The Characteristics Of Shared Knowledge

The Characteristics Of Shared Knowledge
Shared knowledge is commonly regarded as the information or knowledge that the majority already
knows despite a few people may not know about it. Any knowledge that can be classified as shared
knowledge can be connected from one person to another especially during a discussion or
communicate each other. Collective learning also might trigger a shared knowledge to be spread
among our society. Shared knowledge is a collection of personal knowledge that can be gained from
peoples' past experience. It will affect the personal knowledge of people who does not have that
experience. When they are in the same situation, other peoples' past experience might be helpful in
order to make any assumptions or perceptions. Meanwhile, personal knowledge is similar to the
words "I know" which is knowledge that a person has that is basically gained from their own
experience. This knowledge also can be gained through observation. What do we know about
ourselves? Sometimes, our behavior would be our first knowledge because in this sense we will
repeat it often in our daily routine. For example, you like to eat chocolate and one day you felt really
stressed, you ate ... Show more content on Helpwriting.net ...
Justification from experts such as historians will indicate whether the history is right or wrong.
Numerous historians believe that the history of iron maiden was wrong. Wolfgang Schild who is a
historian from University of Bielefeld has argued that the iron maiden's purpose is not to torture
people instead, it is used in trade–shows. Based on the historians' research and justification, it also
was not created during the middle ages. Justifications from experts will affect the perception of
people about iron maiden because they have higher knowledge in this field. Thus, our personal
knowledge about it will be different. We will never recognize it again as a torture device when the
perception was interfered by the shared knowledge that we can gain from
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Van Gogh And Olive Christ In The Garden Of Olives
Van Gogh got excited over the look of these trees and painted them. Some of his paintings of the
trees represented life, others represented how he felt about Christ in Gethsemane, and others
represented a combination of both of these things. An example of an art piece that had a lot to do
with religion was Olive Trees with Alpilles in the Background (Fig. 6). This piece was painted with
Christ in Gethsemane in mind. He wanted to create a piece that used a more purer and serence sense
of nature without using religious imagery. With this piece "he wanted to show it was possible to
paint the meaning of Christ in the Garden of Olives, the garden of Gethsemane where Christ prayed
the night before his crucifixion, without aiming straight for the historical Garden of Gethsemane."
Vincent had done religious paintings before, he actually painted Christ in the arden of Olives twice
before, but both times he decided not to paint the images of Christ since, as he said in a letter to his
brother Theo, he did not want to "do figures of such importance without a model." Van Gogh
actually had begun to avoid doing religious work around this time for both aesthetic and moral
reasons. Van Gogh had rejected what he believed to be his parents' narrow religionious views and
went for a much different view, one where life itself almost didn't seem to matter of have purpose,
something close to Nihilism. Vincent instead tried to find meaning in the cycles of nature and how
they related to the

Vincent Van Gogh : Depression : Causes Of Depression
Vincent Van Gogh: Depression One of the most famous artists of his time, Vincent Van Gogh, was
killed by a horrendous disease called depression. "I wish it were all over now," were Van Gogh's last
excruciating words just before his death (Green 39). As a coping method, he painted and sketched,
but this sadly did not work. Depression is an extremely common mood disorder which is sometimes
actually referred to as, "the common cold of mental illness." It is actually the most common mood
disorder for that matter (Frey). In the United States alone, about sixteen million people are affected
by the sometimes deadly disease. The whole world combined actually has about 350 million people
affected by depression, which makes up about 6.9 percent of the world's population (Vann).
Everybody has different triggers and causes for depression. Emotional loss can sometimes trigger a
biochemical change, which then results in the horrible disability. A few more examples of some of
the causes of depression include early childhood trauma, physical or emotional abuse (Ayer 18), low
self–esteem, or even a family history of depression (Pietrangelo). There are numerous incidents of
depression going unnoticed and turning into something even worse. Needless to say, there are
multiple symptoms of depression that people should really watch out for. If someone is depressed,
one of the most common symptoms is being sad all of the time. They will also be significantly less
interested in things they used

The Art Of Paul Cezanne
Introduction Henri Matisse and Pablo Picasso were both profoundly influenced by the art of Paul
Cézanne, somewhat ironically since the latter is reported to have been quite uncertain of his artistic
contributions and anxious about his legacies (Merleau–Ponty, 1945). Picasso described Cézanne as
"my one and only master" ; while Matisse noted that "it is undoubtedly to Cézanne that I owe the
most" . The Large Bathers was one of two final paintings produced by Cézanne in 1906, the year of
his death. At this stage Matisse had acquired a reputation as an upcoming artistic leader via an
exhibition in 1905 (Bio, n.d. #1); while Picasso was a 25 year old prodigy who had already secured
lucrative patronage (Bio, n.d. #2). The three paintings of interest must be considered in the context
of their artists' evolution. To examine the relationship between the three paintings, I will first briefly
summarise the artistic trends of the day to provide context, then examine The Large Bathers. I will
then compare and contrast Matisse's Bonheur de Vivre and Picasso's Les Demoiselles d'Avignon,
both with The Large Bathers and with each other. Europe, 1906 The turn of a century brings with it
opportunities for reflection about the old and wonder about the new – along with both excitement
and trepidation. At the entry to the twentieth century, social and technological change were
continuing at historically unprecedented pace. The signs and pressures of development were all
around and Europe was

Look Pass The Label By Paul Gauguin
Look Pass the Label
A few weeks ago, I visited the Museum of Modern Art. As I was going through the second
exhibition a particular painting caught my attention. Still life with three puppies by Paul Gauguin
was titled. My first encounter with this painting was through the title, which made me create
negative hypothesis on what the painting was depicting. When looking at this painting all I could
think about was my lack of fascination towards animals, especially puppies, while the person
standing next to me was sighing and smiling about according to her "how cute the puppies are".
Unlike that person, I am not an admirer of puppies and as result I move quickly from the painting.
However, as I made a second round on the exhibition, this time when I saw the painting I was
beginning to notice things like shapes, symbols and colors and immediately forgot about my initial
reaction. I begin to realize that there might be more to the painting than what I originally saw, but I
have been blind from my initial judgments.
In my second observation I was able to look pass this initial judgments drawn by the title. The title
"Still Life with Three Puppies" confirm my assumptions about the painting and prevented me from
continuing seeing what the painting is trying to depict. This name limited my thinking and didn't
allow me to see the painting from what it is.
In the still life with three puppies, Paul Gauguin painted the entire canvas white and then added
some color by painting blue

An Examination of Modernism with Reference to Several...
The terms 'modern', 'modernity' and 'modernism' are commonly used to specify a break in history,
marking a definition between the present and the past, between the fashionable and the out of date,
and carry as part of their meaning an almost criticism of tradition. By calling himself a 'modernist',
the artist is instantly free to work on a clean plate, without the limitations of tradition with its set of
rules or its fixed criteria.
It is commonly thought that the Modernist movement was only properly established during the late
nineteenth Century, being triggered by ground breaking developments in the areas of science,
technology and the economic market. Art was suddenly discovered to be an increasingly useful tool
in science, ... Show more content on Helpwriting.net ...
Perhaps this idea is more easily understood when in relation to our social plane today, with it?s
emphasis on instant joy and fun morality, which in turn create a confusion between self–realization
and basic self–gratification. In today?s pop cult we are imprisoned by a grave contradiction in
society. On the one hand, advertising and marketing have immersed us into a life of compulsive
consumption, and we are led to believe that happiness can easily be paid for at a beauty centre or
purchased in a bottle of aromatic bath salts?on the other, we are also expected to work day in and
day out, in order to keep up the organised business corporations that make these products, and are
wanted to accept delayed self–gratification. This contradiction between expected lifestyles have
caused us to become ?straight? during the day, and ?party–animals? during the night, placing a
strong contrasting emphasis on time, between the fear of boredom, and the pressure of deadlines.
This idea of time, closely related with the view of art as both pay and display, are among the prime
factors that constitute the artistic style called ?Kitsch?, which in turn is one of the most typical
products of modernism, because it is in this type of art that this conflict of modernity is openly
confronted. Whilst representing the triumph of the principle of immediacy (instant access,
immediate
effect,

Vincent Van Gogh Research Paper
Vincent Willem van Gogh was a Dutch painter born on March 30, 1853 in Groot–zundert,
Netherlands. Van Gogh was a post–impressionist painter whose work was a high influence in 20th
century art. He was the son of his father Theodorus van Gogh, an austere country minister, and his
mother Anna Cornelia Carbentus, whose artistic passion was inherited to van Gogh. His parents had
a stillborn whose name was also Vincent van Gogh. He had a brother named Theo van Gogh who
accompanied him in adulthood. His works consisted of local landscapes. It is believed that had a
mental illness that would later take his life in an attempted suicide. Due to Vincent's poverty stricken
family , Vincent had to work at his Uncle Cornelis art dealership and abandon his school at the age
of 15. In June of 1873, Van Gogh was placed in the Goupil Gallery in London, and fell in love with
English culture and a woman named Eugenie Loyer. After Van Gogh's marriage proposal had been
rejected, Van Gogh was devoided from his ... Show more content on Helpwriting.net ...
One case of this was with an alcoholic prostitute named Clasina Maria Hoornik, who became his
mistress and model. She would later return to her life of prostitution, which devastated Van Gogh. In
Paris, Van Gogh first saw impressionist art and became inspired by it and his proliferating passion
alienated every one of his friends as he bickered and critique his friends' art works. In February
1888, he to a train to France. It was here when his mental illness became apparent. One day, Van
Gogh had an argument with his friend Paul Gauguin again. After Paul had left and returned, he
found that Van Gogh had mutilated his own ear. He had given his bleeding ear to some prostitute
some time prior to Paul's return. Vincent Van Gogh was sent to the hospital and would later be sent
again due to a self inflicted gunshot to his chest. He died in the hospital at the age of 37 years

A Rhetorical Analysis Of An Advertisement For Paul Gauguin
Slowly descending deeper, you encounter a weightless world filled with unbelievable colors, shapes,
and movement. Its almost otherworldly as you float there – still, surrounded by not air but crystal
clear water. Swimming below, beside, and above you are different species of fish, corals, sea stars,
turtles, and if you're lucky maybe a dolphin or shark. There in the warm tropical waters, scuba
diving is an amazing experience many people dream of but never actually make time to do.
On the back of the March 2016 issue of Sport Diver magazine is the question "What are you waiting
for?" in large white script. It is an advertisement for Paul Gauguin Cruises specifically to the French
Polynesia, Bora Bora, Moorea, and the Marquesas. The advertisement depicts a large image of a
picturesque turquoise ocean and a flawless ... Show more content on Helpwriting.net ...
In small black lettering underneath the initial question, it reads "French Polynesia is a diver's
paradise, where translucent waters and turquoise lagoons are begging to be explored. Join the
superior dive team on board the m/s Paul Gauguin, and discover unspoiled waters in places like
Bora Bora, Moorea, and the Marquesas." The next paragraph reads "Our all–inclusive pricing offers
an exceptional value, with 50% off standard cruise fares on all sailings of our luxury small ship plus
included roundtrip airfare from Los Angeles. Readers of Sport Diver receive $500 Shipboard Credit
if booked by May 31, 2016!" Then in smaller text lists the promo code. Below this there are three
small images next to each other with white bordering. The first one is a woman out on her room's
personal balcony over looking the ocean and an island. The second is a beautifully plated dish most
likely served on board the ship. The third is a tan, native Polynesian woman with a flower headband.
Below the images, in the middle of the page, is additional contact information in bold black font and
the cruise line's logo in

Features Of Post Impressionism
Post–impressionism was an art movement between the end of 19th century and the beginning of
20th century, started in France. It was a breach of Impressionism. During the period of
Impressionism, some artists started to dissatisfied to the style as Impressionism depended too much
on visual and scientific analysis. They thought Impressionism only focused on the techniques and
effects of light and shadow but neglect the importance of subject matters. Some young artists and
critics demanded a shift in the focus of representational arts. Paul Cézanne, Georges Seurat, Paul
Gauguin and Vincent Van Gogh were the four giants of Post–impressionism.
Paul Cézanne
Georges Seurat
Vincent Van Gogh
Paul Gauguin The 1880s was a decade of extremes to France. There was the depression in the mid–
1880s, but were also rapid industrialization and economic growth. As a capitalist society under
industrialization, materialism was popular among France. Some artists attempted to outrage the art–
loving public through revolutionary painting techniques, for example Neo– Impressionism of
Seurat, in order to fight against materialism. They ... Show more content on Helpwriting.net ...
The artists described the world around them through their works. Modern life provides the dominant
subject matter. The art pieces could connect with the viewer on a deeper level as they expressed
memories and emotions. The period emphasized on form and content. The objects were usually in
abstract form and pattern. The aesthetic vision was dominated by structure, order and optical effects
of color. Interrelations of color and shape were also found in the works of Post–impressionism.
Critics grouped the various styles within Post– Impressionism into two general, opposing stylistic
trends, on one side was the structured, or geometric style that was the precursor to Cubism, while on
the other side was the expressive, or non–geometric art that led to Abstract

Vincent Van Gogh Essay
Biography of Vincent Van Gogh What drove Vincent Van Gogh, born March 30,1853, to his mental
illness and suicide? Could it have been the many things he tried, but failed at in his life? He failed in
many different careers, in love, and even his artwork. Van Gogh sold only one painting his entire
life. Because of his mental illness, he was considered a crazy person. At the age of sixteen, Van
Gogh went to go work with his Uncle Vincent, whom he was named after, as an art dealer at the
Goupil and Co. This job had branches not only in Europe, but America also. Vincent was assigned
the branch in London. There he got his first rejection in love. He fell in love with the daughter of his
landlady. Van Gogh thought her feelings would be mutual, ... Show more content on Helpwriting.net
...
He could not stay in any job he tried, such as a an art dealer, a teacher, or doing missionary work. He
felt he had no other way to go in life. He turned to the most helpless form of employment, being an
artist. Theo supported hi decision and influenced him. Their relationship became close and they
began a frequent correspondence. At the end of the winter and during the beginning of the spring,
Vincent was going to face yet another rejection from a woman. He went to visit his parents and met
his cousin, Kay. She was a widow with a four–year–old child. Kay was several years older than Van
Gogh was. Van Gogh, who thought he was in love with her, declared hi feelings for Kay. It only
turned he off and she never wanted to hear from or see him again. She left and went back home the
next morning. Kay's leaving only made Van Gogh want her even more. He went to Kay's parent's
house to find her. They refused to let him talk to Kay. This made Van Gogh feel even more
abandoned and alone. The rest of Vincent's family turned against him after that, also. Theo was the
only one who still cared for him. Once again, Vincent fell in love. This time he was not rejected. His
new love was a prostitute with a child and pregnant with another. Christina, also known as Sein, was
ill and smoked cigars. Van Gogh, thirty–years–old at the time, proposed to marry her. At first they
were happy with each other. They had nothing in common except a background of misery.
Arguments began

Vincent Van Gogh Turning Points
Vincent van Gogh was Dutch post–impressionistic painter who ended up own life by own hand. His
paintings are notable for its power of touch in painting, colour and emotion. By picking up some
words from his life that influenced his mind and painting style, were "religion", "Paul Gauguin" and
"Japonism". (Brooks, 2016) (Vangoghmuseum.nl, n.d.). Also those words are related to the turning
points of his life as well. In 1853, Van Gogh was born in a highly religious Dutch family, both his
father and grandfather were minister. When he was sixteen, he started to work at international art
dealers Goupil & Cie which his uncle managed. He was relatively successful on the job. Also
around this time, he began exchanging letters with his younger bother,

The Life of Paul Gauguin Essay
The Life of Paul Gauguin
Paul Gauguin was born in Paris on June 7th, 1848. His childhood was filled with radical beliefs and
a libertarian lifestyle. In fact, his own father Clovis Gauguin was a republican journalist by trade,
whose own writings were criticized for their radicalism and eventually forced the family into exile
in 1849. With no stable source of income due to his father's death, the family established residency
in Peru, a decision made in accordance to his mother's Peruvian descent. At age seventeen, Gauguin
decided to enter into the French merchant navy. After a six year stint on the seas, Gauguin returned
to Peru. His mother then died in 1867, and he was sent to live with Gustave Arosa, a wealthy art ...
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It is only in this period that he abandoned his imitative style and truly developed his own unique
style. Although disparaging in its own right, it was the financial crisis in 1882 that caused Gauguin
to renounce his financial background to fully devote his time to painting. Inspired by Camille
Pissaro, Gauguin embraced the life of a painter with zealousness. Together, they quickly acclimated
to the Impressionist school of thought. Indeed, his "style of broken rhythmical brushwork, and
interest in texture and color" (Expo.com) closely correlated to the style of the Impressionists. In
1887, Gauguin chose to leave France for Panama with his close friend Charles Laval in order to
explore additional artistic venues. After his return to Brittany in 1888, he established a relationship
with Vincent Van Gogh, who would become an important influence over his painting techniques.
Van Gogh filled Gauguin with a confidence that he had never before portrayed in his art. It is
through his new found mentor that Gauguin was able to "develop beyond impressionism" and find
inspiration in "literature, non–western forms of art, and new models and locations" (Marijke, Meer).
Although separated when Van Gogh set out for Arles, their frequent contact eventually led Gauguin
to move to Arles and work with Van Gogh. It is there that the "Studio of the South" was

Post Impressionism and Art Essay
Post Impressionism and Art
Modernism is an art movement that is characterized by a deliberate departure from tradition to a
more expressive form that distinguishes many styles in the arts and literature of the late nineteenth
and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his
painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists
who tended to paint outside landscapes and street scenes and were concerned with the effects of
light. Bernard was a Post–Impressionist artist who considered Impressionism too casual or too
naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and
Haystacks", depicts a woman in ... Show more content on Helpwriting.net ...
He also liked their version of Catholicism because they believed God was noticeable in everyday
life. This attraction to the Breton way of life is apparent by the way Bernard paints them. Both the
woman and the landscape are drawn simply; the figures do not look realistic but the viewer is able to
distinguish what each object is. The simple geometric form of the woman's hat and the shape of the
haystacks are very similar in contour, yet both are easily discernable. Likewise, the trees and the
clouds are alike in their shape, as well as the curves of the woman's eyes and mouth are similar to
the rolling hills behind her. The painting is considered to be abstract because the imagery used in the
work departs from representational accuracy. Abstract artists such as Bernard select and then
exaggerate or simplify the forms suggested by the world around them. Bernard's rendering of the
Breton woman in her simple attire juxtaposed with the countryside communicates his belief that she
is nearer to nature and God than contemporary peoples. The stylized delineation of the figures and
the vivid colors convey the emotion and imaginative sensibility of the Breton women rather than
simply recording what Bernard saw.
The dramatic color Bernard used in "Breton Woman and Haystacks" along with the large areas of
open space and bold lines that define structure, volume and texture are all characteristics of the

A Brief Note On Impressionism And Post Impressionism
IWT1 Task 1
Impressionism and Post Impressionism
By WGU student
In early 19th century, the French government controlled the Academies des Beaux–Arts and Salon
de Paris of paintings. The Academies were considered the ruling authority and held annual art
exhibits called salons. The salons featured works of art that conformed to their standards. In the
second half of the 19th century, Impressionism began which was a result of French artists rejecting
traditional government and their standards. In 1874, the first independent art exhibition was held. A
few of the famous artists' who participated and organizing this exhibition was Claude Monet, Berthe
Morisot and Pierre–Auguste Renior along with several other artists. This group of artists ... Show
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In addition, the French government was experiencing other vast changes. For example, they changed
from absolute monarchy to an Expansionist Empire. Religious entities did not understand the new
age advancement in neither science nor the knowledge it brought to society. Besides, this innovative
scientific knowledge was not aligned with the ancient scriptures. The ultimate change that had a
profound influence on the artists of this time was the invention of photography. Photography
essentially freed painters to become more abstract with their subject matter and enhance their artistic
freedom.
On the other hand, the Post–Impressionism period began around 1880 and ended approximately
1910. The first person to coin the term "post–impressionism" was British artist and art critic, Roger
Fry. Fry played a big role in putting on the exhibition called "Manet and the Post–Impressionists" at
Gragron Gallery in London, which lasted from November 8, 1910 to January 15, 1911 (Voorhies,
2000). Some well known artists from this period were Vincent Van Gogh, George Seurat, and Paul
Cezanne. The post–impressionist artists focused on a different style of painting to express their
emotions. Instead of just mastering optical impressions they also used symbolism while alluding to
their deeper theme.
"Symbolic and highly personal meanings were particularly important to Post–Impressionists such as
Paul Gauguin and Vincent Van Gogh. Rejecting interest in

Who Is The Starry Night By Vincent Van Gogh Mental Illness?
"The Starry Night" is one of Van Gogh most well–known work. The art piece composes of swirling
sky that are intended to help viewer eyes move throughout the painting, and a tree pointing up in the
sky. It may be the effect of Van Gogh mental illness; the whole art piece gives off a dreamlike feel.
Van Gogh choice of color make "The Starry Night" look even more mysterious. Besides, he uses
light to emphasis movement between swirl creating this imaginative world (Vincent Van Gogh
Gallery). Compare to "Potato Easter," Van Gogh style has changes dramatically.
Shortly after leaving the institution, Van Gogh began painting as part of his recovery, just like his
doctor suggestion. Van Gogh produces roughly one painting a day over the course of a

Paul Gauguin Where Do We Come From? What Are We? Where Are...
Where Do We Come From? What Are We? Where Are We Going?
Paul Gauguin is known for being one of the world's greatest painters, although he was not much
appreciated at his time. His work seems to tell stories of his life. In his series of painting done in
Tahiti, we can see the many wonders that Gauguin himself explored. Today Gauguin's painting run
for millions. For example; Paul Gauguin's Maternite (II) done in 1899 was sold for $39.2 million.
That wasn't the case back when Gauguin first started his new career. In this essay I will determine to
explore Gauguin's life and his well–known painting Where Do We Come From? What Are We?
Where Are We Going?
Paul Gauguin was born in Paris, France on June 7, 1848. Gauguin's family was middle ... Show
more content on Helpwriting.net ...
By 1883 he had decided to devote himself full–time to painting, a profession that had no secure
income. As Gauguin's wife realized that her husband would no longer be able to support her and
their five children, she returned to her family, leaving Gauguin to pursue his art on his own.
Between 1886 and 1891 Gauguin lived mostly in rural Brittany, although he did visit Panama and
Martinique during that period of time. In Brittany, however, Gauguin was the center of a small
group of experimental painters who were known as the school of Pont–Aven. Gauguin began to turn
away from impressionism, and eventually began to adopt a less naturalistic style. His inspirations
came from medieval stained glass, the lives of indigenous peoples, and Japanese prints. Dutch artist
Vincent van Gogh introduced Gauguin to Japanese prints when the two men spent two months
together at Arles in the south of France in 1888. By 1891, Gauguin was greatly in debt. He was also
depressed, feeling that the civilized world around him was artificial. He left France to go to the
South Seas to escape European civilization. He remained in the tropics for the rest of his life except
for a visit to France between 1893 and 1895. He lived in Tahiti for a time and later moved to the
Marquesas Islands. In the South Seas, his style remained essentially the same; as he used expressive
color, no perspective, and thick, flat, brush strokes.
On the year 1987, Gauguin

How Did Henri Paul Gauguin Influence His Works
Eugène Henri Paul Gauguin was a famous artist known for paintings, sculpture, ceramics and
engraves. He painted using the arts of matisse, fauvism, and post–impressionism along with
painterly strokes and color fields. He was famous for having painted the native life in Tahiti and
Polynesia with primitivist descriptions. Gauguin's paintings were constituted with oil. He was also
apart of the display of the French Art Deco the years he created art. He was a French Polynesian and
exemplified that in his work by using Polynesian culture. Paul Gauguin was born on June 7th, 1848
in Paris, France. Sadley he died on May 8th, 1903 in Atuona, Marquesas Islands due to accidental
drug overdose. He had been suffering from syphilis and had no time to work on paintings. Along
with the sickness, causing Gauguin to not continue his art, he was siding with the natives instead of
French colonists. Which indeed had effect on his absence of work, had being threatened. There was
no unfinished art found or believed to be once Paul Gauguin passed. ... Show more content on
Helpwriting.net ...
After years passed Paul's father did as well. He then returned back home to France and became a
merchant marine. With a struggle Paul left his job to enroll in the French Navy for many years. In
the after he worked as a stockbroker. A very loving Danish woman came into Gauguin's life in 1873
making them newlyweds. Together they married and had 5 children. Such a tragedy, two children
Paul had outlived. His favorite Aline lost due to pneumonia and Clovis lost due to blood infection
and hip operation. One child of his became a well–known Belgian artist, Germaine

Paul Gauguin : A Father
Paul Gauguin: a brother, son, uncle, father and most importantly a Stockbroker. Paul Gauguin who
would be later described as an amazingly famous Impressionist Artist kicked off his life being a
stockbroker in the year of 1880–1886. He was birthed by two extraordinary parents Clovis Gauguin,
a journalist, and Alina Marie Chazal. While in High School Gauguin dreamed of pursuing his goals
however he went another route and, joined the marine at age seventeen, and later joined the Navy
whilst later returning to Paris. He had seen his first sight of painting is 1874. He had early training
with Art considering he lived with Gustave Arosa who was a wealthy art patron and collector after
the death of his father. In the early 1890's he abandoned his ... Show more content on
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The colored women are looking in a direction not paying attention to the artist, and she is holding a
fruit. The fruit is significant to this picture seemingly because the people of Tahiti was fruitful and
there was a variety of fruit everywhere on the island. The brushstroke is light and dark in some
places, overall it looks smooth. There are small details in the dress of the women to show the lines in
her dress. He gives her lips a bright pink to stand out from the picture. This woman is important to
Gauguin and she is one of his very first paintings in the 1800s.
Vincent Van Gogh painting sunflowers, the year of 1888. Van Gogh was a major contribution to
Paul Gauguin life where their friendship blossomed and they started an art colony. Van Gogh and
Gauguin uphill battle of a friendship lead to a split of ways and Gauguin ending with this painting.
This horizontal oil on canvas shows powerful, expressive colors in his style of modern painting. The
subtle colors of a dusty brown, red, blue, orange and purple emphasize the picture as a whole.
Gauguin simplified design and emotion made him an unbelievable, talented different painter. The
brushstroke looks flat washed with a hint of blending on the flowers and suits coat. There is no
empty space in the painting and the colors fill up the entirety of the painting. The painting has a
regular feeling as if Van Gogh was just sitting there and Gauguin found amazement in that. Gauguin
does

The Rise Of Post Impressionism
Impressionism was an art movement that started in the mid Nineteenth Century and peaked during
the 1870s. Although Impressionism was also apparent in mediums like music and literature, its most
prominent influence was painting. As it progressed towards Post–Impressionism, it opened up the
art world to stylistic rendering, deviated from realism, and introduced the world to modern and
avant–garde art. This essay will discuss how it managed to do so and specifically how the movement
advanced into Post–Impressionism.
To understand how Impressionism came about, we must first understand how Academic Art rose to
power. Academic Art was introduced in the Renaissance period, Old Masters such as Leonardo and
Michelangelo emphasized the need for painting ... Show more content on Helpwriting.net ...
After Impressionism peaked in 1870– artists such as Cézanne and Seurat started to opt out from
exhibiting altogether, and had produced their own styles. In the eighth and final Impressionist
exhibition, it was suggested that the title 'Impressionist' be dropped as the artists who aligned with
its characteristics were not present, and pieces were judged by its own merit rather than as a group.
Manet's death in 1883 had also signaled the breakup of the Impressionists, being one of the initiators
of the movement. Therefore, the lack of common ideas between the artists led them to work
independently, form new ideas and techniques which led to Post–Impressionism.
In conclusion, Post–Impressionism itself was not a singular style, but was unified through the
rejection of Impressionism and many post–impressionist artists served as inspiration for many
movements to come such as Fauvism, Symbolism, Expressionism and avant–garde art in general.
The inherent limitations and discontent in forms of expression was what drove artists from academic
art into Impressionism. It became the first movement to question and redefine what was acceptable
and considered as art. Similarly, the same was done to progress from Impressionism into Post–
Impressionism. People have realized the need for constant reevaluation and experimentation to
innovate new ideas fitting for the progressive

Paul Gauguin And Henri Matisse
"Primitivism" was a cultural attitude that arose in Europe during the late 19th and 20th century in
opposition to the increasingly decadent and materialistic European culture. Rather than an artistic
movement, "primitivism" is a European conception of foreign civilizations and lands as "simple",
less developed, and naive. This is an important distinction to make, because "primitivism" was
defined in the eyes of the Europeans who saw foreign civilizations as unsophisticated, indicating
that the concept of "primitivism" is heavily biased in the view of the Europeans. Paul Gauguin and
Henri Matisse were two artists that were highly influenced by the concept of "primitivism," and
some similarity can be depicted in their works such as the use of female nudes, vivid colors, and
artistic techniques. However, their definition and methods of achieving "primitivism" differ heavily,
due to the fact that the vagueness of "primitivism" allows it to be a self–defined concept. These
similarities and differences can be seen through the two works of art The Spirit of the Dead
Watching by Paul Gauguin, and The Blue Nude by Henri Matisse, and the way they depict women
in each of the pieces.
The first important similarity between the two pieces is the obvious use of the reclining female
nude. The female figure was a popular subject matter for the primitivists of this time, because
society viewed women to be more "natural" than men, who were more "civilized." Society assumed
that women's

Research Paper On Paul Gauguin
Paul Gaugin was born in Paris on June 7th 1848. When Gauguin was only a young child his family
moved to Peru. When he got older, he joined the merchant marines
In 1873, he married Mette Gad, a Danish woman who he moved back to Paris and had 5 children
with. Painting started out as a hobby for Gauguin, but it soon became a job. Pissarro, who liked
Gauguin's art, invited him to exhibit with some impressionists, such as Edgar Degas and Claude
Monet. Gauguin's art dealer was Vincent Van Gogh's brother. To do his art dealer a favour he went to
live in Van Gogh's home in Arles for a couple of weeks and they became friends, but there
friendship came to an end when, in an argument Van Gogh held a knife to Gauguin.
Gaugin enjoyed painting self–portraits

Analysis Of Going Native By Abigail Solomon Godeau
The violent clash of patriarchal Europe with the Americas and other parts of the world during the
colonial period directly caused a degree of cross cultural diffusion that is evident within art. During
this period of immense change, european artists sought to innovate and take a modern approach to
their work, breaking away from the established mold. Abigail Solomon–Godeau write of one such
artist from this period, Paul Gauguin, not only for his experimentation into expressionism but for the
relation to which he viewed the native people of Tahiti, regarding them from a primitivist lens,
appropriating much of their culture, and the sexualization of women.
Going Native by Abigail Solomon–Godeau deals primarily with Paul Gauguin, a late nineteenth
century artist generally known for pioneering the expressionist movement, and the extent to which
his works, both conceptually and literally, fetishize the indigenous peoples of Tahiti. One excerpt in
particular that clearly expresses this notion would be Solomon–Godeau's reference to La Jeune Nee
by Helene Cixous, in which she [Cixous] states "the body of strangeness must not disappear, but its
strength must be tamed, it must be returned to the master"; through this line, the parallel that
Solomon–Godeau establishes becomes quite apparent, that there exists a commonality between
Gauguin's perception as well as the characteristic form in which women and natives were depicted
during the time period. Solomon–Godeau goes on to explain

Van Gogh 's Characteristics Of A Creative Person
In the article "What it Means to Be Creative" S.I. Hayakawa presents many different criteria it takes
to be creative. Vincent Van Gogh, a famous painter, displays several of Hayakawa's characteristics
of a creative person. Van Gogh produced numerous influential paintings that required a great amount
of creativity. Van Gogh suffered from psychotic problems, but this did not impact his work ethic or
creativity. These issues may have helped produce ideas for his masterpieces. I believe Van Gogh can
be considered a creative person because he had a distinct view of the world, he was uniquely in
touch with his emotions, and he had to cope with loneliness throughout his life.
Hayakawa states a creative person "is not limited in his thinking to 'what everyone else knows'"
(167). As a painter, Vincent Van Gogh was forced to see things differently from others and he had to
find a way to portray his ideas on canvas. Displaying one's ideas on a piece of canvas is a very
difficult task for all painters. In a letter to his brother, Theo, Van Gogh explains his attempts "to
express the love of two lovers by a marriage of two complementary colours, their mingling and their
opposition, the mysterious vibrations of kindred tones."(Van Gogh 531). In this letter, he explains
how he tried to show the love of two humans through the relationship that two colors have with each
other. Love is a difficult emotion to describe with words yet Van Gogh manages to describe love
using paint. He used his

Essay on Art11 Compare and Contrast Essy
Compare and Contrast Duccio, Madonna and Child – Gauguin, La Orana Maria Madonna and Child
is a panel painting by Italian medieval artist Duccio di Buoninsegna. Painted in tempera and gilded
on a wood panel in around the year 1300, the Madonna and Child is still in its original engaged
frame. The fact that it was in private hands and out of public circulation for years might be why the
painting is basically intact after 700 years. The craftsmanship and preservation are simply amazing.
The damaged lower edge of the frame is charred where devotional candles may have tipped over.
The Madonna and Child is presently part of a special exhibition "The Philippe de Montebello Years:
Curators Celebrate Three Decades of Acquisitions" in ... Show more content on Helpwriting.net ...
Soon after his death his work became more valuable. Gauguin paintings rarely go up for sale but
their price could go as high as $39 million. In The Orana Maria, Gauguin was depicting Tahitian life
and he used an intense tropical color palette of reds and purples. Duccio's Madonna and Child used
the Byzantine mosaic style color scheme of rich blue, red and gold backgrounds. The Duccio and
the Gauguin were both signed by the artist in the lower right hand corner of the painting. The title of
la Orana Maria is actually painted in the lower right hand corner of the painting in a bright orange
box. In the Orana Maria you can see the texture of the oil paint on the canvas from the brush that
was used. The Madonna with Child is a panel painting. "A carpenter would construct a solid wood
piece the size of the panel needed. It would be planed and sanded and if needed, joined with other
pieces to obtain the desired size and shape. The wood would be coated with a mixture of animal–
skin glues and resin and covered with linen (the mixture and linen combination was known as a
"size"); this might be done by a specialist, or in the artists' studio. Once the size had dried, layer
upon layer of gesso would be applied, each layer sanded down before the next applied, sometimes as
many as 15 layers, before a smooth hard surface emerged, not unlike ivory." However impeccably
preserved you can still see the cracks and aging of the paint used in

Art And Popular Culture In The 19th Century
Art and popular culture were important parts of the 19th century. It was a time of change among
three main topics. The three main topics were impressionism, ragtime, and American realism.
Impressionism is a style of art which is known by using short brush strokes containing bright colors
to represent effects of light on objects. Ragtime is a style of music known for its syncopated melodic
line and often being played on the piano. Lastly American realism was a movement which
concerned itself with how life was structured socially, economically, politically, and culturally
during the mid–nineteenth century. As stated earlier impressionism is a style of art characterized by
short brush strokes of bright colors to represent the effect of light on objects. Impressionism was
launched in 1874 when Claude Monet painted Impression, Sunrise. Claude was considered the
leader of impressionism because of this painting. When he painted this painting everything seemed
to change. He changed the movement by using loose brushwork which was sketch like giving the
painting an unfinished look. Impressionism was also different because it focused on capturing
modern lifestyles. Artists most commonly painted: suburban lifestyles, landscapes, railways, and
trains.
Ragtime is a style ... Show more content on Helpwriting.net ...
This movement began around 1865 and ended around 1900. Gustave Courbet is considered to the
leader of American realism. Courbet had a strong impact on this genre of art because he he drew
controversy on purpose and used the media to enhance his popularity which is still used today. This
movement was different because it placed emphasis on emotion, imagination, and the individual.
Realists are concerned with how their work affects the reader and their life. Overall leaving
American realism as a movement dedicated to paying attention to

Tahiti By Paul Gauguin Essay
Descriptive Analysis of a Painting Paul Gauguin was born in France during a time of political and
social unrest. Soon after his birth, his family sought refuge in Peru with a wealthy family member.
The luxurious lifestyle and gorgeous island landscape of Peru left a lasting impression on young
Gauguin. Six years later, he and his family returned to France. There he built a life for himself as a
stockbroker and a father of five children. However, he often traveled to tropical paradises like
Panama and St. Pierre, longing for the life he had in Peru. In the year 1891, dissatisfied with his life,
Gauguin abandoned his family and sailed to Tahiti, where he created one of his many famous works:
"Women of Tahiti." "Women of Tahiti" depicts two unshod women sitting calmly on the beach with
the peaceful tide behind them. Slightly stained sand with green and dark red sea scum adds variation
to the space between the women and the ocean. The time appears to be midday in summer, as the
hot sun casts a yellow hue over the piece. As a result, the women's soft, bronze skin glows
brilliantly. Similarly, their long black hair, tied back loosely with bows, shimmers in the light. The
woman on the left lie on her side propped up by her arm, with her feet facing the ocean and her back
facing the viewer. With ... Show more content on Helpwriting.net ...
It brings to mind the soft sound of the ocean, a light breeze with a scent of seawater and tropical
flowers, and the feeling of sand between one's toes. When I look at this painting, I feel a sense of
relaxation wash over me as I put myself in the minds of these two girls. I lose myself in a life of
simplicity and forget all the struggles of modern living for a fleeting moment. I imagine living on an
island with beautiful trees, flowers, and people. This painting brings to me the feeling of liberation
that Gauguin felt when he abandoned his old life and began anew in

Compare?Contrast Van Gogh and Chagall
Comparte/Contrast Van Gogh and Chagall
For this essay, I chose to compare and contrast Vincent van Gogh's "Starry Night" with Marc
Chagall's "I and the Village". The two pieces are lovely and most interesting to evaluate in
relationship to one another. I personally love both artists and upon closely examining these famous
pieces, I have noticed how similar yet different these works of art are. Vincent van Gogh was a
deeply troubled, post–impressionist artist and his painting "Starry Night" is his most famous piece.
Working from memory, he painted the oil on canvas passing the time in Saint–Remy–de–Provence
located in southern France while undergoing treatment in an insane asylum. The piece is very
energetic with eleven fireball ... Show more content on Helpwriting.net ...
Marc Chagall and Vincent van Gogh are really quite different. They are from two different time
periods, Chagall being a modernist and van Gogh a post–impressionist. They also have different
cultural backgrounds. Marc Chagall was most emphatically a Jewish artist and he was Russian born.
Vincent van Gogh was a Dutch painter who was called to be a Christian evangelist at one time. The
two paintings differ in that Chagall's forms are more geometrical, giving the impression of precision
while Van Gogh's figures are much more organic in nature containing lots of bright, swirly spirals. "I
and the Village" is composed of blue, green, white and red colors while Van Gogh's "Starry Night"
contains blue, green, white and yellow. As this essay draws to a close, I can honestly say that it has
been most educational. Now that I know a lot more about Vincent van Gogh and Marc Chagall, I am
experiencing a heightened interest in studying their life histories and other works of art. I loved both
pieces and feel a new relatedness to

Exploring Art A Global By Vincent Van Gogh And Paul Gauguin
Vincent Van Gogh and Paul Gauguin produced many artistic creations during the nine weeks they
lived together in the Yellow House. Independently creating similar pieces that reflected the work of
the each other. In color, style and theme there are three specific pieces of each artist in which
similarity is relevant throughout the image. Vincent Van Gogh's unique brushstrokes and Paul
Gauguin's usage of geometric shapes proved to be a very mutually influential collaboration. The two
artists have similar themed paintings individually depicting Madame Augustine Roulin, Haystack
fields, and two sad women of Breton.
Van Gogh's portrayal of Augustine Roulin, exhibits bold, thick lines of color throughout the piece.
In Exploring Art a Global, Thematic Approach, Van Gogh uses "visual texture [...] to create the
illusion" that Augustine's hair appears full and heavy with color (33). This is far different from the
smooth, crisp look that Paul Gauguin creates in his depiction of Augustine. Gauguin's approach of
vibrant primary colors emits a very elementary and abstract appearance. Thus illustrating the level
of experience between the two artists. ... Show more content on Helpwriting.net ...
In, Wheat Stacks in Provence, Van Gogh's haystacks are clearly the centerpiece of his work. The
effortless line direction and blue toned sky's, yields the effect of blowing wind on a cool day.
Opposite of the bold orange hues emanating from, Ferme a Arles ( Landscapes near Arles), by
Gauguin. Although he does create a similar effect in the background with

Vincent Van Gogh And Paul Gauguin Analysis
Jaehun Lee
11/8/17
Second Writing Assignment
While the painters that followed the Impressionism period were collectively called the "Post–
Impressionists," the label is reductive. Each artist had a unique style, from Seurat's pointillism to
Signac's mosaic–like divisionism to other influential artists. All of these unique visions were birthed
from each painter's reaction to the aesthetics of Impressionism. Two of the more influential painters
from this movement were Vincent van Gogh and Paul Gauguin, both of whom aimed to connect
with viewers on a deeper level by accessing Nature's mystery and meaning beyond the superficial,
observable level. Close examination of Vincent van Gogh's Self–Portrait (Dedicated to Paul
Gauguin) and Paul ... Show more content on Helpwriting.net ...
In addition, the overall blue–green coloration of van Gogh's face also makes him look lifeless. Van
Gogh's clearly visible brush strokes seem to pull his facial skin toward the back of his head,
enhancing his bony and gaunt features. He also flattens his hair down on his head to highlight the
head's skull–like appearance by using shorter brushstrokes that align with the contours of the skull.
By using brushwork and color in this manner, van Gogh is able to express his intense hunger and
passion for painting, going so far as to sacrificing his personal health for it.
While Self Portrait (dedicated to Gauguin) clearly shows van Gogh's spontaneous style, it also
reveals van Gogh's experimentation with Gauguin's use of symbolic apparatuses. Van Gogh sent
Gauguin this self–portrait in hopes of convincing Gauguin to visit van Gogh in Arles; in borrowing
from Gauguin's approach of using symbolic apparatuses, van Gogh attempted to strengthen his
appeal by bringing up common interests the two painters held. For example, van Gogh identifies
himself as a humble Japanese monk. He paints his eyes as if he were Japanese, and puts himself in
humble, rusty–colored clothing. This, in combination with the enhanced gauntness and skull–like
appearance of his face, likens van Gogh to a Japanese monk. Van Gogh's representation of himself
as a Japanese monk symbolizes his and Gauguin's shared passion for and the influence of Japanese
woodblock

Vincent Van Gogh Research Papers
Vincent Van Gogh was a post–impressionist painter, born in the Netherlands on March 30, 1853. He
died on July 29, 1890, in France at the age of 37. Sadly, Vincent was poor and virtually unknown his
entire life. Currently his work is known for its beauty, emotion, and color, and although he tried
many times never sold a single painting. Van Gogh struggled with mental illness, despite this, his
work highly influenced 20th century art and still wildly popular today. Van Gogh's passion for art
likely began as a child. His mother, Anna Cornelio Carbentus, was an emotional artist, with a love of
nature, drawing and watercolors. As a child Van Gogh was a mildly sad child. At ag 15, his family
was having financially issues, and was forced to leave school to work. He got a job working for his
Uncle Cornelis, at and art dealership, Goupil & Cie. Van Gogh, by this point, was already fluent in
French, German, and English, and of course Dutch. In June of 1873, Van Gogh was transferred to
the Groupil Gallery in London. When he did, he fell in love with the English culture. He enjoyed
reading Charles Dickens and George Eliot, and visited art galleries whenever he could. He as well
fell in love with his landlady's daughter, Eugenie Loyer, who he proposed to. When she turned him
down he completely broke down, throwing away all his book ... Show more content on
Helpwriting.net ...
Even though he was raised by a religious family, this is when he really started to consider devoting
his life to the church. Wishing to become a minister. He tried several other times to start a career, but
either refused to take the final exams, or was disliked by the committee. It wasn't until the fall of
1880 that Van Gogh decided to become and artist. He moved to Brussels to pursue his goal.
Vincent's younger brother Theo, an art dealer, wanted to support him financially. He began studying
books like Travaux des chanps, and Course de

Japonisme And Western Art
The term Japonisme, refers to the influence of Japanese art on Western art ("Japonisme"). During
the second half of the nineteenth century, there was an outbreak of admiration for all things
Japanese; being that the hidden works of Japan had finally been unveiled to the Western population.
In 1859, Japan opened its doors to the concept of overseas trade in turn allowing for Oriental art and
household goods to come flooding into Europe. Japanese prints became an immediate hit amongst
Western artists; being that they were significantly different from the works of art in which were
prevalent within the West. The bright, exotic colors were immensely captivating and the Japanese
notion of space opened the eyes of many artists. Vincent Van Gogh did not bat much of an eye
towards the concept of Japonisme at first. It was not until his move to Paris in early 1886 that he
became fully submerged/engaged within the idea Japanese art. It was in Paris where his eyes
became open to artworks that were not specifically Western, Van Gogh had begun to see that the
Oriental works "were equal to the great masterpieces of Western art history" ("Inspiration from
Japan"). Prior to this point, his views towards Oriental art mirrored that of his brother as they
believed that "Japanese art is something like the primitives" ("Inspiration from Japan"). The notion
of viewing Japanese works of art as primitive could have been what sparked the interest of many
artists of this time alongside Van Gogh and

Harmony In White : Henri Matisse And His Use In Color
Henri Matisse was mostly known for his use in color. Although he was a French artist Matisse was
influenced by many cultures. The idea of Fauvism was created by Matisse that soon made his work
famous, and influential for many artists to come. One of his first drawings in the early twentieth
century developed this term called fauvism; Harmony in Red. In each piece of his work he used
such vibrant colors to help draw attention to this new idea of fauvism. These vibrant colors, and
large brush strokes allow more feeling to be made when evaluating, and viewing his work. Starting
with his background Matisse was mostly known for his use of bright colors. He also worked as a
sculptor, printmaker, and draughtsman, but was strongly known for his paintings. According to
Biography, "Matisse began painting while recuperating from an illness, and his vocation as an artist
was confirmed." (Editors at Biography) Matisse began learning more about art; while also
exhibiting some of his work, this soon led to his breakthrough. The breakthrough led him to his
innovation of fauvism. Now, beginning with Harmony in Red; Matisse revealed bright hue colors,
and patterns to develop the innovation of fauvism. Like most artists Matisse began his work with an
influence by other art forms, and artists. According to, Art Forms "He saw a large collection of
Gauguin's Tahitian works in 1905 and soon he extended the older artist's innovations." (Frank. 393)
With most artists, there is a certain source

How The Ghana Is Influenced By African Art
In this assignment we look at how the Benin is able to concept the uncivilised nature of African
societies. We will also look at the relationship between the Benin Bronzes, as African art, rather than
modern art in the west. We know that the Benin bronzes are known to be of 'aesthetic', 'spiritual' and
'sentimental' value due to its symbolic appraisal of civilisation. They are also one of the most
sophisticated pieces of art.
When looking into the African heritage, we can note it has a vast impact on the modern art world –
artists such as Pablo Picasso, Henri Matisse sustain this. Artists in the 1920's and 30's were known to
be influenced by African arts, they would experiment with adjoin effects after witnessing original
African art in ... Show more content on Helpwriting.net ...
(1971). Ruskin believes that the lexis 'art' is retained for European and Christian traditions. We
know that 'fine art' is a representation of pre recovery tradition within Europe as paintings were able
to give off the depiction illusion of objects/ people in reasoned environments. Although, the Benin
Bronze is able to become symbolic of idolised bodies, Western Societies did not see this as 'art', due
to its 'primitive' nature.
The Benin Bronze is seen to give off the illusion of life–like through the academic modelling of:
light and shadow gradations upon features around the eyes, mouth and ears, the smooth finishes
upon the softer areas such as the lips and rounded forms in spaces such as the chin and inner eyes.
Rather than depicting emotions, the Benin bronze is able to use distorted forms to express them
through emphasises on certain areas of the artefact such as the fine detail within the headpiece and
neck. The Benin bronze is also able to give the illusionistic imitation of feelings, such as: worship,
dread and concern – depending on how the viewer deceives it. It is known that the idea of forming
and feeling emotion within art, was central to the late nineteenth century – The historic impact of
this is indisputable.
The artwork of the Benin Bronzes were seen transported to anthropological museums in Germany,
France, England and other nations following the imperialism at the end of the nineteenth century.
The

Analyte Interaction Between Gauguin And Van Gogh In Arles
Jaehun Lee
11/8/17
Second Writing Assignment
The explosive interaction between Gauguin and Van Gogh in Arles in 1888 can be said to condense
and bring to head a conflict between two different ways of conceiving art and aesthetic experience
that had been brewing throughout the 19th Century. How do you see the contrast between their
approaches to painting? And how does this contrast bear out these different tendencies?
While the painters after the Impressionism period were called the "Post–Impressionists," the label is
quite reductive. Each artist had their own unique style, from Seurat's pointillism to Signac's mosaic–
like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they
were reacting to the aesthetics of Impressionism. Two of the more influential painters from this
movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a
deeper level by ignoring a Naturalistic approach that attempted to merely depict the "real."
However, the two had distinct styles which attempted to achieve the same goal: to access Nature's
mystery and meaning beyond its superficial, observable level. In close examination of Vincent van
Gogh's Self–Portrait (Dedicated to Paul Gauguin) and Paul Gauguin's Self–Portrait with Portrait of
Émile Bernard (Les misérables), one may clearly see the two artists' contrasting styles on display.
Van Gogh based his paintings on the observable world around him, but he wanted to paint beyond
the

Gauguin Where Do We Come From What Are We Where Are We
Going
Gauguin Where Do We Come From What Are We Where Are We Going –Paul Gauguin (1848–
1903)
–Where do we come from? What are we? Where are we going?
–1897
–Oil on Canvas, 5 feet by 12 feet
–Museum of Fine Arts, Boston
Where do we come from? What are we? Where are we going?, is the self–acclaimed masterpiece of
Paul Gauguins' career. It represents the culmination of his ideas and beliefs that he acquired
throughout his life as a painter. Many visual characteristics of the painting, such as the color, line,
and light are unrealistic in nature, but serve to emphasize the tropical surroundings in which
Gauguin loved to paint. Although the organization of the characters in this lush jungle clearing seem
random, Gauguin intended this work ... Show more content on Helpwriting.net ...
The idol also represents a change in color tones from the rest of the painting. It has been painted in a
light blue, similar to the coloring of background elements. According to Gauguin, this figure
represents "the beyond," which is emphasized by its close relationship in color to nature. (Museum
of Fine Arts, Boston)
Although the use of line and light is not as defined as the color scheme, they still play an important
role in the overall organization of the painting. Gauguin uses curvilinear lines throughout this work
with no right angles or sharp points. The outlines in the background are fairly blurry and some of the
lines blend into one another. In contrast, the characters in the foreground are comprised of precise,
sharp lines. Gauguin goes as far as lightly outlining the bodies with a dark line in order to give them
a sense of depth. Light also serves to enhance certain aspects of the painting. Gauguin has been
careful in his use of light to create some areas of brightness and some of darkness. The central figure
glows in the bright light, which shines down on her from above. This light shows the importance of
the decision of whether to pick the fruit or not. It is focused so directly on one area and is void in the
others.
The organization and relationships of the characters, animals, and background elements in Where do
we come from? seem to be fairly unorganized and random, but Gauguin has placed them in this
order consciously. The painting is

Comparison Of Vincent Van Gogh And Paul Gauguin And...
While the painters after the Impressionism period were collectively called the "Post–
Impressionists," the label is quite reductive. Each artist had their own unique style, from Seurat's
pointillism to Signac's mosaic–like divisionism, Cezanne, Émile Bernard, and others. These artists
were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more
influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to
connect with viewers on a deeper level by access Nature's mystery and meaning beyond its
superficial, observable level. However, each artist's approach to achieving this goal was different. In
close examination of Vincent van Gogh's Self–Portrait (Dedicated to Paul Gauguin) and Paul
Gauguin's Self–Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the
two artists' contrasting styles on display.
Van Gogh based his paintings on the observable world around him, but he wanted to paint beyond
the superficial reality of nature and express its mystery and power through an impulsive and
spontaneous approach to painting. Self Portrait (dedicated to Gauguin) exhibits this desire. Although
based on an observed scene, van Gogh uses non–naturalistic colors for expressive purposes. For
example, van Gogh's choice to paint a self–portrait on a baby–blue/light turquoise background was a
radical step away from a naturalistically–colored background that would be seen in a Realist self–
portrait (i.e.

Van Gogh Theory
Another theory about the life of Van Gogh was that he did not actually commit suicide but was
murdered. A biography of Van Gogh written in 2011 by Steven Naifeh and Gregory White Smith
claimed that Van Gogh was actually shot by a teenage boy named Rene Secretan. Apparently, Rene
and his brother would torment Van Gogh very frequently, ranging anywhere from putting salt in his
coffee to throwing snakes in his sandbox. On July 27th, while these two boys were out playing with
a faulty pistol, a shot went off and struck Van Gogh's abdomen. This writer believes that Van Gogh
claimed that the gun shot wound was self–inflicted because, in Van Gogh's mind, this young boy
was putting him out of his misery. Van Gogh was extremely depressed and felt as though he was a
financial burden to his brother, Theo, so by getting shot, and Van Gogh felt as though his absence
would make the world a better place. This theory is widely debated, but more people seem to agree
with the theory that Van Gogh ended his own life and was not in fact murdered. Some believe that
Vincent van Gogh did not actually cut off his own ear in an act of insanity. Two German historians
strongly believe that Van Gogh lost his ear during a sword fight with the famous artist that he had a
fall out with, Paul Gauguin.
Others have doubt about the theory that Van Gogh cut off his ear in response to a blowout with the
painter Paul Gauguin. According to a new theory, Van Gogh may have actually chopped off his ear
after

My Gallery : An Allegory Of The Tudor Succession
My gallery will feature portraitures throughout history. Portraits have been around since the
beginning of art. History affects every aspect of our lives including art; artist changed the style of
portraitures depending on what was going on in the world at that time. At first portraits were only
painted of the wealthy or someone who was deemed important. In these times, it was usually kings,
queens, or religious figures that they believed were worth painting. The first picture I choose to
feature in my gallery is a piece titles An Allegory of the Tudor Succession: The Family of Henry
VIII. The artist of this painting is unknown but is believed that is was created around ca. 1590. This
painting is an oil on panel that pictures Henry VIII sitting on his throne with his family surrounding
him. This is a perfect example of what a family portrait would have looked like many years ago.
Whoever the artist was created an exquisite painting capturing every detail of the subjects clothing,
the tapestry hanging behind the king, the rug, and the outline of the city featured in the background.
The painting has a lot of maroon and gold colors throughout that give it a very rich look. I think this
picture fits into my gallery because it shows just what painters were asked to do in this period which
was focus their talents on capturing the important people in history; in this case, it was Henry VIII
and his family. The next picture I choose to include in my gallery is that of King Phillip

Paul Gaugin Day Of The God
Cameron Howard Hum Midterm Essay In Paul Gaugin's painting Day of the God (Mahana No Atua)
it depicts a fictional presentation of an indigenous praise ritual being carried out by the Tahitian
women the setting is on an island of Tahiti. Gaugin's painting is oil on canvas and uses a variety of
colors to comply with his post–impressionistic style depicting real objects and expressing flat
curving shapes pink, magenta, blues and reds for the shadows of the water it gives it a mystical look
but the background of the painting gives the viewer somewhat of a realistic setting with the blue
skies and the wind carved mountains that are complimented by the soft white clouds. When looking
at this composition the viewers eyes are naturally attracted to the colorful water in the lower half of
the painting, when looking on the left half of the pool it gives a sense of depth but flat and two–
dimensional on the right as well as illogic color schemes in the reflection of the water. With the
colors that were used in this painting it gives off a warm relaxing feeling within its island setting.
There are some noticeable differences in this painting, the women all have different pose's as well as
there all engaging in something different from the nude female bather in the front to the two
islanders in the top left performing a ritual near the sculpture. The three women in the front are said
to signify birth, life, and death which resembles the three "Ages of Man" with the figure to the

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