euskarara moldatutako ppt

1. ERROMANTIZISMOA
PINTURAN ETA ARKITEKTURAN
EUSKARARA MOLDATUA

2. ERROMANTIZISMOA PINTURAN (1. ½. XIX. m)

3. Erromantizismoaren maisuak
EUGÉNE DELACROIX WILLIAM TURNER CASPAR DAVID FRIEDRICH
(1798-1863) ( 1775-1851) (1774-1840)
FRANTZIA INGALATERRA ALEMANIA

4. E. DELACROIX. Quioseko sarraskia, 1825

7. FRANTZIAKO ERROMANTIZISMOA
EUGÉNE DELACROIX
(1798-1863)

8. THÉODORE GÉRICAULT (1791-1842)
MEDUSAREN BALTSA

9. E. DELACROIX. DANTEREN TXALUPA, 1822

10. QUIOSEKO SARRASKIA,
1825

11. SARDANÁPOLOREN HERIOTZA, 1827

12. ASKATASUNA HERRIAREN GIDARI, 1831

14. ALJERIAKO EMAKUMEAK HARENEAN, 1834

15. EMAKUMEA

16. ARABIARRA LEHOIAREN
EHIZAN, 1849

17. ARABIARRAK LEHOIAREN EHIZAN, 1860

18. GIAOUR ETA HASSANEN ARTEKO BORROKA

19. INGALATERRAKO ERROMANTIZISMOA
WILLIAM TURNER ( 1775-1851)

20. JOHN CONSTABLE (1776-1837)
BRIGHTON BEACH

21. The Stour-Valley with the Church of Dedham
1814 – Óleo sobre lienzo, 55,5 x 77,8 cm
Museum of Fine Arts, Boston (EEUU)

22. Salisbury Cathedral from the Bishop's Grounds (1825)
óleo sobre lienzo, 88 x 112 cm
Metropolitan Museum of Art, New York (EEUU)

23. Turner

24. San Giorgio Maggiore at Dawn (1819)
Acuarela, 224 x 287 mm
Tate Gallery, Londres

25. KANAL HANDIA, Venecia (1835)
Óleo sobre lienzo, 91 x 122 cm
Metropolitan Museum of Art, New York

26. EL TEMERARIO KRIGSSKIPET es remolcado tras su último viaje (1838-39)
Óleo sobre lienzo, 91 x 122 cm
National Gallery, Londres

27. ELUR EKAITZA ITSASO ZABALEAN, 1842

28. EURIA, LURRUNA ETA ABIADURA, 1844

29. ALEMANIAKO ERROMANTIZISMOA
CASPAR DAVID FRIEDRICH
(1774-1840)

30. MONJEA ITSASOAREN AURREAN, 1808

31. ARIZTIKO ABADIA, 1809

32. GURUTZEA MENDIETAN, 1808

33. BIDAIARIA LAINOZKO
ITSASOAN, 1818

34. RÜGENEKO
LABARRAK, 1818

35. RÜGENEKO LURMUTURRA

36. EGUNSENTIA, 1821

37. ITSASO IZOZTUA, 1823

40. Romantic Architecture
ARKITEKTURA
ERROMANTIZISMOAREN GARAIAN
• John Nash (1752-1835)
• Sir Charles Barry (1795-1860)
• Charles Garnier (1825-98)
PINTORESCO, EXOTIKOA, LEGENDARIOA
Historizismoa, revival

41. Revival Architecture
Nash, Royal Pavilion, Brighton
King George IV.aren jauregia itsasertzean,
Exotismoa, ganga islamdarrak, tipula gangak, minareteak,
Burdinurtuzko hezurdura

42. Royal Pavilion at Brighton, John Nash, 1815

47. Arkitektura industriala
Coakbrookdale, 1779,

48. Revival Architecture
Barry and Pugin, Houses of Parliament,
London
• Old Houses of Parliament burned to the
ground in 1834
• Competition held in 1835 to rebuild the
Houses
• Only styles allowed in the competition
were Elizabethan Tudor and Gothic
• 97 entries, this was the winning entry
• Ground plan is cruciform
• Two main axes meet in an octagonal
central lobby: House of Commons
meets the House of Lords
• C. Barry, classicist, a regularity of
Barry was a Londreseko Parlamentua
the rhythms of the façade
Erdi Aroko beste eraikinetik hurbil (Westminster Abbey) eta horiekin harmonizatua,
• Pugin was a medievalist: towers and
decorative elements
Erloju-dorrea, Big Ben, herrixka bateko Erdi Aroko erloju bat bezalakoa da,
Italiako dorretan ere inspiratuta,

52. Garnier, The Opera,
Paris Revival Architecture
Fatxada koloretako marmolez polikromatua
Burdina erabiltzen da, baina ez bistan,

53. Neobarrokoa, eklektizismoa, Garnier

56. Haussmann
Napoleon III.a
Transformations de Paris
sous le Second Empire

59. Sainte-Genevieve Library, Paris

60. Beginnings of Modern Architecture
Labrouste, Sainte-Genevieve Exterior:
Library, Paris • Continuous range of arches on tall,
• Combination of load bearing narrow piers
masonry and iron construction • Exterior can be thought of as a
• Arches and columns support roof cover for a book
independent of masonry walls • First consistently exposed iron
• Iron construction balanced by itself skeleton in a monumental public
• Substitute a cast-iron shaft for a building
column of granite • Arches on interior reflect arches on
• Narrow, rectangular ground plan exterior
wedged onto a long constricted site • Repetitive and mechanical
• 1838, first library in Paris to be decoration on surface
opened at night, illuminated with • Façade composed of 810 names of
gas lamps authors in chronological order from
• Had to be constructed of fire-proof Moses to Berzelous, 1848, a
materials Swedish chemist

61. Beginnings of Modern Architecture
Labrouste, Sainte-Genevieve Library, Paris (continued)
• Central name is Byzantine writer Psellus symbolizing the meeting of
East and West
• Façade as a monumental card catalogue, or Table of Contents
• Main portal: two flat Tuscan columns, surmounted by lamps that
symbolize opening at night for the convenience of students and
workers
• Lamps around door look like bookmarks
Interior:
• Single spine of cast iron down center
• Spatially open, evenly lit in daytime and well-ventilated
• Interior and exterior compliment each other

62. Beginnings of Modern Architecture
Paxton, Crystal Palace, London
• Competition to build a World’s Fair in
London to be held in 1851
• Buildings to be temporary,
economical, simple, and capable of
rapid construction
• 245 designs submitted, none suitable
• Paxton formulated this design in eight
days, fulfilling all requirements
• Built in 39 weeks of prefabricated
materials
• 1851 feet long, 18 acres
• Free of internal walls
● Kristalezko hormak
Paxton 7,200 cast iron and wrought iron
•
1851• columns square feet of sheet glass
900,000
Kristalezko ● Berotegietan inspiratuta
jauregia

67. SCHLOSS NEUSCHWANSTEIN