Plans and Performances: Parallels in the Production of Science and Music, by David De Roure, Graham Klyne, Kevin R. Page, John Pybus, David M. Weigl, Matthew Wilcoxson, and Pip Willcox. Presented at IEEE e-Science 2016, Baltimore, 25 October 2016
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Plans and Performances
1. David De Roure, Graham Klyne, Kevin R. Page, John Pybus,
David M. Weigl, Matthew Wilcoxson, and Pip Willcox
OXFORD E-RESEARCH CENTRE AND BODLEIAN LIBRARIES
Plans and Performances:
Parallels in the Production of
Science and Music
23. • Audio files, including mul8ple STEMS of recorded music
• Other associated media files, especially video
• MIDI and other kinds of directly playable formats
• Algorithms and other kinds of genera8ve music
• Scores and other nota8ons that enable humans to perform the
music
• In turn, the metadata might poten8ally describe:
• The provenance of the music generated during its composi8on,
produc8on and performance
• Descrip8ons of the instruments, performers, segngs, effects,
patches and so forth a
• The structure, form and genre of the music, from official musical
forms to more everyday no8ons of style, genre and even mood
and emo8on
• The broader history of the music including where it has been
played, who has listened to it and who has covered it.
From the FAST Manifesto