In her early life Olga Marciano (Italian, 1962) was a lawyer, university assistant, writer, and later an entrepreneur, and was born with an explosive passion for art. She bravely decides to break all the rules of a common logic and abandons her work to work with art at 360 degrees. An artist of international scope, he lives and works in Salerno. President of SALERNO IN ARTE. A long career with many experiences abroad and in Italy and participation in biennials such as that of Florence, Genoa and Venice. Her works was on display at the Italian pavilion of the Art Expo in New York in 2018. Her paintings – they say – … have a soul, they possess and transmit to anyone who observes them, the breath of those who conceived them, allowing even the “non-experts” to instinctively perceive strong and deep sensations. The colors are striking, vivid and sharp, even in the nuances;
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3. Olga Marciano (Italian, 1962) Komorebi
KOMOREBI (木漏れ日) which in Japanese is the light that
filters through the leaves of the trees, a short but intense
moment that expresses a state of mind, a sensation that
is elusive, like the rays of the sun that filter through the
leaves of the trees in a forest. A magical sensation, but at
the same time also melancholy, which reminds us of the
constant mutability of all things
37. (Italian, 1962)
In her early life Olga Marciano (Italian, 1962) was a lawyer, university assistant,
writer, and later an entrepreneur, and was born with an explosive passion for art.
She bravely decides to break all the rules of a common logic and abandons her
work to work with art at 360 degrees. An artist of international scope, he lives
and works in Salerno. President of SALERNO IN ARTE. A long career with many
experiences abroad and in Italy and participation in biennials such as that of
Florence, Genoa and Venice. Her works was on display at the Italian pavilion of the
Art Expo in New York in 2018. Her paintings – they say – … have a soul, they
possess and transmit to anyone who observes them, the breath of those who
conceived them, allowing even the “non-experts” to instinctively perceive strong
and deep sensations. The colours are striking, vivid and sharp, even in the nuances;
the honestly defiant looks of the women represented in them, in a collected and
never brazen femininity; the modest representation of the feeling of inadequacy
towards suffering. The artist, while looking at reality with enchanted eyes, seems
ready to violate fossilized rules or sedimented conventions to find alternative ways
to her own expressiveness and irrepressible creativity, just as she does in life.
38. Text & pictures: Internet
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Presentation: Sanda Foişoreanu
2024
Sound: Elisa - Qualcosa che non c'è