The Whitney Biennial

The Whitney Biennial
The 2017 Whitney Biennial Meets Strong Sense of New Place The 2017 Whitney Biennial will
feature well–established individuals and collectives focusing on emerging artists who bring
influences, trends and potentials. The Audience will meet the biennial exhibition on March 17 in the
museum's new downtown building. The Whitney Museum of American Art is well–known for its
new building and the biennial exhibition. The Whitney Biennial aims to provide a main stream and a
history of modern and contemporary art in the United States, and thus makes the audience feel
familiar to American art. According to the Whitney's official announcement, the 2017 Whitney
Biennial, presented by Tiffany & Co. includes 63 participants who work in the field of modern and
contemporary art dealing with various types of media such as painting, drawing, film and video,
installation, photography, music and etc. ... Show more content on Helpwriting.net ...
That's worth for all of you to come back and get a sense of what the Whitney Biennial is, Erica
Cooke, a teaching fellow at the Whitney Museum of American art,
... Get more on HelpWriting.net ...

American Art During The Great Depression
American Art during the Great Depression and before World War II sought to rebrand and rebuild a
broken and desperate nation. In colonies around the country, artists banded together to study and
support one another, and U.S. government programs of the WPA, FAP, and FSA provided
opportunities for artists to create public works on a scale never seen before in this country. Like the
LDS Church Welfare program begun at the same time, these art initiatives revived the individual's
dignity in the form of opportunity. The public, too, wanted new art that reflected the turmoil of the
country. The nation was hurting, and from this crucible of suffering emerged a body of artwork that
documented the common man and woman–rural and urban, North and South, the haves and the
have–nots. Distinct from the romanticized landscapes of the frontier and portraits of wealthy
Easterners that proceeded the period, this was art that mattered: it was aimed squarely to uplift and
ennoble a battered public.
One of the WPA–era artists of distinction, whose award–winning paintings and prints were exhibited
at the Art Institute of Chicago, Corcoran Gallery, New York World's Fair, Whitney Museum of
American Art, and in galleries in New York, Washington, D.C., St. Louis, San Francisco, and is now
in the permanent collections of the National Gallery, the Smithsonian, Carnegie Museum of Art, and
St. Louis Art Museum, among others, is Joseph Paul Vorst.
He was born in Essen, Germany in 1897, the son of a

The Art Scene in New York City in the 60's and Early 70s'
Reflection circa 1973 was, grinding away best, an unobtrusively venturesome redesign on prior
models. A significant part of the new painting seen in Manhattan doesn't climb so high. It's generally
a gifted however doomed repeat. Four decades back, "execution workmanship" was an option to
painting. It was offbeat and clunky, past innovation, or perhaps unreasonably underneath it, intended
to reflect a world in which materials were transient, models pointless, values tricky. A ton of late
execution workmanship in New York, especially that in the biennial celebration Performa, has had
very nearly the inverse properties: It's cleaned, bundled, pricey, storehouse primed.
Then, we can set out over to the "execution art's" beginnings in a sketchy yet engrossing archival
presentation, "Customs of Rented Island: Object Theater, Loft Performance, and the New
Psychodrama – Manhattan, 1970–1980" at the Whitney Museum of American Art.
New York City in the early 1970s was a wreck: bankrupt, or everything except, and going into
disrepair. One focal point to specialists was the accessibility of shoddy, void space, prominently in
the Lower Manhattan mechanical locale that came to be called Soho. An alternate was that, with the
workmanship showcase in the pits after the 1960s blast, there was a nothing–to–lose opportunity to
investigation.
Onto the scene came craftsmen who were as intrigued by dialect, theater, move, music, social work,
TV, help and stand–up comic drama as they were in

Book Report On Dana Schutz
My report is over the artist Dana Schutz she is a contemporary painter and is well known for her
gestural painting which means she paints pictures of people and situations both real and imagined.
Dana Schutz was born on January 1, 1976, in the town of Livonia, Michigan is near Detroit
Michigan she was an only child. She a very creative independent and fearless at the age of 15 she
decided she was going to be an artist she found a love for painting and would spend hours painting
she even turned her home basement into a place to show off her paintings.
From 1995 to 2000 Schutz attended Cleveland Institute of art. That where she got her Bachelor of
fine arts degree and in 2002 she received her Master of fine arts degree from the University

Ken Brin Case Analysis
Background Griffin was born in Daytona Beach (FL) and raised in Boca Raton (FL). He graduated
from Harvard University with a degree in economics and began a hedge fund during his sophomore
year. Ken dabbled in hedge fund management throughout his time at Harvard and was managing just
over $1M by the time he graduated. Business/ Employment Information Ken is the CEO and
founder of Citadel, a massive global investment firm managing $25B in investment capital. His
current net worth hovers between $5 and $6B. Ken founded Citadel in 1990 with the dream of
becoming one of the world's largest alternative asset managers and traders of equities, equitable
options and interest rate exchanges. The firm currently manages in excess of $26B in capital. Citadel
has 1,400+ employees and has been voted a Top 10 Great Workplaces in Financial Services ... Show
more content on Helpwriting.net ...
Philanthropy The Kenneth and Anne Griffin Foundation, founded in 2009 supports Chicago Heights
Early Childhood Center at $10M and $16M to Children's Memorial Hospital and has funded the
University of Chicago's Early Childhood Center. Citadel Group Foundation contributes to the Art
Institute of Chicago, the Children's Memorial Hospital in Chicago, the Chicago Public Library and
the Chicago Symphony Orchestra. Ken donated $11M toward building a new chapel for Fourth
Presbyterian Church of Chicago in 2011. The building has been named "The Gratz Center" to honor
his grandparents. Ken personally gave $150M to Harvard University, his alma mater in 2014 (to the
financial aid program) and $10M in 2015 to the Museum of Contemporary Art in Chicago. Ken
gave $50K+ to Steadman Hawkins Research Foundation in 2003 and again in 2004, 2005 and

Andrew Wyeth Essay
Andrew Wyeth was born July 12, 1917 in Chadds Ford, Pennsylvania. He was the youngest of five
children. Andrew was a sickly child and so his mother and father made the decision to pull him out
of school after he contracted whooping cough. He received schooling in all subjects including art
education. Andrew had quite a vivid memory and a fantastic imagination that led to a great
fascination for art. His father recognized an obvious raw talent that had to be nurtured. While his
father was teaching him the basics of traditional academic drawing Andrew began painting
watercolor studies of the rocky coast and the sea in Port Clyde Maine. Dividing his time between
Pennsylvania and Maine, Wyeth has maintained a relatively consistent realist ... Show more content
on Helpwriting.net ...
Some curators felt that their museums were used to enhance the value of the art prior to the sale.
Some art critics thought that Wyeth and his wife had fabricated the entire story of the secret
accumulation of paintings. Others simply admired the art. After the paintings' sale to the anonymous
Japanese industrialist in 1990, the paintings were frequently exhibited at museums in the U.S. and
Japan. The paintings were resold in early December, 2005 to an American buyer, who may break the
collection up for individual sale. Wyeth's art has long been controversial. As a representational artist,
Wyeth's paintings have sharply contrasted with the prevailing trend of abstraction that gained
currency in American art in the middle of the 20th century. Museum exhibitionists of Wyeth's work
have set attendance records, but many art critics have derided his paintings. The most common
criticisms are that Wyeth's art verges on illustration, and that his predominantly rural subject matter
is heavily weighted with sentiment. Admirers of Wyeth's art believe that his paintings, in addition to
sometimes displaying overt beauty, contain strong emotional currents, symbolic content and
underlying abstraction. Most observers of Wyeth's art agree that he is exceptionally skilled at
handling the mediums of watercolor and egg tempera. Except for early

Tom Otterness's Crying Giant
I was unable to go out and actually photograph my area due to the fact that I live on a military
instillation and do not own a car. However, I googled searched sculptures in my area and
unfortunately, the only ones are located in the state art museums. I chose the sculpture titled Crying
Giant by Tom Otterness which is homed at the Copeland Sculpture Garden at the Delaware Art
Museum, F. V. du Pont Acquisition Fund in Wilmington, Delaware. It's medium is bronze and was
officially installed at the museum in 2002. The monumental sculpture, Crying Giant, will be
installed in the nine–acre Sculpture Park at the newly expanded and renovated Delaware Art
Museum. The 13–foot–high sculpture is the work of Tom Otterness, perhaps best known for his
emblematic

Zoe Leonard Analysis
One of the most interesting American artists today, Zoe Leonard, was born in 1961 in Liberty (New
York). Even though photography remains her primary medium, Leonard is best known for her
complex series, installations, and site–specific interventions. At the turn of the 70s and 80s, the artist
was among the leading figures of the New York's art scene, included in "Times Square Show"
(1982), the show organized by the COLAB, and at the same time involved in feminist and LGTB
movements. The following years, her wide recognition was fueled by the shows at the Greathouse
(1985) or the Artist's Space in New York (1988), culminating with her intervention at the
Documenta in Kassel (1992), where she removed all male portraits from the Neue Galerie, replacing
them with photographs of female genitals. However, in the 90s, her interests in details and textures
revealed within her sculpting practice, such as the widely acclaimed "Strange Fruit" (1995) series.
Her vast body of work is a subject to a number of displays, most recently she was devoted solo
exhibitions at the Museum of ... Show more content on Helpwriting.net ...
Self–taught as an artist, Brisson started to exhibit in the mid–70s, and became recognized a few
years later, following his move to Paris (1979) and since then displaying his work widely in Europe,
as well as the United States, Canada, and Japan. In his most recent works, the artist turned to some
of his masters, such as Edgar Degas (and his ballerinas) or Henri Matisse (and "Dance", 1909),
frequently reworking motifs well–known in art history. Though, earlier in his career the painter was
balancing between collage, Informel art, and figuration. Some of the latest exhibitions of his work
were held at the Franklin Bowles Galleries in San Francisco (2013) and New York (2012), Gallery
Thinkart in Chicago, or Galerie Espace d'Art in Geneva, among

Dana Schutz Controversies In Art History
Over the past years throughout America's history, there have been many controversies based off of
artwork done by outstanding artists. One of Dana Schutz's artworks called " Open Casket," sparked
a huge debate last year in 2017. This artwork was created based on a little boy named Emmett Till,
who was murdered in 1955 by two white males due to a false accusation. Schutz was inspired by a
photograph that was taken of Emmett Till on the day of his funeral, laying down in his coffin. This
painting was on display in The Whitney Museum, one of the most famous museums located in New
York City. Once displayed in The Whitney Museum it arose many controversies between many
other artists. Some people demanded the complete removal of Dana Schutz artwork ... Show more
content on Helpwriting.net ...
The Open Casket painting made by Dana Schutz was one out of many different art pieces that were
included in the Whitney Museum exhibition, which led to protests and controversies. Many people
have found this portrait of Emmett Till disrespectful to his memory, and think that she's using
Emmett's death as a way to make money. However, Schutz declared from the beginning, that her
work wasn't for sale. Other individuals believe that because Dana Schutz's nationality is white, she
doesn't have the right to make a drawing of an African American. Instead of dividing artists by the
color of their skin, people should utilize this artistic work as a way to engage in moral discussion as
opposed to censorship or destruction of an artwork. It's wrong for a person to say that a subject
should be off–limits to some creators because of their race. Parker Bright, an artist who assisted the
exhibition, stood in front of Dana Schutz's painting, and wore a t–shirt with a phrase that said "Black
Death Spectacle." Bright felt as if Schutz's painting isn't doing any justice, and that she doesn't have
the privilege to speak for African Americans. Moreover, a writer named Hannah Black wrote a letter
to the Whitney exhibition curators demanding that the painting must be destroyed entirely.
Furthermore, many media outlets received an email supposedly written by Dana Schutz requesting
her portrait to be removed from the Whitney Museum, but it turned out to be

Whitney Museum Research Paper
After researching a variety of art museums all around the world, the one that stood out to me the
most was the Whitney Museum of American Art. The Whitney Museum of American Art is located
in New York City, New York. The Whitney Museum was founded in 1930, and it is mostly known
for both, it's permanent collection, and for the art show held every two years called the "Whitney
Biennial," in which contemporary art is displayed. According to the website, the "Whitney's
collection has over 23,000 works, created by more than 3,000 American artists during the twentieth
century." On the museum's website, it allows us to get a better insight into its art collection and
provides us with essential information of the institution. The design of the museum's

Stuart Davis In Full Swing
Stuart Davis: In Full Swing The National Gallery of Art recently acquired the Stuart Davis: In full
Swing Exhibition from the busy Whitney Museum in New York. The exhibition progresses
thoroughly from each room to the next dedicating each room to the artist's own progression with his
art throughout his life time. As you walk from room to room, you realized that Europe was not the
area in which art moved from movement to movement and artist grew and changed. In USA, artist
like Stuart Davis reacted the movements from Europe and changes of the world through the lens of a
postindustrial America as is went from the roaring 20's, the Great Depression and World War 2. The
first room opened with his early work that tells us the audience about Davis' lack of exploration in
color. This pieces make a ... Show more content on Helpwriting.net ...
The artist by the end of the 20's had visited Paris and had arrived back to the USA to see it in a
different light. Here we see the focus change from American products to instead American streets
and the changes they faced while Davis was abroad. This new imagery bloomed as the economy
collapse. The Great Depression and how it altered the cultural and political was a main topic for the
art work being created as they were murals, a movement that was pushed by the administration to
boost morale. During the financial insecurity of America, Davis abstraction grew simpler and more
rudimentary. With his piece New York Mural, he marks his political affiliation with a simple banana
and the style of the publication of the political party he favored. It is important that during this time,
because of the nature of the era, artist became somewhat vocal of their politics and culture as not
only did the Great Depression emptied the economy but it also broke progression that the 20's
initiated. The murals and topics allows artist to progressed during stagnant

Richard Albert Forty Years Analysis
Born in San Francisco in 1939, Richard Serra is one of the important minimalist artists in our time.
He was known for his significantly large–scaled sculptures using metal sheets that are now
displayed in New York's famous museums such as the Guggenheim, The Museum of Modern Art's
Exhibition "Forty Years" and the Dia: Beacon. His abstract work draws attention to viewers, for it
shows visual and physical interests.
After studying at the University of California in Berkeley, Serra moved on to Yale University School
of Art and Architecture and studied painting in the M.F.A program. Entering New York during the
1960's, Serra had entered several exhibitions for his solo work. His early sculptures were made out
of uncommon materials such as fiberglass, ... Show more content on Helpwriting.net ...
The sculptures were abstract, minimalistic, expressionism, modernism, baroque and contemporary,
at the same time. His recent exhibition at the Museum of Modern Art Richard Serra Sculpture: Forty
Years (2007) shows this adventurous take during his different stages of a forty–year career. Serra
defined and American sculpture art and went beyond with his large–scale works such as Torqued
Ellipse IV (1998) and Sequence (2006) that depicts the immense volume of space being used and
shows us the different perspectives of art and emphasizes the material.
From working in steel mills in California to experimenting with massive steel sheets to create
complex curves, turning them into one of his most well–known works, Serra has challenged the
concept of design. Which has made us question "What is art?" Serra's reputation, "The Man of
Steel", was established with his urban and landscape sculptures and indoor structures. Pulling off
these great risks into a new area was a thrill to Richard Serra. He is a strong influence of urban
design, architecture, visuals and sculpture that has been set upon young architects

Appreciation Of A Novel By Barbara Kruger
Appreciation of art is like the appreciation of a novel. One may read a title of a novel and be amazed
and curios but will never appreciate it fully if the novel is not read from cover to cover. For any
piece of art, one needs to learn about the artist, the story behind the piece and the purpose of the
piece. In addition to learning about the work, as a woman, I find myself leaning more towards the
appreciation of the work of women artists who use their talent and skills to express themselves
and/or the causes they stand for. For this assignment I chose the work pieces of Believe +doubts
=sanity by Barbara Kruger, By the light 2013 by Shinique smith and untitled 2002 by ellen
Gallagher.
Belief + Doubt" is an exhibition of more than 60 selected works from a promised gift of 100
donated by collectors David Horvitz and Francie Bishop Good to the NSU Art Museum. with
Kruger's untitled (Belief + Doubt = Sanity) being the inspiration for the exhibition. The exhibition
highlights artists that are included in or were inspired by the Pictures Generation. Divided into
themes and sub–themes highlighting painting, video, mixed media, sculpture and a particularly
strong section of works by women addressing race, identity, sexuality and generation the exhibition
title "Belief + Doubt" lends itself to a multitude of interpretations.
The couple are famously known as leading collectors and advocates of art. Francie Bishop Good's
artwork has been exhibited throughout the United States,

Bill Viola Research Paper
Graham Lewis Professor Kristov Kluetsch 20th Century Art 5/6/15 Introduction – Bill Viola was
and still remains to be a world renowned artist for his work in the visual arts and more specifically
film Viola was one of the first to make the establishment of video as a vital form of contemporary
art His exhibitions were so successful and so popular that some even drew in crowds upwards of
340,000 people Working thesis: Bill Viola's video installation of The Quintet of the Astonished
serves as a breaking point for art because of Viola's ability to so successfully portray and convey the
complexity of human feelings. First Paragraph – Bill Viola's background Studied visual art at
Syracuse University in New York and received his BFA in 1973 Lived ... Show more content on
Helpwriting.net ...
Ed. Marilyn Zeitin. Contemporary Art Museum, Houston, Texas., n.d. Web. 06 May 2015. Ross,
David A., Peter Sellars, and Lewis Hyde. Bill Viola. New York: Whitney Museum of American Art,
1997. Print. Townsend, Chris, and Bill Viola. The Art of Bill Viola. London: Thames & Hudson,
2004. Print. Viola, Bill, and Deirdre Boyle. Bill Viola: Survey of a Decade. Ed. Marilyn Zeitlin.
Houston: Contemporary Arts Museum, 1988. Print. Viola, Bill, Peter Sellars, and Hans Belting. Bill
Viola: The Passions. Ed. John Walsh. Los Angeles: J. Paul Getty Museum in Association with the
National Gallery, London, 2003.

Whitney Museum of Art Essay
The Whitney Museum of American Art has often been referred to a citadel of American Art,
partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus
trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review
of contemporary American Art, which the Whitney has become most famous for. The biennial has
become since its inception a measure of the state of contemporary art in America today.
Since the Museum's opening in 1931, the collection has grown to more than 12,000 paintings,
sculptures, prints, drawings, and photographs, representing nearly 2,000 individual artists and
providing the most complete overview of twentieth–century American art of any museum in the ...
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For example, in the 2004 biennial their was 113 artists shown, consistent with the 2000 show of
around 103 artists. The Whitney seems determined to include as much art as possible that can fit in
their relatively small sized museum in order to better reflect the condition of the art scene in
contemporary America.
To fully understand the role of the biennial today, we must look to its past. The earliest Biennials
were assembled informally; easy groups of artists and museum personnel made the selections. Most
of those in the show lived in New York City, although many had originally come from elsewhere. In
1937, the format was changed and the exhibitions became Annuals, with one year for painting, one
for sculpture and various media. Some years, a single Whitney curator chose pieces; sometimes an
outsider was added. In 1973, they went back to Biennials. Today the tradition remains the same as
was begun fully in 1973. Increasingly in current shows curators search out a wide range of ethnic
and gender varieties to fully grasp the breadth of American culture that is represented in current art
work. Their has been much criticism of the Whitney and their exclusion of non–American artists.
There are sections of critics who believe that the Whitney is only

My Life At The Whitney Museum Of American Art
'God damnit,' Sydney muttered under her breath.
She had forgotten her wallet on the timber coffee table in her cluttered apartment. She began digging
through her purse scavenging for enough cash to pay the crabby cab driver. She found two twenty–
dollar notes and sighed in relief, she spared herself the mortification of informing the driver she had
no money.
'Where to?' he barked at her.
'LaGuardia Airport please.'
He grunted in response and took the next right onto Park avenue leading out of the upper east side.
Sydney had recently moved into her one bedroom apartment on 74th street, to be closer to her newly
acquired job at the Whitney Museum of American Art, in midtown Manhattan.
27 years of age, and Sydney still did not have a ... Show more content on Helpwriting.net ...
Sydney uncrossed her legs, she felt the beginnings of a cramp coming on, and brought her knees up
to her chest.
'Feet off the seat lady,' the cab driver remarked, hard eyes meeting hers in the rear view mirror.
Pursing her lips in annoyance, Sydney obeyed and lowered her feet back to the floor of the cab. She
revised the instructions she had given her father the night before.
'When you get off your flight, collect your luggage and come to the arrivals lounge. I will be waiting
for your there,' she had instructed.
'Yes I know dragă, I'll be coming exactly where you tell me,' her father replied in his soothing
Romanian accent.
'Make sure you don't leave or go anywhere, if you suddenly need something call me on my cell
immediately. I love you, and I'll see you tomorrow,' she had said before she ended the call.
A sudden burst of worry coursed through the veins in her body at the thought of something
happening to her Father. He'll be fine, she reassured herself, and rested the tip of her forehead

against the cool glass of the window. She felt a sensation of cold emitting from the window seep
into her body, rippling down her spine as a shiver.
***
'Tata I 'm here, where are you?' Sydney had called into the house her Father was residing in. Her
footsteps echoed down the dark hallway and turned right into the kitchen, flipping the light switch
on as she passed. She squinted as bright light filled the room, her eyes adjusting from the dark,
dimly lit streets of

The Influence Of Hopper's Art
Hopper was always reluctant about talking about himself and his art. He was an introverted man that
did not talk much but had his own sense of humor. He was very sophisticated and well–read.
However, he can be very conservative and accepted things as they were, displaying a lack of
idealism. Hopper was always serious about his art and the art of others; when asked for feedback, he
would critique strictly returning with blunt opinions and remarks. Hopper made a declaration about
his ideology as an artist in a handwritten note saying,
Great art is the outward expression of an inner life in the artist, and this inner life will result in his
personal vision of the world. No amount of skillful invention can replace the essential element of
imagination. One of the weaknesses of much abstract painting is the attempt to substitute the
inventions of the human intellect for a private imaginative conception.The inner life of a human
being is a vast and varied realm and does ... Show more content on Helpwriting.net ...
His influence on the art world and pop culture is undeniable. Although he did not have any students,
many artists were influenced by his work. Hopper's composition and his dramatic use of contrast in
film made him a favorite of filmmakers. He also influenced the filmography world having his work
featured in many different movies. The Turner Classic Movies, a cable television channel, would
sometimes run animated clips based on Hopper paintings prior to airing its films. Found in poster
stores and gift shops would be Nighthawks featuring cartoon characters or famous icons like James
Dean or Marilyn Monroe. The famous Madonna was also inspired sufficiently by Hopper's, Girlie
Show, having to named her world tour after it and integrated the mood and elements into the show.
His influence even expanded to Japanese animation. His artwork was used as a basis for the
cyberpunk thriller, Texhnolyze, as well as much of the 2008 animated film,

Descriptive Essay On New York City
New York City Attractions Statue of Liberty The Statue of Liberty, the most enduring symbol of
New York City – and indeed, the USA – can trace its unlikely origins to a pair of Parisian
Republicans. In 1865, political activist Edouard René Lefebvre de Laboulaye and sculptor Frédéric–
Auguste Bartholdi went to a dinner party and came away with the notion of building a monument
honoring the American conception of political freedom, which they would then donate to the Land
of Opportunity. Twenty–one years later, on 28 October 1886, the 151ft (45m) Liberty Enlightening
the World, modeled on the Colossus of Rhodes, was finally unveiled in New York Harbor before
President Grover Cleveland and a harbor full of tooting ships. It's a 354–step climb ... Show more
The Square went into deep decline during the 1960s when the movie palaces turned XXX–rated and
the area became known as a hangout for every colorful, crazy or dangerous character in Midtown. A
major 'clean–up' operation removed most of the sleaze and now the combination of color, zipping
message boards and massive TV screens makes for quite a sight. Up to a million people gather here
every New Year's Eve to see a brightly lit ball descend from the roof of One Times Square at
midnight, an event that lasts just 90 seconds and leaves most of the revelers wondering what to do
with themselves for the rest of the

An Exhibition of Portraits by Alice Neel Essay example
An Exhibition of Portraits by Alice Neel
An exhibition of portraits of the family by Alice Neel, one of the finest painters of her generation, is
at the Norton Museum of Art February 14 through March 29, 1998. Both critics and the subjects of
her paintings have written of Neel's ability to portray the dynamics of relationships. Kinships
focuses on particular family relationships: siblings, domestic pairs, parents and children, and
members of her own family. The exhibition was organized by the Tacoma Art Museum, and is
sponsored by The Elizabeth Norton Society.
Born in 1900, Alice Neel worked as a figurative painter during the decades of WPA realism, postwar
abstract expressionism, and 1970s minimalism. She persevered in her work ... Show more content
The father's tenderness for Jonathan fills the painting, in which he cradles the boy in his left arm.
The warm colors and loose application of paint hide neither the shadowed look on the father's face,
nor the gentle vacantness on the son's.
Neel's early work tended to depict generalized relationships, but as her later work deepened, she
embraced the particular. She didn't paint "the gay couple," or "the art world couple" instead, she
painted unique individuals, as her titles relate: Geoffrey Hendricks and Brian or Cindy Nemser and
Chuck. Each subject has a clear individualism. She respected the distinct character of each person
without sentimentalizing him or her.
The importance of the family for Neel is reflected in her portraits of her sons and their wives and
children, some of her best known subjects. Last Sickness, 1952, painted in the year before her
mother's death, is intimate and unsentimental, a daughter's record of her strong mother's decline. In
Richard in the Era of the Corporation, Neel expresses concern for a son driven by the pressures of a
corporate career.
Alice Neel studied at the Philadelphia School of Design for Women, now the Moore College of Art.
She married Cuban artist Carlos Enriquez in 1925 and moved to Cuba with him where her first
child, Santillana, was born. Another daughter was born in 1928. In the early 1930s, Neel returned to
New York, where she joined the Public Works of Art Project and later the Federal Art

Citadel Corporate Structure
Ken Griffin started trading from his dorm room in Harvard University with funds he had raised
through friends and family. He graduated with an Economics degree. He then joined Glenwood
Partners to work with his mentor Frank Meyer. This mentor helped him grow until he was ready to
found Citadel supported by Meyer. Citadel Investment Group is a private company founded in1990
by Ken Griffin. The Citadel's headquarters are in Chicago, Illinois. Citadel is a global financial
institution. The company has two primary businesses: Citadel Securities a front runner in the market
they trade goods including interest rate swaps, equity options, and equities for clients. As well as the
original Citadel this is now a leader in asset management.
Citadel has been acknowledged through various awards and accolades as one of the best work
places in the finance field. Citadel is ranked third against other hedge funds globally. Citadel has
played an active role in market structure issues and has advocated for financial legislation. Griffin
strongly disagreed with the 1999 repeal of provisions from the Glass – Steagall ACT which parted
trading and banking done by fiscal firms. He wanted better transparency in trading which is a ...
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Citadel mentors high school students who are low income. Citadel became partners with the
National Museum of Mathematics to help support and prepare science and math students. Griffin
has donated millions to fund many foundations especially institutions in Chicago. Griffin helped to
fund and support Woodlawn High School in Chicago which is a charter school. As well as donating
to the Children's Memorial Hospital. Citadel Group Foundation has contributed to public education,
the Art Institute of Chicago, the Children's Memorial Hospital in Chicago, the Chicago Public
Library and the Chicago Symphony Orchestra. He contributes to the Robin Hood Foundation and
donated to the University of

19th Century Quilting Patterns
Indeed, the ever–changing quilt names provide a snap shot small view of American history during
the nineteenth century "(Hedges, 2014, p. 13). Another quilting pattern that names has changed
many times due to historical events and regional differences is made up of rectangles inside diagonal
bands and was known during pre–revolutionary New England as "Jacob's Ladder," this name with
pulled from the Bible. In Western Kentucky, it was called "The Underground Railroad" and in
Mississippi and the prairie states it was called "Wagon Tracks" or the "Trail of the Covered Wagon "
(Hedges, 2014, p. 13). According to Carey (2015), the uses of pieced patterns were developed by
American quilt makers' this is seen as American quilter's greatest contributions

The Five Characteristics Of Tom Otterness
Tom Otterness was born in Wichita, Kansas in 1952. He moved to New York City in 1970 to study
at Arts Students League. He is a artist who's work I find really interesting. He is now world
renowned for his unique sculptures being very oval in shape and funny looking. They are made of
caster or metal and his sculptures are always doing some activity or motion.
His beautiful artworks are now displayed in many institutions around the country being Brooklyn
Museum, the Guggenheim Museum, the Whitney Museum of American Art and the Museum of
Modern Art. Otterness has even been named the 'best public art' sculpture for his works.
He gained this reputation through making numerous public sculptures of human beings or animal
figures that display the American society. Otterness showcased the American society by creating
sculptures that are, "Disarmingly cute and cartoonish, and underpinned by art history, popular
culture, and a democratic vision, his characters mock societal groups." This has resulted in him
populating numerous public areas with his creativity of his sculptures.
According to Tom Otterness his artwork can be distinguished into five characteristics which are:
blue collar workers, white collar workers, cops, radicals and rich people. This are the characteristics
he bases his sculptures on. Which results in the marvelous figures that are now on display around
New York especially the subway.
But through those five characteristics he implements four topics which are: money,

Martin Wong Visual Analysis
Martin Wong is an Asian–American modern artist that is known for his innovative painting through
expressive paintings that explore the subject of sexuality, ethnic, and racial identities. He became
famous in his contributions in the urban art expressionism. There is a sense of poetic depictions in
his images that paved way for the widening of the development of twentieth century modern art. He
is considered to be one of the pioneering artists that explore expressionism representing the urban
life with controversial motifs and concepts such as gay homosexuality and queer perspectives.
Martin Wong was one of the strong drivers for graffiti art. He incorporated graffiti with urban neo–
expressionist art in the 1980's, despite the intensive resistance ... Show more content on
Helpwriting.net ...
The Government no longer considered graffiti a 'quality' of artwork. Martin Wong was an avid
believer of graffiti art. He strongly believed that it is a significant form of art that caused movements
in the twentieth century. He collaborated graffiti art work and urban street art to create his lifestyle.
It was important for him to display his art work. He confounded his art works with Peter Broda in
the 1986 at the Graffiti Museum that is now incorporated to the current Museum of the New York
City. This exhibition showcased the various works of the artists of graffiti arts like Lee Quinones,
'Crash', LA2, 'Daze', A–One, Sharp, and many more. As a group they were able to address the
personal, poetic and social concerns. The recognition of neo–expressionist and neo–conceptual
movements was the glue that held the Graffiti museum together. He never allowed the postmodernist
agenda to effect his work. Unfortunately Martin Wong was one of the artists that acquired AIDS
during the 80's epidemic. Artists like him that include David Wojnarowicz and Keith Harring
collaborated with each other to work on art with emphasis about AIDS. Martin Wong's continued to
live his life through his art

The Significance Of Chuc Chuck's Photography
Chuck met a girl named Leslie Rose, Leslie was in one of Chucks classes at the University of
Massachusetts where he was teaching. But before Chuck and Leslie sparked a connection Chuck
was coming into class messy, intoxicated, and was not in a stable position at the time. As time went
on Chuck and Leslie started going on dates and he soon realized he needed to get his life together.
He fell in love with Leslie and proposed to her in 1967. They gave birth to a baby girl and named
her Georgia. At this time Chucks career started taking off greatly and Leslie was soon becoming
successful in her career. Around 1980's Chuck was starting his next canvas called Leslie/ Fingerprint
but during this time they had conceived another child and named her Maggie. ... Show more content
In New York there was an art museum called The Whitney Museum of American Art they were the
first ones to display Chucks works of art. From there Chuck had became more and more known
because of his art works and other exhibits displaying his canvas's. "Even during those recurring
moments in the cycle of art world fashion when painting has been pronounced dead, the relevance
of his work has remained evident. One of the strengths of his work is that, since it has never been in
style, it can never go out of style. It is unaffected by fashion( The Ebook)." In 1988, Chuck had a
spinal artery rupture after this incident he almost became permanently paralyzed from the neck
down. He regained consciousness from lots of therapy and rehab but he never let the fatal accident
of his spinal artery jeopardize his career. Some people think because of his accident he became an
even better

Barbara Kruger: Conceptual Artist
It's the year 1984. As you walk down a crowded New York street, you can't help but stop and stare at
the world around you. There's one particular image that stands out to you through. It's a large, black
and white poster of a woman looking into a broken mirror. The words "You are not yourself" are
written across it in bold cut–out letters. You stop to think to yourself about the possible meanings of
this poster. It shows the apparent work of a feminist sowing women's struggle with her own self–
image. Barbara Kruger is an American conceptual artist as well as a transformational leader, states
Wikipedia (1). She uses her work to make people think about the serious issues in society today. Her
work is in many common places for the view of ... Show more content on Helpwriting.net ...
Her statements are usually declarative or accusatory in town and make use of pronouns such as you,
I, we, and they. Several sources, such as Art:21 and Wikipedia, have said that the pronouns "you"
and "we" refer to "men" and women." She uses her work to criticize sexism, misogyny, and the
circulation of power within cultures. She sticks to the themes of feminism, classicism, consumerism,
religion, sexuality, racial and gender stereotypes, corporate greed, and individual autonomy and
desire. She also does installations which are comprised of video, film, audio, and/or projections. Her
work is influenced by the social life, how we are to one another. Kruger constantly raises questions
about values, taste, and the material world. Some of her instantly recognizable slogans read "I shop
therefore I am" and "Your body is a battleground." Kruger won the Golden Lion award for Lifetime
Achievement at the 51st Venice Biennale in 2005, according to Wikipedia (5). Her work is in major
museums and galleries worldwide. Her major commissions include the park and outdoor
amphitheater at the North Carolina Museum of Art in Raleigh, North Carolina, a train station in
Strasburg, France, and floor mosaics for the Fisher College of Business at the Ohio State University
in Columbus, Ohio states the Whitney Museum of American Art (7). She's designed and made
rooms where the walls, floors, and ceilings are all covered by images and text which completely
surround the viewer. Her work

Who Is Jonathan?
Jonathan's father was Frederick Phineas "Fred" Rose (1923–1999), Co–Chair and President of Rose
Associates and a prominent non–profit leader and philanthropist. After graduating from Yale
University in 1944, Fred served as a lieutenant in the U.S. Navy Seabees during World War II,
before joining Rose Associates. Fred was also extremely active in New York City's non–profit
community, serving as Vice–Chair of Lincoln Center for the Performing Arts and a Trustee of
Metropolitan Museum of Art, the American Museum of Natural History, Rockefeller University, the
New York Public Library, and the New York Philharmonic (list not complete). He was also well
known as a philanthropist, who according to his obituary in the New York Time "gave away more
than $95 million" during his lifetime. This included gifts of $20 million to the American Museum of
Natural History for the Rose Center for Earth and Space and $15 million to renovate the New York
Public Library's reading room.
Jonathan's mother was Sandra Priest Rose (1929–2017 NOTE–the actual date of Sandra's death was
8/31/2017). Sandra was a graduate of Manhattanville College and had an advanced degree in
learning disabilities from the College of New Rochelle. She spent 14 years as an elementary school,
junior high school, and high school teacher and was later a reading consultant to the Basic Skills
Center Reading Program in the Bronx. In 1981 she founded the Reading Reform Foundation of New
York, an organization that trains public school teachers to teach reading effectively. Like her
husband Sandra was also a non–profit leader ... Show more content on Helpwriting.net ...
Children: (Daughter) Rachel Rose, an artist known for her video installations who's works has been
shown at the Serpentine Galleries and the Whitney Museum. (Stepdaughter) Ariel Flores Zurofsky, a
board member of Urban Assembly, and former board member of New Visions Charter High

Edward Hopper's 'The Woman In The Sun'
In a large and unusually plain blue bedroom, a naked woman stands comfortably with a cigarette in
hand. She appears in her thirties, with a toned body and blonde hair accentuating her beauty.
Positioned with her side to the viewer, she stands in the sun, which shines yellow through an unseen
window; her shadow reaches well beyond view as all that can be seen of it are her legs. To her back
left, a white pillow and blue comforter sit on an unmade bed, which lies on a brown bedpost. Above
the small bed, the edge of a painting is visible– purple colors within a brown frame. Underneath, her
black heeled shoes lie on the green floor. At the foot end of her bed, there is a nook in the wall with
an open window. A white window drape hangs in the corner, exposing the blue sky and green hills
outside. ... Show more content on Helpwriting.net ...
Much smaller than the first, the subject is unrecognizable. All that can be seen is brown colors, a
white border, and a brown frame. After allowing the image to consume the mind, the eye travels to
the "Object Label." Edward Hopper painted "The Woman In the Sun" in 1961, when his wife, the
model, was seventy eight years old. Naturally, the viewer refers back to the painting, but again
views the beautiful young woman. The label continues to explain, "but Hopper transformed her, like
the rest of the scene, according to his own internal vision rather than faithfully adhering to realistic
detail." (Whitney Museum of American Art) Although this painting is not truthfully how she looked
this day, it is how Hopper views her, so is it really

W. B. Ringgold: Artist, Mixed Media Artist
Not only that but she is a painter, embroiderer, mixed media sculptor, and a writer. Ringgold is a
multi–talented and brave woman during her time in the 1950s; it was a time where sex and gender
were not fully equal yet. It gave Ringgold an opportunity to be a voice through her art. She attended
the City College of New York 1950 and earned herself a Bachelor in fine arts and continued on her
education with a Master's degree. She was denied a lot from majoring in liberal arts, which later
influenced her to enroll in graduate studies to become a teacher. Ringgold gained her skills and
interest in craft from her mother who taught her how to sew and work with fabrics. She was also
early inspired by Tibetan art, James Baldwin, and Amiri Baraka.

Taking a Look at Autobiographical Images
Viewing autobiographical images is often a relational experience. Within contemporary art,
autobiographical work opens up the possibility of creating new kinds of relationships between
people of different backgrounds. It can operate both as a representation transference of lived
experience and as an apparatus for experiential, relational viewing. When viewers encounter work
that deals with the autobiography of the artist, they engage cognitive and affective processes that
often involve identification and memory. In this practice of relational viewing, the artist's work
functions as a powerful catalyst for memory, whereby viewers draw upon their own life stories to
connect with the work. Consequently, the viewer not only perceives the image in the present, but
projects it back the artist's and their memory, body and being. Contemporary artists Rebecca
Belmore and Nan Goldin explore their own memories and past experience through their portrayal of
the body. Their use of body language is quite deliberate at creating subtle tension between the
viewer and the work that evokes this aforementioned relational viewing. Belomore's "Firnge"
(2007/08) a photographic transparency in a light box draws on not only the memories of her past,
but the aboriginal culture and people she attempts to represent. Goldin also represents a wider group
then herself, the New York Bohemians. Rebecca Belmore is an Anishanaabe Ontario born multi
disciplinary artist currently working in Vancouver, BC.

Descriptive Essay: The Metropolitan Museum Of Art
Esther Jacob
POLSC 110
Ms. Logan
April 2017
The Metropolitan Museum of Art
I grew up in a small town in upstate New York where the closest supermarket was a 15–minute
drive. A few times a year my mom would take me and my siblings to the Big Apple and expose us to
city life. I always loved the city – the lights, the skyscrapers, the street filled with people – it
captivated me. One of the places we would visit was the Metropolitan Museum of Art, otherwise
known as the Met. I remember walking through the museum in awe – everything was so big and
beautiful. The tall ceilings, gigantic sculptures, meticulous architecture – I had never seen anything
like it, and it is safe to say that visiting the Met was the highlight of my trip. And of course ... Show
more content on Helpwriting.net ...
Its name originated from the well–known architect who built the building – Marcel Breuer, known
for his sharp–edged and box shaped designs. In 1963, Breuer was given the job of building a new
museum in New York City. He built the Whitney Museum which was originally located at 945
Madison Avenue on the Upper East Side before it moved to downtown Manhattan. The Met then
took an "eight–year lease on the building from the Whitney Museum, with the option to renew
another five and a half years, until approximately 2029" (www.wikepedia.org). The Met Breuer was
created to further expand the Met's modern and contemporary art collection. As New York Times art
critic Roberta Smith said on the Met Breuer's opening, "The Met [Fifth Avenue] is huge and old,
with a history of treating contemporary art as an afterthought." The Met Breuer focuses on the
beauty of modern and contemporary art. The Met Breuer's main exhibit is called "Unfinished –
Thoughts Left Visible." This exhibit displays over 200 works of art that were left incomplete either
intentionally or unintentionally. While the Met Breuer main focus is modern and contemporary art,
this exhibits art dates from the Renaissance until today and includes artists such as Leonardo da
Vinci and Andy Warhol. Home to many other interesting exhibitions, the Met Breuer is "one of the
most recognizable modern icons in New York and one of the world's landmark arts

Dana Schutz
abstract, painted with energetic brush strokes, it has some kind of silence to it. Dana Schutz did not
use her usual tropical color palette to paint this painting. The artist used yellow, brown and white
tones mixed with black and red. Image is showing Emmett's head and a torso quite zoomed in.
However, the angle is different from a photograph, in a painting Emmett is positioned horizontal to a
viewer. Emmett is wearing a black tuxedo with a white shirt. The tuxedo is painted carefully, with
clean lines and with a red rose positioned on tuxedo pants, which I found quite surprising, because
usually flowers are placed on lapels of tuxedos. Emmett's face is destructed, there is a visible deep
cut in the paint. A lot of paint was used to paint ... Show more content on Helpwriting.net ...
Right when the exhibition opened, it was not greeted well, especially by African – American artists.
One of them, Parker Bright, stood in front of Open Casket, blocking it, but not that you could totally
not see, with his back facing the viewer. On a back on his T–shirt was written "Black Death
Spectacle". Same afternoon, there was an open letter released on Facebook directed to exhibition
curators Mia Locks and Christopher Y. Lew, by a british artist and a writer Hannah Black. In a letter
Hannah Black demanded the picture taken down and even destroyed: "It is not acceptable for a
white person to transmute Black suffering into profit and fun'. It was signed by 25 black artists.
They felt that it is unfair for a white woman to exploit black history, because it is not her history and
she never lived it. There was even a letter released by Dana Schutz, asking Whitney museum to take
down the painting, which was later confirmed to be fake. In my opinion, these actions are too
extreme and limiting the freedom of speech. I think, regardless of the color of the skin, this kind of
act of violence towards a teenager brings out strong emotions in a lot of people. Expressing thoughts
and feelings should not be

Personal Narrative: Pop Artist In America
40 years ago, when I looked at the swirling frosting on a shop counter, I couldn't help but see gooey
gobs of oil paint. Not long ago, the Whitney Museum in New York, looked a bit like a bakery
window, and it was because of all the paintings that featured my unique menu of cakes and pies. I
guess I could have picked anything really, but my heart was set out to paint cakes and pies. I really
don't know, I just painted these 8 or 10 pies on plates and thought, "well, no one can take me
seriously now", but I couldn't just leave them alone.
I was born in Mesa, Arizona, and became one of the most well–known Pop artists in America. My
iconic images of food may have stemmed from the beginnings as a freelance cartoonist in 1939.
From 1940 to 1941,

Art On The Block Summary
Book Review: Art on the Block by Ann Fensterstock It is a good choice to read Ann Fensterstock's
book Art on the Block at the end of my Introduction to Galleries & Museum of N.Y.C class. Over
the course of the semester, we visited various galleries in the different art blocks. The density of
galleries in Chelsea, the small loft spaces in the Lower East Side, the luxuriant townhouses in the
Madison Avenues district, and the commercial ambience in the SOHO, those art districts present a
wide variety of artworks and tell the story about the revolution history of New York's galleries.
However, focusing more on individual galleries and artworks during the classes, I didn't get my
thoughts about the art district's differences into shape. It is ... Show more content on Helpwriting.net
...
The tedious names mentioned in each chapter make readers feel overwhelming, especially with the
fast–paced narrative of this book. Although galleries and art dealers are the dominant factors of the
art world's migration, other elements such as museums, auction houses, artists and their works
should also be taken into account. The overemphasis of galleries and dealers do not match the theme
on the general discussion of art district's development. Language: As a historian–cum–writer,
Fensterstock makes this book both academic and literary. The way she tells the anecdotes is
straightforward and succinct. Compared with the previous book I read–Sarah Thornton's Seven
Days in the Art World, Fensterstock pays more attention on the figure's experiences rather than their
dresses or looks, while Thornton delicately depicts the figures' appearances especially when she is
telling the story of the Christie's evening sale. Fensterstock's plain–language narrative renders her
story an objective presentation of facts, but also make readers hard to pay attention on the bland
stories. However, the subheadings of this book show author's prose writing. Some subheadings such
as "Everthing Old..." "...Is New Again" "Death Star Landings" are not as straightforward as the
stories, which to some extent, frustrate one's need to refer quickly the content through the

Alphabet Fun At New York City
Alphabet Fun in New York City "Hi!" Livi greeted with a smile and a wave of her hand. "I'm Livi
and this is my sister Jojo." She said, gesturing to her sister, who stood smiling beside her on the
crowded sidewalk."We'll be your tour guides today." Jojo said, while Livy added, "We love to travel
and find things in each city that represent letters in the alphabet."
The two walked down the street, sky scrapers reaching up to the clouds on each side of them.
"Today we are in New York City and you guessed it, we are starting with the letter A! Livi said
excitedly.
"A is for Apple – New York City is known as the Big Apple." Jojo said, as they stopped on the
corner of the street.
"It's believed that the origin of "the Big Apple" comes ... Show more content on Helpwriting.net ...
Shortly after, they made their way back to Central Park.
"C is for Central Park." Jojo said, taking a picture of the entrance.
"Central Park is an urban park in middle–upper Manhattan, within New York City. Central Park is
the most visited urban park in the United States, with 40 million visitors in 2013!" Livi said,
watching the birds flutter from tree to tree.
"It is also one of the most filmed locations in the world." Jojo smiled, watching as a film crew went
by.
D is for
E is for the Empire State Building
The Empire State Building is a 102–story skyscraper located in Midtown Manhattan, New York
City, on Fifth Avenue between West 33rd and 34th Streets. F is for Fifth Avenue
G is for Grand Central Station
Grand Central Terminal is a commuter, rapid transit railroad terminal at 42nd Street and Park
Avenue in Midtown Manhattan in New York City, United States.
H is for
I is for Island, as in Ellis Island
Ellis Island, in Upper New York Bay, was the gateway for over 12 million immigrants to the United

States as the nation 's busiest immigrant inspection station from 1892 until 1954. J is for
`
K is for
L is for Liberty Island
Liberty Island is a federally owned island in Upper New York Bay in the United States, best known
as the location of the Statue of Liberty.
M is

Bill Viola Research Paper
Bill Viola Bio Bill viola is a video, digital and sound artist, he was one of the main artists for
originality and employing video art and sound technologies. Bill was born in January 25, 1951 in
New York. Bill attended Syracuse University in New York in 1973 where he first began to study and
work with video. In the 1970s Bill had stayed in Florence, Italy for 18 months. He was technical
director of production for Art/Tapes/22 which was one of the first video arts studios in Europe.
Afterwards he traveled to study and record traditional performing arts in the Solomon Islands, Java,
Bali, and Japan. Bill in 1970s was a video preparator at Syracuse's Everson Museum of Art. Bill had
many influences during his works, which include: Nam June ... Show more content on
Helpwriting.net ...
In New York, 1976–1980 Bill was invited to be an artist at the WNET Channel 13 Television station
where he had created series of works which appeared on the television. In 1977 Bill was invited to
display his videos at La Trobe University in Melbourne Australia by the cultural arts director Kira
Perov who later Bill got married to. They began a lifelong collaboration working and traveling
together. The awards Bill received include: 1984 Polaroid Video Art Award for outstanding
achievement,

Dana Schutz Analysis
Critically acclaimed Dana Schutz is a thoughtful artist. Setting aside any subjective critique of her
work, the visceral nature of her pieces challenges the viewer and herself. So, it comes to no surprise
that her recent painting, depicting the corpse of civil rights icon Emmett Till, would spark a
controversy. However, it is a disturbing aspect of our society when art has become a controlled
medium. The case of Dana Schutz is one of many examples. The history behind Emmett Till's
violent death is sickening. An African–American boy born in 1941, Till was described as a child
who, although faced with family hardships at times, lived happily. In 1955, he was visiting relatives
in Mississippi, and during a quick visit to the grocery store, was seen speaking to the store's white
female proprietor, Carolyn Bryant. Bryant falsely accused Till of making unwanted sexual advances
towards her, which prompted Bryant's husband and half–brother to trail after Till, abduct, beat, and
mutilate him. His disfigured body was found at the riverbanks of the Tallahatchie river three days
later. Till's distraught mother arranged for an open casket funeral to expose the horrors her son
suffered at the hands of racism, something the media often chose to ignore in the 1950's Jim Crow–
era South. Photographs taken of Till's body drew national attention to the issue of racial violence,
one of the prominent catalysts for the African–American civil rights movement.
Fast forward to the winter

Psyche Research Paper
It is incredible on how one piece of art could rebel so much by just looking at it. Art is beautiful in
all the figures and ways possible. Art could be anything that comes into your mind, a drawing, a
painting, a photograph, and etc. Art isn't defined by setting rules of what you could do. For example,
I could draw a soccer ball and make it in a way that nobody has seen it before; it would be a piece of
art. That's the best part of it; you're not limited to what you could create. It is also a way that you
could relief your stress and your thoughts. Sometimes we are afraid to rebel who we truly are. The
generation we live in today makes us think that everything we do is not good enough. Everyone will
judge you no matter what. You could become ... Show more content on Helpwriting.net ...
The sculpture would build in 1995 and measures 35.9 x 9.5 cm. It is located at the Whitney Museum
of American Art, New York. It was made out of glass, painted wood, and cork as well. There is a
man inside a corked wine bottle isolated from everything. His shoulders are slightly hunched and he
is looking ahead. He is white with an oval face. He looks serious and worried. The hair is dark
brown. He is also wearing glasses with a green shirt, brown belt, light brown shoes and jeans. The
jeans are a little bit darker on the top than the bottom. It also has light blue horizontal lines in the
central of the

Allen Kaprow Yard Analysis
1)
Allan Kaprow
"Yard"
1961
Martha Jackson Gallery's backyard, New York
The beginnings of the Environmental Art and "Happenings" Movement
When Allan Kaprow installed 'Yard' in 1961, Abstract Expressionism still held sway. Kaprow filled
the outdoor courtyard of the then Martha Jackson Gallery with tires, a gesture whose documentation
has become iconic. Kaprow expanded sculpture's possibilities, giving us a dramatically new
approach to the problem of solids and voids. It was also an attempt for art to create a new physical
sensorium for viewers, a longing for interaction between art and viewer, incorporating them into the
art and thus making them part of the art. Artists heard the call to action and responded in kind. And
so began the work of environments and happenings, followed by installations, performance, and
relational aesthetics. The work "Yard" is still relavent roday, and has been reimagined and recreated
as lately as 2009.
2)
Eva Hesse
'Expanded Expansion'
1969
Originally installed at the Whitney Museum of American Art, New York
Anti–Form Movement
In the late 1960's, Pop art and Minimalism began to displace Abstract Expressionism. Almost
immediately, however, artists started to question the rigidity of Minimalism and the ... Show more
This performance was recorded through photography. Nauman parodied the tradition of public
sculptors who represent the heroic masculinity of males in poses, in turn validating his own sense of
masculine identity. He has stated that he is not interested in making art to add to the collection of
many other things that are art but are essencially unoriginal. His interest lie in the investigation of
what art can be, its limitations or lack of limitation. In this piece, Nauman takes it upon himself to
become not only the author but the object. His uncanny mix of performance, sculpture, photography
and concept art pushed the simple taking of pictures

Did Kenneth Griffin Successful
Success in Citadel with Kenneth Griffin
Kenneth Griffin was schooled at Harvard University. In his early days, at the institution, an article in
Forbes Magazine impressed upon him the need to invest. It was while a second year student that he
started a hedge fund with the help of his family. Friends and family were able to raise an initial
capital of $265,000. This fund was so helpful that when the 1987 stock market crash happened it
acted as a cushion for those who had invested.
Kenneth went ahead to graduate from Harvard with a degree in Economics. After graduation,
Kenneth received a capital injection of $1 million from Frank C. Meyers to invest in a hedge fund.
Later Myers, an investor and 'Glenwood Capital LLC's' founder, reaped a 70% ... Show more
Himself a brilliant student at Harvard, it is no wonder that he feels passionately about empowering
people through learning. Griffin, in a bid to propel students from low income backgrounds, has
maintained a contribution to Harvard's financial aid program. Over $500 million has gone out to
institutions and education programs alone in Chicago. 'Chicago Public Library' and other
informative institutions are some of the beneficiaries of Griffin's philanthropy. In a bid to pool
resources and impact more people he teamed up with Bill and Melinda Gates to boost Woodlawn
High School in Chicago. He is a board member of the Whitney Museum and also serves in a similar
capacity at Chicago University. He is also a Board of Director of 'Chicago's Public Education Fund'.
More Philanthropy
Griffins has also donated to other institutions in Chicago including The University of Chicago, The
Art Institute, and Lurie Children Hospital. With his wife, in 2009, they started the Kenneth and Anne
Griffin Foundation through which institutions and hospitals have received patronage over the years.
In 2015 Griffins donated $10 million to Chicago's Museum of Contemporary Art.
Associations and Financial

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