blind fret cut details,
146cm wide
98cm high, and
a hanging walnut cabinet,
centred with a glazed cupboard,
with an arrangement of shelves,
95.5cm wide
90cm high (2)
£250 - 350
87 cabinet
87 mirror
86
85
84

Lot 91
A Victorian brass sign,
‘I Beeby Engraver, Lithographer and Printer,
Die and Stamp Cutter’,
46cm wide
33cm high
£200 - 300
Lot 92
A Scottish Arts and Crafts embossed
copper wall mirror,
the shaped top embossed with foliage, over
a plain rectangular plate, flanked with trees,
92cm wide
62cm high
£400 - 600
Lot 88
Professor Giuseppe Bessi
(Italian, 1857-1922),
an alabaster ‘Madonna and Child’,
signed verso, on a marble plinth,
39cm high
£200 - 400
Lot 89
A brass table lamp,
designed by W A S Benson, with a pivot
lamp, on a triform stand, with an opaline
glass shade, cracked, stamped ‘Benson’,
35.5cm high,
together with another brass table
lamp,
with a glass opaline shade, unmarked,
27cm high (2)
£400 - 600
Lot 90
A ‘City of Westminster Kensington Rd. S.W.’ Vitrolite road sign,
etched and coloured, with original City of Westminster purchase label verso, dated 1973,
84cm wide
25.5cm high
£400 - 600
89
88
92
91
90

Lot 93
An Arts and Crafts copper hall lantern,
mounted with a cylindrical opaline glass shade, on the hammered mounts,
49cm high, and
a Benham & Froud copper jardinière,
designed by Dr Christopher Dresser, with a banded of embossed roundels and frilled rim, stamped marks,
26.5cm high (2)
£200 - 300
Lot 94
A pair of Arts and Crafts pierced brass firedogs,
each set with a rose among thorns,
25cm wide
22cm deep
42cm high (2)
£300 - 500
Lot 95
An Arts and Crafts copper mirror,
of octagonal form, composed of eight embossed
sections, with a circular bevelled mirror plate,
57cm diameter
£200 - 300
Lot 96
An Arts and Crafts oak duet stand,
each adjustable sheet holder with a fret
cut lyre-shaped back, on an hexagonal
column with fret cut legs,
148cm high approximately
£300 - 500
96
95
94
93

Lot 97
An Arts and Crafts oak
bookcase,
of slight tapering form, with
six tiers over a fret cut back,
80cm wide
21cm deep
145cm high
£200 - 400
Lot 98
An ecclesiastical oak and
leather kneeler,
with carved supports,
76cm wide
42cm deep
40cm high
£150 - 250
Lot 100
A Cotswold School walnut nest of
three tables,
each with plain tops and united
supports,
38cm square
51cm high, and
a Cotswold School oval oak coffee
table,
81cm wide
54cm deep
48cm high (2)
£250 - 350
100
99
98
97
Lot 99
A walnut lamp table,
with turned tapering supports,
58cm square
64cm high,
a leather and oak stool,
with a studded seat and a double ‘H’ stretcher,
52cm wide
34cm deep
62cm high, and
an oak dressing table mirror,
60cm wide
46cm high (3)
£250 - 350

30
Lot 101
A Cotswold School oak bedside cupboard,
with a bow front and panelled door with a carved
octagonal handle,
44cm square
74cm high
£250 - 350
Lot 102
An Arts and Crafts mahogany throne
chair,
designed by Walter Frederick Cave
(1863-1939), with carved finials on a square
stretcher, upholstered in Sanderson ‘Voysey’
fabric, with studded details,
73.5cm wide
80cm deep
122cm high, seat 35cm high
£2,000 - 3,000
Walter Frederick Cave (1863-1939) was
educated at Eton and then studied at the
Royal Academy Schools under the instruction
of Arthur W Bloomfield. He set up his own
practice in 1889 and joined the Artworkers’
Guild. An almost identical version of this
chair, designed by Cave and made by
R Nash, was exhibited at the ‘Arts & Crafts
Exhibition’ in 1899, along with other pieces.
See ‘The Studio’, 1899, Vol II p.181.
102
101

Lot 103
A set of eight Arts and Crafts
oak dining chairs,
each with a carved back in
the manner of Arthur Heygate
Mackmurdo, with a sprung seat
upholstered in green vinyl,
44cm wide
45cm deep
£500 - 700
Lot 104
A rare Arts and Crafts oak and
inlaid sideboard,
c.1900, designed by Edgar Wood
(1860-1935) and attributed to
Bartletts of High Wycombe, in
two sections, the top with a
raised backboard with carved
pilasters, each topped with
an inlaid panel of the ‘Bohun
Swans’, the lower section centred
with an arrangement of four
drawers flanked on either side by
doors, opening on to shelving,
the doors with inlaid panels
depicting flying ‘Bohun Swans’,
168.5cm wide
48.5cm deep
1568cm high
£2,000 - 3,000
Literature:
Illustrated in ‘Cabinet
Maker Complete
House Furnisher’, 1902.
Edgar Wood (1860-1935) was
an architect and draughtsman,
who was involved with the British
Arts and Crafts Movement. He
was one of the most advanced
architects of his generation and
became England’s uncontested
pioneer of flat-roofed modern
building. He was the founder of
the Northern Artworkers’ Guild
in 1896 and was president of the
Manchester Society of Architects
from 1911 to 1912.
104
103

32
Lot 105
An Arts and Crafts silver twin-handled bowl,
in the manner of C R Ashbee for the Guild of Handicraft Ltd.,
London 1905,
with attenuated scrolled handles raised on four pointed feet,
17cm wide, 2.8ozt approximately
£200 - 300
Lot 106
A silver-plated capstan inkwell,
designed by A E Jones, for G L Connell of Cheapside,
the hinged cover inset with a purple cabochon, with
a clear glass insert, stamped ‘Connell, 83 Cheapside’
and numbered ‘1753’,
9.7cm diameter, 6cm high
£100 - 150
Lot 107
A cased set of six Art Nouveau silver buttons,
by Levi Salaman, Birmingham 1905,
each depicting a profile within a sinuous border,
3cm diameter
£100 - 150
Lot 108
‘Proposed design for silver gilt
presentation casket’
pencil and watercolour
37 x 57cm
£150 - 250
Lot 109
A silver chalice and cover,
by The Silversmiths’ Art and Book Company, London 1941,
the plinth with an applied Chi Roh symbol and with initials
‘AW’, set with twenty-two cabochon amethysts, two birds
and fruiting vine, below a leaf chased knop, the cover with
feathered chasing and cross finial, set with twenty-three
cabochon amethysts, three later
replacement paste,
33.5cm high (2)
£1,500 - 2,000
109
107
106
105
108

Lot 110
An Arts and Crafts silver twin-handled vase,
maker’s mark for Johnson, Walker Tolhurst Ltd., London 1904, and signed
‘L. Movio 1904’,
of tapering form with two cast foliate handles, the body with chased sinuous
flowers, in high relief to a planished ground, on a circular foot,
37.5cm high
£1,200 - 1,800
Provenance:
From the private collection
and descendant of a
past owner of Johnson,
Walker Tolhurst.
The facsimile signature of Latino Movio
(1858-1949) has been noted on chased
and embossed Arts and Crafts’ silver pieces
hallmarked between 1901 and 1907. Although
very few details about his life and work have come
to light, he appears in the 1911 census as an Italian
‘artist in metal repousse’. His son and daughter are
recorded living in the same house as a ‘brass finisher
and chaser’ and ‘art metal teacher’ respectively.
Given the style of his work and the date when his
signature begins to appear on silver, it seems probable
that he was employed in the workshop of Gilbert
Marks, whose output ceased around 1902 because
of illness. Further weight is lent to this argument
by the fact Movio’s facsimile signature turns up
on items bearing the ‘maker’s mark’ of Johnson,
Walker Tolhurst for whom Marks worked and
at whose showrooms he exhibited his silver from
1896 to 1901. A likely scenario is that Mario
continued to work for them (as well as for other
retailers) on his own account after leaving the
employ of Marks, applying his own signature
in the same style. Movio last appeared as a
‘chaser’ in a 1934 trade directory.
Lot 111
A silver-mounted Dewar’s Whisky decanter and stopper,
by S Blanckensee Son, Birmingham 1905,
the silver collar with a quatrefoil rim, a glass ball stopper, with a pinched clear
glass body,
34cm high (2)
£100 - 150
Lot 112
A silver-plated sugar bowl and shovel,
after a design by Dr Christopher Dresser,
stamped marks ‘Walker Hall’,
12cm high, and
a Hukin Heath twin-handled bowl,
engraved with Dresseresque designs,
14cm diameter (3)
£150 - 200
112
111
110

34
118
116
115
114
113
Lot 118
A Cotswold School
oak refectory table,
by Reynolds of
Ludlow, on an ‘H’
shaped stretcher, with
a bevelled edge, a
copper label ‘Made by
Reynolds of Ludlow,
England’,
183cm wide
75cm deep
73cm high,
together with six
lattice back oak
chairs,
with drop-in rush
seats, the bracings
with various stamped
numbers,
45cm wide
41cm deep
90cm high, seat
42cm high (7)
£1,000 - 1,500
Lot 113
Two Robert ‘Mouseman’ Thompson breadboards,
one of octagonal moulded form, the other, oval with a handle,
both carved with the signature mouse,
31cm and 29.5cm wide (2)
£200 - 300
Lot 114
A Robert
‘Mouseman’
Thompson oak tray,
of kidney shape,
with an adzed top
and a low rim, with
the carved signature
mouse each side,
47 x 33cm
£150 - 250
Lot 115
A Robert ‘Mouseman’
Thompson oak fruit bowl,
with an adzed bowl and
body, the centre carved with a
signature mouse,
29.5cm diameter
£200 - 300
Lot 116
A nest of three walnut tables,
dated 1957, designed by Stanley Webb Davies (1894-1978), craftsman Sidney
Allan Johnston, each tabletop with rounded edges, on straight supports and
sledge feet, signed with monograms to the smallest table,
46.5cm wide
30.5cm deep
44.5cm high (3)
£400 - 600
Lot 117
Spare lot

Lot 120
A Cotswold School cherrywood cabinet,
designed and made by Hugh Birkett (1919-2002),
signed and dated to the back ‘HB 1965-1989’, with
panelled doors opening to reveal an arrangement
of eleven shelves, with drilled holes to the panelled
back, raised on a block plinth and sledge supports,
91cm wide
34cm deep
152.5cm high
£800 - 1,200
This cabinet was commissioned by Hugh Birkett’s
Oxfordshire clients for their son’s 21st birthday in
1965 and the original function was a gun cabinet.
Hugh Birkett (1919-2002) set up his workshop
in 1949 in Solihull and then moved to
Moreton-in-the-Marsh in 1966. He was influenced by
Ernest Gimson, Edward Barnsley and Romney Green.
121
120
120 detail
119
Lot 119
A Cotswold oak sideboard,
with two central drawers flanked with cupboards, each with turned handles,
raised on sledge supports,
152.5cm wide
50cm deep
89cm high
£300 - 500
Lot 121
A Cotswold School oak refectory table,
designed by Eric Sharpe (1888-1966) raised on a trestle stand,
with monogram,
152.5cm wide
65cm deep
73.5cm high
£1,000 - 1,500
Eric Sharpe (1888-1966) was a pupil of Arthur Romney Green
for eight years and later became a designer-craftsman working
on his own at Martyr Worthy in Hampshire.

36
Lot 122
An Arts and Crafts
Hampshire School oak
overmantel,
by Norton M Palmer of
Petersfield, with a carved
cornice, with carved
maker’s marks to the verso,
106.5cm wide
91.5cm high
£300 - 500
Lot 123
An Arts and Crafts brass
hall lantern,
with latticed panels, over a
pierced heart-shaped frieze
and a wide cornice,
28cm wide
81cm high
£300 - 500
Lot 124
A Scottish Arts and Crafts
copper embossed frame,
embossed with a Robert
Burns quote ‘Some hae meat
an canna eat, some wad
eat that want it, but we hae
meat an we can eat, an sae
the Lord be thankit’, centred
with a coloured print,
62cm wide
52.5cm high
£250 - 350
Lot 125
An Arts and Crafts oak side
table,
with a squared top, with
ring-turned and shaped
stretchers and supports,
77cm square
65cm high
£200 - 300
126
125
124
123
122
Lot 126
A Liberty oak lamp table,
in the Moorish style with a hexagonal top, with arabesque aprons
on turned legs,
55cm diameter
70.5cm high
£200 - 400

Lot 127
A Glasgow School mahogany three-tier
magazine rack,
centred with a fret cut back, on shaped
supports,
35.5cm wide
23.5cm deep
97.5cm high
£200 - 400
Lot 128
A Liberty Moorish oak sideboard,
from the Kharan range, with pierced slatted
friezes over a shaped bevel-edged mirror,
with a drawer over an Arabic arched shelf,
with a cupboard, mounted with copper
strap hinges with a further bobbin-turned
frieze to the lower section,
153cm wide
55cm deep
177cm high
£500 - 700
Lot 129
An inlaid hexagonal stand,
profusely inlaid with mother-of-pearl
and other specimen wood,
34cm diameter
46.5cm high
£100 - 150
Lot 130
An Arts and Crafts
copper-embossed tray-top
table,
with a lift-off tray, the frieze
embossed with rose and
leaf decoration, wrought
iron supports united with an
octagonal copper plate,
61cm diameter
65cm high
£200 - 300
Lot 131
An Arts and Crafts inlaid
oak dressing chest,
attributed to
Waring Gillow, with
geometric ebony and
boxwood inlaid panels,
with brass handles,
122cm wide
55cm deep
148cm high
£300 - 500
131
130
129 detail
129
128
127

38
Lot 132
A pair of Arts and Crafts wrought
iron and bronze firedogs,
18cm wide
23cm deep
56cm high (2)
£150 - 250
Lot 133
Two Arts and Crafts mahogany
lamp tables,
one mounted with red tiles, with an
‘X’ stretcher,
45cm square
76cm high,
the other with a shaped apron,
56cm square
71cm high (2)
£200 - 300
Lot 134
A set of four Arts and Crafts oak lattice
back chairs,
each with a shaped back, with a carved
roundel and rush seat, (2+2),
armchairs 54cm wide
45cm deep
£300 - 500
136
135
134
133
132
132
Lot 135
A pair of oak library armchairs,
c.1875, each with burgundy faux leather seat, back
and arms, raised on castors,
60cm wide
68cm deep
£400 - 600
Lot 136
A pair of oak side chairs,
c.1875, each with turned front legs, united with stretchers, upholstered
in cream with a hand recess to the back, raised on front castors,
49cm wide
47cm deep
£150 - 250

39
Lot 137
A pair of Arts and Crafts oak and leather long-handled bellows,
attributed to Arthur Simpson of Kendal, carved with a peacock with stylised feathers and signed and
dated ‘AD Stevens, 1913’,
102cm long
£200 - 400
Similar examples are illustrated in Eleanor Davidson, ‘The Simpsons of Kendal’, University of Lancaster,
1978, fig.117.
Lot 138
An Arts and Crafts Donegal rug,
c.1900, in the manner of Gavin
Morton and G K Robertson, with a
central blue ground with a cruciform
design, with a beige border and
stylised flowers,
264 x 221cm
£2,000 - 3,000
137
137 reverse
138

40
Lots 139-142
A collection of cartoons for stained glass by George Daniels (1854-1940)
139 part lot
These full-size working drawings by the artist George Daniels
(1854-1940) were all made for stained glass windows dating from the
1920s and 1930s, which were – in part – designed by the architect
Frederick Charles Eden FSA FRIBA (1864-1944). Although nominally the
work of F. C. Eden, who secured the commissions and was responsible
for the execution of the designs, the windows were actually the result
of a collaborative process, in which George Daniels’s cartoons were an
essential component. F. C. Eden’s contribution was limited to drawing
initial sketches and creating the ornamental border patterns; all the
figure-drawing – as in this collection of cartoons – was Daniels’s work.
George Daniels was born in London on 29 October 1854. After
education at a choir school, he attended the City and Spitalfields School
of Art, winning free studentships and numerous prizes, including the
National Gold Medal (awarded to art students by the government’s
Science and Art Department). His studies included all types of figure
drawing (for stained glass, mural decoration, etc.) as well as ornamental
design. At the age of sixteen and through the good offices of the
Rev. John Horsley (Rector of St Peter’s, Walworth and later Canon of
Southwark Cathedral), Daniels embarked on a six-year apprenticeship
with the highly-regarded London firm of Clayton Bell, working as
one of the studio team of cartoonists producing full-size drawings from
which stained glass windows were made. By the mid-1880s, Daniels’s
distinctive personal style began to emerge recognisably in the firm’s
work, gradually superseding the earlier idiom that had originated with its
founders, John R. Clayton and Alfred Bell, although these two retained
an overall supervisory role for many years.
In time, Daniels’s talents as a figure-draughtsman were so much valued
that he was given his own cartooning-room within the Clayton Bell
studio, while also being allowed to work from his home in north-east
London. From 1884 to 1892 he lived at 35 Malvern Road, Dalston, and,
subsequently, at 56 Dunsmore Road, Stamford Hill, until his death in
1940. He was married to Marian Jessie Bennett and the couple had three
daughters. As well as Daniels’s prolific output of stained glass designs,
there is a smaller body of delicate portrait miniatures and watercolour
landscapes, some of which were exhibited at the Royal Academy
summer exhibitions between 1884 and 1917.
As an employee of Clayton Bell, George Daniels received recognition
only within the firm: to the outside world his work remained strictly
anonymous and the many windows principally designed by him were
never individually credited. Nevertheless, it is true to say that Daniels
was the dominant artistic personality within Clayton Bell’s design
team (and, effectively, creator of its ‘house style’) from the later 1880s
until the time of the Great War. His work for the firm can be seen in
many of the English cathedrals, including Lichfield, Gloucester, York,
Ely and Truro, as well as in hundreds of parish churches throughout the
U.K. and overseas. In the 1890s, Daniels largely designed an important
series of windows, under royal patronage, for Crathie Parish Kirk near
Balmoral Castle.
Daniels’s style can be characterised as scholarly and elegant, with much
inspiration from later medieval and early Northern Renaissance sources
(especially the artist Hans Holbein the Younger) for both figure-drawing
and ornamental motifs. Not surprisingly, his impeccable figure-drawing
and facility as a designer attracted the attention of architects and studios
other than Messrs. Clayton Bell, and he found substantial additional
work as a freelance designer. From the early 1890s, Daniels collaborated
fruitfully with the architect John Francis Bentley on commissions for
stained glass, mosaic and decorative painting, notably for Westminster
Cathedral and for the Catholic churches of St James, Spanish Place,
Marylebone and the Holy Rood, Watford. He also designed and
cartooned windows for Franz Mayer (of Munich and London), Alfred
Octavius Hemming and Horace Wilkinson.

Lot 139
George Daniels (1854-1940)
Manchester Cathedral
Designs for stained glass
all pencil and titled and inscribed, all sizes approximate
1. ‘King Edward I and Queen Eleanor of Aquitaine’
mounted No 5-light of a top tier of a 5-light transom window, (West window of
N. Aisle?)
198 x 68.5cm;
2. ‘Malcolm III and Margaret of Scotland’
No 1 light of a top tier of 5-light transom window, (West window of N. Aisle?)
190.5 x 68.5cm, rolled;
3. ‘Abraham and Sarah’
No 4 light of bottom tier of 5-light transom windows
190.5 x 68.5cm, rolled;
4. ‘The Holy Family, Joseph, Mary Infant Jesus, beneath which Anna Joachim’
5-light West window of N. Aisle recorded, some colour
193 x 68.5cm, rolled;
5. ‘Ruth and Boaz’
No 2 light of bottom tier of 5-light transom window. (West window of N. Aisle?)
190.5 x 68.5cm, rolled;
6. ‘St. Peter and the Wife of St. Peter’
No 4 light of a top tier of 5-light transom windows. (West window of N. Aisle?)
190.5 x 68.5cm, rolled;
7. ‘Aquilla and Priscilla’
No 2 light of top tier of 5-light transom window (West window of N. Aisle?)
190.5 x 68.5cm, rolled;
8. ‘Isaac and Rebecca’
No 5 light of a bottom tier a 5-light transom window. (North Aisle?)
190.5 x 68.5cm, rolled;
9. ‘Hannah and Elkana’
No 1 light of a bottom tier of 5-light transom window (N. Aisle?)
190.5 x 68.5cm, rolled (9)
£4,000 - 6,000
139 part lot
George Daniels ceased working for Clayton Bell in about 1920,
the year in which he began his very successful collaboration
with F. C. Eden, who had been producing stained glass
(initially working with the glass-painter James Fisher) since the
1890s. Eden shared Daniels’s taste for Northern Renaissance
(Netherlandish and German) art and was obviously impressed by
the latter’s ability, based on a lifelong study of historical stained
glass and work in other media, to evoke the general character
of early sixteenth-century work in his drawing. Indeed, George
Daniels was arguably the most accomplished British stained
glass designer working in the late Gothic/early Renaissance
idiom during the period of the 1890s and the early twentieth
century. Eden windows that were cartooned by Daniels can be
seen in scores of locations, including Chester Cathedral (cloisters,
1921), Clare church, Suffolk (1921), Portishead church, Somerset
(1926), Wellingborough School Chapel (1924), Burford church,
Oxfordshire (1934-38) and the English Chapel at Monte Carlo
(1938).
This collection of cartoons, mostly drawn when the artist
was in his seventies and eighties, show his remarkably fluent
and undiminished powers of draughtsmanship. Of particular
interest are those for the impressive 5-light west window (1927)
formerly in the north aisle of Manchester Cathedral, which was
completely destroyed by wartime bombing in December 1940.
The other cartoons are all for extant stained glass windows
in Cambridgeshire and Suffolk churches, including a 2-light
Saints Nicholas and Martin window (1930) at Little St Mary’s,
Cambridge, and a 3-light Crucifixion window (1929) for the
Chapel at Hengrave Hall. The cartoons for the window (1939) at
Pampisford church, Cambridgeshire, are amongst his last works.
Our thanks to Peter Cormack for writing this introduction to the
lots.

42
Lot 140
Chedburgh Church, Suffolk, 1925
1. Almighty Father, (Tracery Piece,
no. 7 of a series, three-light East
window), rolled
84 x 76cm, rolled;
2. Angel In Annunciation,
(three-light East window)
91 x 51cm, rolled;
3. Blessed Virgin Mary In
Annunciation, (3-light East window)
91 x 74cm, rolled;
4. St. John the Evangelist in
Crucifixion scene with Angel
covering her face in sorrow
198 x 80cm, rolled;
5. Crucifixion,
possibly from Porth, but shows
similarities to this window, rolled (5)
£1,500 - 2,000
140
Chedburgh Church
141 part lot
Bassingbourn Church, Cambridgeshire

Lot 141
1. St. Mary’s Church, March, Cambridgeshire, 1929
tracery showing a vision of Jesus after his crucifixion
(2-light window, south side of Nave and 2-light window, north side of Nave)
84 x 76cm, rolled;
2. St Mary-the-Less, Cambridge, 1930-1935,
St Nicholas
rolled;
3. St Martin cutting his robe with a sword with a beggar at his feet,
some colour,
4. Bassingbourn Church, Cambridgeshire, 1931
Blessed Virgin Mary lamenting Jesus’ crucifixion, a winged angel above
holding sphere of the Sun,
183 x 69cm, rolled;
5. A female saint lamenting Jesus’ crucifixion, a winged angel above holding
sphere of waxing moon,
183 x 69cm, rolled;
6. Pampisford Church, Cambridgeshire, 1939
Jesus Carrying The Cross
69 x 66cm, rolled;
7. Duxford Church, Cambridgeshire, 1931-32,
Crucifixion
278 x 70cm, rolled
8. Virgin Mary and Elder looking down from a castle turret,
168 x 53cm rolled (8)
£1,200 - 1,500
Lot 142
1. Hengrave Hall Chapel, Suffolk 1929-30,
The Blessed Virgin Mary,
(Left hand light of 3-light window)
73.5 x 56cm, rolled;
2. St John the Evangelist,
(Right hand light of 3-light window)
73.5 x 56cm, rolled;
3. Crucifixion outside a city wall
145 x 56cm, rolled (3)
£1,200 - 1,500
141 part lot
142

44
Lot 144
A Cotswold School oak blanket chest,
1930s, designed and manufactured by Reynolds of Ludlow for Heal’s and Son
London, the lid of planked construction on wrought iron hinges, the front with raised
rectangular panels, with cedar lining, with manufacturer’s label,
123cm wide
44cm deep
46cm high
£250 - 350
Lot 145
An Arts and Crafts oak hanging corner cupboard,
attributed to Goodyers, centred with a leaded glazed cupboard with a shaped top
and bottom bracket,
66cm wide
45cm deep
104cm high
£150 - 250
Lot 143
A set of four Arts and Crafts endpapers,
early 20th century, all with floral patterns, of various designs,
two gilt, two with polychrome decoration,
52 x 39cm (4)
£150 - 250
145
144
143

Lot 146
An Arts and Crafts copper hanging pendant light,
in the manner of W A S Benson, with a replaced opaline shade,
shade 15cm diameter
£250 - 300
Lot 147
An Arts and Crafts brass
charger,
attributed to Keswick
School of Industrial Art,
embossed with a tree of
life, centred with a sun, the
borders with winged birds
and beadwork,
54cm diameter on an iron
stand (2)
£200 - 400
Lot 148
A crossbanded mahogany dressing table,
by Maples and Co. Ltd., mounted with a circular
mirror, supported with cast spiral columns, with
flaming torch terminals, and crossed arrow panels,
over a pair of small drawers, the base with two
short drawers and two long drawers, each with
cast swag handles, on turned supports, labelled
‘From Maple Co. Limited London Paris’,
130cm wide
61cm deep
172cm high
£400 - 600
148
147
146

46
Lot 149
An Arts and Crafts oak octagonal
book table,
with a shelf below, raised on a double
‘X’ shaped stretcher,
60cm diameter
64cm high
£300 - 500
Lot 150
Five Cotswold School ‘Clissett’-style
oak ladderback chairs,
each with turned stretchers and a
rush seat,
47cm wide
42cm deep
£400 - 600
Lot 151
A Cotswold walnut table cabinet,
in the manner of Peter Waals, with panelled doors
opening to reveal a single drawer, with a panelled back,
33cm wide
28cm deep
46.5cm high
£250 - 350
151
150
149

Lot 152
A Cotswold oak dresser,
of plain form centred with a shelf and a
division over two sliding cupboards, with
a panelled back, carved handles and with
sledge feet,
100cm wide
39cm deep
170cm high
£400 - 600
Lot 153
A Cotswold School oak bow-front
sideboard,
centred with a quarter veneered
cupboard, flanked each side with two
drawers, one with baize lining, and
a cupboard below, with carved ‘D’
shaped handles,
138cm wide
49cm deep
93cm high
£300 - 500
155
154
153
152
152 another view
Lot 154
A limed oak artist’s easel,
in the Heal’s style, with an adjustable
mechanism,
64cm wide
66cm deep
184cm high
£300 - 500
Lot 155
An Arts and Crafts oak bedside cupboard,
attributed to Arthur Romney Green, with chip carved
edges, centred with a panelled cupboard with a brass
handle, and with an undertier,
46cm square
86cm high
£300 - 500

48
ART DECO
156-318
Lot 157
Marcel Guillard (French, 1896-1932),
c.1925, a large pottery group, modelled as a young girl seated between two borzoi dogs on a
shaped rectangular base, decorated in polychrome, designed for Etling Paris, impressed marks
including ‘Marcel Guillard’ and ‘Etling, Paris’,
52cm wide
£700 - 900
Lot 156
A pair of Arabia Finland ‘Loistomarmori’ lustre vases,
each of hexagonal tapering from, with tulip necks, with a multi-colour lustre glaze,
printed and impressed marks and numbered ‘115’,
36cm high (2)
£150 - 200
Lot 158
A Primavera pottery abstract group,
c.1930, French, depicting a courting couple,
decorated in polychrome, the underneath
stamped with factory marks and ‘Made in
France’,
26cm high
£300 - 400
157
158
156

156-318 ART DECO
Lot 164
A Vallauris earthenware tea service,
1940s, designed by Marcel Giraud, of squat form with gilt
scroll handles, comprising: teapot, milk jug, sugar bowl, eight
cups and saucers,
teapot 21cm diameter (19)
£300 - 400
Provenance:
Sotheby’s Olympia, 14 Oct 2005, Lot 304.
Lot 159
Miklos Komlos (Hungarian, 1906-1945),
1930s, a pottery figure group, modelled as a young couple in
national dress, enamelled in polychrome, impressed ‘Komlos,
Hungary’, with remains of paper label,
38cm high
£150 - 200
Lot 160
A Wiener Keramik figure,
attributed to Michael Powolny, of a woman in a purple dress, holding
a basket of flowers, impressed marks ‘13723’ and triangular mark,
23.5cm high
£200 - 300
Lot 161
A La Casa dell’Arte stoneware tea set,
c.1930, Italian, glazed with a geometric pattern in green and
brown on a white ground, comprising: teapot, sugar bowl,
cream jug and six each of cups, saucers and side plates,
stamped factory marks,
teapot 10cm high (21)
£300 - 400
Lot 162
A glazed terracotta figure of a rearing stallion,
by Friede Kieser-Maruhn (German,1885-1947), with a mottled grey
glaze on a tapered plinth, inscribed ‘Friede Kieser-Maruhn’ and
incised ‘127’,
36cm high
£250 - 450
Lot 163
A Boch Frères Keramis figure group ‘Les Patineurs’,
c.1930, designed by Charles Catteau (1880-1966), in pink, printed
mark and incised ‘1133’ and ‘BFK Ch Catteau’ in the mould,
32.5cm high
£400 - 600
164
162 163
161
160
159

50
ART DECO 156-318
Lot 165
A Goldscheider pottery
wall mask,
no. 7813, modelled as
a lady wearing a cream
scarf, with gold curled
hair, red lips and collar,
wearing a ring on her
hand, impressed and
printed marks,
31cm high
£300 - 500
Lot 166
A rare Goldscheider
pottery double wall
mask ‘Comedy and
Tragedy,
masks, with black-lined
eyes and orange and
green ribbons, impressed,
printed and incised marks,
also numbered ‘VIII’,
27.5cm high
£600 - 800
This mask is illustrated
in Ora Pinhas,
‘Goldscheider’, p.171.
Lot 167
free-standing bust of
a lady,
no. 6887, modelled with
curled turquoise hair,
pierced eyes, orange lips
and collar, on a rounded
rectangular stand, incised
‘6887’ and inscribed
‘4400’ and printed marks,
29cm high
£400 - 600
Lot 168
wall mask,
no. 685, modelled as a
lady with bronze curled
hair, orange eyeliner and
lips, with a yellow flower
and a turquoise collar,
impressed and printed
marks,
26.5cm high
£300 - 500
Lot 169
wall mask,
a lady holding a flower,
with white curls, a gold
earring, her blouse
in orange and green,
marks,
39cm high
£300 - 500
169
168
167
166
165

156-318 ART DECO
Lot 173
A French wrought iron and marble side
table,
in the manner of René Drouet, with a circular
top and gilt stand, with a central scrolled
stretcher,
40cm diameter
56.5cm high
£300 - 500
Lot 170
José Mariano de Creeft (American, 1884-1982),
an ivory bust of a child, signed, on a cream marble
plinth,
26.5cm high
£400 - 600
Lot 171
André-Charles Caron (French, 20th century),
after Paul Colin,
’Josephine (Baker) Bal Negre, 1927’, lithographic
poster in colours, printed by M. Ducelier, Paris,
80 x 64.2cm
£800 - 1,000
Lot 172
A Danish Art Deco three-seater sofa,
1940s, with sprung seats, upholstered in green
velour, on turned oak front feet,
190cm wide
69cm deep
£300 - 500
172 173
171
170

52
ART DECO 156-318
Lot 175
A French Art Deco burr walnut bedroom suite,
each piece inset with pink-tinted glass tops,
comprising:
a pair of bedside cupboards,
each with two drawers, a cupboard and a shelf,
raised on turned tapering supports,
54.5cm wide
34cm deep
54cm high,
a chest of drawers,
with three drawers,
137cm wide
52cm deep
91cm high, and
Lot 174
A French wrought iron mirror,
in the manner of Edgar Brandt, the
bevelled mirror panel, surmounted with a
pierced panel of flowers and leaves,
70cm wide
131cm high
£800 - 1,200
a double bed,
the headboard with a
slight concave section,
191cm wide
91cm high
the footboard with an
etched glass panel and
reeded details,
191cm wide
67cm high (4)
£800 - 1,200
175 bedside cupboards
175 chest of drawers
175 double bed
174

156-318 ART DECO
Lot 176
Leonetto Cappiello (French, 1875-1942),
a Mossant poster, designed 1938, linen-backed and
mounted on a frame, marked ‘Les Éditions Nouvelles
Cappiello’,
160 x 119cm
£300 - 500
Lot 177
An Art Deco
banana-shaped
settee,
likely Danish, on curved
feet, upholstered in
green striped velour
brocade,
174cm wide
81cm deep
71cm high, seat
40cm high
£300 - 500
176
177

54
ART DECO 156-318
Lot 183
A pair of Lalique ‘Epis No. 3’ blue
stained glass plates,
model no. 3016, each with moulded ears of
barley, moulded monogram to the centre,
23.5cm diameter (2)
£200 - 300
Lot 179
An Art Deco liqueur set,
c.1920s, comprising a decanter and six glasses, all with etched sides, with
decoration in ruby glass depicting a Scottish Highland terrier, the glasses of
trapezoid form, the decanter of shouldered form with a cut-glass stopper,
the decanter 28cm high (8)
£400 - 500
Lot 180
A Sabino opalescent glass dish,
moulded with birds and centred with clouds,
moulded mark ‘Sabino Paris’,
20cm diameter
£100 - 150
Lot 181
A pair of Lalique opalescent glass ‘Avalon’ vases,
no. 986, each moulded with birds on branches,
wheelcut ‘R Lalique France’ and etched ‘No. 986’,
both damaged,
14.5cm high (2)
£150 - 250
Lot 182
A Lalique ‘Cerf’ clear and frosted glass vase,
c.1970, etched ‘Lalique France’,
28.3cm high
£150 - 250
183
182
181
180
179
178
Lot 178
A set of twelve Art Deco silver-plated metal knife
rests,
c.1930, French, attributed to Benjamin Rabier, each
modelled as a bird or animal, in a fitted box,
each 8cm wide (12)
£200 - 300

156-318 ART DECO
Lot 188
Two Lalique glass beakers,
each with six panels centred with
Grecian ladies, in the ‘Ambre Antique’
style, originally designed in 1911, each
etched ‘R. Lalique’,
10cm high (2)
£350 - 450
Lot 184
A Lalique ‘Ecailles
No. 4’ clear glass
plate,
with a moulded
design, moulded
‘R. Lalique France’,
23.3cm diameter
£100 - 150
Lot 185
A pair of Lalique
‘Pavot’ glass candle
stands,
model 2102, both
etched ‘R Lalique
France’, one with a
cracked base,
23cm high (2)
£150 - 200
Lot 186
A Lalique ‘Lys’ opalescent glass bowl,
no. 385, the bowl moulded with flowers forming the feet,
moulded ‘Lalique’ and wheelcut ‘France’,
24cm diameter
£400 - 600
Lot 187
A Lalique ‘Rhodes’ isothermic ice bucket,
no. 11964, clear and frosted glass with an insulated liner and white metal
handle, engraved ‘Lalique France’ and with label ‘Cristal Lalique Paris’,
22cm high
£1,500 - 2,000
188
187
186
185
184

ART DECO 156-318
56
Lot 189
*John Guida (Italian, 1897-1965)
A Fashion Design - a lady in a white fur coat
with black trimming
signed ‘Jo’, mixed media
29 x 21cm
£150 - 250
Lot 190
A Fashion Design - a lady in a floral dress and
black hat
signed and dated, pencil and watercolour
paper size 70.5 x 50cm
£300 - 500
Lot 191
A Fashion Design - a lady in a black jacket
and skirt ensemble, with a white dove hat
£300 - 500
Lot 192
A Fashion Design - a lady in a spotted blue
blouse and skirt
£300 - 500
Lot 193
A Fashion Design - a lady in a dark purple
jacket and skirt ensemble
£300 - 500
John Guida (1897-1965), born to an Italian father and an American mother, was an
important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he
attended Visconti High School. In 1914 he participated in the fashion exhibition at the
Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida
was a regular visitor to the Paris fashion shows, coming into contact with famous tailors
such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel
from whom he drew inspiration to find his own personal style, becoming an official
dress designer for some of the most well-known Italian tailors such as Coen, Sanet and
La Merveilleuse of Turin.
His designs remained characterised by a refined linearity and a constant attention to
precious detail. Elongated and slender female figures were often underlined by loose skirts
and flowing pants; the sophisticated profiles were highlighted by short or gathered hair,
inspired by the typical garçonne model of the time.
He was also active as an illustrator for the women’s magazines ‘La Donna’ and ‘Cose’,
and as an advertising designer for the fashion and perfumery sectors.
189
193
192
191
190

156-318 ART DECO
Lot 194
*John Guida
(Italian, 1897-1965)
A Fashion Design - a lady in a
green column dress
signed and dated, pencil and
watercolour
£300 - 500
Lot 195
*John Guida
(Italian, 1897-1965)
checked jacket and blue skirt
signed and dated, inscribed
‘giorllo e notte’, pencil and
watercolour
£300 - 500
Lot 196
*John Guida
(Italian, 1897-1965)
black and grey spotted trouser
ensemble
signed and dated, pencil and
watercolour
£300 - 500
Lot 197
*John Guida
(Italian, 1897-1965)
green dress
signed and dated and inscribed
‘Plantations’, pencil and
watercolour
£300 - 500
194 195
197
196

58
ART DECO 156-318
Lot 199
An Art Deco bronze desk set,
designed by Max le Verrier (French, 1891-1973), decorated in a
chinoiserie style, comprising a letter rack, a notepad and a lidded
box, each signed to the base (3)
£400 - 500
Lot 198
An Alfa Romeo P2 tinplate and clockwork racing car,
by Tipp Co. Nuremberg, modelled as a two-seater,
mounted with a driver, with a lithographed red livery
and ‘No.7’, lacking light, number plate ‘T.C. 9590’, with
‘Dunlop Cord 950 x 150’ tyres,
50cm long
£1,000 - 1,500
Lot 200
An Art Deco mahogany-framed hall mirror,
of ziggurat form, with a stepped bevelled edge mirror plate,
81.5cm wide
126cm high
£200 - 300
200
199
198
201
Lot 201
An oak side
table,
the quartered
veneered circular
top, on strut
supports,
60.5cm diameter
53.5cm high
£100 - 200

156-318 ART DECO
Lot 204
An Art Deco bird’s-eye maple and walnut
dressing table,
by Epstein Brothers, with a central shaped mirror and
a glass shelf, flanked with bow-front cupboards, with
central reeded panels, each enclosing three drawers,
with Bakelite handles, with glass tops,
137cm wide
54.5cm deep
153.5cm high, and
a matching double headboard,
with integral bedside cabinets, each with a shelf and
a cupboard, with Bakelite handles, with glass tops,
298cm wide
73cm high (2)
£1,500 - 2,000
Lot 202
An Art Deco-style chrome
mirrored console table,
75.5cm wide
43cm deep
77.5cm high
£200 - 300
204
204
202
203
Lot 203
A Danish sofa,
1940s, with a swept back, upholstered in
green velour with a buttoned back, on stained
bowed beech legs,
170cm wide
66cm deep
£400 - 600

60
ART DECO 156-318
Lot 205
An Art Deco bird’s-eye maple
and walnut triple wardrobe,
by Epstein Brothers, the central
door with a bow-front reeded
panel, opening to reveal drawers,
slides and hanging space, with
Bakelite handles,
175cm wide
75cm deep
190cm high approx.
£1,000 - 1,500
205
206
207
Lot 206
A Belgian nude study
1940s, depicting a woman
indistinctly signed l.r., red crayon
on paper
72 x 43cm, framed
£100 - 150
Lot 207
Erwin Blumenfeld
(1897-1969)
‘Mannequin, Amsterdam 1932’
modern reproduction
27 x 22cm, and
an Art Deco photograph
1920s, depicting a female bust,
unsigned
28 x 20cm (2)
£150 - 250

156-318 ART DECO

62
ART DECO 156-318
Lot 209
An Art Deco walnut circular
book table,
with a crossbanded quarter
veneered top and ebonised
stringing, on three pairs of
ebonised feet,
61cm diameter
60cm high
£300 - 400
Lot 210
Violet Rogers (1920s)
Fashion Designs
two, one signed, one labelled
verso, pen and watercolour
38 x 13cm
£200 - 300
Label reads ‘From the collection
of original fashion drawings by
Violet Rogers of 40 South Park
Road, Wimbledon SW19’.
Lot 211
An Asprey embroidered clutch
bag,
with a sliding catch, inset with
dyed green agate and cornelians,
machine embroidered with floral
bands, with a velvet interior and a
small rectangular mirror,
21.5 x 15cm, in an Asprey’s box,
box 23.5 x 18.5cm (2)
£150 - 250
Lot 212
Two chrome yachts,
each modelled under full sail, with
dished centres,
25cm wide
28cn high (2)
£150 - 250
Lot 213
An Art Deco bronze figure,
1930s, ‘Little Clown’, after
Demétre Chiparus, unsigned,
43.5cm high
£250 - 350
212
209
208
210
211
213
Lot 208
An Art Deco walnut chaise longue,
of oval form, upholstered in an olive plush
velvet brocade,
215cm wide
92cm deep
41cm high
£700 - 900

156-318 ART DECO
217
216
218
215
214
Lot 214
Dominique Alonzo
(French, fl.1912-1926),
a gilt-bronze and ivory sculpture,
modelled as a lady in 18th century
dress, signed ‘Alonzo’, numbered ‘37’,
25cm high
£1,000 - 1,200
Lot 215
Josef Lorenzl (Austrian, 1892-1950)
a cold-painted bronze figure of a
ballet dancer, signed ‘Lorenzl’, on an
onyx plinth,
21cm high
£250 - 350
Lot 216
An Art Deco walnut low
console table,
the plain top raised on
shaped supports, on a plinth
mounted with brass rails,
75.5cm wide
50cm deep
61.5cm high
£400 - 600
Lot 217
A George VI lined oak
coronation stool,
with chamfered supports, original
velvet-upholstered seat with gold
trimming, branded ‘GR VI ‘cypher
and ‘Coronation’, stamped
‘Waring and Gillow’, and with
paper label ‘83’,
46cm wide
31.5cm deep
48cm high
£150 - 250
Lot 218
An Art Deco cold-painted
spelter figure of a lady,
modelled holding a torch and
flowers, with stylised wings,
standing on a sphere on a
tapering onyx plinth,
42cm high
£300 - 500

64
ART DECO 156-318
Lot 221
An Heal Son mahogany and inlaid cabinet,
with panelled doors, the top panels with a cross inlay, cedar lined
with five drawers and a shelf to the right-hand side,
99cm wide
52cm deep
129cm high
£300 - 500
Lot 219
A carved wood sculpture of a nude,
with her legs crossed, signed ‘Tcherniakto’ on the side,
stamped ‘Edition SAS Paris 5B Made in France’,
32.5cm high
£200 - 300
Lot 220
After Guillaume Seignac (French, 1870-1924),
‘La Vauge’
signed and dated l.r., watercolour on paper
42 x 74cm, framed and mounted
£400 - 600
220
219
221 open
221

www.sworder.co.uk
156-318 ART DECO
Lot 223
A pair of Chinese wool carpets,
by G H Frith, modern, each in black with white Greek
key borders, labelled,
366 x 274cm (2)
£600 - 800
Lot 222
An Art Deco Queensland walnut and cherry mahogany
(makore wood) inlaid wardrobe,
by Betty Joel at the Token Works, with a pair of cupboards inlaid with
rectangular panels flanked with reeded corners, opening to reveal
two hanging cupboards lined with wood strips, raised on an ebonised
plinth, with label ‘Token Handmade Furniture Designed by Betty Joel,
made by J Emery at Token Works, Kingston, Sept 1935’,
168cm wide
54cm deep
190cm high
£800 - 1,200
222 label
223
one of a pair
222 closed 222 open

66
ART DECO 156-318
Lot 224
An Art Deco maple headboard,
with a bookcase to the reverse,
282cm wide
45cm deep
103cm high,
together with a pair of Art Deco maple
bedside tables,
each with two drawers over a single door,
with steel handles and fittings,
49cm wide
35cm deep
53cm high (3)
£1,000 - 1,500
Lot 225
An Art Deco cold-painted spelter seagull
centrepiece,
raised on a polished marble plinth,
47cm wide
34cm high
£150 - 250
Lot 226
Two Art Deco chrome table lamps,
one with a clear stepped white shade,
38.5cm high, and
another, with a pink-tinted globe shade, on a
copper, silvered and mirrored stand,
38.5cm high (2)
£250 - 350
226
225
224

156-318 ART DECO
Lot 228
Henryk Kossowski (Polish, 1855-1921),
a bronze and patinated sculpture of a
lifeboatman, throwing a lifebelt, signed and
dated ‘Salon 1907’,
43.5cm high
£400 - 600
Lot 227
An Art Deco oak and walnut crossbanded book table,
of cuboid form, with a quartered top, over two hinged cupboards and two
pull-out shelved bookcases with turned knobs, on a stepped plinth,
61cm square
56.5cm high
£200 - 300
Lot 229
An Art Deco patinated bronze,
in the form of a charging bull, mounted on a
green marble base, unsigned,
21cm wide
10cm deep
17cm high
£200 - 300
Lot 230
An Art Deco bronze twin-branch
candlestick,
1920s, modelled as an Oriental figure, on an
inverted coronet base, signed with monogram
‘EH’ and ‘22’ to rear tip of base,
36cm high
£300 - 400
227
230
229
228

68
ART DECO 156-318
Lot 231
‘Printemps-Été 1947’,
five French fashion adverts, colour lithographic
prints, after designs by Jean Chiselat,
four 40.5 x 28cm, one 41 x 28cm, glazed,
mounted and framed (5)
£200 - 300
Lot 233
Louis Icart (French 1880-1950)
‘On the Green’, 1925
signed drypoint etching, embossed blind
stamp, Les Graveurs Modernes Paris
28.5 x 42cm, framed
£200 - 300
Lot 234
Richard Geiger (Austrian, 1870-1945)
Reclining girl on a polar bear rug
circular, signed, watercolour
51cm diameter, mounted and framed
£350 - 450
Lot 235
Louis Icart (French 1880-1950)
‘The Spanish Comb’, 1922
etching with drypoint and aquatint, published
by L’Estampe Moderne, signed, titled and
numbered 2746 in pencil
47 x 37cm, framed
£200 - 300
Lot 232
*Georges Greffet (1869-1959)
A puppy dog pulling at a young woman’s
dress, 1920s
print, signed and titled by the artist
40 x 32cm
£150 - 200
235
234
233
232
231

156-318 ART DECO
Lot 236
Lill Tschudi (Swiss, 1911-2004)
London Buses (Coppel LT85)
linocut printed in colours, 1949, signed
and numbered 3 from the edition of
50 in pencil, on Japan paper, with full
margins
34 x 8cm, mounted and framed
£15,000 - 20,000

70
ART DECO 156-318
Lot 237
wall mask,
no. 749, modelled
as a lady in profile,
with turquoise hair
and eyelids, and with
orange eyeliner and lips,
impressed and stamped
marks,
25cm high
£200 - 400
Lot 238
wall mask,
lady holding a bunch of
grapes, with orange hair
and lips, turquoise eyes
and collar, incised and
printed marks,
28.5cm high
£400 - 600
Lot 239
wall mask,
a girl holding a bird in
one hand, with flowing
orange hair and lips,
pierced eyes with
turquoise eyeliner, and a
turquoise cuff, impressed
and printed marks,
31cm high
£400 - 600
Lot 240
wall mask,
a lady with a fan, with
yellow flowing locks,
pierced eyes, with
turquoise eyeliner, and
orange eyebrows and lips,
marks,
26.5cm high
£300 - 500
240
239
238
237

156-318 ART DECO
Lot 241
A rare Goldscheider
pottery wall pocket,
no. 6086A, modelled
with turquoise hair and
eyelids and red lips,
printed and incised
marks,
18cm high
£300 - 500
Lot 242
wall mask,
a lady smoking, with
orange curled hair and
lips, wearing a turquoise
robe, impressed and
printed marks,
34.5cm high
£400 - 600
Lot 243
wall mask,
lady wearing a hat and
a turquoise and yellow
spotted scarf, impressed
and printed marks,
30.5cm high
£300 - 500
Lot 244
wall mask,
a lady with blue and
turquoise hair, smelling
a yellow flower in her
hand, impressed and
printed marks,
28cm high
£400 - 600
243 244
242
241

72
ART DECO 156-318
Lot 245
An Art Deco maple dressing bureau,
with two doors to either side opening
on to shelving to the middle, with a
lit fold-out dressing mirror, over three
drawers each with a metal handle,
158cm wide
61cm deep
116cm high
£300 - 500
Lot 246
An Art Deco teak and mahogany
overmantel mirror,
the lower section with a sunburst pattern,
69cm wide
95cm high
£200 - 300
Lot 247
A pair of Danish armchairs,
1940s, each on stained beech legs of slight tapering form,
upholstered in green velour, with slightly curved buttoned
back,
76cm wide
67cm deep
£300 - 500
Lot 248
A set of four Art Deco-style dining chairs,
late 20th century, each of high arched back design with a
gilt metal frame, the seat and back upholstered in red-striped
black fabric,
46cm wide
48cm deep
108cm high, 45cm high (4)
£200 - 300
247
248
246
245

156-318 ART DECO
Lot 249
An Art Deco chrome
mirror,
the rectangular glass
mounted on a ‘C’ scroll
mount,
31cm wide
34cm high, and
another easel frame,
31cm wide
41cm high (2)
£100 - 150
Lot 250
A chrome plated ‘HMV Room Heater’,
designed by Christian Barman in 1934 and made by HMV Factories, Hayes,
Middlesex after 1938, with four stacked blades, fitted with a fan and elements
inside, labelled and stamped ‘Serial No. H8155’,
43cm wide
32cm deep
31cm high
£250 - 350
Christian Barman (1898-1980) was the editor of Architectural Review and later
publicity officer for the London Passenger Transport Board; he was also an
influential propagandist for the modern movement.
Lot 252
A nest of three painted bent plywood tables,
designed by Marcel Breuer (Hungarian, 1902-1981) for Isokon,
each formed from one-piece birch laminated plywood,
61cm wide
46cm deep
38cm high (3)
£2,500 - 3,500
252
251
250
249
Lot 251
A ‘Bibendum’ red leather armchair,
originally designed by Eileen Gray in 1926, with a barrel bolster back, raised
on a tubular cantilever stand,
95cm wide
60cm deep
£300 - 500

74
ART DECO 156-318
Lot 257
An Art Deco walnut cocktail cabinet,
of small proportions, the hinged top opening
to reveal a mirrored interior, stencilled with
cocktail glasses and a cocktail shaker, over
a cupboard with a shelf, labelled ‘Rivington
Product, London’,
63cm wide
30.5cm deep
111cm high
£200 - 300
Lot 258
Three matched Art Deco-style armchairs,
in the manner of Milo Baughman, each of
horseshoe shape, on a chromed swivel base,
upholstered in white fabric with purple
abstract patterns, each with a loose seat
cushion and two smaller side cushions,
73cm wide
77cm deep
80cm high, seat 44cm high, and
a footstool,
upholstered in the same fabric, on castors (4)
£600 - 800
Lot 253
An Art Deco maple nest of tables,
of U-shaped form, the sides with book
matched veneer, each with an inset cut clear
glass top,
61.5cm wide
34cm deep
54cm high (3)
£700 - 900
Lot 254
A French oak sideboard,
the stepped parquetry top over four cushion
panelled cupboards, flanked with columns,
opening to reveal two drawers and shelves,
centred with gilt-bronze roundels, raised on
octagonal supports and a stepped plinth,
234cm wide
52cm deep
106cm high
£500 - 800
Lot 255
An Art Deco silver-plated wine cooler,
of tapering form with a reeded base,
with simulated amber handles, stamped
‘Metal Argente 18’,
21.7cm high
£200 - 300
Lot 256
An Art Deco spelter figure,
modelled as a girl seated on a branch, on a
marble plinth,
33cm wide
15.5cm deep
32cm high
£100 - 150
258
256
255
253
254
257

156-318 ART DECO
Lot 259
A pair of Art Deco cloud walnut dining chairs,
each with a veneered back, with brown upholstered back and
seat,
55cm wide
60cm deep
£300 - 500
Lot 260
An Art Deco cold-painted spelter figural table lamp,
modelled as three ladies seated back to back holding dishes,
forming the stand, with a crackle-glazed globular shade, on a
triangular marble plinth raised on ball feet,
32.5cm high
£600 - 800
Lot 261
Two cast iron Art Deco vases,
c.1930s, one star-shaped, the other of stepped
form, both with fluted bodies, on stepped plinths,
28cm high (2)
£200 - 300
Lot 262
An Art Deco chrome and leather
armchair,
after a design by Batistin Spade,
with a cantilever frame, leather
seat and arms, with ivorine plugs,
67cm wide
80cm deep
approximately
£700 - 900
Lot 263
An Art Deco spelter figural
table lamp,
modelled as two silvered ladies
holding a glass globe, with an
integral switch, on an onyx plinth,
36cm wide
54cm high
£500 - 700
Lot 264
A pair of Art Deco painted wood
advertising signs for ‘Bondor’ stockings,
each mounted with a fret cut lady, painted
numbers to the plinths ‘No.1’ and ‘No.6’ and
remnants of maker’s label ‘Leon Goodman
Displays Ltd’,
33.5cm wide
63.5cm high (2)
£150 - 250
264
263
259
260
261
262

76
ART DECO 156-318
Lot 265
‘Keep Calm and Carry On’,
a World War II propaganda
poster from 1939,
printed by the Ministry of
Information,
50.5 x 38cm, framed
£1,000 - 1,500
Found by the vendor in a
wardrobe at an old RAF
airfield in Cambridgeshire.
266
265
Lot 268
A Willy’s Jeep table lighter and ashtray,
c.1946, manufactured by W Baier, US Zone, West Germany, with etched
decoration and rubber tyres, the door handles push down to reveal the lighter
underneath the
bonnet, with
magnetically
attached ashtray
in the form of a
trailer, labelled
to the inside,
24cm long
7.5cm high (2)
£100 - 150
267
268
Lot 266
Patrick ‘Pat’ Keely
(1901-1970)
‘Staggered Travelling
Saves Busy Workers
Time’
a poster, published
by London Transport,
signed and dated ’45,
99 x 61cm, framed
£400 - 500
Lot 267
*Patrick ‘Pat’ Keely
(1901-1970)
‘ARP Calling You’,
1938
lithographic poster
on paper printed by
Fash Cross Ltd. for
the HM Stationery
Office, signed and
dated in the print
Pat Keely, 38
74.5 x 50cm
£200 - 300

Lot 269
A Clarice Cliff ‘Gardenia’ Lotus jug,
printed ‘Fantasque’ marks,
29.5cm high
£900 - 1,100
Lot 270
A Clarice Cliff ‘Blue Autumn’
(Balloon Trees) Lotus jug,
printed ‘Fantasque’ marks, restored,
29cm high
£300 - 500
Lot 271
A Clarice Cliff ‘Secrets’ plate,
of shaped circular form, centred with an orange
and black band, printed ‘Fantasque Bizarre ‘mark,
22.5cm diameter
£200 - 300
Lot 272
A Clarice Cliff ‘Aurea Viscarria’ conical shaker,
with a wood stopper, unmarked,
14cm high
£150 - 250
Lot 273
A Clarice Cliff ‘Limberlost’ conical shaker,
printed ‘Bizarre’ marks,
13.5cm high
£180 - 220
Lot 274
A Clarice Cliff ‘Blue Firs’ bowl,
with a flecked ground, a blue inner band and
a triple green band to the outside of the bowl,
printed marks,
16.5cm diameter
£150 - 200
Lot 275
A Clarice Cliff ‘Double V’ twin-handled bowl,
printed ‘Wilkinson’ mark and ‘Bizarre’,
19cm diameter
£100 - 150
Lot 276
A Clarice Cliff ‘Blue Chintz’
vase,
shape no. 279, printed
‘Fantasque Bizarre’ marks,
cracked,
20.5cm high
£100 - 150
276
275
274
272 273
271
270
269

78
ART DECO 156-318
279
280
277 278
Lot 277
An Art Deco cold-painted spelter table lamp,
modelled as two men holding a mottled glass globe, standing on
a stepped lozenge-shaped plinth,
46cm high
£400 - 600
Lot 278
A pair of Art Deco cold-painted composition table lamps,
each modelled as a lady with her arms outstretched, with
chrome hoop, mounted with an amber glass cuboid shade,
56.5cm high (2)
£650 - 750
Lot 279
An Art Deco maple side table,
the square top inlaid with a crossbanded quartered square,
raised on a conforming column end plinth,
46.5cm square
51.5cm high
£150 - 250
Lot 280
An Art Deco walnut dining table,
the veneered top with rounded ends, raised on ‘U’ shaped supports
and cushion plinths, united with a stretcher,
213.5cm wide
99cm deep
75.5cm high, and
four dining chairs,
each with a leather seat and back,
49cm wide
57cm deep
£600 - 800

156-318 ART DECO
Lot 285
A French ebonised Empire-style coffee table,
1940s, of circular form with a clear glass top, bowed legs,
each leg topped with a brass ring,
79.5cm diameter
46cm high
£400 - 600
Lot 281
*Harold Jesse Douglas Dingley
(1915-1988)
Studies for Domestic Interiors
twelve, four signed, watercolours,
some loose, others mounted on card
largest 34.5 x 45.4cm
together with ten other designs, in a
portfolio, and three sketchbooks (25)
£400 - 800
Harold Jesse Douglas Dingley
won a ‘trade and art’ scholarship
at the Northern Polytechnic,
London, 1928-1932, and worked
in various firms such as Messrs
Cole, Loasby Co. Ltd. (1932);
Maple Co. Ltd. (1935); Messrs Lewis
Berger Son Ltd. (1938-47); Vulcan
Products Ltd. (1948-51) and Messrs
Jensen Nicholson Ltd. (1951-56) and
then London Representative for Messrs
Thornley Knight Ltd. in Birmingham.
Lot 282
An Art Deco wrought iron
candelabra,
c.1920, on a splayed foot, for
six candles, the central structure
with ornamental spheres on each
joining bar,
171cm high
£250 - 350
Lot 283
A French armchair,
1950s, the painted and ‘crackled’
cream frame, with a blue velvet seat,
back and arms, with brass flower head
bosses and brass sabots,
58cm wide
60cm deep
£250 - 350
282
284
Lot 284
An Art Deco bronze and frosted glass plafonnier,
of octagonal from, with scrolled mounts, centred with
a circular panel, with three chains for suspension,
45cm diameter
14cm high
drop 30cm approximately,
together with the ceiling boss (2)
£300 - 500
285
283
281 part lot

80
ART DECO 156-318
Lot 292
A large Moorcroft ‘Eagle Owl’ vase,
designed by Sally Tuffin in 1999, of baluster form, impressed and
painted marks to base and numbered ‘600’,
32cm high
£300 - 500
Lot 293
A Moorcroft ‘Legacy’ vase,
designed by Nicola Slaney in 2013, of baluster form, signed,
impressed details and numbered ‘200’,
31.5cm high
£300 - 500
Lot 294
A Moorcroft ‘Legacy Eventide’ Vase,
‘The Copse’, designed by Paul Hilditch in 2012, signed, stamped
marks and numbered ‘450’,
25cm high
£300 - 400
Lot 286
A pottery figure of a girl holding
a baby,
1930s, painted with a striped dress
and a purple scarf, incised marks
‘No.II MW 539’,
17.7cm high
£100 - 150
Lot 287
A Royal Doulton Sung vase,
by Charles Noke and Arthur Eaton,
of baluster form, painted with
a flying exotic bird on a flambé
ground, signed ‘A Eaton’ to the
body, printed marks, painted ‘Sung’,
‘Noke’ and ‘No. 3390’,
14.5cm high
£150 - 250
Lot 288
A Shelley ‘Vogue’ jug and three
beakers,
pattern no. 238/Y, stencilled and
painted with apples and leaves,
various printed and painted marks,
jug 17.5cm high
beakers 9.7cm high (4)
£250 - 350
Lot 289
Two Shelley ‘Mode’ trios,
pattern nos. 11759 and 11791,
stencilled and painted, printed and
painted marks (6)
£250 - 350
Lot 290
A pair of Moorcroft ‘Wisteria’ vases,
each on a blue ground, impressed marks and
green signature, cracked,
20.4cm high (2)
£150 - 200
Lot 291
A Moorcroft ‘Pomegranate’ vase,
impressed marks ‘M46’,
9.5cm high, and
a flambé ‘Leaf and Berry’ vase,
impressed marks,
11cm high (2)
£150 - 200
294
293
292
290 291
289
288
287
286

www.sworder.co.uk
156-318 ART DECO
Lot 295
An Art Deco cream leather three-piece
suite,
with walnut and oak details, with green piping,
settee 145cm wide
armchair 92cm wide (3)
£1,500 - 2,000
Lot 296
An Art Deco patinated bronze and marble
inkwell,
modelled as a girl kneeling, her arms
outstretched, a hinged inkwell in front, signed
indistinctly to the right foot, with a propelling
pencil,
19.5cm wide
21cm high
£400 - 600
Lot 297
An Art Deco walnut wall barometer,
with a silvered and engraved square dial,
a stepped cornice and tapering sides,
34cm wide
35cm high
£100 - 150
Lot 298
An Art Deco walnut standard lamp,
inlaid with ivorine label, ‘British Made’
and ‘DD’ monogram,
161cm high
£200 - 400
Lot 299
A Chinese wool carpet,
in green with a Greek key border,
360 x 250cm
£400 - 600
296
297
298
295
299

82
ART DECO 156-318
Lot 300
An Art Deco banana-shaped settee,
likely Danish, on square tapered legs,
upholstered in green patterned fabric,
with a reeded back, studded sides and
base,
174cm wide
69cm deep
£300 - 500
Lot 301
An Art Deco silver three-piece tea set,
by Robert Pringle and Sons,
London 1929,
of plain squat form, each piece with a
central band,
teapot 10.5cm high (3)
£700 - 900
Lot 302
An Art Deco walnut side table,
the circular quarter veneered top raised on shaped
and routed supports, with an undertier on block
supports,
59.5cm diameter
44.5cm high
£100 - 150
Lot 303
Ethel Gabain (1883-1950)
‘The Evacuation of Children from Southend,
Sunday 2nd June, 1940’
lithograph, signed in the print and signed in pencil
image 30.5 x 50cm, glazed, mounted and framed
£150 - 250
Lot 304
John Hall Thorpe (1874-1947)
‘The Open Gate’;
‘Marigolds’
two woodcuts in colours on paper, both signed
and titled in pencil
36 x 28cm and 29 x 22.5cm, both framed (2)
£250 - 350
304
303
302
301
300

156-318 ART DECO
Lot 307
An Art Deco sycamore writing table,
designed in 1935 by Rowland De Winton Aldridge for Lady Iliffe,
executed by B Cohen Sons of Shoreditch, with three frieze
drawers and turned handles, on X-framed supports united by a
turned stretcher,
150cm wide
50cm deep
70cm high
£500 - 700
Rowland De Winton Aldridge (1906-1997) was a close friend of
Baron and Lady Iliffe, and best man at their wedding. He served
as counsel for the restoration and renovation of Basildon Park,
Reading, after the couple purchased the estate in 1953. As a fellow
of the Royal Institute of British Architects, Aldridge was one of the
leading authorities on 18th century architecture of the time, but
was also a prolific watercolour artist and furniture designer.
Lot 305
An Art Deco walnut
revolving desk
bookstand,
each side with an
ebonised and stepped
section, on an ‘Ormond’
revolving stand,
33cm wide
21cm deep
20.5cm high
£100 - 150
Lot 308
An Art Deco Macassar and line-inlaid veneered
coffee table,
the square top with canted corners, over a box stand,
raised on brass ball feet,
80.5cm wide
54cm high
£400 - 600
Lot 309
A pair of mahogany card tables,
1920s, each with baize lining to the undersides, with a carved frieze, on shaped pedestal
plinths, one on a later leather and studded plinth, the other on an octagonal plinth, with
scrolled supports,
76cm square
76cm high (2)
£400 - 600
Lot 306
A Rowley Gallery pier
mirror,
surmounted with an inlaid
scene of a river and a
bridge, over a rectangular
mirror in a gold-painted
frame, labelled to reverse,
19cm wide
50.5cm high
£150 - 250
306
305
307
309
308

84
ART DECO 156-318
Lot 310
An Art Deco bird’s-eye maple bedroom suite,
by Epstein Brothers, comprising:
a three-door wardrobe,
the central door with a curved reeded front, the left and
right-hand doors opening on to hanging rails with hooks,
arranged in two tiers with a shelf, the right-hand door
opening on to a shelf over two glazed compartments,
over one shelf and over three drawers,
166cm wide
72cm deep
188cm high,
a two-door wardrobe,
in two sections, with a curved reeded front, the left-hand
side opening on to railing, the left section opening on to
a shelf over two glazed compartments, over one shelf,
over three drawers,
118cm wide
61cm deep
188cm high,
a dressing table and stool,
with a central bevelled mirror, flanked by a cupboard on
either side, each opening on to three drawers,
136 wide
57cm deep
160cm high,
a headboard,
two flanked cupboards, each with one drawer and two
shelves,
306cm wide
45cm deep
102cm high, and
a set of eight walnut handles,
of reeded design (13)
£3,000 - 5,000

Lot 313
An Art Deco-style cameo glass
globe lamp,
with frosted and cut purple bands,
with a modern conical tapering shade,
34cm high
£400 - 600
156-318 ART DECO
Lot 314
A Danish Art Deco sofa,
1930s, with an oak frame, the front
with carved detail, upholstered in
green cotton velour, with a reeded
central back cushion, with buttoned
armrests,
195cm wide
80cm deep
£300 - 500
Lot 311
A pair of Art Deco walnut side
tables,
each with a quarter veneered top with
chamfered corners, on a plain column,
on a square plinth with block cushion
supports,
48.5cm square
59cm high (2)
£150 - 250
Lot 312
An Art Deco chrome standard lamp,
with a stepped glass shade, with a ‘Z’
shaped mount to the column,
180cm high
£300 - 500
314
312 313
311

86
ART DECO 156-318
Lot 315
An Art Deco chaise longue,
with sprung seat, upholstered in pink velvet
velour, on stained beech feet,
193cm wide
75cm deep
74cm high, 37cm
seat high
£200 - 400
Lot 316
Felix Kelly (New Zealand, 1914-1994)
‘Drifters and Paddle Steamers’, 1946
lithographic school print in colours, signed and dated in the print
‘Felix Kelly -46’, printed in England at the Baynard Press for School
Prints Ltd., London
49 x 76cm
£150 - 250
Lot 317
A pair of Art Deco-style Macassar ebony bedside tables,
each top of square form, with book matched veneers, each with a drawer
to the side, on square tapering legs,
45cm wide
45cm deep
36cm high (2)
£300 - 500
Lot 318
An Art Deco-style Macassar ebony
dining table,
the top of rectangular shape, the sides
of the top banded with chromed metal,
raised on two ‘U’ shaped plinths,
250cm wide
152cm deep
75cm high
£1,000 - 2,000
318
317
316
315

88
THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY 319-361
Lot 322
*Phil Rogers (1951-2020),
a salt-glazed stoneware jug, of tapering form with
scaled details, impressed artist’s monogram,
28cm high
£150 - 250
Lot 320
*Jim Malone (b.1946),
a stoneware bottle vase, with a facet body, a short
waisted neck and a trailing green glaze, impressed
artist’s monogram,
30cm high
£200 - 300
Lot 319
*William Marshall (1923-2007),
a stoneware bottle vase, with an
arched shoulder, tall neck and rim,
in a tenmoku glaze with turquoise
splashed details, impressed artist’s
monogram,
30.5cm high
£250 - 350
Lot 323
*Dan Kelly (b.1953),
two white glazed vases, unmarked,
11.5 and 9cm high (2)
£150 - 200
323
321
322
320
319
Lot 321
a stoneware jug, with a tapering body, a cream
glaze with impressed details, impressed artist’s
monogram and Ainstable stamp,
34.5cm high
£250 - 350

319-361 THE TREVOR COLDREY COLLECTION OF STUDIO POTTERY
Lot 328
*Dan Kelly (b.1953),
three stoneware vases, with mottled glazes, with
pinched, impressed or slumped details, unmarked,
12.5cm, 13cm and 17cm high (3)
£200 - 300
Lot 329
a stoneware jar and cover, with a flecked trailing
green glaze, incised with fish above waves and
further details, impressed artist’s monogram,
30cm high (2)
£200 - 300
Lot 324
*Julian King-Salter (b.1954),
a hand-built vase, of spiral coiled form, with
coloured and flecked glazes, impressed artist’s
monogram and incised ‘B327’,
38.5cm high
£100 - 150
Lot 325
*Mike Dodd (b.1943),
a stoneware bottle vase, of shouldered form
with sliced and incised details, in a mushroom
crackled glaze, impressed artist’s monogram,
30cm high
£200 - 300
Lot 326
*Phil Rogers
(1951-2020),
a stoneware bottle vase,
of shouldered form with
horizontal bands and ‘eye’
impressed details, with
two impressed artist’s
monograms,
31cm high
£200 - 300
Lot 327
Patrick Sargent
(1956-1998),
a stoneware tapering
vase, with a tall neck, lug
handles and impressed
designs, unsigned,
41.5cm high
£150 - 200
329
328
326 327
325
324

Sworders Design 13 - 14 July 2021

Sworders Design 13 - 14 July 2021

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Sworders Design 13 - 14 July 2021