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Around the world in eighty days
by
Umar Ranginwala
Draft: 1
Initiator: Monica Korde
Chapters: 1 to 3
Criteria A: Content
Criteria C: Style and language usage
Ra0onal
This is a crea0ve task is in the form of a Play Script based on the book ‘Around the World In Eighty Days’ by
Jules Verne. The novel was studied in class and the task aHempts to transfigure the narra0ve structure of
selected chapters into a script form to be adapted for a stage play. It was wriHen with a serious tone and
hopes to address an intellectual audience of teenagers. The purpose of this script is to help make people
understand the around the world in eighty days well, because we live in a world of visuals, especially the
teenagers, they tend to understand things which are visual. Teenagers find it hard to comprehend texts or
novels. They will understand movies and play without any difficul0es.
In my crea0ve piece I tried to use modern language, stage direc0ons and visual words with phrase like "A
row of symmetrical houses, then focus on one house which is unique; a voice coming from it" and "(remov‐
ing a silver watch from his pocket) Twenty‐two minutes aSer eleven". I tried as well to use a highly devel‐
oped level of vocabulary with word choices like “non‐superfluous and "converse" finally I tried to use dia‐
logues, emo0ons, stage direc0ons like one might see in a formal play script with the use of structure and
format like
"What are yo crazy! Don't believe in this newspapers, they just want to fill up their papers, you people are
not aware about the obstacles" and “and unconven0onal stage direc0ons" Using these elements I feel I
reached my purpose set out in the task.
This task addresses the topic of Literature and its Genres and specially addresses the topic of Narra0ve
structures, characterisa0on, the language and context when the novel was wriHen. To keep the text type
authen0c like a play script, I chose to use conven0onal format features such as using courier fonts, script
cover page, and the emo0ons before a dialogue, to best express what I learned from the topics we studied
in this unit and how I feel about them.
Script
Characters
Phileas Fogg: Aged 40, is a gentleman. He is a man who is non-
superfluous, he flows his own principle. He is so exact that
he is never in hurry.
Passepatout: A cheerful soul, who is loyal and honest.
Andrew Stuart: Club member
John Sullivan: Club member
Thomas Flanagan: Club member
Gauthier Ralph: Club member
Scene 1
(A row of symmetrical houses, then focus on one house which is unique; a
voice coming from it.)
(Inside the house, show clock, 11 and half past)
Fogg: (shaving)
(door opens)
Frost: I am extremely sorry for being late. Here is you're saving water
Fogg: (examining the water) Apart from being late, you also made a huge
mistake. Frost this shaving-water is eighty-four degree Fahrenheit in-
stead of eighty-six. Post an advertisement in the news paper quoting
‘Wanted a Manservant who is trustworthy, honest for a gentleman of most
pacific habits’.
(blackout)
Scene 2
Fogg:(sitting on an armchair and observing the complicated clock which
indicated the hours, the minutes, the seconds, the days, the months, and
the years)
(Door opens, frost enters)
Frost: The new servant
(A young man of thirty advanced and bowed.)
Fogg: You are frenchman, I believe, and your name is John
Newcomer: Jean, if monsieur pleases, Jean Passepartout, a surname which
has clung to me because I have an ordinary aptness for going out of one
business into another. I believe I’m honest, monsieur, but, to be out-
spoken, I’ve had several trades. I’ve been an traveling singer, a cir-
cus-rider, when I used to vault like Leotard, and dance on a rope like
Blondin. Then I got to be a professor of gymnastics, so as to make bet-
ter use of my talents; and then I was a sergeant fireman at Paris, and
assisted at many a big fire. But I resigned from France five years ago,
and, wishing to taste the sweets of domestic life, took service as a
valet here in England. Finding myself out of place, and hearing that
Monsieur Phileas Fogg was the most exact and settled gentleman in the
United Kingdom, I have come to monsieur in the hope of living with him a
tranquil life, and forgetting even the name of Passepartou.
Fogg: Passepartout suites me, you are well recommended to me; I hear a
good report of you. You know my conditions?
Passepartout: Oui, monsieur
Fogg: Good! What time is it?
Passepartout: (removing a silver watch from his pocket) Twenty-two min-
utes after eleven,
Fogg:(referring his watch) You are too slow!
Passepartout: Pardon me, monsieur, it is impossible
Fogg: You are four minutes too slow. No matter; it’s enough to mention
the error. Now from this moment, twenty-nine minutes after eleven, a.m.,
this Wednesday, 2nd October, you are in my service, Frost explain
Passepartout his duties and then you are fired. I am proceeding to the
reform club and will return when the clock shows its eleven o’clock pm.
Passepartout: (talking to himself) I see, my master is a non-superfluous
man, very precise about everything. He is noble yet very much detached
from the community; when was the last time he actually converse with
people except of short sentences of necessity. Did he ever go to some-
where which is not the Reform or his house? He is so exact that he is
never in a hurry. He never took one step too many, He was the most de-
liberate person in the world, yet always reached his destination at the
exact moment. Looks like it is a mystery that only time will solve.
(black out)
In the reform club
(Andrew Stuart, John Sullivan, Gauthier Ralph, Thomas Flanagan are sit-
ing with Fogg)
Flanagan: A bank robbery in the bank of England?
Stuart: Oh, the bank will lose the money
Ralph: But on the other hand we must hope that we find out who the rob-
ber is, expert detectives have been sent to all the main ports of Ameri-
ca and the continent, and he’ll be a intelligent fellow if he slips
through their fingers.
Stuart: But do we have a description of the robber?
Ralph: For your information he is not a robber at all
Stuart: what, the guy goes of with fifty-five thousand pounds and you
say he is not a robber.
Thomas: Perhaps he is a gold man
Ralph: The daily Telegraph says that he is a gentlemen
Stuart: The chances are in favour of the thief
Ralph: (contradicting) but Where can he fly to, no place is safe for him
Stuart: Oh, I don't know, the world is big enough
Fogg: (in a low tone) It was once
Stuart: What do you mean ‘once’ are you trying to insinuate that the
world has grown smaller.
Ralph: Absolutely, I concur with Mr. Fogg. The world has grown smaller,
since a man can now go round it ten times more faster than a hundred
years in the past. Due to this the search for this thief will be more
likely to succeed
Stuart: You have a bizarre way, Ralph of proving that the world bass
grown smaller, just because you can go around it in three months
Fogg: In precisely eighty days
Sullivan: Yes friends he is right. Here is the estimate made by the Dai-
ly Telegraph.
From London to Suez via Mont Cenis and
Brindisi, by rail and steamboats ................. 7 days
From Suez to Bombay, by steamer .................... 13
From Bombay to Calcutta, by rail ................... 3
From Calcutta to Hong Kong, by steamer ............. 13
From Hong Kong to Yokohama (Japan), by steamer ..... 6
From Yokohama to San Francisco, by steamer ......... 22
From San Francisco to New York, by rail ............. 7 ‘
From New York to London, by steamer and rail ........ 9
Total ............................................ 80 days.
Stuart: What are yo crazy! Don't believe in this newspapers, they just
want to fill up their papers, you people are not aware about the obsta-
cles: bad weather, contrary winds, shipwrecks, railway accidents, and so
on you will face during the trip which will be delay your trip
Fogg: All obstacles included
Stuart: Well, Make it then
Fogg: I will
Stuart: When?
Fogg: At once. Only I warn you that I shall do it at your expense
Stuart: Heaven preserve me! But I would wager four thousand pounds that
such a journey, made under these conditions, is impossible
Fogg:I have a deposit of twenty-thousand at Baring’s which I will will-
ingly risk upon it.
Sullivan: Twenty thousand pounds!!! twenty thousands, which you would
lose by a signal accidental delay
Fogg: The foreseen does not exist
Sullivan: Are you joking?
Fogg: A true Englishman doesn’t joke when he is talking about so serious
a thing as a wager. Solemnly, I will bet twenty thousand pounds against
anyone who wishes that I will make the tour of the world in eighty days
or less; in nineteen hundred and twenty hours, or a hundred and fifteen
thousand two hundred minutes. Do you accept?
Stuart, Fallentin, Sullivan, Flanagan and Ralph: Yes we accept
Fogg: Good, the train leaves for Dover at a quarter before nine, and I
will take that train.
Stuart: This very evening
Fogg: Yeah, This very evening, as today is Wednesday, the 2nd of Octo-
ber, I shall be due in London in this very room of the reform Club, on
Saturday, the 21st of December, at a quarter before 9 p.m, or else the
twenty-thousand pounds, now deposited in my name at Baring’s, will be-
long to you, in fact and in right, gentlemen. Here is a cheque for the
amount
(black out)
THE END
Words:1628
Rationale: 345
Around The World In Eighty Days Script

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Around The World In Eighty Days Script

  • 1. Around the world in eighty days by Umar Ranginwala Draft: 1 Initiator: Monica Korde Chapters: 1 to 3
  • 2. Criteria A: Content Criteria C: Style and language usage Ra0onal This is a crea0ve task is in the form of a Play Script based on the book ‘Around the World In Eighty Days’ by Jules Verne. The novel was studied in class and the task aHempts to transfigure the narra0ve structure of selected chapters into a script form to be adapted for a stage play. It was wriHen with a serious tone and hopes to address an intellectual audience of teenagers. The purpose of this script is to help make people understand the around the world in eighty days well, because we live in a world of visuals, especially the teenagers, they tend to understand things which are visual. Teenagers find it hard to comprehend texts or novels. They will understand movies and play without any difficul0es. In my crea0ve piece I tried to use modern language, stage direc0ons and visual words with phrase like "A row of symmetrical houses, then focus on one house which is unique; a voice coming from it" and "(remov‐ ing a silver watch from his pocket) Twenty‐two minutes aSer eleven". I tried as well to use a highly devel‐ oped level of vocabulary with word choices like “non‐superfluous and "converse" finally I tried to use dia‐ logues, emo0ons, stage direc0ons like one might see in a formal play script with the use of structure and format like "What are yo crazy! Don't believe in this newspapers, they just want to fill up their papers, you people are not aware about the obstacles" and “and unconven0onal stage direc0ons" Using these elements I feel I reached my purpose set out in the task. This task addresses the topic of Literature and its Genres and specially addresses the topic of Narra0ve structures, characterisa0on, the language and context when the novel was wriHen. To keep the text type authen0c like a play script, I chose to use conven0onal format features such as using courier fonts, script cover page, and the emo0ons before a dialogue, to best express what I learned from the topics we studied in this unit and how I feel about them.
  • 3. Script Characters Phileas Fogg: Aged 40, is a gentleman. He is a man who is non- superfluous, he flows his own principle. He is so exact that he is never in hurry. Passepatout: A cheerful soul, who is loyal and honest. Andrew Stuart: Club member John Sullivan: Club member Thomas Flanagan: Club member Gauthier Ralph: Club member
  • 4. Scene 1 (A row of symmetrical houses, then focus on one house which is unique; a voice coming from it.) (Inside the house, show clock, 11 and half past) Fogg: (shaving) (door opens) Frost: I am extremely sorry for being late. Here is you're saving water Fogg: (examining the water) Apart from being late, you also made a huge mistake. Frost this shaving-water is eighty-four degree Fahrenheit in- stead of eighty-six. Post an advertisement in the news paper quoting ‘Wanted a Manservant who is trustworthy, honest for a gentleman of most pacific habits’. (blackout) Scene 2 Fogg:(sitting on an armchair and observing the complicated clock which indicated the hours, the minutes, the seconds, the days, the months, and the years) (Door opens, frost enters) Frost: The new servant (A young man of thirty advanced and bowed.) Fogg: You are frenchman, I believe, and your name is John Newcomer: Jean, if monsieur pleases, Jean Passepartout, a surname which has clung to me because I have an ordinary aptness for going out of one business into another. I believe I’m honest, monsieur, but, to be out- spoken, I’ve had several trades. I’ve been an traveling singer, a cir- cus-rider, when I used to vault like Leotard, and dance on a rope like Blondin. Then I got to be a professor of gymnastics, so as to make bet- ter use of my talents; and then I was a sergeant fireman at Paris, and assisted at many a big fire. But I resigned from France five years ago, and, wishing to taste the sweets of domestic life, took service as a valet here in England. Finding myself out of place, and hearing that Monsieur Phileas Fogg was the most exact and settled gentleman in the United Kingdom, I have come to monsieur in the hope of living with him a tranquil life, and forgetting even the name of Passepartou. Fogg: Passepartout suites me, you are well recommended to me; I hear a good report of you. You know my conditions? Passepartout: Oui, monsieur
  • 5. Fogg: Good! What time is it? Passepartout: (removing a silver watch from his pocket) Twenty-two min- utes after eleven, Fogg:(referring his watch) You are too slow! Passepartout: Pardon me, monsieur, it is impossible Fogg: You are four minutes too slow. No matter; it’s enough to mention the error. Now from this moment, twenty-nine minutes after eleven, a.m., this Wednesday, 2nd October, you are in my service, Frost explain Passepartout his duties and then you are fired. I am proceeding to the reform club and will return when the clock shows its eleven o’clock pm. Passepartout: (talking to himself) I see, my master is a non-superfluous man, very precise about everything. He is noble yet very much detached from the community; when was the last time he actually converse with people except of short sentences of necessity. Did he ever go to some- where which is not the Reform or his house? He is so exact that he is never in a hurry. He never took one step too many, He was the most de- liberate person in the world, yet always reached his destination at the exact moment. Looks like it is a mystery that only time will solve. (black out) In the reform club (Andrew Stuart, John Sullivan, Gauthier Ralph, Thomas Flanagan are sit- ing with Fogg) Flanagan: A bank robbery in the bank of England? Stuart: Oh, the bank will lose the money Ralph: But on the other hand we must hope that we find out who the rob- ber is, expert detectives have been sent to all the main ports of Ameri- ca and the continent, and he’ll be a intelligent fellow if he slips through their fingers. Stuart: But do we have a description of the robber? Ralph: For your information he is not a robber at all Stuart: what, the guy goes of with fifty-five thousand pounds and you say he is not a robber. Thomas: Perhaps he is a gold man Ralph: The daily Telegraph says that he is a gentlemen
  • 6. Stuart: The chances are in favour of the thief Ralph: (contradicting) but Where can he fly to, no place is safe for him Stuart: Oh, I don't know, the world is big enough Fogg: (in a low tone) It was once Stuart: What do you mean ‘once’ are you trying to insinuate that the world has grown smaller. Ralph: Absolutely, I concur with Mr. Fogg. The world has grown smaller, since a man can now go round it ten times more faster than a hundred years in the past. Due to this the search for this thief will be more likely to succeed Stuart: You have a bizarre way, Ralph of proving that the world bass grown smaller, just because you can go around it in three months Fogg: In precisely eighty days Sullivan: Yes friends he is right. Here is the estimate made by the Dai- ly Telegraph. From London to Suez via Mont Cenis and Brindisi, by rail and steamboats ................. 7 days From Suez to Bombay, by steamer .................... 13 From Bombay to Calcutta, by rail ................... 3 From Calcutta to Hong Kong, by steamer ............. 13 From Hong Kong to Yokohama (Japan), by steamer ..... 6 From Yokohama to San Francisco, by steamer ......... 22 From San Francisco to New York, by rail ............. 7 ‘ From New York to London, by steamer and rail ........ 9 Total ............................................ 80 days. Stuart: What are yo crazy! Don't believe in this newspapers, they just want to fill up their papers, you people are not aware about the obsta- cles: bad weather, contrary winds, shipwrecks, railway accidents, and so on you will face during the trip which will be delay your trip Fogg: All obstacles included Stuart: Well, Make it then Fogg: I will Stuart: When? Fogg: At once. Only I warn you that I shall do it at your expense Stuart: Heaven preserve me! But I would wager four thousand pounds that such a journey, made under these conditions, is impossible
  • 7. Fogg:I have a deposit of twenty-thousand at Baring’s which I will will- ingly risk upon it. Sullivan: Twenty thousand pounds!!! twenty thousands, which you would lose by a signal accidental delay Fogg: The foreseen does not exist Sullivan: Are you joking? Fogg: A true Englishman doesn’t joke when he is talking about so serious a thing as a wager. Solemnly, I will bet twenty thousand pounds against anyone who wishes that I will make the tour of the world in eighty days or less; in nineteen hundred and twenty hours, or a hundred and fifteen thousand two hundred minutes. Do you accept? Stuart, Fallentin, Sullivan, Flanagan and Ralph: Yes we accept Fogg: Good, the train leaves for Dover at a quarter before nine, and I will take that train. Stuart: This very evening Fogg: Yeah, This very evening, as today is Wednesday, the 2nd of Octo- ber, I shall be due in London in this very room of the reform Club, on Saturday, the 21st of December, at a quarter before 9 p.m, or else the twenty-thousand pounds, now deposited in my name at Baring’s, will be- long to you, in fact and in right, gentlemen. Here is a cheque for the amount (black out) THE END Words:1628 Rationale: 345