Ezra Pound And Modernist Poetry

Ezra Pound And Modernist Poetry
The following poems share a similar theme: Ezra Pound's "A Few Don'ts," Wallace Stevens' "Of
Modern Poetry," Archibald Macleish's "Ars Poetica," and Marianne Moore's "Poetry." Each of these
authors felt they had discovered superlative methods to write the most powerful poetry. However,
the details and methods which each author used varied from one another. Born in 1885, Ezra pound
is known as one of Modernist poetry's biggest contributors. His poetry of the early 20th century was
unconventional and controversial for its time. He studied endlessly to understand every facet of
poetry and pave his own way in the field. He pioneered the imagist movement and developed
rubrics which imagist poems were to follow. In "A Few Don'ts," Ezra Pound ... Show more content
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His poetry is experimental and was influenced by the works of numerous modernist poets. As he
aged, his poems developed to be more traditional. Many of his works in the 1930's analyzed social
and political issues that plagued the world during this period. "Ars Poetica" challenges how one
interprets their own reality, and his own guidelines to powerful poetry. He uses strong, apt images to
convey his points. MacLeish believes a poem should be "worldess As the flight of birds" (MacLeish
789). This poem is much more abstract than the other two, but shares the same theme of trying to
connect to the reader and illicit strong feelings. MacLeish believes that "A poem should not mean
But be"(MacLeish 790). A poem should speak for itself and use strong images for the reader to
ponder. This leaves the poem more open to interpretation and discussion. Marianne Moore was born
in Missouri in 1887. She was a modernist poet; however, the subjects which she chose to write about
differed from the average modernist. Most modernist poetry during this time was centered around
the state of modern civilization. Moore chose to center her poetry around animals, nature, and poetry
itself. Her poem "Poetry" starts off somewhat perplexing when she states "I, too, dislike it: there are
things that are important beyond all this fiddle" (Moore 791). This is demonstrating irony, because
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William Carlos Williams : An Influential Poet
Modernism. Imagism. Objectivism. In the 20th century, many poets were involved in several
different cultural and literary movements that changed their work. One of these poets impacted by
these movements was William Carlos Williams. His rapidly changing work changed for the better
and caused him to become an influential literary figure.
A literary experimenter and innovator, William Carlos Williams, was a busy and hardworking poet.
William Carlos Williams was born in Rutherford, NJ on September 17, 1883. He was introduced to
literature and the arts, especially Shakespeare, at a fairly young age. Williams became a doctor and
fulfilled his passion every day, which was serving the community of Rutherford. Surprisingly,
Williams ... Show more content on Helpwriting.net ...
This poem is only a few words long, but Williams uses very descriptive words and gets the point
across to the reader (Williams, Williams Carlos). Another poem that mirrors Imagism is "This Is Just
To Say." This poem talks about a plum in an icebox. Even though it may seem like a silly topic, the
short poem tells a brief story and leaves the reader thinking with many questions (This Is Just To
Say). Lastly, Objectivism is very similar to Imagism. The main difference is that Objectivist poetry
involves personal and romantic feelings unlike Imagism. Williams work became even more popular
while Objectivism was developing because of his poetry involving his thoughts and feelings.
(William Carlos Williams). One of his poems that reflects upon Objectivism is "Thursday." This
poem is short and focuses on one topic just like Imagist literature, but it involves his personal
feelings about his dreams in his life (Thursday). Overall, Modernism reconstructed Williams writing
style. William Carlos Williams had a very unique style of writing. His poems are extremely short,
but they paint a vivid picture in your head. Separated from tradition, Williams was a an
experimenter who got creative with language and the form of his work. He often focused his writing
on one object instead of telling a story. (Imagism). For example, the poem "The Red Wheelbarrow"
focuses on one object and one object only, a red

Ezra Williams Research Paper
Along with William's engagement with Ezra Pound and the Imagist Movement, his poetry was
influenced by his many different travels. His travels around Europe and the United States was the
true reason that his poetry was a great success. On his travels throughout Europe, Williams met
other poets, and saw different ways in which poetry had been written. One major travel of Williams
was his trip to London in 1910. Williams visited his friend Ezra Pound in London, to receive literary
advice on his poems he had written one year before. An example from his 1909 poems is a poem
called "The Uses of Poetry." Williams wrote, "I've fond anticipation of a day/O'er Filled with pure
diversion/presently,/For I must read a lady poesy/The while we glide by many

Similarities Between TS Elliot and Amy Lowell
Summary The poets T.S. Eliot and Amy Lowell share many biographical similarities, despite their
very different literary pedigrees. Both had ties to Boston and to Harvard; both were highly
influenced by the Imagist poet Ezra Pound. Pound was an editor of Eliot's "Waste Land" and Eliot
dedicated his seminal modernist poem to Pound. However, in contrast to the amicable relationship
of Eliot and Pound, Lowell was Pound's literary adversary. Pound accused her of diluting the term
'Imagist' which caused Lowell to avoid associating with the modernists Pound supported such as
James Joyce and Eliot (Beach 77). Despite the fact they were not friends in life, in their poetry the
modernists Lowell and Eliot often expressed a similar view of human and divine love. Although
Pound considered Lowell conservative and of an earlier generation, Lowell used vers libre, or
unrhymed poetry with varying line lengths in a radical fashion to great effect in many of her works.
Her 1919 poem "Madonna of the Evening Flowers fuses religious and natural symbolism,
suggesting a communion of sentiment between the feelings the speaker has for the divine and the
human. The poem ends with an image of praying and suggests the speaker's love has a holy quality.
Lowell's poetry has a sincerity that contrasts with the tone of Eliot's more satirical "The Love Song
of J. Alfred Prufrock." "Prufrock" is an intentionally ironic poem, contrasting the high romantic
aspirations of the speaker with his humble, real

Symbolic Images: The Poetry of Emily Dickinson Essay
The poetry of the Imagists is short, simple, and quite literal in its meaning in order to create a vivid
picture in the reader's mind. When they describe an object, it means just what they say. A tree is a
tree, a flower is a flower, and a bird is a bird. Imagists have little use for abstract words or ideas, and
tend to shy away from them as much as possible. Emily Dickinson doesn't fall under the same
category as the Imagists, as she doesn't use the same techniques as the Imagists.
Dickinson's poems center on very vivid images, with very different takes on them. They very often
contain abstract concepts, which are often given concrete principles and are incorporated as part of
her images. She implants deeper ... Show more content on Helpwriting.net ...
The lines "For I have but the power to kill/Without – the power to die –" sum up Dickinson's
feelings of the power of women. She obviously feels that women do have tremendous power, but in
the heavily male–oriented society of her time, that power lay dormant without a man to use it.
Another poem heavily laden with symbolic images is "The Lightning is a Yellow Fork." This poem
uses symbolism in a different way than the first. Rather than using symbol to show her view of the
roles of women, she uses it to pose a question to the reader without explicitly asking one. This poem
closely resembles the poems of the Imagists, as she makes a short description of a lighting strike.
However, the description becomes only half the poem, as she goes deep into metaphor and abstract
ideas. In the first stanza, she uses metaphor to compare the fork dropped from a table.
The Lightning is a yellow Fork
From Tables in the sky
By inadvertent fingers dropt
The awful Cutlery
This stanza shows how lightning seems to be an accident, dropped on Earth objectively wherever it
may land. The following stanza seems to ask the question of where the fork was dropped from.
Of mansions never quite disclosed

William Carlos Williams: The Young Housewife
When you hear a poem can you always paint a picture to go with it? In 1909 the theory of Imagism
was introduced and began to spread across the world as a new form of literary style. William Carlos
Williams was just one of many poets who incorporated Imagism into each of his poems. Using skills
such as objectivism allows Williams to paint a picture for each individual reader as the read through
his poems. On September 17, 1883 in Rutherford, New Jersey, United States of America, the
American poet by the name of William Carlos Williams was born. Born and raised in Rutherford,
New Jersey he was a child of two middle class parents. While his parents showed love for literature
and visual arts William Carlos Williams himself never showed much ... Show more content on
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Poems such as "This is Just to Say" takes the simple object of a plum and stresses its importance. " I
have eaten the plums that were in the icebox and which you were probably saving for breakfast
forgive me they were delicious so sweet and so cold." Plums are an object not many people would
think could have any importance yet William Carlos Williams manages to stress the object to the
extent of depriving someone of their meal. Objectivism is when you take an ordinary object and
stress it's importance which William Carlos Williams successful does within his literary

Miss Lowell And Things Appman
An Argument For Emotion Walter Lippmann's, "Miss Lowell and Things," a critique of Amy
Lowell's "The 'New Manner' in Modern Poetry," challenges the way Lowell defines modern poetry
and the surging imagist trend in poetry. Lippman criticizes Lowell's outlook on poetry, arguing there
is always an emotional response and the concept of externality is not a major aspect of modern
poetry. While Lowell defines externality as "the attitude of being interested in things for themselves
and not because of the effect they have upon oneself" (The 'New Manner' in Poetry 35), Lippman
struggles to understand how emotion and feelings could not be present in poetry. Lippman suggests
that poetry without true meaning and emotion loses its purpose, and becomes

Imagist Poetry Essay
Imagist Poetry:
Visual Storytelling
In regards to discussing my experience in high school, I tend to keep quiet about that part of my past
primarily due to the lack of memories I have about high school, especially 12th grade. However, I
will say that out of all the lessons that I learned in high school; when discussing concepts like time
management and with meeting deadlines, there has always been this one lesson that has been
engrained into my brain. Consequently, while this is a skill that I rarely use often, it's used to great
effect. In the past, I have used said skill to write stories about those who have protested about civil
rights and about the plight for racial equality. This might not be an important life lesson to many ...
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After doing this, you can then repeat this process with the next two lines until you have a finished
poem.
Imagist poetry, in contrast, uses descriptions that narrate what happens during an event or at a
certain place with the use of symbols. Symbols can range from the description of an action, such as
marching, to the description of a single person with the use of either appearance or morality.
Additionally, these traits can also be used to describe actions and individuals with more religious
sub–tones. Those same religious underpinnings can, in addition, be used for companies as well as
groups with certain, but very strong opinions about others around them. When these symbols are
used to describe a place, a time of day, a person, or a thing, they have the ability to leave not only an
impression on the reader, but a feeling. The same result can be achieved to an even higher degree
when talking about the issues of civil rights and with having religious symbolism within the poem
itself; describing a battle between progression and tradition.
Besides the use of symbols in Imagist poetry, another key factor is the usage of simple language
instead of having to use the same two writing tools; those being the abundance of greater detail and
rhyme structure. As a result, symbols give the writer this benefit regarding the focus on certain
keywords instead of having to waste time with the

Carlos Williams Spring And All
In this explication, I will be explaining the poem "Spring and all." The poem which was written by
Mr. William Carlos Williams, Born in the year of 1883 and deceased in the year of 1963. Williams's
health began to decrease following a heart attack in 1948 and multiple strokes, but he continued to
writing until which he died in New Jersey on March 4, 1963. Mr. Williams obtained numerous crafts
and professionals poet, essayist, playwright, and novelist, said to be one of the principal poets of
Imagist movement. He went to college and received his MD from the University of Pennsylvania.
To begin, in the poem, someone stopped by the side of a road which in the same direction to a
hospital, and they are looking at the landscape. This person starts describing the scene; he states that
he witnessed dead plants that cover everything in the final stages of winter. You should know it is
understood that Williams acquired his living as a doctor. We are not sure if this poem is primarily
about an experience he had, but more than likely he would have been accustom to hospitals. Second,
the poem is based on a very remote and dull setting; he explains how he was in a location where
there was a handful waste of broad, muddy fields, brown with dried weeds, standing and fallen ...
The title of the poem was "spring and all", however, what he witnessed on the side of the road far
from the characteristics of the weather in spring. Spring is very vivid, bright and beautiful. He
explained that the surroundings were very dull, muddy and extremely understandable. The way he
described his surroundings were as if he pulled over in a ghost town. The primary meaning of the
poem was about a guy on his way to the hospital, and he is observant, comparing spring to the birth
of a

My Poem Poetry
In regards to discussing my experience in high school, I tend to keep quiet about it primarily
because of the lack of memories I have about it. However, I will say that out of all the lessons that I
learned in high school; in regards to concepts like time management and with meeting deadlines,
there has always been this one lesson that has stuck with me. Consequently, while it's a skill that I
don't use all that often, it's used to great effect. I've used it to write stories about those who have
protested about civil rights and about the right of racial equality. It might not be this big important
life lesson to most, but to me, learning to write in the imagist style of poetry has managed to grant
me this ability to tell stories visually without the use of images themselves.
Now, before we can discuss what imagist poetry is, we first have to figure out what a traditional
poem consists of. Traditional poetry itself tends to be more about the rhythm and rhymes in a poem
while also describing what's happening or what something is in each rhyme. The rhythm of a poem
having an emphasis on both stressed and unstressed syllables in each word. For example, you can
take a word like water, which has one stressed syllable, and then pair it with another word with the
same kind of syllable. Since the word we want to rhyme is water, we can then pair it with another
word like hotter. We could even go so far as to describe what happened to the water, for instance,
"This cup of water,

Ezra Pound Modernism
Seth Enoch
November 19, 2017
Survey of American Literature II
Dr. Kimmarie Lewis
Ezra Pound: The Father of Modernism
Ezra Pound has been deemed one of Poetry's most important contributors. (Remembering Poets, 1).
T.S. Eliot and Donald Hall both believed Ezra Pound to be the biggest influence on poetry of his
time. (Poetry.org, 1). He was dedicated to his work, and from a young age, until his death in 1972,
he worked tirelessly, creating poetry that some deigned controversial, whether aesthetically or
politically. Those who did not find these controversial, the critics, the public, were too scared to read
his works. Pound however, never let any of this keep him from continuing to pursue his dreams and
do what he loved, writing poetry. Instead, he concentrated on advancing his art and maintaining his
standards with his aesthetics, while speaking out against these naysayers, showing them that he was
not intimidated by his adversaries.
Modernism is defined by Webster as modern artistic or literary philosophy and practice; especially
:a self–conscious break with the past and a search for new forms of expression
extols the ... modernism that laid the foundation of all twentieth–century design
–Jeffrey Simpson
modernist
play –nist noun or adjectiv
the most aggressively modern of these poets, made "Make it new!" his battle cry. In London Pound
encountered and encouraged his fellow expatriate Eliot, who wrote what is arguably the most

I Too By Langston Hughes
This quote is from Langston Hughes poem "I, Too," and this quote is discussing slavery and how
during those times, the slaves had to stay out of the way when company would come over. This
poem deals with racial segregation because slaves and African Americans were to be separated from
white people. This poem also deals with oppression because African Americans were often treated
unfairly. I believe that the overall theme of this poem is freedom because as we continue to read the
poem the narrator states,This shows the reader that the narrator is going to refuse to be sent to
another room when company comes because he says, (Hughes 872) which shows the audience that
he would like to be treated like an American and would like to be treated

William C. Williams
William C. Williams once said, "I think all writing is a disease. You can't stop it." This well–known
poet was born in 1883 and wrote during the modernist literary movement as well as during the
imagist movement. It can easily be argued that Williams is one of the most important American
poets of the 20th century. Although his work did not gain widespread recognition until the 40's and
50's, Williams greatly influenced younger poets such as, Robert Creeley, Robert Duncan, Robert
Lowell, and Allen Ginsburg. Modernism was the most influential literary movement in England and
America during the first half of the twentieth century. Representing an unquestionable rejection of
Victorian elegant standards, moral rules, and literary techniques, modernism was initiated during the
opening decade of the century, a time of widespread experimentation in the arts. The Modernists
emphasized the internal thoughts of a character through the use of such devices as the interior
monologue, or stream–of–consciousness narrative. The disoriented effects of the era of modern
warfare that began with the First World War lead to such American ... Show more content on
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In Imagist poetry, the writer does not talk about the themes behind the image; they let the image
itself be the focus of the poem. There were many famous American Imagist poets, including Ezra
Pound, William Carlos Williams, H.D., and Amy Lowell. These poets wrote free verse and were
devoted to "clarity of expression through the use of precise visual images." The first principle of the
imagist era was "To use the language of common speech, but to employ always the exact word, not
the nearly–exact, nor the merely decorative word." Like Modernism, Imagism was a reaction against
the abstract language and "careless thinking" of Georgian romanticism. Imagist poetry aimed to
replace unclear abstractions with the exactness of observed detail and direct

The American Dream during the Time of the Imagist Movement
"I, too, dislike it. Reading it, however, with a perfect contempt for it, one discovers in it, after all, a
place for the genuine" (Twentieth–Cenutry 231). The time of the imagists was a time of change.
Sometimes that change was and other times it wasn't so good. They fought for freedom, refering to
African Americans and the fight for civil rights. They changed the rules on how to write. They even
made such a lasting impression that the way of writing continued past the time period and changed
into a style of writing to last the years. Although it was said to be created by one man, the idea
actually came from another who had brought the idea up before its time. It eventually reversed the
fact that it came about before it was ready and ended up lasting long after the era was declared over.
Since the literature was changing so was the mind set and it was directly related. This is where the
American Dream comes into play. The American Dream during the time of the Imagist Movement
could be represented by the way of life in that the people of the time were changing, not only in
their writing, but with how they were living in that they would fight for equality or be more focused
on what was real, and that sense of "changing" was solidified in the American Dream. The change
during the Imagist Movement was due to the new outlook on writing and how the literature was
changing. This movement spurred from the use of symbolism in the early twentieth century. This
movement occured

Analysis Of John Gould 's ' Sea Rose ' Essay
Midterm Paper How John Gould Fletcher Alludes to The Women's Rights Movement in "Sea Rose"
Plato is one of the most refined and well–respected philosophers of all time. In Book II of his work
Republic, Plato claims that there are three versions of every object: the physical object itself, the 2D
version of it on paper, and the mental image of the object you create in your mind when you think of
that object. To Plato, this ideal mental image is the reality of that object more so than the 2D or
physical forms. He goes on to discuss how he believes that this ideal image is something that the
artist cannot portray in their work. He explains that "An image maker, a representer, understands
only appearance, while reality is beyond him"(Plato 70). Plato uses the words "image maker" and
"representer" to refer to artists–this term includes people like the painter, and the poet. By saying
that "reality is beyond" these people, he is saying that people such as the painter and poet create
work without instilling any true meaning behind it; without expressing the ideal image of the subject
of their art (Plato 70). Because they don't express this ideal image of their subject, he claims that
there is nothing real about their art. He goes as far as to say that they are not even capable of
expressing anything real–it is literally "beyond" their abilities (Plato 70). He believes their words
and images are created for art's sake–the poet writes simply to sound

Examples Of Imagist Poetry
Introducing the Imagist Poetry
What is imagism? Only a handful of individuals were involved in this poetic movement at the
beginning of the twentieth century in Britain, and in America. Imagism was about essential aesthetic
ideas and criteria of modern poetry. What is the difference between imagist poetry and any other
poems that are well known for their use of images? One would argue that every imagist poem is
trying to reevaluate the way that someone normally would approach imagery.
One of imagism famous poets was Ezra Pound. He was one of the founders of imagism. He had
three rules for writing an imagist poem. First of all, "the direct treatment of the "thing," whether
subjective or objective." The second one is "to use absolutely no word that did not contribute to the
presentation." Finally, the third one was regarding rhythm: "to compose in sequence of the musical
phrase, not in sequence of the metronome" (Ezra Pound A Retrospect). These are important rules
worth thinking about to see some of what controls ... Show more content on Helpwriting.net ...
"THE apparition of these faces in the crowd;
Petals on a wet, black bough."( Ezra Pound In a Station of the Metro)
If the author would have added the word "like" to the poem between "... in the crowd" and "petals..."
, it would make more sense. Instead of doing this the author put this semicolon between the two
lines of the poem, which distinctly makes a sudden break in ideas."The apparition" is like a ghostly
appearance of these "faces in the crowd" ( Ezra Pound In a Station of the Metro). The author is in
subway system, where all these people with all these ghostly faces and he hasn't seen them as
individuals, he is seeing them as a crowd with blurred faces passing through. The author suggests
that they are like petals as in leaves on a tree branch as they go along in the crowd. There is a lot of
meaning packed into the two lines of the

Oppression In Fences
In Fences August Wilson tackle the issue of race and oppression on a human emotional level. His
writing are not cold but touching to the human heart. Troy Maxson the main character in Fences
becomes disillusioned when there are no African Americans as garage drivers. (Nay a quote from
August Wilson play) It was a time of adversity for the African American community and going
against the norms that could jeopardize so many things in your life. Wilson uses this to give an
example of how Charley Burley felt when he couldn't become pro in fighting through this character.
This moment of this play touches the inner self of a human because we would say it is not fair to
hinder a person due to their race or of skin color. Because of the color of your ... Show more content
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While watching the play (and quote from interview in here) It is something that moves you to
understand the struggle of a African American person that is not raised in a environment opulence
and trying to beat the system. Cory harbored a lot of resentment towards his father when he didn't
allow him to play football.
In the poem "Black Art" Baraka declares, "poems are bullshit unless they are / teeth or trees or
lemons piled / on a step" (BMP, p. 116). "Black Art" had to be a current issue that the average
African American was facing at this time of century. "Black Art" is a poem that touches on a tough
subject and makes you step out of your comfort zone to understand a African American person but
this poem is not any target to the any color of race it is made to the average African American
person. It is to give them strength and fight against this issue of race and oppression. Gives the
advice to not be submissive and not to remain tactful when it comes to the issue of oppression. This
poem couldn't be used as a vehicle of escape to "another world" Baraka's apparent rejection is only
half of this poem and created a invective pattern throughout the poem. Baraka style of writing is not
any shape or form

Robert Frost Research Paper
Frost has been known to deem all writing devoid of human tones to be poor writing on the account
that a reader cannot be expected to care about what is written by an uncaring author. He came to
criticize poetry in which "all tones of human speech had been eliminated, leaving sound of sense
without roots in experience" () after being criticized himself for writing in the opposite manner, a
critique that led to the epiphany of that being his exact intention. It was Ezra Pound who deemed
Frost as having "the good sense to speak naturally and to paint the thing as he saw it" () but Frost
had no intention of being associated with the Imagists. He fought hard against the misinterpretation
of his poetry, striving to embody the unconscious principles ... Show more content on
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John F. Sears argues on behalf of this claim in his statement that "it is much easier to fix a visual
image on the page, since you can nail it there with the nouns that name it and the verbs that make it
active, than it is to fix the tone of a sentence" (476). Logically, this holds true, despite the fact that it
contributes to a debate that is more or less unproductive on the topic of sight or sound as poetically
superior. Frost's own treatment of the two senses can be simplified as the eyes reading the words and
the ears hearing the sentence sounds, though he claims the ear to be the "only true reader and writer"
(). While the eye reads "My father used to say...", the ear hears the tone of moral instruction; the
statement is bluntly factual at eye level, but its tone communicates a sense of assurance in reverent
memory of a father's moral instruction. This theory of course pre–supposes that all tones follow the
conventional understandings of common phrases, but the Sound of Sense does not only emulate the
sounds of individual word meanings and idioms. For instance, the sound of a sentence is not limited
to enhancing its meaning, it can in fact be manipulated to have a subversive effect. The irony that
can be expressed through tone allows for

Why Is Shakespeare An Influential Poet?
There were many influential poets that have existed throughout history. William Shakespeare is a
prime example of an influential poet. There are also a huge amount of styles that poetry have. There
are some type of poetry where one follows rigid guidelines like sonnets, where one follows a
specific rhyme scheme and an iambic pentameter, or a haiku, which has three lines and the first and
last line have five syllables while the second line has seven. There are other types where one has no
requirements, and writes has they please, like free verse poetry. That is not all that there is to poetry.
There are tons and tons of figurative language in them; similes, hyperboles, and metaphors are just
some examples of an endless list of figurative language. Poetry can also be affected by the time
period and place. For ... Show more content on Helpwriting.net ...
He garnered attention as a poet that wrote in Imagist style. He put his writing career on hold to fight
in World War I. He was deeply affected by his time in the war and that was shown in his post–war
writings. His works were considered to be extremely pessimistic after returning from the trenches.
"A Times Literary Supplement reviewer notes that in these poems Aldington increases the contrast
'between the integrity and cleanliness of the Greeks ...and the dingy muddle of the present'"
("Richard Aldington"). Richard Aldington became more of a writer and critic in his later years. He
translated and edited many works. In 1954, the public's opinion of Richard diminished drastically
since his biography on the legendary Lawrence Arabia was written mostly on legend, and the public
did not like that; a couple years later the public's opinion of Richard subsided a little, and he
continued to make works. In 1962 he was invited to go to the Soviet Union by Alexei Surkov,
secretary of the Soviet Writers Union; he thoroughly enjoyed his time spent there. Richard
Aldington died in

Realism Of Film And Film Of The 1950s And 40s Through The...
Realism's relationship with cinema and film form is one which has been debated since the
beginnings of film theory. There are many different arguments on how best to capture realism on
film. It came to the forefront of film theory in the 1930s and 40s through the Italian neorealism
movement. Andre Bazin was a french film critic and theorist who is best known for his writing on
realism in film. He argued that cinema is fundamentally realistic and that filmmakers should not
alter what an audience views, with exception. He favours the long deep focus shot such as those
used in Orson Well's Citizen Kane. Sergei Eisenstein, a soviet director and theorist, favoured the
opposite approach to achieving realism in film. Basing his theory around early work by Kuleshov
and Pudovkin, Eisenstein championed montage as the only way to capture realism in film. His
theory is based around the idea that reality is dialectical, with much of his work stemming from the
politics of Karl Marx and Friedrich Engels. He argues that as reality is dialectical, then the
filmmaking that seeks to capture this reality must also be dialectical. On the face of it these methods
are polar opposites however they both attempt to solve the question of how best to capture realism
in the cinema. Through this shared goal there is similarity in the two different theorists approaches
that hint at neither method necessarily being more effective in capturing reality. Despite the debate
on how best to capture realism,

Mythological Allusions In Hilda Doolittle
Mythological Allusions Hilda Doolittle known as H.D., was one of the imagist poets of her time.
Her imagist poetry is "impersonal," it's relationship to human emotion is often deeply set. She
utilized imagery, musical rhythms, and symbolism to evoke the themes in her poetry. Her work
recaps the main theme from the Victorian Era, which is based on gender roles and how behavior is
acceptable in society. She was apprehensive with the matter of war and severity. Her work
reconstitutes feminist, language, and myth (Doolittle 1816). She wanted her readers to understand
how feminist plays apart in the psychological dimensions of myths. Mythical and biblical references
was common in Doolittle's writings. Her writings are vast and compound, focusing on a feminist
deconstruction of male–centered epic ("Hilda Doolittle"). H.D. included major themes, historical
perspectives, and personal issues to get across her message to her audience. She wanted to focus on
the viewpoints of violence and in her own writing she recreates it as a sense of peace that connects
to her subjects of war and severity. (H.D.). In her poetry, subjects that are found in H.D.'s writing are
related to female characters that is shown as powerful, yet questions the thought of how the female
is seen in her society. ("Hilda Doolittle").
In the modernism period, there was avant–garde and that's were some of H.D's poetry was created. It
was a time where writers experimented with ideas in literary and musical arts in

Ezra Pound : An American Poet
Ezra Pound was an American expatriate poet and a crucial figure in the early modernist movement.
His famous contribution to the modernist movement was his influential work of developing the
literary style of Imagism. His favoritism towards using musical properties in the poetical verse, and
intense use of vivid imagery, helped to not only influence many other famous poets such as Robert
Frost and D.H. Lawrence, but also to change the literary world forever. Ezra Loomis Pound was
born in Hailey, Idaho Territory in 1858 to Homer and Isabel Pound. Pound knew from an early age
that he wanted to be a poet. As a child, Pound was quick–witted, individualistic, extremely
narcissistic, and unpopular. Pound, at the age of fifteen ... Show more content on Helpwriting.net ...
Question 3: What literary movements did Pound help to found? Through his unconventional writing
style, Pound helped to create the Imagist movement from the ground up. What really made his new
literary style so popular was his incorporation of different cultures into one language. Pound, after
leaving the United States, took great interest in different literary styles from around the world. He
especially admired East Asian (Japanese) and Italian artistic and literary concepts. Pound saw in
these languages everything that he wanted for his own literary style. From the East Asian concepts,
Pound admired the unique writing techniques and imagery that was present. From the Italian
concepts, Pound admired how phonetic the language was and how the words seemed to flow from
the tongue like a smooth river of musical tones. These concepts, among others, would be vital later
in his new literary style that would come to be known as Imagism. Pound also became intrigued
with the new 20th century art movement called vorticism. He liked the dynamic structure that
vorticism offered. Vorticist poetry focused primarily on locating the movement and stillness within
the image, which Pound favored tremendously. Pound also emphasized vorticism's relationship to
motion, and how the vortex represents the maximum point of energy and efficiency. He incorporated
the vorticist ideals of energy and efficiency in his most famous unfinished work, "The Cantos." With
the

Essay on H.D.: The Fusion of Classicism and Modernity
H.D.: The Fusion of Classicism and Modernity
With foundations rooted deeply in an appreciation for and understanding of classicism, H.D. fused
ancient Grecian literature, thinking and mythology with modernistic feminism, bisexuality and
psychoanalysis to establish for herself a prominent voice among her contemporaries. Born Hilda
Doolittle in 1886 to Helen and Charles Doolittle, her education was fostered by the intellectual
curiosity of her parents (an artist and an astronomer, respectively) and the proximity of The
University of Pennsylvania. Closely associated with poet Ezra Pound, she spent much of her adult
and professional life surrounded by literary contemporaries. Doolittle was a woman whose work
was not limited ... Show more content on Helpwriting.net ...
Her most notable long work, Asphodel, is, as she described it, "an effort to free [herself] of the . . .
'H.D. Imagiste' role" that was established soon after the publication of her first poetic volume, Sea
Garden (1916). (Spoo ix) The "valuable and intimate account of female expatriation," Asphodel is "a
portrait of young artists whose experiences are very different from those of their male counterparts"
(xi). Asphodel is greatly the story of World War I and its social repercussions; it is a story Doolittle
struggled to delineate throughout her career, completing several works of varying structures of
which Asphodel is the earliest. It is written in two parts, its composition displaying the explicitly
modern technique of strict structural control paired with "elusive, digressive" writing (xiii). In
addition to the structure of the novel, the content of Asphodel is distinctively modern, as it is marked
by digressions regarding lesbianism, the social destruction of the first World War and the plight to
understand the self.
As a result of her highly identifiable role in the imagist movement and among classicists and
translators, the work of H.D. has been widely ignored and exerts little influence within the cannon
of English literature (Poets). Of the author's poems, Denise Levertov writes, "Beautiful though they
were, they did not lead me to

What Is The Mood Of The Poem Chicago
"Chicago" was written in 1914 and was a part of the Chicago Poems, a series of nine individual
poems about the city of Chicago. It has since become known as one of Carl Sandburg's most famous
and well–known poems. He would describe the lives of ordinary everyday people. However, while
the poem is overly famous and well known in the literature community, it has caused some kind of
tension on Sandburg's reputation as a poet. Critics continue to debate its importance to this very day.
All of their opinions vary depending on the critic, whether the critic is favoring the poem or
downplaying it. The biggest critiques suggest is that it is either too formless or too imagist.
However, this critique does not hold much water. Carl Sandburg uses literary devices such as
imagery, personification, theme, and form to help create his poem and to represent the city of
Chicago and capture the lives of its people without any use of the more traditional forms of poetry.
... Show more content on Helpwriting.net ...
The poem is full of imagery. Sandburg describes Chicago as a gruff and tenacious city full of people
made of even tougher stuff, it is exactly why Sandburg has such a strong appreciation for it.
Sandburg portrays Chicago as "stormy, husky, brawling" with large shoulders (lines 1–5). It is not a
peaceful or gentle city; it is just the opposite. In lines 13–17 the city itself is described as going
through a cycle of destruction and rebuilding it is almost as if the reader is observing this from a
distance. Sandburg also includes sound as he describes Chicago as having a deep–throated belly
laugh: proud, aggressive, and

Zukofsky's Objectivist Poetry Analysis
Zukofsky didn't receive much attention in his own circles, despite the uproar that the "Objectivist"
school of thought was garnering, considered as one of the major movements of the 1930's. As much
of his work was considered as vague, investigatory and intellectual, Zukofsky was read and loved by
only a few. As Guy Davenport wrote in the journal Parnassus, Zukofsky is a poet's poet's poet, as his
work had created a niche audience of intellectuals and aficionados. However, Zukofsky's work later
became the benchmark for other literary revolutions such as those of L=A=N=G=U=A=G=E poets
and the Black Mountain poets.
Objectivist poetry as a movement had its informal roots in the early years of the 1930's and both
Zukofsky and William Carlos Williams ... Show more content on Helpwriting.net ...
In this work, "[he] points to a chronicle of revisions and a long narrative of influence that can be
traced to the present day." (McMahon 1) On the timeline that is Objectivist writing, Zukofsky places
its beginnings at the point when Ezra Pound constructed his anthology Des Imagistes: an Anthology
in the year 1914, a book that places cultural issues in prominence.
"Zukofsky's anthology follows this pattern [...]. The editorial stance reflects the position of a
marginalized poet establishing his role, along with that of other poets [...] as the representative of a
group of poets standing outside current literary modes. [...] From a perspective defined by the poet's
unease with the culture and the politics of the time, Zukofsky's poetic platform begins by affirming
the need for a greater attentiveness to the language of poetry and an acute awareness of the
perceptual realities that shape one's immediate circumstances." (McMahon

The Colossus Poem Analysis
Whether it be confessional or imagist, poetry provides a way to define all emotions and express any
suppressed feelings with a literary approach. Similarly, the confessional poem "The Colossus" by
Sylvia Plath and the imagist poem "The Charge of the Light Brigade" by Alfred, Lord Tennyson
both depict the emotional trauma caused due to the loss of lives. Plath's poem "The Colossus"
expresses the absence of her father and its impact on her life personally. Whereas, Tennyson's
narrative poem "The Charge of the Light Brigade" explores the grief of violence and sufferings of
war due to the lost lives of many soldiers fighting in the war and the remembrance of their glory.
The common use of vivid imageries and metaphors shape the theme of death and suffering in both
of the poems. Plath and Tennyson show the contrasting ideas of loss and grief and how it changes
the lives of individuals and how it forms the society as it is presently viewed. Plath's "The Colossus"
and Tennyson's "The Charge of the Light Brigade" address the theme of death and suffering, with
the use of imageries throughout the poems. Plath's use of imageries depicts the effect of her father's
death her personal life. On the contrary, Tennyson's poem uses imageries to delineate the overall
effect of war on the society. Plath describes her emotional and mental state by saying "Thirty years
now I have labored/To dredge the silt from your throat" (8,9). Plath creates an evocative imagery of
violence to reveal the

Blast and Vorticism Magazines
Blast is a key literary magazine of the English avant–garde, published during 1914 and 1915.
Although founded by Wyndham Lewis, Ezra Pound holds an important post of assisting Lewis with
the publishing of the magazine, dealing with its main theme of Vorticism. Not only this, but Pounds
involvement with Imagism prior to the publication of Blast plays an influence in the way literature is
evidently shaped and associated within the magazine. With themes of Cubism and Futurism also
being evident in the magazine; emphasises the focus on providing a magazine which prides itself in
producing literature rich in artistic detail to the themes of its time. Although images and layout are a
key factor in emphasising these themes, it is the content for example poems within the magazine
relating to Vorticism, that is new in which it focuses on 'locating the movement and stillness within
the image' .
Blast and Vorticism's roots are said to lie and be based on Pounds history with Imagism in literature,
particularly poetry, and Cubism and Futurism in arts . With Pound forming the group Imagism based
on similarly "discovering new philosophies of thought and experimenting with new changes in verse
form" , he was in constant pursuit for literary advancement. With the group founded in 1912, by
1914 Pound assisted Lewis in the production of Blast. With inspiration coming from Imagism's
'objectivity, efficiency and creativity', Pound further strived for a style of writing in poetry which
suggested

How Does Carlos Williams Relate To Romanticism
Yago Santos
Ms. Covington
AP Literature
17 May 2016
William Carlos Williams
William Carlos Williams was a poet closely associated with modernism and imagism; he figures
among the group of four major American poets born in the twelve
year period following 1874. His
work has a great affinity with painting, in which he had a lifelong interest. In addition to his writing,
Williams had a long career as a physician practicing both pediatrics and general medicine. He was
affiliated with what was then known as Passaic General Hospital in Passaic, New Jersey, where he
served as the hospital's chief of pediatrics from 1924 until his death. He wrote many famous works,
however, his most famous was overshadowed by Thomas Stearns Eliot's, "The Waste Land." ...
He uses descriptions of the outside world and his personal experiences to create his analogy. In the
first line of the poem he uses the possessive adjective, "My townspeople," to refer to his patients as
his and his to take care of. He then continues to reference the people as "[whining] about him
calling! Calling!" this decision that voices the attachment and desperation that he feels when he
knows someone needs him can be related to his everyday life and is an example of his use of
realism. He writes how he answers these calls "as loud as I can," refering to the fact that he tries to
help as much as he can, sometimes receiving no avail. Williams then continues to use his views as
an imaginist to connect an analogy with seagulls to the townspeople. In his second stanza he refers
to the point that as a doctor he usually thinks about things in terms of science and factual evidence,
as he is talking about why the "seagulls rest upon [their] river in the winter" and "why people seek
shelter during a storm." He states that "these things do not happen without reason." These lines
directly relate to how the modernist realism style seeps into his poetry. He creates a realistic image
in the reader's head about seagulls on a frozen river and then people seeking shelter during a storm,
then connects it to his views on reason and fact. As a doctor, one must always be current with the
new practices, diseases, and technology, so this can explain why he thinks in modern terms when
writing poetry. In the third stanza of the "Gull," he brings his jewish background and upbringing into
the poem. He states that he knows, assumably, christians "have their own hymns," and "because [he]
knows they invoked some great protector," that he can not be angry at them for having different
views than him. The hidden religious aspect

T. S. Eliot : The Six Tenets Of Modern Poetry
T.S. Eliot among the "Imagists", took the tenets of Imagism and carried them further. The Imagist
manifesto included six tenets, which taken literally produced a poetry that had several faults. Eliot
remedied those faults and ushered in a new poetic from which is what we now call "Modern
Poetry".
The six tenets of the Imagist Manifesto are:–
Usage of the language of common speech ( to employ the exact word)
Free verse is a better choice to express ideas ( as compare to conventional form)
Direct treatment of the "thing" whether subjective or objective
Poetry should render particulars exactly and not deal in vague generalities, however magnificent and
sonorous (cosmic poetry is opposed)
To produce a poetry that is hard and clear, never blurred nor indefinite
Concentration is the very essence of poetry
Eliot, who regularly used imagist techniques such as concise composition, parataxis and musical
rhythms to make his poetry "Modern".
Specifically, "The Wasteland" has gigantic Imagist influences because Pound himself done editing
in great depth. Eliot is also known of the "Objective Correlative", published in 1921 in 'Hamlet and
His Problems'.
Eliot's theory of Imagism is more than a promotion of free verse. Lewis (2010:88)
Notes that Eliot's comments at the time, such as one citing Imagists as 'the starting point of modern
poetry' imply a perception of the Imagists as peers of his, while his work displays 'relevant affinities'
with Imagism. Images can be

Modernism In Ars Poetica, By Archibald Macleish
"Ars Poetica", written by Archibald MacLeish, is a Modernist poem that, through careful sensory
images, provides guidelines and clear examples of the true form of poetry, and in effect, the poem
reveals how life should be lived. "Ars Poetica" is a beacon poem of the Imagist era, yet, at the same
time, breaks many Modernist traditions. Similes are utilized throughout the poem to provide
examples of how a poem should be brought into existence and evoke instantaneous feelings. "Ars
Poetica" breaks the cardinal sin of Imagist poetry, "wordiness", when it uses repetition to bring
across, surprisingly, the core idea of Imagism. This ingenious contrast and contradiction within the
poem, presented through imagery, is yet another angle used by MacLeish in bringing across his
poems ultimate meaning. Poems should be living entities, and the very way a poem lives is the ...
The second stanza both opens and closes with the rising of the moon. Nature is quite the firm
underlying theme of imagery in the poem's first two stanzas. Poems should be written in such a
manner that they, like the "twigs" and like the "moss", are another aspect of the natural world, in that
poetry must not be forced onto a page, but rather it must appear on the page freely, naturally
allowing it to then leave the page. McLeish is also explaining that poems should obtain nature's
intrinsic beauty that no words can describe, hence the phrase from the first stanza "...as wordless/As
the flight of birds". The theme of nature continues into the third and final stanza; however not as
directly, yet nature's elusiveness in the third stanza is how McLeish manages to teach the ultimate
principle of life.
A poem should be equal to:/Not true./For all the history of grief/An empty doorway and a maple
leaf./For love/The leaning grasses and two lights above the sea–/A poem should not mean/But

How Did Hilda Doolittle As An Emagist Writer?
Along with the National geographic society being founded, 1888 was also the year Hilda Doolittle
was born in Bethlehem Pennsylvania. This soon to be Imagist writer was known mainly for her
poems. What differentiated her from most other Imagists at the time was her identity a female and
bisexual which both at the time were severely oppressed. Along with the political stance, Hilda
Doolittle also faced struggles growing up due to being only daughter in her family and her father
being a science professor (Hernandez). These conflicts however did not affect her ability to write
but are prominent in her writing. Her childhood and the relationships cause her to evolve into an
imagist writer by shaping the way she thought of herself and expressing through her writing. Hilda
Doolittle's lifestyle and relationship with her family shaped her thinking. Hilda's mother was a
Moravian and her father was an Astronomer and a professor (Hernandez). Her mother taught music
and painting and was a pianist and she was Hilda's inspiration to be an artist. Her father was a
scientist and he actively discouraged her explorations of arts so he tutored her daily but she said that
the more he explained, the less she understood (Hilda). He wanted her to be the next Marie Curie
and advocated for feminism but only for science. He forbade her from art school and even though
her mother was an artist, she was shy and devoted to her husband's work and beliefs. An example
used in Poetry Foundation, "Her mother

Deriving Meaning from William Carlos Williams', The Young...
Deriving Meaning from William Carlos Williams', The Young Housewife
Everything depends on perspective. The uniqueness we bring to our reading is essential to the
absorption of poems with Imagist elements. An example of this is the poem, "The Young
Housewife", by William Carlos Williams.
Perhaps it was a streak of laziness on my part, but I had very little imagination to offer this poem.
Having had no experience as such, I didn't identify with the young housewife, the fish–man, the ice–
man, or even the dramatically fallen leaf. What I initially saw was a jumble of thoughts arranged
neatly into three very brief verses.
The biographical information about the author provided in the Third Edition of the Heath ... Show
more content on Helpwriting.net ...
The heart of my discoveries of understanding came with the question of who the narrator of the
poem is. I immediately pictured the narrator to be a male, despite the fact that there is no text stating
so – unfair, but my right, seeing as it is my imagination that fuels the meaning here. From there, the
little details led me to my individual conclusion that this is a poem of oppression and obsession,
cliché though they may be.
My conclusions were drawn from the very fact that although the speaker in the poem initially seems
to be a random passer–by, it is obvious that he knows intimate details about the young housewife.
The lines of the poem tell us that he knows that she is married and of the negligee that she wears
(lines 1 & 2). It is also curious that he should refer to the specific times of her regular routines (line
1). In my mind, few people would know such things about people and feel them worthy to comment
on. Someone who would certainly know and care about these things is the only other character
directly mentioned in the poem, her husband. Once I had realized that it could be his voice speaking,
the meaning in my mind became a lot clearer.
Here is the husband of a young bride. He is described as sitting solitary in a car with noiseless, and
perhaps unmoving, wheels, watching her every move (lines 4 & 10). Enter obsession. The
description he affords his wife is one of childishness. He speaks of

Influence Of Modern Literature On The Representation Of...
The advent of the modern era ushered in a great demand imagist works and garnered a lot of
popularity, especially in connection to literature. War and all atrocities associated with it were
important focal points for creators of imagist literature and reality had become a very important
aspect to create an impact on the patrons of such literature. In this paper, a parallel will be drawn
between films and poems to show the transition in the representation of war in literature from anti–
war and victorian sentiments to realistic depiction of war. In order to do so, I will make references to
poems and films pertaining to the First World War and show the change in representation of the First
World War between 1914 –1917 and also post 1917. Influence of Modern poetry in representation of
war was seen in 1914 and the following years very prominently. Until then, most poets would focus
on themes like patriotism, loyalty, honor, love and other positive ideal concepts. It took the
occurrence of a world war for poets to begin looking at war for the horror that it was and letting its
reality set in. A very prominent example of this is Channel Firing by Thomas Hardy. The verses of
the poem are as follows,
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window–squares,
We thought it was the Judgment–day
This poem was written by Hardy just after the War had begun. It

Wallace Stevens Accomplishments
Wallace Stevens, one of the most well known American modernist poets. He has revolutionized the
modernist style of poetry and his poetry is an inspiration to all who read it. His poetry is renowned
for its vivid imagery and themes.
Wallace Stevens was one of the most famous modernist poets and his impact on poetry will forever
be remembered. Wallace Stevens was always into poetry, even when he went to college.While at
Harvard "Stevens contributed poems and short stories to the campus literary magazine (American
Cultural Leaders).Stevens never got a degree when he went to Harvard but he went to work as a
reporter at the New York Tribune. (Stevens, Wallace).Wallace Stevens was one of the most brilliant
modernist poets of all time.Stevens "poems, ... Show more content on Helpwriting.net ...
Stevens was awarded: "Yale University's bollingen prize in poetry (1949); The gold medal of the
poetry society of America (1951) and the Pulitzer Prize (1955) to name a few (Literary
Cavalcade).Critics later like "Harmonium" and it is said that his later years were his best. Wallace
Stevens will always be remembered as one of the great modernist American Poets. Wallace Stevens
"ability to transcend the limits of experience, combined with his technical prowess as a poet, makes
for otherworldly poetry of the everyday world." You can see this in his poem simply titled
"Anecdote of the Jar". On first glance, this poem seems insignificant and not very interesting but if
you look at it closely the beauty shines through. The poem can seem dry and boring when he
describes the jar, "And round it was... the jar was gray and bare" (lines 2 and 10). Even though these
lines might seem boring it is part of Stevens "Imagist" poetry style that stressed "absolute precision
in presenting the image itself rather than oblique description. Another interesting aspect of Stevens'
poetry is that it can be perceived multiple ways. "The jar was round upon the ground / And tall and
of port in the air." This line could be read as the jar being round, tall, and large; or the "port" could
be a metaphor comparing the jar and air to the port and sea, a passage–way (lines 7–8). "It (the jar)
did not give of bird or bush." The line could be perceived

Technology During The Twentieth Century
Technology had a great influence on literature in the early twentieth century. This was the era of
Women's Suffrage Movement and the "Great War" both of which had an impact on literature. The
Women's Movement challenged long held ideals that men were superior in both mind and body, but
more importantly, activists used technology to advance their cause. Five thousand women marched
on Washington in order to gain media attention and support, and this coverage eventually led to the
ratification of the Nineteenth Amendment (Belasco and Johnson 489). World War I saw the use of
modern warfare including chemical weapons and airplanes, tanks, and the machine gun. This
technology made war more horrible and more complex than previous wars. This was also the time of
jazz music, the flapper, and full–length talking movies (498–499). Moreover, mass–market
magazines and Book–of–the–Month clubs along with the increase students pursuing higher
education meant a higher demand for novels (500, 502). All of these advances created the age of
modernism.
The modernism movement embraced painting, music, literature, and challenged previous styles and
traditions. Influenced by changes brought on by the technology and the destruction of the "Great
War," the modernist writer questioned authority and established ideas. They broke away from the
way things were normally done. They examined closely the inner–self along with the greater whole
and sought understand how conditions, especially

The Catcher In The Rye By J. D. Salinger
Throughout time, the changes in society have been represented in art, literature, and music. These
works have been organized into movements to better see the development of society and how
different events have affected it. One of the most prominent movements that displayed the drastic
changes in society was Modernism. Modernism was a break from tradition and exemplified the
unique changes in societal views. Beginning after multiple cultural shocks, especially World War I,
this movement was characterized by the alienation of the individual and preoccupation with one's
inner–self. Occurring between the late 19th century and early 20th century, Modernism was a
philosophical movement that was intended to break with tradition and find new ways ... Show more
content on Helpwriting.net ...
Some of the most prominent writers of the time included T.S. Eliot, Ernest Hemmingway, and
Virginia Woolf. However, other writers such as J.D. Salinger also reflected Modernism through
writing. One of his books that displays the ideas of alienation of the individual and focus on one's
consciousness is The Catcher in the Rye. This book, written in 1951, spans over multiple days in a
young boy's life. It is narrated by the main character, Holden Caulfield (16 years–old). Beginning in
Pencey Prep in Agerstown, the story progresses from Holden attending the school to being expelled
due to past failures to roaming Manhattan. He is presented as very irritable, troubled, and
judgmental. These are just the main traits of Holden that represent the views he has on society and
of himself. Holden is blinded by his desire to hold on to his youth and innocence; he can't see the
world clearly because of this division between his conscience and the real world. One of his most
prominent peculiarities are his observations of people around him and labeling them as "phony"
when, per him, they act superficially. This perspective grows out of him being blinded by his own
thoughts. However, as the story progresses, Holden realizes his judgmental attitude and begins to
change his perspective on how he sees the world. Salinger subtly, yet effectively, uses the ideas of
Modernism throughout The Catcher in the Rye and most prominently displays the ideas through the
actions and thoughts of Holden Caulfield. The Catcher in the Rye exemplifies the individual and the
divisions between one's conscience and the world. Multiple features used by Salinger capture the
flow of the character's thoughts completely (as opposed to only focusing on the rational ones) and
communicate the radical changes of the world as seen in

Pure Products Of America Essay
Anna Baldwin Dr. Shaheen Literary Analysis The pure products of America What is the American
Dream? In the poem, To Elsie, William Carlos Williams asks us the many questions lurking beneath
the pavement of our perception behind the American dream: what are the 'pure products of America'
and what is the reality of this imagined concept? Through the use of texture and form, Williams
perfectly depicts with cynical aptitude the recycled degradation of society. In To Elsie, a depraved
America is personified through the history and conception of a woman named Elsie. The poem
begins in the muck and destitution of the lower–working class. When a woman is raped, a child
named Elsie is born out of wedlock and that child grows to become a housemaid of a rich doctor's
family. Almost in cycle, she becomes the subject of prying eyes and perverse fantasies of rich men.
Elsie is thus a symbol of America used and corrupted by the debauched society we live in. From the
very beginning, the poem's diction is designed as a method of psychology to detach the mind of the
reader from the picture portrayed. In the introductory line, "The pure products of America... go
crazy–" (l.1, l.2), the mind of the reader is manipulated by use of the words 'pure products.' There is
an emphasis of stressed R's consonants, especially in the words 'products' and 'crazy', giving
essentially a very raw and industrial grinding roll of the tongue. When one thinks of the word
product, they are

From The Wave
"From the Wave" by Thom Gunn Poetry is a work of literature in which special intensity is given to
the expression of feelings and ideas by the use of distinctive style and rhythm. Thom Gunn is a poet
known for creating imagist poems. In "From the Wave," Gunn uses the literal meaning, surfers
preparing for a wave, and compares them to the metaphorical meaning, students preparing to
graduate from college. In "From the Wave," the speaker explains how surfers prepare for the
approaching wave. The first stanza is about the build up of the actual wave. "It mounts at sea, a
concave wall" shows the wave building up as it approaches the shore (Gunn line 1). Gunn describes
the wave as "building tall" and it having a "steep incline" to show just how ... Show more content on
Helpwriting.net ...
In "From the Wave," the metaphorical meaning shows how education is important to achieve. "It
mounts at sea, a concave wall" represents the nervousness of a new start and being off on his own
after graduation (Gunn line 1). The speaker uses the phrase "hiding rise to sight" to show his
experiences through his school career (Gunn line 5). He is described as having a "learn'd skill,"
which he will be able to use throughout his life to become a successful citizen (Gunn line 10). The
"marbling bodies" represent the students preparing to walk across the stage at graduation to receive
their diplomas (Gunn line 13). During college, the load of school work would "slice the face," but
"balance is triumph" meaning that college became easier when he learned to balance his school
work and social life (Gunn lines 17, 19). "They paddle in the shallows still; two splash each other"
shows the speaker walking on stage to receive his diploma from the principle (Gunn lines 29–30).
After graduation, the real world begins. "Then all swim out to wait until the right waves gather" tells
how the speaker is moving on to his new life and starting a career (Gunn lines 31–32). Both the
literal and metaphorical meanings of "From the Wave" represents how preparation turns into
success. "From the Wave" is considered an imagist poem, which causes the reader to dig deeper than
the literal meaning. Gunn compares surfers with graduating students to prove that in order to
succeed, preparation is

Journey: the North Coast Analysis Essay
How are ideas conveyed in 'Journey: The North Coast'?
Robert Grey is an imagist who paints with words. Using imagery in his poems, Grey is able to
visually communicate emotions and ideas. His poetry is concerned with the urbanisation effects on
Australian nature and changes it brought within the lifestyle. This is metaphorically expressed in the
poem 'Journey: The North Coast' as he dwells on the sheer beauty that can be found in the natural
world in contrast to the alienated environments manufactured by men. In contrast to the idea of
modernisation, Grey also expresses values of love and respect for the environment and nature
through the physical and emotional journey. Additionally, the idea of Australian landscapes and
strong sense of ... Show more content on Helpwriting.net ...
The appreciation of nature is illustrated through imagery 'and now the country bursts open on the
sea–across a calico beach unfurling'. The use of personification in the phrase 'and the water sways' is
symbolic for life and nature, giving that water has human qualities. In contrast, 'silver basin' is a
representation of a material creation and blends in with natural world. The poem is dominated by
light and pure images of 'sunlight rotating' which emphasizes the emotional concept of this journey.
The use of first person 'I see from where I'm bent one of those bright crockery days that belong to so
much I remember' shapes the diverse range of imagery and mood within the poem. The poet appears
to be emotional about his past considering his thoughts are stimulated by different landscapes
through physical journey.
Similarly the idea of Australian life and isolation is depicted in 'Journey: The North Coast' where
poet is eager to reach home. Perhaps the poet desires to visualise beautiful Australian landscapes as
to allow the readers to view the magnificence of flora and fauna in contrast to the man–made
destructions. It appears that the poet has been isolated for 'twelve months', and Sydney in this case
acts as a barrier of poet's desire towards nature. The title itself symbolises poet's home and the
destination which contradicts to the urban

Ezra Pound And Modernist Poetry

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