Claude Monet Research Paper

Claude Monet Research Paper
Claude Monet was a prolific French painter who founded Impressionism in the 19th century. He
strongly held onto his belief of his painting style throughout his long career and is considered to be
one of the most prominent and influential painters in history. He focused on capturing the feeling or
experience of a certain moment. He was intrigued by the light and color, so he explored their
changes under various weather conditions at various times of day. Monet's fascination of shifting
effect of light and color directed him in the creation of Impressionism. In addition to his passion for
depicting the visual impression, Claude strongly disliked the classical style of painting, which
encouraged him to present the world as it is. Monet was disenchanted with the traditional academics
of art; therefore, he was motivated to pioneer a new and fresh style of painting, which transformed
visual arts and unleashed a path to the beginning of abstraction. ... Show more content on
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Despite his decent academic progress, he felt confined and restricted from doing the things he
desired that he even compared school to a prison. Claude started spending most of his time outside
and developed a love of drawing at a very young age. With a passion for art in his mind, Monet
made the decision to leave school and pursue his dream. When seventeen, he started to make money
from some of his pieces. The public began to notice Monet's talent, specifically Eugene Boudin.
Eugene Boudin was one of the first French landscape artists to paint outdoors who planned to
befriend Monet. Boudin would take Monet on sketching trips and teach him open air painting.
Through Boudin's work, Claude started to explore the natural world and began to express an interest
in painting landscapes. Monet's new friend not only taught him great artistic skills, but also
persuaded him to expand his love of bright hues and play of light when
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Georges Seurat Research Paper
Georges Seurat was born in Paris, France on December 2, 1859, into a rich Parisian family. His
formal art education began in 1875 under sculptor Justin Lequien. Seurat then enrolled in École des
Beaux–Arts, a famous art school in France, in 1878, where he studied under Henri Lehmann.
However, he left shortly after to study on his own, disgruntled by the school's policies. He became
inspired by the Impressionists works by Claude Monet and Camille Pissarro. Seurat began studying
the science of color, line, perception, atmosphere, and light. In 1883, Seurat exhibited one of his
drawings for the first time. He was rejected by the same show in the following year. Seurat's style
developed into what is called "Pointillism" or "Divisionism" today. Seurat died on March 29, 1891,
due to illness. ... Show more content on Helpwriting.net ...
Since working with Conte crayon requires the artist to be extremely detailed, this influenced Seurat's
paintings. He often began his paintings by sketching strong, brief, corresponding shapes, which
outlined the subjects of his art.
When Seurat later developed an interest in the science of color, he displayed this in his works. One
of his theories of color presented that, when two colored dots are placed next to each other, a third
color would be seen by the human eye. This prevented the mixing of paints and kept the colors as
vivacious on the painting as they were when they in the tube.
Seurat's use of color reflected his learning of color and conveyed different sentiments. His choice of
color was meant to induce certain emotions. Experimentations with colors fascinated Seurat. He
developed a way to communicate through colors and called it

Compare And Contrast Impressionism And Post Impressionism
For this week's blog chose to compare the styles of Impressionism and Post–Impressionism. Both of
these styles started to rise up in the 19th century from France. There are many differences between
these two styles. Impressionists were very in favor of independent exhibitions, while the Post–
Impressionists placed on emphasis on structure. The Impressionists often drew upon landscapes and
the scenes of modern life for inspiration, paying attention to light, atmosphere, and movement for
their color. The Impressionists often did not rely on historical or mythical inspiration. The Post–
Impressionists, on the other hand, rejected the Impressionist idea of being spontaneous for their
color. Post–Impressionists believed that color could be independent of the emotional and aesthetic
meaning of the painting. With all of the styles of Romantic Era constantly changing each one
reflected the attitudes of the artists of that styles and at the same time changing history. When
comparing a picture from the two different styles, it is easy to depict these differences. With the
number of differences between the two styles, I find it fascinating what the two styles were trying to
achieve. One believed in being independent while the other focused on structure. With almost how
opposite these two styles were made for some very amazing paintings and extract very different
reactions. And, with different ideas from both sides, you could two very different perspectives on
maybe the same object of

Australian Impressionism Analysis
Australian Impressionism is influenced through the French as it has grown over time. Some of
Australia's world famous artists are from the Heidelberg School Tom Roberts, Arthur Streeton,
Frederick McCubbin, Jane Sutherland and Charles Conder were all students who studied at the
Heidelberg School. The following Artists work was made during 1833 and 1897. During this time
each of these artists played an important role in the development of an Impressionist style of
painting The Years between 1883 and 1897 were the beginning of the Australian impression era.
During this time Charles Darwin career kicked off as well, being famous naturalists, for many of the
Australian impressionist artists, Charles Darwin's findings would have been a good influence ...
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All of the Students who studied at the Heidelberg school had very different types of techniques
styles and approaches to their paintings for example Jane Sutherland who was the first woman to be
elected to the Council of the Victorian Artists' Society. Jane's painting technique allows the audience
to interpret a new way of looking at the Australian bush. Compared to Tom Roberts who uses the
plein–airapproach technique that is sketching in nature. Many of the students who studied at the
Heidelberg school captured the Australian bush and the harsh Australian light that. Tom Roberts,
Arthur Streeton, Frederick McCubbin, Jane Sutherland and Charles Conder were all working
through out parts of Victoria, New South Wales and Melbourne. Even though the French started the
impressions painting style the Australians was more so reflecting off their beautiful country many
people loved the Australian impression style of paintings as it brings out the true Australian outback
even though these two impressionisms styles are from different, countries they both reflect off the
same characteristics of the technique their landscapes their bright pure colors and they are also
painted outside rather than inside a

Analysis: Planet Of The Grapes
I am pleased to announce the official kick–off of our annual art event. This is one of the most
important events of the year for the Planet of the Grapes. The exhibition programming will cover the
19th–century Impressionist and Post–Impressionist paintings.
Included in this document please find:
Three 19th century Impressionist.
1. Acrobats at the Cirque Fernando was painted in 1879 by Pierre–Auguste Renoir. This beautiful
painting was inspired by sisters acrobats Francisca and Agelina Wittenberg's gracefully taking their
bows. Pierre Ausguste Renoir successfully achieved a vision of harmony by using fine washes of
paint and utilizing multidirectional brushwork. Renoir highlights the yellow of the sister's outfit and
the Cirque's floor, the ... Show more content on Helpwriting.net ...
Where do we come from? What are we? Where are we going? was painted by Paul Gauguin in
1898. The painting was supposed to be viewed from right to left. The right side of the painted has
three women with children represented the beginning of life, the middle represented the daily
existence of young adulthood, and the left group represented the approaching of death conciliating
her thoughts with a white bird, representing the futility of words and the background represents the
beyond. This painting is of historically significant because it question the root of human existence.
3. The Bathers at Asnières painted by Georges Seurat in 1884. This painting was one of Seurat's first
large–scale composition using live models and represented the baking heat of a summer's day at the
riverside. Every character has a statuesque like figure with a glossy, waxy finish. They appear
unselfconscious and at ease with their surroundings. This painting is considered of historically
significant because it depicted Paris rapid urban

Esmeralda Alternate Ending
Esmeralda recalled the night she had spent with Quasimodo fondly. His expression when he crashed
into her dressing tent the day before was one she would never forget. Quasi was so sweet and
embarrassed. Shamefully she remembered the horrified expression on her own face when she tried
to remove the mask, that was his face. The whole day was a emotional disaster. Watching the guards
and crowd taunt him had been too much for her. The chase that ensued, after rescuing poor
Quasimodo, was exhilarating. It had ended poorly with her trapped inside the cathedral. It was in
that cathedral that she listened as Quasi told her the story of how Frollo had rescued him as a baby,
and how he had raised him. Breaking her heart, Quasimodo expressed his belief that he ... Show
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The awe and confusion on his face had prompted her to kiss him again, eventually he kissed her
back. All the pent up emotions from the day came out in their kisses. She held his face in her hand
as she tried to show him that he was not a monster. He timidly wrapped his arms around her and she
let her feelings lead. Leaning into his embrace she let her own hands tug at his tunic. She removed
her own shirt and hip scarf. Taking his trembling hands in her own soft brown ones, she guided him
and showed him how to touch her. From there, any remaining clothes were removed and they found
comfort in each other's embrace. It was a pleasurable experience for both, his sweet inexperience
was exactly what she had needed after a long day of heavy emotions. Having him help her escape
had never been a motive of her plan, but when he offered she gladly accepted. She never regretted
their one night together. He had never mentioned it and she had never dared to either. It was a
secrete just between them. She had been his first, she was also the first person to look at him and tell
him he was not a monster. She knew he had feelings for her, but he had never interfered with her
relationship with

My Personality Group Through Human Metrics
Over the course of this assignment; I have discovered much about myself. Likewise, I probably
would not have learned this much about myself or my career, had I not taken this course. Such as
how I have found my personality group through Human metrics; which presented that I was within
the INFJ grouping (Jung, 1998). I was also able to learn much more about the career that I may be
pursuing in the future, as well as the people in the field similar to it. The Jungian personality test
showed that my personality type, the INFP, is a mediator (Jung, 1998). The website claims that
INFJs are idealistic, future–oriented, as well as creative. The possible careers listed on the website
are psychologists, artists, and child care/ teachers (BSM, 2016). These results show some correlation
to my own personality, as I am aspiring to be an artist. I am also very future–oriented and I would
like to perceive myself as being rather creative. Another trait that I relate with would be how INFJs
would typically value deep and authentic relationships with others. I enjoy harmony with others and
predictable schedules. Such an example would be how I tend to eat dinner with friends around 6pm
every night and do homework afterwards, as well as have the classes at the appropriate times
throughout the week. The consistency of the schedule allows me to plan ahead without feeling too
much stress, which may result in some errors along the way. As a child, I was always fascinated
with subjects like

Claude Monet 's The Impressionist Era
Born in Paris in 1840, Claude Monet would later become a leading artist in the Impressionist era. At
a young age, Monet had a passion for nature and art and in 1859, Monet began to study art in Paris.
Here he met many artists such as Bazille, Sisley, and Renoir. Monet practiced painting en plein air
or moving from inside the studios to painting outside in the open. Embodying the Impressionist era
in 1873, Monet painted "Impression, Sunrise", showing many characteristics that define
Impressionism and Monet 's painting style (Figure 1). The painting shows lax, bold, and precise
brush strokes moving away from the previously blended and even style of earlier eras. Monet uses;
cool purples, blues, bright oranges, and yellows show the effect of the natural light and capture the
moment and the feeling of the sunrise. In later years, Monet focused mostly on landscapes which,
today are notably Monet 's most famous works.
Pierre–Auguste Renoir was born in France in 1841 and like Monet was also a leading artist in the
Impressionist art movement. After moving to Paris between 1844 to 1846, Renoir began working as
a porcelain painter –– painting designs onto dishes and china. In 1862, Renoir started studying art in
Paris and here he met Claude Monet, as well as Bazille and Sisley (). Similar to Monet, Renoir also
practiced en plein air. In Renoir 's early works, he would paint figures, mostly women, and used
bright colors with short disconnected brush strokes. Renoir 's Dance at le

Mise-En-Scene in Casablanca
This paper will discuss various elements of mise–en–scene, specifically; character development,
lighting, performance, costume, makeup in the film "Casablanca".(Michael Curtiz,1942) The setting
of the story sets the tone for the entire film. Shots of tanks and planes show the violence of war that
coincides with the cutthroat city that is Casablanca. From there, those sentiments are reinforced
when a man is shot in the street while another man pick pockets someone whom is distracted. The
mood of the movie stays on the dark side of things when we enter Rick's Café, where we meet our
protagonist played by Humphrey Bogart. In this scene we are treated to the jaded portrayal of night
club owner. We see his utter disregard for a French woman ... Show more content on
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Here's someone whom the audience finds out has torn this man to pieces and she receives a fill light
that removes the shadows on her face, making her skin appear perfectly smooth. The back light
provides a halo effect, reinforcing her portrayal as an innocent, sympathetic, even tortured woman.
Although Ilsa has betrayed Rick, her depiction as a compassionate, almost angelic figure
complicates the audience's interpretation of her character. In contrast, Rick's lighting creates an
exhausted image of the older night club owner. His key light casts shadows which emphasize
wrinkles. This wearied picture of, complicates the relationship between Ilsa and Rick. Clearly Ilsa,
who has wronged Rick, sympathizes and wants to reach out to him. However, her relationship with
Lazlo precludes the possibility of Ilsa consummating her love for Rick. Thus, the lighting places a
difference between Rick, a pathetic bachelor, and Ilsa, the innocent, angelic lady. The characters
posses qualities that are both acceptable, however in this particular instance it's easy to believe that
the audience still is glued to Rick and isn't fooled by the angelic portrayal of Ingrid Bergman's Ilsa.
In this scene the performance is based on a particular delivery and facial expressions of that of one
emoting to channel tension, anger and regret.

Essay The Renaissance and Art
The "rebirth" of art in Italy was connected with the rediscovery of ancient philosophy, literature, and
science and the evolution of empirical methods of study in these fields. Increased awareness of
classical knowledge created a new resolve to learn by direct observation and study of the natural
world. Consequently, secular themes became increasingly important to artists, and with the revived
interest in antiquity came a new repertoire of subjects drawn from Greek and Roman history and
mythology. The models provided by ancient buildings and works of art also inspired the
development of new artistic techniques and the desire to re–create the forms and styles of classical
art.
As these new styles of linear and aerial perspective and ... Show more content on Helpwriting.net ...
Shortly thereafter Monet entered two paintings into the Salon which gained him some success. From
there in 1969, Monet travels with friend Renoir to La Grenouillere, where together they begin their
studies side by side.
Claude Monet can be classified as a forerunner of Impressionists, Neo–Impressionists, Fauvists,
Cubists, Abstract painters, and the Non–Figurists. He is often called "The Father of Impressionism"
(Taillander 6). Although Monet had some works accepted into the Salon, he was one of the first to
paint in the Impressionist style, and persisted even after his works were rejected and shunned.
Renoir said "Without Monet, we would all have given up" (qtd. in Taillander 8). Monet was seen as
an extremist because he "captured the fleeting moment, creating a degree of wooliness in his
canvasses which have not been interpreted with any certainty"(Taillander 8). In Monet's paintings,
his interest "lies not in details, but in capturing the effect of the whole scene as it would be perceived
in a fleeting glance" (Welton 14). The term Impressionist was first given by a critic when reviewing
Monet's painting,
There were many important developments that made the Impressionist style of painting possible.
One of these developments was painting outside or "en plein air". Previously, artists had to paint in
their studios because it was too burdensome to take large canvasses and other supplies outside.
Metal tubes invented in the 1840s allowed

Claude Monet Influences
French history is filled with an amazing culture that consists of beautiful architecture and delicious
food. One aspect of French culture that stands out is its Art. Among the famous artists that have
contributed over the years, one artists name stands out among the rest, Claude Monet. Claude Monet
is known for being one of the influential artists to introduce impressionism. In a style not previously
before painted, impressionism depicted a landscape or scene by creating illusion through the use of
shading and coloring. Traditional painting was produced in an art studio, but impressionism was a
unique. It allowed the artist to shed the use of a studio and step out into nature. Monet and other
famous artists launched this new style of art that challenged traditional painting and would forever
change French culture and influence art for many years to come.
Claude Monet was born on November 14, 1840, in Paris, France. He moved to LeHavre with his
family at age five (Skira 21). As a child Monet would be found drawing on his work throughout
class. This was the beginning to a brilliant career. These drawings would spawn into a passion for
art.
In 1857 while being raised in Normandy, Monet met a famous ... Show more content on
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He used the money made from selling his caricatures to fund a trip to Paris. Paris turned out to be a
place of opportunity for Monet where he enrolled in the Academie Suisse. He studied there for a
small time until he was drafted into military service. After a brief stint in the military, Monet went
back to painting and Paris and had the fortune of meeting a painter that would help influence his
own work, Johan Barthoid Jungkind. Johan Barthoid Jungkind was a English painter who already
had developed an impressive amount of notoriety in the art world. Jungkind took Monet under his
wing. Monet accredited Jungkind with the actual development of his artistic eye (House

When my wife and I first arrived at the Museum of...
When my wife and I first arrived at the Museum of Contemporary Art in Jacksonville (MOCA) I
honestly had no idea what to expect. I had been to the Cummer Museum, but never here and I wasn't
sure what to expect or what piece of art I was going to write my paper on. I thought I might want to
do my paper on a sculpture because I tend to like that kind of art, but I wasn't sure. I figured we
would walk around and whatever spoke to me the loudest would be what I wrote my paper on. I
hadn't expected to be spoken too so frequently and so loudly and by some my different art forms so
after forty–five minutes I was no closers to my topic than I was when we first came arrived. As we
made our way through the gallery we found ourselves in a room ... Show more content on
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You don't have to be an art aficionado to understand, enjoy, and appreciate the art. My wife and I
had a very pleasant afternoon spending time together at the museum, so much so we brought our son
back that weekend. "St. John's River Reflection" is a two–dimensional painting on canvas. The
painting is not an exact rendering of the St. John's River but an impression of it. Like many
paintings done in the impressionistic style it's not so much about what the artist paints. It's more
about what the viewer sees and feels when he/she looks at the painting that is the most important.
What stood out the most to me about this painting was the reflective colors and how the water
almost appeared to move as you looked at it. With the use of just four apparent colors the artist
created a warm welcoming painting that invites you in. The artist organized the painting in four
diagonal rows the white row being the thinnest and there is a clearly define line separating each of
the colors. Off to the top left there appears to be an unseen source of light which only adds to the
brilliance of the colors. This lights source gives the water its reflective quality. Creating the illusion
of depth are the oil black spots in the water. These spots are the focal point of the painting. At a first
glance you may notice two maybe three but there are five dots throughout the painting the two larger
ones which are the ones you will notice first, but then near the top of the painting just off–center

Camille Pixarro
In Paris, France, a painter named Camille Pissarro painted his creation "The Boulevard Montmartre
on a Winter Morning", in 1897. In the Metropolitan Museum of Art, this painting is hanging on the
second floor in Gallery 820. The galleries with the 800, in which this section is dedicated to only the
European Paintings in the 19th and the 20th century. Gallery 820 itself only has the painting that
only Camille Pissarro made. The painting surrounding gallery 820 is also paintings from Paris from
the same era. Galleries 818–822 all are from the Annenberg collection. The painting is right next to
both The Garden of Tuileries on a Spring and The Garden of Tuileries on a Winter Afternoon. Like
in the Boulevard Montmartre, the Garden of Tuileries ... Show more content on Helpwriting.net ...
It shows that Paris was a very busy city in the 1890s. As the painting was created from him looking
outside his window in his hotel, his attitude toward his painting is to capture and paint the details of
the boulevard that he see outside his window. This mood and narrative tone in the painting is both
somber and peaceful. This is because it represents a peaceful street in the winter, but also is painted
in colors that feel somber to me. The Boulevard Montmartre on the Morning Winter is a streetscape
painting. The Boulevard Montmartre on the Morning Winter belongs in the Impressionist
Movement. During the Impressionist Movement, the impressionist will always paint their paintings
with multiple colors and use bright colors and with rough and ready brush strokes. In this painting, it
is painted in many different shades of the same

Group Of Emotion In Monet
According to Claude Monet, a famous impressionist artist, "It's on the strength of observation and
reflection that one finds a way. So we must dig and delve unceasingly." (as cited by Kendall, 2004).
As artwork is chiefly depicted in many different ways, such as in natural, spiritual, objective, or
subjective description, Monet believes that a plein–air painting style can convey such profound
feelings to audiences based on thorough observation and comprehension (Perry, 1927). Thus, there
are four groups of emotion in Monet's paintings, which are serenity, loneliness, confusion, and joy.
The first group of emotion in Monet's paintings is serenity. Serenity is a state in which people are
liberated from anxiety or stress of daily hassle. Monet, ... Show more content on Helpwriting.net ...
Joy is an emotion that reflects the fulfilment of human's desires involving the relationship. Monet, in
general, depicts the happiness in his paintings based on a group of people and a nature as a subject
matter (Stuart, 1916). A group of people represents love and caring between friends with an
impressively intimate conversation. They share a moment of laughter while reminiscing the
hilarious action of their friends. Furthermore, the beautiful nature around them, such as the flower
bushes and the small trees, is depicted in a vividly bright tone of color as responded to the joyful
moment of people. While, the their clothes are depicted in a more natural shade of color, such as
blue and green. These colors imply that their feelings toward one another are perceptibly real and
sincere as a natural color (Fitzgerald, 1905). The emotion of his paintings is mostly described in an
amiable atmosphere of a group of people that shares a similar taste in particular subject (Fitzgerald,
1905). Monet paints them with the reminiscent emotion of his colleagues helping and supporting
him through difficult times (Borgmeyer, 1912). A wonderful example of joyful moments in Monet's
paintings is Le Déjeuner sur l'herbe or known as "The luncheon on the Grass" (Isaacson, 1972). The
subject matter is a group of people having lunch together amid the beautiful nature. The colors in
this painting include a natural shade of yellow, green, and blue. The painting represents the amiably
delightful atmosphere of friends sharing food and beverage (Isaacson, 1972). In summary, joy is the
final group of

Claude Garamond Research Paper
Claude Garamond was born in 1499 in Paris, France. As an apprentice in 1510 with a printer and a
Parisian punch cutter, Claude Garamond was able to specialize in printer and typeface services to
publishers. Being the first to design type, Claude Garamond was determined to be his own publisher
and use his font designs in his works. With being a type designer, Claude Garamond made sure to
rely on his own creativity to showcase his craft as a designer as well as to be able to discipline
himself in his own work of craftsmanship. With his discipline of his own craft, this represented a
specific talent as well as catering to those of high regards in society. Because Garamond was also in
the print industry, also specializing in punch cutting and binding, his knowledge of format was
essential in addition to his type design. In the formatting of his publishing, he ensured the layout ...
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Regarding his highly skilled craftsmanship in his work, the royal commission valued Claude
Garamond to be one of the most important designers and punch cutters. Being highly respected, the
finest printers greatly demanded to work with Garamond's typefaces. With being commissioned by
Royalty of the French, Claude Garamond was highly recognized by patrons that were influential and
with great wealth. Although Claude Garamond was respected and highly respected by those with
wealth and royalty, this was also part of his dissatisfaction due to being recognized by popularity of
his designs not because of him being a designer who was able to master his crafts, not just with type.
As being a pioneer in type design, Garamond was a true innovator in his typefaces as well as being
able to compliment other typeface designs with his current typefaces. He was able to design oblique
capitals as well as italic lowercases, which made him one of the most distinguished typeface

Analysis Of The Book ' French Photography 1800-1960 '
The Barnes Foundation's newest exhibition, French Photography 1800–1960, is a collection of
photographs that encapsulates life in France during the 19th and 20th centuries. The exhibit features
photographs by artists including Ilse Bing, Brassai, and Henri Cartier Bresson. Entering into the
exhibit is like taking a trip through time; depending on if you turn left or right at the entrance to the
exhibit, you can travel forward through time from the early to the mid 1900s or you can travel
backwards. The exhibit is organized by eight different periods and the attitudes that were most
prevalent during them. The categories are: Paris and Environs, Street Life, Commerce, Labor,
Leisure, Reportage, Celebrity, and Art for Art's Sake. The exhibit is an enlightening trip through
time, highlighting the glamorable life in France in the 19th and 20th centuries, bringing to life
artistic movements, culminating in the final intersection of cubism and photography, Brassai's piece
Transmutation: Girl Dreaming being perhaps the brightest star in the collection. Unlike other
exhibits in the Barnes, French Photography is unique in its medium. Photographs are fresh and
different from the Barnes' usual paintings. It is also different in the Barnes' treatment of the pieces.
Main installments at the Barnes are hung on the walls as if they were in someone's living room but a
black line drawn through every room prevents any viewer from getting to close to the works of art.
However, the photographs

Claude Monet Analysis
Claude Monet's piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le
Havre of the north coast, France. This piece was made in March or April of 1873. The piece's
present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on
canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in morning
light. Claude Monet was part of the impressionist movement that changes French paintings of the
nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an
unfinished painting, however other artist saw it as an honor and eventually called themselves
"impressionist". The painting brings out a beautiful image due to the colors, texture, and technique
that plays an important role in society and culture. When entering the room, people crowded around
Monet's pieces, which felt like an honor to see the type and techniques his work has. The colors
describe the feeling of an early morning. The painting has a muted palette of blues, greens, and
grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from
steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is
an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when
I viewed the painting from a far distance I knew what the painting was about however when I
looked at it up close I saw brush strokes and

Claude Duckay And The Harlem Renaissance
The Harlem Renaissance was a time of rebirth in Harlem, New York. It was comprised of mostly
African Americans. During this time, it was an explosion of culture in which arts, music, and
literature came from. It was time a time where African Americans expressed their culture and talked
about the injustices that they faced. The most popular genre of this time was jazz. African
Americans were subject to racial discrimination, making it hard for them to find jobs. Race riots and
lynch mobs were also very common during this time. Festus Claudius "Claude" McKay was born in
Clarendon Parish, Jamaica on September 15th, 1889. At the age of seven, he moved to live with his
older brother, Uriah Theodor, who was a school teacher. During this time, he learned British
literature, science, and philosophy and at the age of ten he began writing. During his time with his
brother, he met with Walter Jekyll. Who heavily influenced his work. Many of McKay's works about
his homeland were inspired by Jekyll. At the age of seventeen, he moved to the U.S. were he mostly
lived for the rest of his life. In the U.S. he learned that racism was a social norm and segregation
was a common theme in his works. Like many writers during the Harlem Renaissance, McKay was
heavily influenced by racism. The subject of racism was the subject of one of his most famous
poems, If We Must Die. If We Must Die is a short poem, but it is full of themes and utilizes literary
devices such as symbolism

Life Changing Experience Essay
Life Changing Experience
About one year ago I had a life changing experience, a trip to a little town called
Kerry on the outskirts of Dublin, Ireland. It was the most beautiful place that I have ever seen. Being
in the presence of such beauty helped me see life from a different perspective. I was just going to be
happy, appreciate what I have, be open–minded, not take anything for granted, and love everyone
and everything. When I came back from
Ireland I was truly happy, nothing could make me upset. But after awhile my constant elation came
to a gradual end, but I was soon to find that even though my elation ended I was going to be a
happy, loving, and open–minded person forever. And there was everyday influences like ... Show
Someone doesn't die for
something they don't appreciate. When I think about those movies I am really happy, because I am
lucky, free, and free to seize any opportunity that comes my way. Art also reminds me of my
happiness, a single piece of art work can capture a moment of emotion or feeling. Artists like Claude
Monet really capture emotion well, in the painting, "The Stroll: Camille Monet", Monet painted
Camille standing in the middle of a field, it sounds simple. But Monet did such a good job that there
seems to be more, there is emotion. That is what makes art special, emotion, and that I can have my
own thoughts about what the artist is trying to say through their painting. In the Edward
Hopper painting, "Route 6" there is a real warm feeling coming from it. That warm feeling is one of
the best emotions that I have experienced, the only other time I get that feeling is when nature is at
it's best (sunsets, sunrises, grassy fields, ect.). That brings me to the artist Liz Sexton, her paintings
of nature are some of the most beautiful, natural, and unique pieces of art that I have ever seen. I
think that I am on of the luckiest people in the world to be able to appreciate this artistic beauty, that
in its self makes me a happy person. The most important influence in my

Claude Debussy
Impressionism is a style of music that derived in the late 19th century thanks to French composer
Claude Debussy. It was almost analogous to the impressionist art at the time, which was supposed to
leave an "impression" on the audience, having meaning but never a clear one. The use of "color", or
timbre in the case of music, was heavily used to create the atmosphere of the pieces, achieved by
orchestration and texture. This style was seen as a response to Romanticism, getting rid of the
forward direction of standard harmonic progression, resulting in an obscure tonality and harmony.
The father of this style, Claude Debussy, was born in Saint–Germain–en–Laye, France on August
22, 1862, and having died in Paris on March 25, 1918. "Clair de Lune" ... Show more content on
Helpwriting.net ...
For instance, textural reference to the sky or light might be expressed by a rising melodic line.
Symbolism was often found in Claude Debussy's work. Prélude à l'après–midi d'un faune or Prelude
to the Afternoon of a Faun, is an orchestral symphonic poem, based on the poem poem L'après–midi
d'un faune by Stéphane Mallarmé that was composed in 1894 by Debussy. Debussy used layered
orchestration and a free form texture to evoke the feeling of the original poem. Postmodernism in
music often follows characteristics that also adhere to other areas of postmodernism, like embracing
the absence of a single defining structure or ideology. It is not seen as a specific style of music but
rather music in the postmodern era. American composer John Milton Cage Jr, born on September 5,
1912 in Los Angeles and having died on August 12, 1992 in New York. Music for Piano, composed
through the years 1952–1962, consists of 85 indeterminate compositions for piano. The works
contained paper imperfections that were then turned into sounds using chance

Impressionism vs. Cubism Essay
Impressionism vs. Cubism
Art, according to Webster's Dictionary, is a human skill of expression of other objects by painting,
drawing, and sculpture. People have used art as a form of expression for a long time. From the
Mesopotamian era to the Classical Greeks and the present. Art is expressed in many different ways
and styles, and is rapidly changing, one style replacing another. Impressionism and Cubism broke
away from the traditional style of painting. They were both looking for a new way to express
everyday life. Time is an important tool that is used in Cubism as well as Impressionism. This
element is expressed in Claude Monet's Sunrise and Pablo Picasso's Man with a Violin in different
ways. Impressionists' works ... Show more content on Helpwriting.net ...
It is composed of geometrical shapes, abstraction and time. There are no specific colors or objects
used. Cubists were looking for a different way to express human form as well as art in general. They
provided what we could almost call a God's–eye view of reality: every aspect of the whole subject,
seen simultaneously in a single dimension. According to Fiero, the Cubist image, conceived as if
one were moving around, above, and below the subject and even perceiving it from within,
appropriated the fourth dimension–time itself. In a sense, Cubism is four–dimensional: depth,
height, breath, and time, but seen all at once. It displays different viewpoints from different aspects.
The object is taken and looked at in many perspectives and is represented that way on the canvas.
Monet's painting Sunrise displays vivid color, which is commonly used among impressionists. The
painting is of the sun rising over the lake, over looking the bay and the boats within. "Sunrise is a
patently a seascape; but the painting says more about how one sees than about what one sees. It
transcribes the fleeting effects of light and the changing atmosphere of water and air into a tissue of
small dots and streaks of color–the elements of pure perception" (Fiero 114). This painting is typical
of its style because it captures light at that moment. The sun is rising and its color is projected to
everything in its path. Monet seems to capture this

Musical Modernism with Claude Debussy, Igor Stravinsky...
Musical modernism can be seen as the time where music emerges its liberty from Romantic era style
–that started in the late nineteen century to end of the Second World War– and gains new ideas and
freedom. With the political turmoil and chaos that took over the European countries, –that lured
countries into the First World War– composers and artists started to find, create more and new ways
to express themselves. They eagerly began to discover the art of Eastern countries with the hope of
finding new ways of expression. The changes in tonality, irregular rhythms, tone clusters, distressed
and antagonistic melodies, the expressionist, abstract, unusual ideas over powers the music, the
traditional structures recreated or composed with ... Show more content on Helpwriting.net ...
With his first piano lessons, his teachers discovered his unusual talent of 'playing out of the
boundaries.' After his dream, becoming a piano virtuoso sink, he leaned more on to his composing
skills.
At 1889, he attended the Paris International Exposition, where he discovered the wondrous colours
of Asian music that picked up his interest. He was also fascinated by the pieces composed by the
Russian composers Modest Petrovich Mussorgsky, Nikolai Rimsky–Korsakov and Alexander
Borodin, therefore he was lured in to the folk music of Russia soon after.
In later years following his graduation, after composing his 'Suite Bergamasque' for piano, he found
himself in the impressionist art movement with fellow composers –like Maurice Ravel– because of
the link French music had with the paintings of Claude Monet, Edgar Degas, Van Gogh and other
modern, like–minded artists, even though he stated that he never felt connected to the movement
with the words,
"I'm trying to write 'something else' – realities, in a manner of speaking – what imbeciles call
'impressionism', a term employed with the utmost accuracy, especially by art critics who use it as a
label to stick on Turner, the finest creator of mystery in the whole of art!" Claude Debussy
Against his wishes his compositions are often described as

What Is The Difference Between Monet's Garden And Picasso...
Differences between Two Famous Artists' Artwork
Artwork could be defined as a universal language that can carry ideas and emotions of an artist
toward audiences via a particular narrative. Presently, there are many memorable art pieces from
various artists. Claude Monet and Pablo Picasso have become prominent from their unique styles of
artwork, which conveys a profound feeling through basic elements of art, such as the use of color
and a narrative. Although two of them are highly notable for art, there are four differences between
Monet's garden and Picasso's garden, which are artist's background information, technique,
inspiration and meaning.
The first difference between Monet's garden and Picasso's garden is artist's background information.
... Show more content on Helpwriting.net ...
Meaning is an explanation that uses to describe an emotion in the scene, which leads the audience to
a better interpretation of a narrative in the painting. Monet uses a quick–painted style to portray
reality, which, in this case, is a collective joy of intimate friends in a garden (Walton, 2007). In the
foreground, there is a graceful woman sitting under the tree and smiling at the sounds of her two
friends flirting behind her. A man and a woman seem to share a flirtatious conversation as the
woman appears a pink flush on her cheeks while answering the man's question, covering her face
with a bouquet of flowers in her hands, and sneakily looking at the man's face. Another woman,
young and innocent, staying in the background, is delightfully admiring the flower bushes around
her with a beaming smile appeared on her lips. She seems to be one of the nature lovers who can
solely spend most of her time outdoor amid the flower garden. The feelings of these three people are
all freshened up by the delightful talk and the support of natural surrounding around them. On the
contrary, Picasso prefers a sharp painting style represented in geometric shapes, such as triangle,
rectangle or oval, which may lead audiences to have a profound feeling ("Pablo Picasso," 2009).
Considering the painting named "Seated woman in a garden", Picasso captures a moment of a
woman sitting alone in a spacious garden. Perhaps the woman is waiting for her lover at the
appointment; however, as she waits longer she does not seem to see her love, therefore appearing
gloomy features. In addition, the nature around her seems to reciprocate her grief by appearing
leaves in a dull tone of green color instead of the freshly light green as revealed in the Monet's
garden. Thus, the painting of Monet is more appealing due to the delightful story of lively friends, a
pleasant couple, and a nature lover, which many

On the Bank of the Seine Bennecourt Formal Analysis
Shane Cratty
A Beautiful Day on the River Seine
April 17th, 2012
Art 1.2
Section 4136
On the Bank of the Seine, Bennecourt by the French painter Claude Monet is one of the few great
paintings that truly embody Impressionism. On the Bank of the Seine, Bennecourt was painted in
1868 on the Seine River in the Northwestern Portion of France. Created with oil on canvas and
standing at thirty–two inches tall by thirty–nine and two–thirds inches wide, this painting depicts
Monet's future wife, Camille Doncieux, gazing across the Seine River at a village not too far off in
the distance. The ability this painting has to capture the eye is amazing and unique, and allows you
to fully appreciate the Impressionist Art Movement.
In this piece, ... Show more content on Helpwriting.net ...
The artist creates color harmonies and contrasts throughout the whole peace which gives it a strange
balance overall.
The texture of the painting itself is probably rough. The artist makes no great attempt at conveying
implied texture to the viewer. It seems as though implying texture may detract from the overall
attitude of the piece. Altogether texture doesn't play a huge role in this work of art.
Claude Monet's use of the illusionary space in this image is actually quite amazing. At first glance,
your eye is drawn towards the left side of the painting, due to the amount of large and bulky objects
in the foreground. Suddenly though your eyes turn to Camille; the woman gazing into the distance.
As she stares off into the distance she acts a point to redirect the focus of the piece past the water
and into the village across the river. This painting has a surprising power in that it is ability to fully
mesmerize and captivate the viewer in a way few pieces of art can.
The use of line in this piece is also very interesting. The artist employs a high horizontal line to
create a plunging effect giving the piece more depth. Another use of lines in the image is to create
focal points to attract the viewer. Lines are also used to separate the different sections of the
painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers' pleasure
and admiration of the piece.

Matisse's Life And Accomplishments
Henri Emile–Benoit Matisse, a well–known French influential artist, was born on December 31,
1869 in LeCateau–Cambresis, France. He was a painter, sculptor, printmaker, and draughtsman, but
he was more successful as a painter. Most of the time, his paintings are usually nudes, figures in
landscapes, portraits, interior views, and his exaggerated form to express emotions made him a
successful artist in the 20th century. He had many other artists that influenced him like Vincent van
Gogh, Paul Gauguin, Edward Munch, Paul Signac, John Peter Russell, and Paul Cezanne. Matisse
did have a rival name Pablo Picasso who Gertrude Stein introduced them in 1906. In 1887–1889, he
studied law in Paris, and he worked as a court administrator in Le Cateau Cambresis after gaining
his ... Show more content on Helpwriting.net ...
Between the years of 1910s and 1920s, he continued to surprise many viewers by using saturated
colors, flattened pictorial space, and strong lines. After he found his styles, he went to Germany,
Italy, Spain, and North Africa to find more inspirations. He had many famous paintings such as
Dance, Blue Nude, The Open Window, Blue Nude II, Woman with a Hat, and many more. The Open
Window represents a view from his window apartment in Collioure, and the sailboats on water were
viewed from his hotel window which overlooked the harbor. This painting is in National Gallery of
Art in Washington D.C. The painting of Dance showed five dancing figures that were painted in red,
a green landscape, and a deep blue sky. This shows that Matisse's passion of primitive art, and he
uses intense warm colors against the blue–green background. At the same time he was creating this
artwork, on December 3, Neon lights were first publicity displayed at the Paris Auto Show, and on
December 9th, French troops occupy the Moroccan Harbor City. On September 27, 1910, first test
flight of a twin engine airplane in France has

Andre Masson And Surrealism
Andre Masson was born January 4th, 1898 in Balagny–sur–Therain, France. At the age of eight he
moved to Brussels where he started studying art. In 1912, Masson moved back to France, but this
time to Paris where he continued his studies until the outbreak of World War one. During World War
one, Masson became part of the French infantry where he got seriously injured, and scarred
emotionally. After the war Masson moved to southern France until 1922, where he moved back to
Paris to continue working on his art. The art of Cubism had been what Masson was initially
intrigued in, until 1924 where he joined the Surrealist movement, and remained a member for five
years. The Surrealist movement happened when a group of artists who saw a deep crisis ... Show
Masson returned to France in 1937 and reconnected with the Surrealist movement. Once World War
2 had started, Masson became part of the first Surrealist group to reach the United states
"Continuing to New York with Masson, he joined Ernst, whose new decalcomanias included Europe
after the Rain (1940–42;see ), as well as Matta, Seligmann, Tanguy and Kay Sage in a larger group
of refugees. The first Surrealist group show in the USA had taken place in 1931–2 at the Wadsworth
Atheneum, Hartford, CT, travelling to the Julien Levy Gallery, New York" Masson had been part of
the first Surrealist group in the United states. This quote is important because Masson is taking his
political beliefs that had rapidly gained momentum in Europe, and trying to stretch those beliefs to
the rest of the world.
During the Interwar period, Andre Masson had been part of the Surrealist movement and this
influenced his artwork a lot. Before the Surrealist movement, Masson had been initially interested in
Cubism, an art form made famous by Pablo Picasso. Masson went from very generic art at the time,
to very unconventional art. For instance,one of his most famous paintings called battle of the fishes,
and it was painted in a very unorthodox manner.
In this painting Masson actually threw glue onto the canvas, and then after the sand had settled, he
threw sand onto the canvas. After what probably made a huge mess, he painted, and drew around

History, Preparation, Execution, Results, And Lessons...
Introduction In February 1941, Field Marshal Erwin Rommel received command of the recently
created Afrika Korps. The unit deployed to Libya in order to support the Italian Army that had
recently suffered setbacks against the British forces. For the next two years, Rommel's forces fought
across the North African desert against British forces led by Generals Archibald Wavell, Claude
Auchinleck, and Bernard Montgomery. The culminating point for this campaign was the two battles
of El Alamein, after which the Germans retreated to Tunisia and eventually surrendered. This case
study will examine the history, preparation, execution, results, and lessons learned during the Battles
of El Alamein and how that defeat helped lead to the overall Axis defeat in World War II (WWII).
History
The fighting on the African continent began before WWII. Italy, in the late 19th century, had
colonies in Libya, Eritrea, and Somaliland (now Somalia). In 1935, Bunito Mussolini, the dictator of
Italy, wanted to have an Italian East African Empire. To accomplish this, his Italian forces conquered
Ethiopia by 1936, forming his empire consisting of Somaliland, Eritrea, and Ethiopia. The British,
meanwhile, provided soldiers for the defense of the Suez Canal in Egypt in accordance with the
Anglo–Egyptian Treaty of 1936. With Mussolini declaring war on England and France in June 1940,
Britain found itself surrounded by Italian forces.
Mussolini wanted to link the two sections of his

Debussy Music
In the music Debussy composed, all instruments were called upon to share the innovations of his
creative art, but only the piano was truly capable of incorporating his ideas. For this there were two
reasons. First, the piano, being an instrument of harmony and of tonal blending rather than one of
simple melodic statement, was the natural medium for experimentation in a personal art built upon
harmony and tone blending. Second, the piano, in spite of all that had been accomplished for it by
several generations of exploiting virtuosi, was still capable of gradations of color and nuances of
accentuation that had been ignored – or perhaps more correctly, used only sparingly – by the high–
riding masters of its sonorities.
As a pianist, his compositional blending had little of the symphonic essence of orchestral music. It
was said that he was endeavoring to make the piano not the piano. ... Show more content on
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His teacher Marmontel is quoted as saying "Debussy isn't very fond of the piano, but he loves
music." From this one may gather that even at the Conservatoire Debussy was aware of the
limitations of the instrument. There are descriptions of him launching himself at the piano,
overdoing every effect, as though moved by a deep hatred. On the other hand Fargue remembered
his playing in the 1890s "he cradled it [the piano], talked softly to it, like a rider to his horse, a
shepherd to his flock or a thresher to his oxen." It is significant that on this occasion he was
performing the uncompleted score of Pelleas. Among the varied accounts of his playing, agreement
is reached on only two points: that it was like nobody else's, and that it had about it an orchestral
quality. At all events, the two approaches outlined above, at the extremes of boldness and
refinement, both display and unwillingness to treat the piano as it had been treated in the past, and a
determination to subdue it to his

Biography of Pierre Auguste Renoir
Pierre Auguste Renoir is a French born artist who lived at his home town of Limoges, France. He
died December 3, 1919. He was well known for his contributions to impressionist movement. All of
his work contains some form warm colors which elicits a hearty and friendly atmosphere of its
inhabitants. Aside from the calm nature and the tender layout of his works, his paintings almost
always focused more women. "They provided him with his most potent source of inspiration are at
the center of the idyllic, harmonious worlds he constructed through his long career." (pg 9. Third
sentence.) His art works depict a tranquil and sunny atmosphere–which is a contrast to his
personality. Since he had pretty low view of women and believed that they belonged in the kitchen.
It seems that he was a hypocrite concerning women. This was a strange contradiction due to the
beauty depicted on all the women in his works of art. It's seems that only cared for the physical
appearance of the women. However, his shallow views of women were not uncommon in his era of
time. Renoir continued to paint regardless of his condition. Towards the end of his life, he developed
rheumatoid arthritis. However, this severe arthritis had a crippling effect on his ability to move and
caused him to be confined to a wheelchair. It also affected his right shoulder causing him to adapt
and change his techniques due to his disability. The disease eventually progressed more and more
until his fingers could no longer

Post Impressionism Research Paper
The period of Impressionism and Post Impressionism embarks from ca. 1860 to 1910 CE. For the
Impressionists artists the main focus were the upper middle class, the city and restful activities. They
emphasized in the outdoors, parks, sky, star, sun etc. in hope to obtain directly the effects of light
and the atmosphere, this method was known as en plein air. This technique was influenced by the
Japanese art and photography. They used strokes and touches of pure colors mostly white, almost
never black. They were able to record or attain the shifting play of light on the surface of the object
they were working on. This method allowed the artist to record the effect light had on the eyes of the
spectator without concern for the physical aspect ... Show more content on Helpwriting.net ...
The artist that practiced the postimpressionism went through an impressionist stage first, before they
evolved to the newly found method of postimpressionism. They all used palette while doing their
work of art, some even developed complicated scientific methods and other began to base their art
on their emotions something that has not being experimented before. Goerges Seurat was a
postimpressionist artist that painted the work titled A Sunday afternoon on the island of La Grande
Jatte, using the technique of divisionism or pointillism. By devoting himself to correct the idea of
impressionism he became known as avant–garde, he thought impressionism was superficial and too
improvisational. Avant–garde is a term that refers to those artist whose visual illustration would
allow society to be prepared to accept any social changes that the artist themselves envisioned for
society to faced. Seurat painted in an almost abstract way, by using juxtaposing small strokes of
unblended colors, this technique became known as pointillism. Paul Cezanne was another
postimpressionist artist that helped developed the modernist painting of the early twentieth century
His work made a great impact in the style known as cubism, by creating highly well–thought–out
paintings through methodical application of color that combined drawing and modeling into a single

Research Paper On Rembrandt
Rembrandt is a famous seventeenth–century Dutch painter. Despite his fame and prestige, some
experts are not certain whether a few of "his" paintings were actually created by him. One of these
paintings, a portrait of a woman's face, has been called Rembrandt's due to its style. But, there is
evidence that suggests the portrait was painted by a different artist.
First, there is inconsistency in the painting. Whenever Rembrandt was painting, he would pay
careful attention to details in clothing. However, the woman in the painting is wearing both a
servant's cap and an expensive fur neckpiece. These two details contradict each other. Rembrandt
would not have made a mistake like this.
Second, Rembrandt was also known for his expertise in painting

The Influence Of Artist Paul Cezanne's The Card Players
There are many artists from the 20th century that were very influential to people and other artists.
Some of the big artist are like Andy Warhol which a lot of people know about including myself who
does not really know that much about until taking this class on the history of art. Then there is artist
Paul Cezanne's painting called "The Card Players" which is said on the instruction guide for this
paper to be the most expensive painting ever sold. The painting was said to be sold for $250 million
which is a crazy expensive price. This just goes to show how important and influential these painters
were during that time. That many of them all impacted the industry in their own little way and
sometimes in a big way. The artist that needs ... Show more content on Helpwriting.net ...
He was a guy that raised and grew everything he almost ate. He had free ranged turkeys and
chickens. It was crazy to find out that he was so into growing in his garden and raising these animals
while being a very influential painter (Bordman & Fell 2015). They say he could connect with
nature very well and therefore surround him with all of this food. Since Claude was able to connect
with nature so well he was able to see beauty in things that others could not see. He was living in a
pink house that had all of his gardens and plants around it that he loved so dearly. The garden behind
his pink house almost looked like a painting in how he had it so welly organized with the families of
food grouped together and the trees that apples that took a lot of space bordering the outside
boundary of the yard (Bordman & Fell 2015). . This all comes to a surprise to me that he was so into
gardening and painting, but like Meryl Sheep says that "Claude Monet was much more than an
artist. Although he claimed to be good at only two of life's endeavours – painting and gardening – he
lived a life that included entertaining leaders in art and politics in the large dining room of his
beautiful home in the bucolic Normandy countryside." This shows how he was a very unique guy
that was in this world (Bordman & Fell 2015).

Art : Art And The Art Of Art
Art has been around for nearly as long as the world has been in existences, Art is a creative
expression with a variety of styles and interpretations. Century after century art has evolved from
culture to culture evolving with each epoch; it has been criticized along the way. People do not
adjust well to change and art is no different, but once people get over the initial shock they start to
appreciate the valve art brings to each culture's. I can attest to the fact that there is nothing more
difficult than attempting to get a handle on the understanding of specific portraits, sculptures or
some piece of architecture or trying to comprehend the methods of making these stubbing images.
But once the initial stun is gone and when we have all assimilated this bit of visual information to
our own jargon we start slowly start to price together what the artist is trying to articulate. Artist tend
to indicate us better approaches to see commonplace things and how to translate new circumstances
and occasions through different sorts of visual apparition. Some call this a creation of visual
language; I like most learn and make judgments off of what is visually catching and the artists are
intending this to happen. Art has been an imperative part of every society and can be seen in just
about every aspect of our culture. Over time history has unmistakably demonstrated that art is more
than what is perceptible by the each individual's senses; however it is likewise an impression of how

Claude Monet : The Best Landscape Master
Terrasse à Sainte–Adresse Among the impressionists, Claude Monet was the best landscape master.
His favorite themes were the sea and the flowers. His painting "Terrasse à Sainte–Adresse" was
made in his early creative period in 1867. This painting represents themes of beautiful flowers and
bright sun. "Terrasse à Sainte–Adresse" is a hymn to the sun, which impressionists considered as the
creator of any color. In the mid–1860s Monet experimented with painting landscapes, which has led
to some picturesque and memorable works such as this. "Terrasse à Sainte–Adresse" is one of the
most dazzling and conspicuous paintings because of its techniques, history, and viewers' emotions.
The painting was done during a difficult period of Monet's life. He was forced to leave Paris and
return to his father's house in Sainte–Adresse. It is a small village in Normandy at the mouth of the
river Seine. During this period, Monet reached after the more rigorous construction of the painting.
Every detail is drawn carefully; the composition is calibrated accurately; it does not remind soft and
blurred tones of artist's regular paintings. His brush is not as free as in other works. The figure,
terrace, and sea make an impression of a strange stillness. This painting illustrates Monet's
experiments with plenty of shimmering and bright natural colors and a removal from the dark brown
and black colors. Flowers are written by a variety of small, short strokes, which show the texture of
the plants

Paule Maurice Research Paper
Paule Maurice lived from 1910 until 1967 as a French female composer. She studied and spent her
professional life at the Conservatoire National Supérieur de Musique de Paris, and wrote many
works, but her most famous work is the Tableaux de Provence, translated "Picture of Provence".
Henri Busser was Maurice's professor and she then won first prize in composition. She was a great
teacher of sight–reading and theory at the Paris Conservatoire and Norma School of Music. Since
Maurice was a teacher of theory and a composer, she wanted to keep a good reputation of the
saxophone besides a growling jazz instrument. After discussing the seriousness off the saxophone
with Marcel Mule she was motivated to write more serious musical expression for

Claude Monet: Significant Artist In The Movement Of...
Claude Monet was a very significant artist in the movement of impression. With his techniques,
subject matter, use of colour and composition within his artworks, he contributed hugely to the
movement and was a huge inspiration to many. In order to understand why Claude Monet created
this artwork and the appearance of it, we need to understand the main influences which came with
the movement of Impressionism. Many of these influences were derived from the Industrial
Revolution in the 19th Century. Specifically in this artwork and the artist the Franco–Prussian War
had a huge influence on the subject matter as well as the motivation of Claude Monet. I will be
discussing these influences with regards to the subject matter, style, materials used and motivation
for this incredible artwork. ... Show more content on Helpwriting.net ...
The early morning sun is depicted rising over the harbour with ships and other various boats at port.
The shadows of the boats and figures and the reflection of the sun's rays can be seen on the water's
surface. Monet incorporates dull grey blue colours and a vibrant orange colour representing the sun
this draws attention the audience's attention to the focus of the painting which is the sun. To the left
of the center of the canvas, a few big ships enters the harbour. Cranes and heavy machinery can be
detected to the right side of the painting. The heavy machinery represent the influence of the
Industrial revolution.
The Industrial Revolution influenced many aspects of Impressionism thus Clause Monet.The
invention of the premixed paints in lead tubes which enabled artist to work outdoors and more easily
as the tubes were more accessible than their own paints kept in animal bladders. The subject of this
artwork was outside therefore it is evident that the artist was influenced by this invention as he was
able to paint this artwork

Pierre-Auguste Renoir Essay
Pierre–Auguste Renoir
Pierre–Auguste Renoir was born in 1841 to Marguerite Merlet and Léonard Renoir. In 1844 his
family moved to Paris and by 1854, at the young age of thirteen, began painting flowers on
porcelain cups and saucers. Through his parents, he began as a painter for the porcelain industry; his
parents felt this was the perfect start for the beginnings of an artist. He came from the town of
Limoges, where porcelain became almost a symbol of status and wealth. By 1860 he had left the
porcelain factory in favor of becoming a full time painter; he was granted permission to copy
paintings in the Lourve where he began to admire the eighteenth century masters. In 1862 he entered
the studio of Marc–Gabriel–Charles Gleyre, a ... Show more content on Helpwriting.net ...
Impressionist art brought with it a characteristic and long–lasting originality and approachability
that, until now, was never found in the art of earlier periods. The interests of these painters seem to
be relevant to our own and function humbly by exciting our visual contentment. The term
"impressionism" itself entails a great assemblage of extraordinary painters who have changed the
artistic world, as we know it.
The term impressionism has often been mistaken as a definition for every impressionist painter.
Generally, terms of artistic movements tend to attempt to "...encompass the complexities and shifts
of the diverse artists who exhibited under its banner." Many of the artists within the group opposed
the term and instead preferred the name "Independents", while few even considered themselves
members of other movements (Edgar Degas often considered himself a "Realist"). Despite this
confliction, every impressionist painter shared a similar dedication to painting contemporary
subjects in an informal style. In the face of this commitment impressionists still were divided into
two principle camps. Led by Claude Monet and including Camille Pissarro, Alfred Sisley and
sometimes Pierre–Auguste Renoir, the "Pure" Impressionists painted out–of–doors, recording their
impulsive reactions to light and atmosphere. The

Diversity In Disney Films
Throughout his life Frollo tells Quasimodo outright that he is "deformed" and "ugly" and that he
should be "grateful" that it is Frollo alone who can still accept Quasimodo's deformities, which in
turn causes Quasimodo to live in fear of being shunned for his monstrous features. For a time,
Quasimodo listens to his "caretaker" and bides his time within the walls of Notre–Dame Cathedral,
convinced that he is protected from the outside world. Nevertheless, Quasimodo still dreams of what
it would be like to, "just to live one day out there." Being isolated in the the bell towers leads
Quasimodo to developing an active fantasy life as a substitute for the one he's hidden from. Though
he may not interact with people outside of the cathedral, he ... Show more content on
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With this in mind, Frollo comes across not only Quasimodo's villainous caretaker and surrogate of
society but rather a representation of our inner demons. He is the voice inside our head telling us
that we are not good enough, that we are not worthy while ultimately bringing forth our darkest
insecurities preventing us from seeing anything apart from our personal monstrosities. This is a very
telling aspect of human nature in the sense that we can be overly critical of ourselves – more so than
others – although thoughts such as these do not originate at birth and carry forward to adolescence
and so forth, but instead are mainly driven by man made social construct imposed by our peers that
influence our feelings such as these. Today's society looks for a perfect representation with every
human being and reject the ones who do not fit this profile. This network of social ideas that we
hold today were not just created yesterday either, but rather have been a recurring throughout most
humanities lifespan. People like Quasimodo have been subjugated long before Disney released The
Hunchback of Notre Dame. One of the earliest, and perhaps most tragic well–documented cases of
disfigurement comes from the life of Joseph Merrick, better known as "The

Who Is Monet Paint The Rouen Cathedral?
During the 19th century, the act of painting was revolutionized by the development of the paint–
tube. This innovation allowed artists to make their craft portable, which allowed them to work
outside studios in natural settings. The trend towards on–the–go painting subsequently sparked
rapidity in painting. Impressionist art is characterized by quick brushstrokes, applied hurriedly and
without previous study. Impressionists were concerned with capturing "the moment," or capturing
fleeting natural phenomena like light glistening on water or peaking out from behind a cliff. Thus, in
order to capture such moments, Impressionist painters needed to paint quickly to stay true to
whatever vision they were capturing, before it disappeared with a shift ... Show more content on
Helpwriting.net ...
Proust's prose in "Swann's Way," takes on the intimacy of his own train of thought, meandering
across endless sentences that sometimes present contradictions. For Proust, the world is not black
and white; the thoughts and people he introduces in his narrative are far from epitomic. Instead of
concerning himself with idealizing these ideas and people, Proust gives attention to presenting them
in fragments, not unlike the quick brushstrokes of Monet's paintings. By showing pieces of
characters in different times and situations, it is as if Proust is painting them in various degrees of
metaphorical light; like Monet with his Rouen Cathedral series. Like this series, Proust's work
asserts that no person can be illustrated in the description of a single moment; viewers or readers are
dependent, instead, on piecing together the various fragments of description carried forth on the tidal
wave of Prouts's stream–of–consciousness form, to see a truer, superior

Claude Monet Research Paper

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