Silvia Barbotto
Transhuman Visages: Artificial Faces in Arts, Science, and Society, Symposium and Meeting of the Senior Advisory Board, PIAST, Polish Institute of Advanced Studies, 28 January 2020
8. 8
Saggion-Paganelli – Fammi una domanda del
blu e di altre storie
Mino Pasqualone – Original
Giorgia Zoe – de la serie “Nobody”
Courtesy of the Artists
19. 19
BIBLIOGRAFIA.
Calabrese, O. (2010). Come si legge un’opera d’arte.
Fontanille, J., (2008). Pratiques Sémiotiques.
Genette, G., (1983). Narrative Discourse. An essay in method.
Leone M. (2014), Cultural semiotics as Fluxorum Scientia.
Lotman, J., (2009). Semiotics, Communication and Cognition: Culture and Explosion.
- (1980). Testo e contesto. Semiotica dell’arte e della cultura..
Marsciani, F., (2013). Soggettivitá e intersoggettivitá tra semiotica e fenomenologia.
Luksch, M., Patel, Mukul. (2007) Chasing the data shadow. Filmmakers' close-up
encounter of the Data Protection Act.
Paul, C., (2003). Digital art. London,
Hegel G.W.F. Necesidad y fin del arte.
20. 2019
T H A N K
Y O U
www.silviabarbottof.com
FACETS fellow POST DOC
Akraam Zaatari – The end of Time – Documenta Kassel 2012
dzięki