Reflections On Gender On Science

Reflections On Gender On Science
Science is the truth. It is unwavering and absolute. As a result, it is objective and free of imperfection. As such, Steven Weinburg, a theoretical
physicist, once stated, "The laws of nature are as impersonal and free of human values as the rules of arithmetic. We didn 't want it to come out that
way, but it did." Weinburg explains thatscience, like arithmetic is ultimately an objective discourse–free from subjectivity and emotion. However, in
Evelyn Fox Keller's novel Reflections on Gender on Science, she argues against science as being an objectivist ideology. She asserts that science does
not encompass the complete truth, but is rather a perverted, masculine discourse. Keller critiques Weinburg's assertions as faulty, where she argues...
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She argues that white, middle–class men have pioneered the field of science since its inception. Since science has been championed exclusively by this
particular party, science discounts aspects from other groups, especially females. In doing so, science is exposed a misguided subjective ideology that
casts the feminine perspective–in particular–to the wayside. In addition, this narrow, one–sided mindset lacks the ideas from those who are nonwhite
and not middle–class. Keller's argument regarding science being an "objectivist discourse" is a double–edged sword. In her attempts to critique the
whole population of "white, middle–class men," she ultimately generalizes them. In her arguments, she makes a sweeping assumption that science is a
white supremacist, capitalistic, and male–dominated discourse. Her generalizations from which her argumentation is based off is flawed. The basis of
her arguments is coded in sexism, classism, and racism. Keller's entire claim revolves around how science being dominated by middle–class white men
is unacceptable. Her claim that science "has evolved under the formative influence of a particular ideal of masculinity" insinuates that science heavily
favors white, middle–class men and disregards everyone else. Her assertion of underrepresentation presupposes that these white, middle–class men
regard only themselves and fail to represent the rest of the population. This baseless claim paints
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Feminism Vs Feminism
Femininity is a concept that relies not only upon social constructions, but upon the individualized choices made by women themselves. Because
femininity is influenced by socially–defined factors, feminists seek to break through these boundaries and to counter that the original ideas of
femininity do not accurately define a woman. On the other hand, such women still exist who believe in the latter: a traditional household where women
have the behavioral aspects of being pure and gentle, while respectively acknowledging her responsibilities as a mother and a wife. Throughout the
years, women have remained in touch with their femininity, dating back to the Woman's Rights Movement in the 1700s. Femininity is essentially a set
of attributes, behaviors, and roles, generally assigned with girls and women. Feminism is the advocacy of women's rights on the basis of the equality of
the sexes. Women today tend to lead towards wanting empowerment and feeling liberated by inducing in activities that promote body positivity and
freedom of expression. They may feel that the only way to be validated and represented is to resort to feminism, however, many others will stick to
their representation as a traditional feminine woman because they believe there is no harm in valuing their femininity. In a typical society, especially in
the United States, most women follow traditional gender roles. These roles set expectations for women that naturally prevail in society but others
attempt to stray

How Does Achebe Define Femininity And Masculinity?
In Chinua Achebe's novel Things Fall Apart,the audience is introduced to the Ibo people of Africa with the goal of better understanding their culture,
so that the audience is more likely to accept them and their culture. One important factor in understanding this culture is how they defined femininity
and masculinity. Throughout the novel, Chinua Achebe uses characterization, symbolism, and a character foil help demonstrate how Okonkwo and
traditional Umuofian culture define masculinity as being strong, showing no emotions, and being superior to women,and femininity as being weak,
inferior, and being histrionic.
Chinua Achebe uses direct and indirect characterization to demonstrate how Okonkwo and Umuofian society define femininity and masculinity. When
on the journey to kill Ikemefuna, the group of men talks about the "effeminate" men who refused to come and take part in Ikemefuna's death (Achebe
58). This shows that the men believe that to be masculine, a man should be willing to kill and not sympathetic to ... Show more content on
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Unoka is Okonkwo's father, who is described as "a failure" (Achebe 5), whereas Okonkwo is described as "one of the greatest men in Umuofia"
(Achebe 208). So what made one man a failure and the other so great? It's simple– Okonkwo succeeded in everything Umuofian society saw as
"manly,": having multiple wives, many titles, earning a high social standing in Umuofia, and being wealthy enough to avoid borrowing from his fellow
clansmen. In contrast, Unoka found peace within and created happiness for himself, but only had one wife, no title, and borrowed too much to ever pay
back. This conveys to the audience that men were considered more masculine that more wives they had, the more titles they had, and the wealthier they
were. This also conveys to the audience that these things were not considered feminine and were prohibited to the

Lord Of The Flies Femininity Analysis
Lord of the Flies is a novel written by the Nobel Prize–winning author William Golding about a group of schoolboy stuck on a deserted island,
attempting to establish a well–organized society but fail. The story lacks a real female character. Hence, most critics pay no attention on this issue.
Nevertheless, the issue of femininity is implicitly presented in the story; male characters are rejecting the femininity. For example, in the protagonist
Ralph's memory, he never read one of the books standing on his shelf because that is the book about two girls (Golding 112). Also, when the boys'
hair grow longer due to the long stay on the island, they refuse to tie the hair back since it would be like girls (Golding 172). The novel embodies the
confrontation between masculinity and femininity. In light of this, this paper argues that by considering Piggy the representative of femininity, Lord of
the Flies illustrates how the exclusive nature of masculinity repudiates femininity, which causes the final disintegration of the society on the island.
Lord of the Flies depicts the disintegration of the order and the collapse of the harmony mainly embedded in the conflict between Ralph and Jack,
the two competing leaders in the novel. The story is set in the middle of the raging war, when a plane evacuating a group of schoolboys from Britain
is shot down on a deserted island. Two of the boys, Ralph and Piggy, discover a conch and make use of it to assemble other boys. Piggy, who is the

Femininity In Frankenstein Essay
Through the lack of female characters, and the dominance of goal–oriented males, Shelley demonstrates through Frankenstein that femininity, as
defined by Michelle Miller, is both not a necessity, as well as a crucial component in society.
The women in Frankenstein have a lot of femininity, as they are caring and compassionate and fit Miller's definition, but due to their minor presence
and use in the storyline, Shelley illustrates that she doesn't believe that the world needs more femininity. When reading Frankenstein, one cannot help
but notice that the female characters have little substance compared to the male characters. This may have been a result of the era in which she wrote:
one in which females were treated inferior to males. ... Show more content on Helpwriting.net ...
Because they are used for nothing more than their looks and seen very little in the plot, Shelley clearly demonstrates her belief that femininity isn't
needed to create a balanced society. On the other hand, Mary Shelley also highly supports the need for increased femininity in the world, shown
through the inclusion of Henry, the female monster, and even through the absence of female characters. Miller described femininity as a personality
trait, not just a characteristic confined to females or males. Henry personifies femininity and supports Miller's explanation that femininity is not just
for women. Henry, "deeply read books of chivalry and romance. He composed heroic songs...and was so full of kindness and tenderness" (39/40).
He is focused on experiences, like travelling through Europe and learning Oriental languages, while Victor is focused on chasing his creature.
Although Henry comes to a tragic end, his life is much happier than Victor's because he did not confine his life to fixating exclusively on results.
Shelley also confirms that the world demands increased femininity by adding the possibility of a female creature. Victor creating her mirrors injecting
greater femininity into the world. He created the original creature by himself and after seeing the damage he caused, agreed to make him a female
partner; "After a long pause of reflection, I concluded that the justice due both to him and my fellow

Feminism In Little Women By Louisa Alcott
Louisa Alcott's novel Little Women is posed during the Civil War. There are four girls: Meg, Jo, Beth, and Amy. They live with their mother while
their father is away fighting in the war. Little Women displays many themes. However, feminism is one of the important themes displayed. During the
Civil War, women were expected to get married, and while Jo portraysfeminism, she gets married in the end of the novel. This aspect demonstrates that
even though someone wants to change the way something is, it cannot be completely changed because of society's ideals. In Alcott's novel Little
Women, the author uses Jo to demonstratefemininity through the use of dialogue, imagery, and behavior. Throughout the whole novel, Jo displays her
feminist ... Show more content on Helpwriting.net ...
And it's worse than ever now, for I'm dying to go and fight with Papa. And I can only stay home and knit, like a poky old woman!" (Alcott 9) As
you can see, Jo wants to do boy activities, and not always just knit and be humble. She wants to be adventurous, not prim. And if boys can do
whatever they want shouldn't girls be allowed to do the same? Moreover, Jo reveals her feminist qualities by her self–reliance. Jo is a tomboy. She
doesn't always act lady–like and likes to fool around. During this time period in the novel, this was not acceptable. Her father noticed some of these
masculine qualities Jo displayed. That's why before her father left for war he made her the man of the family. As it states in the novel, "I'm the man
of the family now Papa is away, and I shall provide the slippers, for he told me to take special care of Mother while he was gone." (Alcott 11)
Throughout the novel, Jo continued to show the manly qualities. During chapter twenty–seven, Alcott describes Jo's femininity through imagery. As it
states, "Jo enjoyed a taste of this satisfaction, and ceased to envy richer girls, taking great comfort in the knowledge that she could supply her own
wants, and need ask no one for a penny." (Alcott 294) Although Jo wishes to be rich because everything would be easier, she knows that she has to
work for what she wants, and she'll ask no one help. This imagery shows Jo's independence and how she doesn't need to rely on anyone.
Feminism

Gender Bending : Femininity And Masculinity
Gender Bending Womanhood is often associated with femininity while manhood with masculinity. Masculinity is the idea that men are tough both
physically and mentally. Femininity, a term associated with being a women and used to describe a women's comportment and attitude. A gentle
individual, male or female, who wear dresses, skirts, high heels, makeup, have long hair is considered feminine. Unfortunately this term is used to
define womanhood, if a women does not portray feminine characteristics she is judged or criticised by the society. Also she is either viewed as
homosexual or queer. I chose two pictures of Grace Jones,whom happens to be a bender gender, portrays elements of femininity and masculinity
(opposite of femininity),thus, a possible victim of such persecutions. Grace Jones is a supermodel and singer from Jamaica, who's renowned for
crossdressing and artistic fashion styles (Williams). One picture is from national portrait gallery website titled, "Jones/Nightclubbing", while the other,
from "Essence" website, both will be used as my sources of comparison for this essay. These images of Jones demonstrate that women can be feminity
or soft while obtaining masculine characteristics or hard through her outer appearance, physique and body expression. Although she's a woman, Jones
appears manly in one picture and womanly in the other. Jones, is wearing an Armani pitch–black jacket suit accompanied by a

Androcentrism: Feminists for Equality
Throughout history, women have had the misfortune of being labeled as "the other" to men. According to many philosophers, women are the second
sex. This idea of women as the second sex is fueled by the notion that the feminine is a mistake, and that masculinity is the correct approach to life. This
idea has even been given a new name recently: androcentrism. Androcentrism is a new kind of sexism that, rather than just favoring men over women,
favors masculinity over feminist universally. This new term perfectly sums up what many philosophers have touted during this course: women are the
second sex, and masculinity is the superior norm. These ideas can be spotted in the rhetoric of Freud, Gilligan, Aristotle, Schopenhauer, and even...
(25–30) Aristotle also has ideas of "hotness" and "coldness", "upness" and "downness", among other dualities; and in each of these pairings, women
are, of course, associated with the lesser of the two. For example: logic and reasoning is masculine, according to Aristotle, while emotion and
relationships are feminine principles. Since emotion is seen as being negative (part of the false physical world), it is given to women. Logic and
reasoning, the glory of Aristotelian philosophy, is awarded to a man's nature.
Aristotle also briefly touches upon gender roles in this composition (and in others not included in Philosophy of Woman). Namely, the idea that women
should be the ones to raise children, stay at home and perform domestic work for the community. Thus begins a precedent of gender roles for both men
and women, restricting the duties of leadership and home–making to each gender respectively. Aristotle certainly begins this precedent offemininity
being disparate to masculinity in society, and with it began the idea of women as a second inferior sex. However, he is certainly not the only
philosopher who illustrates this idea.
In Philosophy of Woman, Schopenhauer's excerpts begin with a flourish of sexism. From this first paragraph, it is immediately very clear what
Schopenhauer thinks of women (and femininity). Schopenhauer describes women as being unfit for great labor, psychically or mentally. (135–136) He
also describes that woman

Foucault, Femininity And The Modernization Of Patriarchal...
In "Foucault, Femininity, and the Modernization of Patriarchal Power," Sandra Bartky utilizes Michel Foucault's concepts about power to help explain
femininity. Throughout the article, she details how society forces women to fit within the confines of this construct and how it affects them.
Sandra Bartky begins her piece by explaining Michel Foucault's ideas about modern power dynamics. Unlike in the past, power in modern society
focuses not only on controlling the products of the body but, rather, on governing all its activities. In order for this power to continue, people are
disciplined into becoming "docile bodies" which are subjected and practiced (Bartky, 63). This discipline is imposed through constant surveillance in a
manner similar to the Panopticon. Inmates in said prison are always visible to a guard in the central tower, so they mentally coerced into monitoring
their own behavior. In the same way, individuals become their own jailers and subject themselves to the society's whim due to being in a "state of
conscious and permanent visibility" to its all–seeing eye (65). Bartky, however, breaks from Foucault's theory by claiming that there is a clear
difference in the disciplines imposed on men and women that are ignored in the latter's writings.
Bartky posits that neither women nor men are born feminine or masculine; they are disciplined into those molds. She delineates three categories of
disciplinary practices that produce feminine women. The first she

Femininity against Masculinity in A White Heron Essay
Since its first appearance in the 1886 collection A White Heron and Other Stories, the short story A White Heron has become the most favorite and
often anthologized of Sarah Orne Jewett. Like most of this regionalist writer's works, A White Heron was inspired by the people and landscapes in
rural New England, where, as a little girl, she often accompanied her doctor father on his visiting patients. The story is about a nine–year–old girl who
falls in love with a bird hunter but does not tell him the white heron's place because her love of nature is much greater. In this story, the author presents
a conflict between femininity and masculinity by juxtaposing Sylvia, who has a peaceful life in country, to a hunter from town, which implies her ...
?Sylvia still watched the young man with loving admiration. She had never seen anybody so charming and delightful, the woman?s heart, asleep
in the child, was vaguely thrilled by a dream of love.? As the symbol of masculinity, the hunter is an aggressor although he is described to be kind,
handsome, friendly and sympathetic. When first met Sylvia in the woods, he ?called out in a very cheerful and persuasive tone? and spoke to her
in a courteous way. In fact, he takes advantages of Sylvia because he is in need of home and food. When he needs Sylvia?s help, he proves he cares
for her so much, ?He listened eagerly to the old woman?s quaint talk, he watched Sylvia?s pale face and shining gray eyes with ever growing
enthusiasm.? ?He told her many things about the birds and what they knew and where they lived and what they did with themselves. And he gave her a
jack–knife, which she thought as great a treasure as if she were a desert–islander.? However, he is cruel and merciless to nature, his gun is a convention
which is to destroy the nature. ?I have been hunting for some birds?. At the end, he goes away and does not help her family when she refuses to tell
him about the heron?s nest.
Not only their characters, but Sylvia?s and the hunter?s behaviors towards the nature are very different and contrasting. Both of them love birds,
however the way they show their love is dissimilar. Although saying that

The Representation of Femininity in Euripides? Medea Essay
The Representation of Femininity in Euripides' Medea
Works Cited Not
At the time Euripides wrote Medea, Ancient Greece was a patriarchal society: women had little or no rights, and were treated as the weaker sex.
Women were expected to stay at home and bear and care for their children, while men went to work ?wives to produce true–born children and to be
trustworthy guardians of the household? (Resource Book 3,
D5b ? Demosthenes 59.122). Men made the rules, while women were expected to be passive and weak, and were thought to be ?silly creatures? with
no mind of their own. This is illustrated in Lysias? speech written for a man whose wife had committed adultery, where the man blames the
?defendant? for seducing his wife. He ... Show more content on Helpwriting.net ...
In the first scene of Euripides? Medea, the Nurse describes the background to the story of how Medea and Jason came to be together, and it is clear
that the Nurse is on Medea?s side, she say?s ?Poor
Medea? twice in the speech (lines 19 and 32), and again when Medea can be heard wailing from inside the house (line 114). She explains that
Medea loved Jason and was quite happy to be the meek and mild wife she was expected to be ?while to Jason she is all obedience ? and in marriage
that?s the saving thing, when a wife obediently accepts her husband?s will? (lines 12–15). However, once Jason betrayed her and married Princess
Glauce, Medea rejects her feminine side and behaves in a more masculine way. She becomes full of hate and plots revenge on Jason, speaking of him
as an enemy to be defeated. ?If I can find a way to work revenge on Jason for his wrongs to me? (lines 258–259) implies that Jason has committed the
ultimate sin and she must punish him ? for Medea there is no other way.
During the Nurses speech, Medea stays inside the house crying and wailing, displaying the feminine trait of being highly emotional, ?she lies collapsed
in agony, dissolving the long hours in tears?, (lines
23–24), as if she is behaving like a woman while in the domain of the house. The Chorus of Corinthian women enter after hearing of Medea?s distress
?I heard that unhappy woman from Colchis still crying, not calm yet? (lines

The Themes Of Women In Carrie By Stephen King
Boys will be boys, and girls will be brutal. At least, that's the impression one gets from reading Stephen King's novel, Carrie. Endless bullying from all
students on Carrie White is common at Ewen High, where the novel takes place, however, the bullying is taken more seriously by the girls. Carrie
lives an unfortunate life, alone with her strictly religious mother. These factors lead to the wrath of Carrie White, the downfall of herself, and well, just
about everyone else. King uses the theme of women and femininity to demonstrate that females often conform to hateful stereotypes, are completely
different from men, and to show how religion can play a role in this. The first lesson King gives the reader is how stupid and brutal women can be
when sticking together in large groups. In the opening scene, all of the girls in gym class were taking showers when Carrie White noticed she was
bleeding down her legs. While the other girls understood what was happening, Carrie did not; she thought she was dying. Thinking that Carrie had
had her period before, all of the girls, including the "good" ones, begin to chant "plug it up" and throw feminine products at Carrie. It is no wonder
that King often uses metaphors about farm animals to describe girls in the novel, as they stick together in herds. As recalled by the gym teacher, "I'm
living in a glass house, see. I understand how those girls felt. The whole thing just made me want to take [Carrie] and shake her. Maybe there's some

Gender Essentialism In Boys And Girls By Alice Munro
In Alice Munro's short story, "Boys and Girls," the narrator, a young girl growing up on a fox farm who is coming of age and is thus forced to
conform to societies expectations of women. Andrew Bennett and Nicholas Boyle argue that, "Literary texts call into question many of our essentialist
ideas about gender" (183) and Munro's story is an example of how literature can help us question the validity of gender essentialist thought. In this
essay, I will argue that Munro's short story does challenge common essentialist views on gender by exploring the way that society constructs and
imposes gender roles on her characters, particularly the young narrator; and by analyzing the symbolic relationship between the narrator and the mare
named Flora. ... Show more content on Helpwriting.net ...
At the start of the story her dreams reflect her tomboy personality. She dreams of adventures where she is the hero, constantly saving others. Munro
writes, "These stories were about myself, when I had grown a little older, they took place in a world that was recognizably mine, yet one that presented
opportunities for courage, boldness, and self–sacrifice, as mine never did." But as her personality is molded by her family who criticize her masculine
traits and encourage feminine ones instead, the change is reflected in her dreams. They change, and instead her dreams focus on her no longer being
the hero but rather being the beautiful damsel in distress. This is shown in this quote, "A story might start off int he old way, with a spectacular
danger, a fire or wold animals, and for a while i might rescue people; the things would change around, and instead, somebody would be rescuing me,"
and, "At this point the story concerned itself at great length with what I looked like – how long my hair was, and what kind of dress i had

What Is Femininity And Masculinity?
Femininity and masculinity or one's gender individuality refers to the point to which a person see themselves as masculine or feminine given what it
means to be a man or woman in one's society (Burke, Stets and Pirog–Good 1988; Spence 1985). In many ways the revision of femininity is difficult to
grasp in one time period and is therefore quoting from Freud's original essay German title "Die Endliche und die Unendliche Analyse," which translates
literally into English as "the finite and the infinite analysis."(D.T O'Hara, 2003:190). As such, femininity is an everlasting and evolving body of research
that can be seen as an underlying framework of a women's or in rare instances a man's conscious or sub–conscious making that person who they are.
Femininity is influenced by a variety of social and cultural factors and is a set of socially constructed attributes, behaviour's, and roles associated with
girls, women and possibly men. To be feminine is made up of both socially–defined and biologically–created factors. From birth people are moulded
into predetermined gendered roles. Agreeing with Judith ... Show more content on Helpwriting.net ...
They can be defined as the forms of practice by which a person being male or female engages in their situations. 'Masculinity does not simply equate
with men. Women can practice masculinity, though there is always a certain tension about their doing so. And masculinities can be defined in cultural
spaces without the presence of reproductive bodies, though some link with reproductive bodies is always implied' (Connell. R 2014:6). Raewyn
Connell best describes the concept of masculinity in her many articles regarding the topic. One of her most well–known concepts is hegemonic
masculinity and how she describes that there is an incorrect popular belief that masculinity is set in stone, created and permanent by your genes or by

Masculinity In Sports Media
Introduction Gender classification is a predominant topic within today's sports and is most broadly understood through the portrayals of sports media.
Through overt and covert ways, sports media has continued to promote a masculine representation of sports (Millington & Wilson, 2010; Messener,
Duncan, & Jensen, 1993). By understanding the way in which sports media portrays sports, one can recognize how masculinity has dominated the
world of sports. With the aid of two unique studies of sports media, this paper will critique the way in which media has effected the gendered depiction
of sports.
Study Summary In order to thoroughly understand sports media, it is critical to understand the way in which sports media impacts its consumers.
Millington and Wilson (2010) explores the impact of sports media by focusing on its impact on a group of boys in a Vancouver High School.
Millington and Wilson (2010) analyze the way in which sports media impacts ones' activity in physical education and the way in which one interprets
sports media. Through their research, Millington and Wilson (2010) found that young boys are equally susceptible to the impacts of both physical
education and sports media. While the impacts may vary, both sports media and physical education promotes the importance of masculinity in sports
and general society (Millington & Wilson, 2010). While Millington and Wilson focus on a specific demographic, Messener et al. (1993) focus and
compare the effects of sports

Masculinity And Femininity
Although complementary, the stories told about masculinity and femininity have very different impacts on those that feel pressured to conform to
them, or are subject to experience their effects by others who do. A particularly insidious source of these stories comes from advertisements, as noted
by Jean Kilbourne in Killing Us Softly 4 (2010). She quotes a statement by the editor in chief of an advertising magazine that "only 8% of an ad's
message is received by the conscious mind. The rest is worked and reworked deep within the recesses of the brain". The internalization of the messages
from these advertisements unwittingly teaches men and women what is expected of them, and what is desirable. For women, it is taught that femininity
requires flawless beauty, with unnaturally smooth skin (preferably light–toned), shiny hair, dimple–free curves cinched by a tiny waist, and a graceful
demeanor. It is taught that women must pursue this image, whether it be through the purchase of cosmetics or surgical procedures, or diet products and
exercise programs. These advertisements often depict women as having elegance and sensuality in their passiveness–lounging around as they enjoy
beauty products or indulgent foods, or draped upon powerful men. They must act as though they enjoy being objectified; welcoming men's advances,
even in violent or dangerous situations. In contrast, men in advertisements are encouraged to model masculinity through violence, dismissal of
emotions in

The Second Sex Simone De Beauvoir Essay
It may be possible to imagine a place where no one would make a fuss over the differences between a white or a black man, but unfortunately, it is
likely impossible to imagine a society that would not comment on the differences between a man and a woman (HeinГ¤maa, 127). Simone de
Beauvoir was quite determined to give society a glimpse into what it meant to be a woman within her time period, and did so by writing her novel The
Second Sex which brought many controversial topics to light. There are four concepts I will be mentioning in different sections of this paper, and it is
best to know how Beauvoir personally defines these terms. Firstly, "alienation" refers to the action of projecting oneself into a different person or
object, thereby losing all responsibility for yourself (Moi, ... Show more content on Helpwriting.net ...
Lastly, "femininity" refers to behavioural activities or interests that are assigned to the female sex, such as cleaning and cooking (Beauvoir, 617).
Although many critics have read her text and become confused due to her stylistic choice to fuse her voice with the voices of famous men, it can be
said that the text ultimately leads the reader to begin to question what society sees as a woman (Zerilli, 1–2). Despite Beauvoir's The Second Sex
appearing to recognize the oppression of women throughout the world without giving an actual solution, I will argue that Beauvoir's evaluation of
each "natural" aspect of female oppression allows readers to recognize that the only thing holding themselves back as a woman is society's unnatural
definition of their body, relation to men, and personal freedoms. Of course, when it comes to one's freedom, it is difficult to obtain when your body
feels like a

The Depiction of Women in Literary Texts
The Depiction of women in literary texts differed throughout history and varied in different regions of the world. In numerous cases, women are
portrayed as submissive, obedient, totally devoted to their family and inferior to men, which most often is the definition of femininity. However, in the
text She written by H. Rider Haggard and well–known The Arabian Nights oral folk tales translated by Husain Haddawy, women are portrayed in a
different fashion. The text She by H. Haggard portrays a woman who has lived for millennia and rules a tribe deep in Africa with terror brought by
the power she acquired from the "Spirit of the Globe" (Haggard 257). The Arabian Nights features a woman that uses her intelligence to keep herself
alive. The portrayal of women in these texts differ from traditional submissive traits, in contrast, they are portrayed as intelligent and knowledgeable. I
will explore the similarities between these two women in terms of modern femininity and differences in terms of additional masculine traits of Ayesha
that are absent in Shahrazad.
Ayesha from She displays certain traits that resemble some of the traditional definition ofmasculinity, including power and aggressiveness. Ayesha
defies the traditional women's role of staying home and devoting all their time and energy to their children and husband; instead, she is the ruler of an
African tribe. Ayesha is a relentless leader who "blast[s] them [Amahaggers] for very sport" (Haggard 146). This appalling

Queen Elizabeth As A Ruler For England
Even today, there are many who doubt the capability of a woman in a position of authority. When Elizabeth was appointed the Queen of England in a
Constitutional Monarchy, many subjects of the English state did not respect her. This was in part due to her sister Mary's previous failings as a ruler
for England, as well as misogynistic assumptions about a woman's ability to rule that were especially prevalent at this time in Western Europe.
Throughout her 50 years of reign, Elizabeth not only managed to assert herself as a cunning and capable leader and Queen, but also gained the love of
the English people. It was through the way Elizabeth saw herself as a religious figure that she accomplished this feat. Although Queen Elizabeth used
masculine traits to assert dominance, she saw that it was her femininity that gave her the real advantage by creating her image after the VirginMary.
Since she began her reign, Queen Elizabeth was highly aware that portraying aspects of masculinity would be beneficial to gaining the respect of her
subjects. When England was awaiting a possible invasion by the Spanish Armada, the state of England's defenses was poor and the outlook was
grim. In spite of this, Elizabeth personally delivered an inspiring speech to the troops, and in the process took on a masculine role by doing so. "I
myself will take up arms, I myself will be your general, judge, and rewarder" ("Speech to the Troops at Tillbury"). She tells her warriors that when
they need her the

Recovering latent parts of a story: The Buck
In the short story entitled "The Buck" written by Joyce Carol Oates, we are introduced to two quite interesting characters, namely Melanie Snyder and
Wayne "Woody" Kunz. These two characters both struggle with different aspects of their personal lives; in Wayne Kunz's case, he is in constant battle
with his manhood, whereas Melanie Snyder has somewhat renounced her femininity. Her very appearance when we first see her in the story is quite
strange, because she is seen dressed in her brothers' clothes which mask her feminine side. Both of these characters in this story are representative of
many persons today whose identities remain latent for a part or even all of their lives. Some are able to be reconciled to their true selves, but others ...
At this point in the story, it seems as if Melanie Snyder would be released from her "masculine" way of life, and once more claim her stifled
femininity. This hope is however short–lived, as we see Melanie clinging to the relics of her brothers', as if she is desperately clinging to their
masculinity. When one examines the lives of both Wayne Kunz and Melanie Snyder, it reveals that "the real 'events' by which Oates' characters are
motivated lie deep within the protean chaos of [their personalities]" (G. F Waller, page 4).
The chaos in this story comes to a climax when both characters come face to face. Wayne has apparently reclaimed his manhood, for he is seen with
his bow uplifted and he is in hot pursuit of the buck. At this point, it seems as if while Wayne is in hot pursuit of the buck, his masculinity begins to
manifest itself. At this point he is far removed from the silly–looking character who we first met at the beginning of the story.
In contrast, Melanie Snyder's appearance still reveals how detached she is from her feminine side. She is "wearing a soiled sheepskin jacket several
sizes too large for her, a relic belonging to one of her brothers; her boots are rubberized fishing boots, the castoffs of another, long–deceased brother"
(Oates 135). From this description one can deduce that Melanie's femininity is still latent and possibly even

The Idea Of Contyping In The Real Ones By Jo Crayola
Does accepting one's femininity mean having to put on a dress and wear makeup? Does expressing one's femininity mean having to get married,
have babies and looking after the children and their husbands at home? The women today can be so much more without losing their feminism.
There was a time when men are to hunt and gather food while women stayed at home and cooked and give birth and look after the children.
Nowadays, women are as educated as the men and are able to hold any position that had been reserved for men. Women today are politicians, leaders
of countries, professionals and even combat soldiers. Thus, they have proven that they are equal to any tasks. The only reason why they are lacking is
probably because of social stereotyping. This is the reason why it is particularly important to empower femininity.
It is easy to ridicule the idea of empowering femininity is because society already hold negative attitudes toward anything considered feminine. The
poem "The Real Ones" by Jo Crayola cannot be too far off from reality when describing how society perceived a 'real' woman or mother should be
and how she should conduct herself. A female can only be considered as feminine if she does not wear a tattoo, "grown a lap, and a husband and a
hairless armpit". It is imperative that the world should move beyond this stereotyping to dismiss and demean feminine gender expression, and to truly
recognise women for who they are. Society has to understand that female

Essay on The Hijab
How Identity is Represented Through Gender:
Femininity and the Hijab
An individual's identity can differ depending on several different physical and biological factors including sexuality, gender, age and class. Throughout
Ruby Tabassum's article entitled Listening to the Voices of Hijab, identity is related togender in a number of ways. I have decided to discuss this
specific article because the idea of how femininity is portrayed is a significant aspect of Canadian culture nowadays. I am also interested in focusing on
how the identities of Muslim women are recognized in society and how individuals interpret the meaning behind wearing the hijab. Throughout this
article, I have distinguished several different reasons for wearing ... Show more content on Helpwriting.net ...
This is a significant aspect of the course because the article examines the strengths and weaknesses of femininity through a cultural Muslim
perspective and the reading is a prime example of how ideologies regarding race affect those involved. In class we have discussed the significances
of social constructs and how assumptions are made on the basis of physical characteristics. In this situation, identity is related to gender as Muslim
women are categorized as both good/respectful and rebellious/evil individuals because they are apart of a culture where they are both oppressed
and liberated simultaneously. The hijab used as a symbol of the Muslim culture is just one characteristic of how it can be perceived; the hijab is
also a sign of life, safety and personal identity (Tabassum, 2006, p. 37). Tabassum (2006) interviews an individual by the name of Raheelah who
identifies the hijab as not just a piece of clothing that covers a Muslim women's face, but also as a portrayal of themselves as a person (p. 37). I
think that this is an important aspect of Canadian culture for feminine identity to be recognized appropriately and respectively rather than being
looked down upon. There are several stereotypes within society which makes it difficult for any female to portray themselves as decent and
demonstrate morality; thus the hijab is one way for Muslim women to take advantage of its purpose and be recognized as proper as the hijab somewhat

Femininity, Masculinity, And Masculinity
Womanhood is often associated with femininity while manhood with masculinity. Masculinity is the idea that men are tough both physically and
mentally. Femininity, a term associated with being women is used to describe a women's comportment and attitude. A gentle individual male or
female, who wears dresses, skirts, high heels, makeup, and has long hair would be identified as feminine. Unfortunately, society judges and criticizes
a women who do not depict feminine characteristics. Such women are regarded as either homosexual or queer. I chose two pictures of Grace Jones to
compare in this essay since she happens to be a gender bender and victim of alike persecutions. Additionally, Grace Jones is a supermodel and singer
from Jamaica, who's renowned for cross–dressing and artistic fashion styles (Williams). The picture titled, "Grace Jones/Nightclubbing,"was derived
from the National Portrait Gallery,while the other from, "Essense" website, Jones demonstrates that women can be feminine or soft in one picture and
masculine or hard in the other picture through her appearance.
Despite being women, Jones 's clothes appear manly in one picture and womanly in the other. Jones is wearing an Armani pitch–black jacket suit
accompanied by a cigarette in her mouth in the first picture. Seeing how half of her head is shaved clean, the top part cut short and flat, it would be
perceived as deviance, for men are expected to look in this manner. She stands upright, strong, which are

The Impact of Advertising on Perceived Gender Roles
The role and function of advertising is a debatable one. Most would argue that since it is not intended to be a governmental aid in ensuring and
creating opportunities for equality, we are unable to expect such efforts to be made within this industry. Advertisers have the job of selling, to persuade
and increase consumption as to satisfy the capitalist's pockets. The play on social injustice often associated with this particular industry makes it
relevant to question it though. Male dominance in this area is evident, but are we not even to view men and women as equal in terms of being potential
consumers?
As illustrated by Spurlock and this piece of research, it is extremely difficult to not involve advertisement in vocabulary and certain approaches to
societal understanding. The present branding culture is apparent and it is close to impossible to not have an opinion regarding this matter, which
incidentally causes discussion and debate, which in turn furthers the word of mouth usage of brands.
The impact of advertising on perceived gender roles is quite evident, and with plenty of consequences, some of which we might not yet have
experienced the full effect of. It is important to remember that with a socialized consumer identity, the choices we make are not individual ones, but is
initiated by the manipulative skills of "others". The high extent of advertisement we are put through on a daily basis makes it very difficult to reflect
upon the idea of choices and individual

Women 's Influence On Women
Makeup is very important in the way people perceive women. Society in the 1900s to today has made makeup a necessity for a woman to be
considered feminine. Cosmetics were first used in America in 1888 by an unknown inventor from Philadelphia, and were trademarked under the name
Mumm. During the early years of the 20th century, makeup became fashionable in the United States of America and Europe owing to the influence of
ballet and theatre stars (Chaudhri and Jain 2.) Makeup began to flourish in America in the 1930s. Women used the most basiccosmetics during this time
such as face powder, blush, and lipstick. These were all that were available until the industry modernized. The way women applied makeup changed as
time progressed and was ... Show more content on Helpwriting.net ...
Women in this time period were told they needed to wear red lipstick to show they were patriotic and show respect to men fighting in the war. The
unified feminism at the time correlated with the patriarchal social system America revolved around. This is a system where men are in authority over
women in all aspects. The artifact shows a glimpse of this when it explains how the woman really wants to please her husband. The title of the
advertisement is 'For Your Dream of Romance" and the key word "romance" is what draws many women's attention before they have any idea on what
the advertisement is about. The term "Romance" is very important in the context of the advertisement. The natural nature of a man wants a woman who
is in touch with her "feminine" side, and the easiest way to indicate to a man she was feminine was to wear makeup.
The first real boom of the makeup industry in America was during the 1930s. Wearing makeup was, and still is, one of the most common ways to
identify a woman as being feminine. Artifact A is an advertisement on how makeup should be applied in the 30s. Although it is giving a type of
tutorial on how to apply the makeup, its main purpose is to persuade the reader in thinking it's the best. The artifact discusses what makeup should be
worn to successfully achieve a perfect night out with a significant other. In the advertisement each type of makeup

Feminist Analysis : Betty Friedan
Betty Friedan explores the troubles that women have faced and the reason behind these troubles in The Feminine Mystique. She defines the "feminine
mystique" as a limitation set on women's femininity across America in the 1950s and early 1960s. She explains how she believes it came to be so
widely upheld due to magazines written by men and how it has had an effect on women in a negative way. According to Friedan, due tothe feminine
mystique developed from magazine stories, society forces women to abandon any career aspirations in order to devote their lives to being housewives
and mothers, as well as be completely fulfilled with this life path. Friedan describes the feminine mystique as the pressures and limitations set on
women's femininity. She states, " the feminine mystique says that the highest value and the only commitment for women is the fulfillment of their own
femininity" (Friedan 35). Society has reverted back to the the image that women were thought to be before they had equal rights. The women before
this time had fought so hard to be equals in society as men, yet the ideals a woman must uphold were the same. It was not acceptable for a woman to
do anything of a male 's role or she would be undermining her femininity. Feminity at this time was only seen as cooking, cleaning, washing, and
providing babies. To be any different than this was seen as masculine. Making money was manly. Being independent was manly. Leaving the house was
manly. Friedan claims that

Rooney Mara's Model Of Conventional Western Sexuality
The model, Rooney Mara, is depicted in this image in a very traditionally feminine fashion. However, along with being traditionally feminine, she also
appears to uphold euro–centric beauty standards, as her skin is very pale, her face possesses symmetry, high cheekbones, a heart shape overall and
double eyelids. These features are very much idealized in Western culture, and even other parts of the world where a monolid is more common and so
surgery is required to obtain a double eyelid and darker–skinned people will choose to bleach their skin to achieve their idealised whiteness.
Her makeup is done to enhance features like her cheekbones which have been contoured to highlight their definition, and her lips are red and full
which is commonly associated with a sexual appeal, in that men often associate red lips with thoughts of sex or the vagina specifically, consciously or
subconsciously. The sexual appeal is also strongly blanketed with the undertones of... Show more content on Helpwriting.net ...
In terms of conventional western femininity, the model has been groomed and presented to us as the epitome of expected femininity, a standard that
women should aspire to become and a guideline for what a man should look for in a woman. Altogether, her appearance has time and thought out into
it, which is often a pushed rule onto women in that their appearance becomes their most important aspect. Also, the lack of space the model takes is
indicative of the dainty stereotype that women are small and unable to complete most tasks without help, this also presents a toxic guideline for men;
that they are expected to take care of a woman and that she is helpless instead of equal division between tasks, careers and daily functioning. The
strength of the image and its portrayal of femininity is backed up by the near complete lack of masculine traits being

Social And Biological Characteristics Of Femininity In...
Femininity is comprised of both the social and biological factors that make a person feminine or "womanly." The ideal feminine varies by society,
culture and even era. According to _____, femininity or masculinity is based on what society considers to be valuable. In Marie de France's "Lanval"
femininity in its most ideal form, is based on exterior qualities such as a beautiful face and thin body as well as a woman's willingness to give her body
and love to a man to use at his disposal. These two qualities are exhibited by the woman in poem, making her valuable and desired by society, but
specifically Lanval who falls in love with her. This type of femininity is shallow and materialistic, forgetting to acknowledge what is on the inside,
varying much from the characteristics that femininity would be composed of in today's society.
Topic sentence to lead into this paragraph– about the theory. When Lanval first sees the woman, he is immediately drawn to her beauty. "The lily and
the young rose/ when they appear in the summer/ are surpassed by her beauty" (94–96). Lanval knows nothing about this woman, except that she is
worthy of his love and her beauty that lies in front of him. She is a beautiful woman with a body "well shaped and elegant" (100). The woman's
identity has yet been revealed to Lanval, yet he is already in love with her: "He looked at her and saw that she was beautiful/ love stung him with a
spark/ that burned and set fire to his heart" (117–119). For the

The Legend Of The Sleepy Hollow By Washington Irving
Society has always judged women by certain norms and standards, yet it seems as if men do not have that pressure from society to act in a certain
manner. However, in in his short story "The Legend of the Sleepy Hollow" Washington Irving argues otherwise, illustrating the main character, Ichabod,
as being invasive and often inclined to put himself in uncomfortable situations. These characteristics alienate him from the norms of society and lead
him to be perceived differently from the other male characters, mainly because he does not fulfil the typical gender roles. Through artistic imagery,
sarcasm and diction Irving depicts how Ichabod's lack of masculinity ultimately leads to his inability to beat Brom, the ideal male character, and win
the heart of the girl he loves.
Washington Irving is often discussed concerning gender issues and the use of imagination in his artistic writing to make his point. Ichabod's actions are
such in that they grab the reader's attention. What is usually expected from a man at that time is to be masculine, and to be associated with the company
of other men. Ichabod, however, is shown to be drawn to the women in town. Irving discusses femininity in a negative way as Plummer states, "...the
"feminine" in Ichabod is his unmanly, superstitious, trembling, and gullible side––he himself seems, in this tale, begrudgingly to acquiesce to the
female sphere of Sleepy Hollow." (Plummer, Nelson: 175) Eventually this is what makes him stand out to the

Femininity In Antigone
The contrast between the female characters and the male characters within the aspect of masculinity and femininity is of importance in the play
Antigone. The play has been a topic of debate when analyzing the rebellious female character, Antigone, and its role in society and its effect in the play.
Many contrasts between masculinity and femininity are encountered throughout the play. The constant battle between gender and its role in society,
makes the play of Antigone important to study to further understand the play and how the Greek society used to be. Throughout the play, Homer, the
author, manages to portray the female characters as more 'masculine' than the male characters through the burial done by Antigone, Creon's cowardice,
and the way ... Show more content on Helpwriting.net ...
The burial of Polynices, Antigone's brother, is the most fundamental action done by Antigone in the play because it shows her rebellion against Creon,
the king of Thebes and her uncle. Through this rebellious attitude, Antigone manages to portray certain 'masculine' traits and creates a paradox as to
how she acts and how women were supposed to act in the Greek society. As Antigone said, "Ismene, I am going to bury him. Will you come?" Ismene
answered back, "Bury him! You have just said the new law forbids it..." And Antigone responded, "Creon is not enough to stand in my way." (lines
31–35) Antigone decides to go against all authority and bury her brother, which was surprising in those times that a woman could challenge a
powerful male establishment. Once Antigone unveils her view of going against her own king, the reader learns that Antigone believes it's more
important to follow the gods' rules than those rules imposed by the king. Ismene said, "They mean a great deal to me, but I have no strength To break
laws that were made for the public good." (lines 64–65) Homer manages to portrait the "ideal" women and

Women In The 19th And 20th Century
Observants regarding female were made maturation throughout the 19th and 20th century. The 19th–century "lady" regarded as a delicate, caring,
sexual passivity, and a fickle of mood species (Vicinus, 1972, x–xi). Feminine and personality disorder (hysterical) became interchangeable terms.
Thus, femininity correlates with anorexia and agoraphobia in countless ways, and it altered the way we perceive female evolution.
Firstly, females chose as a part of an experiment in a male–dominated world; where males are comprehended being the only gender with a whole notion.
Doctors of the 19th century regarded females as "highly egoistic for no apparent reason, narcissistic, highly labile, essentially asexual and not
uncommonly frigid" (Smith–Rosenberg,

The Divine Power Of Womanhood : Hawthorne 's Re Branding...
The Divine Power of Womanhood: Hawthorne's Re–branding of Femininity Women in Puritan society, as in many other societies throughout time, were
repressed. In Nathaniel Hawthorne's The Scarlet Letter it is womanhood, not women themselves, that is being repressed within Puritan society. On the
surface, this is because of its traditional religious association with sin. However, Hawthorne depicts femininity and womanhood as having divine
power and influence, [as in, they] ? are a God–approved force leading people towards moral good. This is shown through his depiction of women
deprived of womanhood as morally corrupt, the way in which Hester's feminine qualities inspire forgiveness, and in Hester's belief in the power of a
woman to change Puritan society. Hawthorne does this in order to subvert those traditional religious ideas about femininity, instead suggesting that the
reason womanhood is repressed lies in the fear the Puritans have of womanly power destroying their patriarchal society. Hawthorne depicts the
unfeminine women in Puritan society as being morally corrupt, thus proving that feminine influence is necessary for morality. In Puritan society,
femininity and womanhood are repressed, as they are considered sinful. Hawthorne emphasizes this by showing how Puritans blame womanhood for
Hester's sin: "she would become the general symbol at which the preacher or moralist might point, and in which they might vivify and embody their
image's of women's frailty and sinful

What Is The Psychological, Social And Cultural Aspects Of...
From the time we are born, we are taught the correct way to act within society. We are taught the rules of conduct of society and we learn to follow
them in order to be socially normal. The second we are born or even before we are born we are determined a gender. The rest of our life and the way
we are expected to act revolves around that gender. Our gender shapes who we are expected to be and shapes an image in our parents head of who
they want us to be. Gender plays a key role throughout our life, it is defined as "the psychological, social and cultural aspects of masculinity and
femininity" (butler–sweet,c,2017). Masculinity and femininity have been standardized into their own stereotypes. For example, masculine is known as
aggression, competitive, brave, etc. While feminine is known as sensitive, weak, nurturing, etc. Because of these traits and these stereotypes
masculinity holds a higher power over femininity. Therefore, when the parents have the child and they find out what gender they are they automatically
uphold them and raise them according to these standards. This begins to refer to gender socialization which is "the process by which we learn the rules
and conduct the behavior of masculinity and femininity" (butler–sweet,c,2017). Meaning, that from a young age, we learn the correct way to act within
society, including the correct way to act according to our biological gender. Once our parents know if we are a boy or agirl they decorate our room a
certain way,

Media Discrimination In The Media
1.Title IX signed into law on June 23rd, 1972 by President Richard M. Nixon states that "no person in the United States shall, on the basis of sex,
be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving
federal financial assistance." (Title IX of the Education Amendments of 1972, 44 Fed. Reg. at 71413). Since this law was enacted we have seen a
dramatic increase in female sports participation. Tile IX has had a positive impact on female athletes as females now make up over "40% of
college athletes... compared to two percent before the time of the legislation" (Staurowsky & Weight, 2001, Pg. 190). Although Title IX has
increased participation of female athletes it has not aided in achieving equality for women and girls in sports. I believe the barriers that prevent
equality for female athletes can be broken down into two categories media coverage, and public perception. The media has majority control over
what the public believes is important and most recently female athletes received 1.6% of television coverage, 4.9% of magazine covers, and only
9.7% of featured sports articles (Fink, 2015). Not only do female athletes not get enough media coverage, but when they do "the focus is often on their
physical appearance, femininity, and/ or heterosexuality" (Fink, 2015, Pg. 331). This coverage creates a negative public perception toward female
athletes. Thus the public believes that sports

Hamlet: Branagh's Ophelia and Showalter's Representing...
Hamlet: Branagh's Ophelia and Showalter's Representing Ophelia
Ophelia falls to the floor, her screams contrasting eerily with the song pieces she uses as her speech. In an instant she is writhing and thrusting her
pelvis in such a gross sexual manner that it becomes clear that, in his film interpretation of William Shakespeare's Hamlet, Kenneth Branagh wants to
imply a strong relationship between female insanity and female sexuality. Such a relationship is exactly what Elaine Showalter discusses in her essay ––
"Representing Ophelia: Women, Madness, and the Responsibilities ofFeminist Criticism" –– "I will be showing first of all the representational bonds
between female insanity and female sexuality" (Showalter 223). ... Show more content on Helpwriting.net ...
Such a deliberate choice by Branagh can be most easily seen by his representation of Ophelia in the "mad scene" (Hamlet 4.5) and Branagh's inclusion
and representation of Ophelia in scenes where she does not appear in the text. In fact, in contrast to past representations of Ophelia when some of her
lines were cut, Branagh actually gives his Ophelia more lines than Shakespeare does to better convey Branagh's own interpretation. One such instance
occurs when Branagh gives Ophelia a line that is, in the text, Guildenstern's: "A thing, my lord?" (Hamlet 4.2.28).
In the Branagh film, Ophelia first appears at the wedding of Claudius and Gertrude ( Hamlet 1.2). Dressed in bright red, with make–up on her face and
her hair done beautifully –– up off her face and curled –– Ophelia stands next to her father like a coy maiden: joyfully and dutifully applauding in
support of her brother, Laertes, when he obtains permission to leave for France, yet also looking worried about the "nighted color" of Hamlet. In fact,
at the ending of the wedding scene (1.2.129), Ophelia rushes up to comfort Hamlet; she extends her arm and looks as though she will embrace him
when Laertes grabs her and leads her off. There is no mention of such

Composing Gender Analysis
In society, people are told to fit certain molds regarding how they are represented in the media such as movies, advertisements, and standards that are
set by society. Both men and women are depicted in different ways in American society with unattainable standards that can only be achieved by
photoshop or body surgery and alterations. Women are envisioned having the ideal body type that's shown in media. They're assumed to be emotional
and delicate by much of society. Men are often expected to be muscular while not showing other people their emotions other than aggression and power.
There are different ideal body types throughout the world, America for example has an unreachable standard that's set through uses of photoshop and
other alterations that can cause some people to develop emotional disorders. In the book, Composing Gender by Rachael Groner and John O'Hara, it
explains how gender is a social construct and how people are often under set gender standards which plays into McDonaldization theory. The
McDonaldization theory is explained as the use ... Show more content on Helpwriting.net ...
Some people might develop bulimia which is an emotional disorder where people have a distortion of body image and an obsessive desire to lose
weight. People with bulimia have bouts of extreme overeating that are followed by depression and self–induced vomiting, purging, or fasting. Others
could be diagnosed with anorexia which is also an emotional disorder in which people will lose weight by refusing to eat and becoming extremely
thin in some cases. The ideal body type that America sees has a huge impact on young people by shaming them for their body type if it doesn't fit the
standards. People can lose their self–esteem when they're constantly reminded that their body isn't perfect since it doesn't match the ideal body type
which is often

Character Analysis Of Miss Congeniality
Miss Congeniality is an enjoyable romp that balances action, comedy, and romance. However, the movie is a makeover story at its core– if an
imaginative one – and follows many of the same beats of a traditional rom–com. As such, its handling of issues relating to love, sex, and gender is
mostly par for the course, demonstrating everything from denigration of the feminine to homophobia. Agent Gracie Hart's transformation from a
disheveled tomboy into the runner–up of Miss United States is the central theme of the movie. Hart's initial state is contrary in most ways to everything
a woman is supposed to be in our society: she is messy, wears "really masculine shoes," does not style her hair, and so on. Julia Serrano explains that
"There are ... Show more content on Helpwriting.net ...
When Agent Eric Matthews's friend mentions wanting a woman's point of view from Hart for her paper on law enforcement, Matthews quickly
intervenes by telling her "you're barking up the wrong tree" and asks for Hart's agreement with this assertion. Later, while searching for a candidate
to go undercover at the pageant, the agents go through every other female officer and even some men, as a joke, before even considering Hart. Once
someone does bring up Hart, Matthews scoffs at the idea that she could play the part until he sees her in the swimsuit. When Hart ask Matthews if the
reason she has to do it is a "woman thing," he readily affirms that "nobody thinks of [her] that way." In transforming from Gracie Hart into Gracie Lou
Freebush, Agent Hart must learn and apply disciplinary practices of femininity from all three of the categories defined in "Foucault, Femininity, and
the Modernization of Patriarchal Power" by Sandra Bartky. The three categories are: "those that aim to produce a body of a certain size and general
configuration; those that bring forth from this body a specific repertoire of gestures, postures, and movements; and those directed toward the display
of this body as an ornamented surface" (65). Practices from the first category can be seen in Vic Melling constantly taking fatty or carb heavy foods
from Hart and replacing them with vegetables in order to keep her slim. In order to have the adequate size and shape breasts

Masculinity In The Sun Also Rises By Ernest Hemingway
Ernest Hemingway's classic historical fiction novel The Sun Also Rises comprises an eventful timeline: bullfighting, fishing trips, male friendship,
disguised alcoholism, and the differences between femininity and masculinity and how they overlap. . His 1926 novel about members of an expatriate
friend group and one pivotal fiesta in Spain portrays a story rife with unrequited love, symbolism, and metaphors for the Lost Generation in Europe.
However, the way Hemingway focuses on masculinity and femininity interplaying with each other and contrasts the effects of the two on all characters
and story stands out to the audience. Most of the feminine aura in the novel doesn't even come from women. In general, Hemingway does not involve
women much in his novels. Notably, the first woman, Frances, introduced in the book is immediately made into an unsympathetic hag–like devil wife
who berates and verbally abuses Robert Cohn, her unwilling husband. After a certain amount of time, her character is written out of the novel as she
vaguely "le[aves] for England" (Hemingway 77). Lady Brett Ashley, the main woman of the novel, does not exude femininity either, with her boyish
haircut and mannerisms. Even though she is married to a Lord, literally making her a Lady, she bends the early 20th centuries rules for the genders and
is in fact only mentioned by her title about a dozen times in the novel; the occasional reminder to the audience that despite her erratic and impulsive
behavior, she

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