The 1893 World’S Fair Essay

The 1893 World’s Fair Essay
The 1893 World's Fair
A World's Fair is an "[I]nternational exposition that features exhibits dealing with commerce,
industry, and science." (World Book Encyclopedia 412) Entertainment is also present along with
cultural activities. In 1893, the World's Columbian Exposition in Chicago, although inaugurated a
year late, commemorated the discovery of America. I feel that the Exposition displayed some of the
more beautiful architecture of its time; its immense buildings and sculptures drew heavily from
Greek and other classical styles, and it could possible be because of the sweeping popularity in
Beaux Arts architecture.
The Peristyle, one of the buildings that was constructed for the Fair, was designed by Charles B.
Atwood. It ... Show more content on Helpwriting.net ...
Post, in the Corinthian style. The Manufactures Building measures 787' in width and stretched in
length of 16897'." (Burg 132) "Carl Conduit has judged that "The manufactures Building revealed
the most extensive and elaborate system of hinged–arched framing ever undertaken in the United
States."" (Burg 97) The arches that are involved were not seen until the Roman's dominated in the
field of architecture.
Another building that was constructed for the fair was the Agricultural Building. "In keeping with
the custom of its famous designers, the building was in classical style with the noteworthy feature of
a sixty–four foot wide entrance flanked by mammoth Corinthian columns fifty feet high and five in
diameter." (Burg 128) In the middle of the building there was a large dome; the Romans were the
first to create and use domes. Both Greek and Roman ideas were incorporated into this building.
(Charles B. Atwood had designed the Palace of the Arts in a Greek–Ionic style, with the addition of
the dome. (Burg 147) Van Rensselaer stated, "It is the finest thing on the Fairgrounds, and the finest
building of so classical a sort which the modern world has constructed. It is not just like any
building which classical nations themselves constructed; it is much larger and more varied in mass,
and its dome is a distinct innovation. But we feel it just such a building as the Greeks might have
built had they known about domes and had they wanted
... Get more on HelpWriting.net ...

Summary Of Mus�e Des Beaux Arts
In large cities, there are lots of homeless. People with pleas for help, but almost never receive. How
could so many passersby not help them? In the poem "Musée des Beaux Arts", Auden argues that
humans lack empathy for strangers. He uses examples of people acquiescing to others' suffering to
support his point. Auden complements those examples with a variety of literary methods to make
allowing other to suffer seem natural, and be persuasive. Auden uses various persuasive elements
throughout "Musée des Beaux Arts" to convince the reader that people do not empathize with
strangers. His main tools are the literary devices of irony, enjambment, and rhyme.
Auden primarily uses irony to prove that humans have no empathy for strangers. For example, at the
end of the first stanza, he writes, ". . . the torturer's horse/ scratches its innocent behind on a tree"
(12–13). The torturer's horse is indifferent to what his master is doing, which enables him to remain
innocent. The irony that a torturer's horse is innocent conveys that if one ignores others' suffering,
one could remain happy in a cruel world. Irony puts extra emphasis on these lines and Auden
demonstrates that this belief is central to his argument. The way that it is introduced also adds to the
efficacy of persuasion. By making a simple analogy, he demonstrates his faith in his belief.
Confidence makes for a more convincing argument, so Auden makes his poem even more
persuasive. Additionally, the simplicity makes the conclusion come logically to most people. To add
on to his logos, in the next stanza he says, "Something amazing, a boy falling out of the sky,/ [The
ship] Had somewhere to get to and sailed calmly on" (20–21). Auden alludes to the painting "The
Fall of Icarus" which depicts Icarus's death in the sea. In this painting, nothing acknowledges his
death. The connection here demonstrates that while this event may initially appear to be tragic, but
Icarus is insignificant in the grand scheme of things. On the other hand, Amazing has a very positive
connotation and contrasts with the general mood of the poem. The irony that a boy's death is
"amazing" is shocking; however, once the initial shock fades and thought is put in, the logic of the
rest of the

Apple Commercial : The Connotation Of A Garden Of Pure...
Apple Commercial 1. a) The connotation of "information purification directives" is that it is a
positive thing because it is purifying something that was once wrong or unclean. The denotation of
this phrase is that rules are being applied that extract, change or delete information. when we look at
the context and see who is saying this phrase we know that this is a bad thing because the so called
purification of information is altering the truth and supplying lies to the masses. Because
information can not be purified, information is simply knowledge plain and simple. b) The image of
workers marching in a line through a tunnel shows a lack of individuality and supports conformity
which are major elements of a dystopian society, the workers walking through a tunnel can be
interpreted as them crossing into the dystopian realm. 2. a) The connotation of "a garden of pure
Ideology" is that the thoughts of each individual are all growing together to form a garden of pure
ideas to form a perfect ideology. The denotation of these words is that they want to groom the
people and trim their thoughts and ideas like a garden to conform to the pure ideology. b) The
camera panning to the marching feet of the workers shows how everyone is at the same pace no one
different from one another which complements the lack of individuality in a dystopian society. 3. a)
The connotation of this phrase is that the workers are able to grow without distractions and be
surrounded in a safe

The Beaux Stratagem
Identity Crises: The Inequality of Women in The Beaux Stratagem and She Stoops to Conquer
Plays during the Restoration period often contained characters dressed up in disguise as a way to
create conflict and to manipulate the plot. Conversely, the "false identities" in which these characters
adopt, help readers learn about social hierarchy. Specifically, characters like Archer and Aimwell
from George Farquhar's The Beaux' Stratagem and Kate Hardcastle from Oliver Goldsmith's She
Stoops to Conquer illustrate that when their personalities change, that the social situation changes.
Additionally, all of these characters subversively modify their identities to manipulate social
standards and hierarchy in order to exploit people. However, Kate Hardcastle ... Show more content
on Helpwriting.net ...
However, these inequalities are accented when other characters transform their personalities: Firstly,
there is Kate. Nevertheless, as soon as she transforms herself to a lower–class barmaid, Marlow tries
to take sexual advantage of her. This shows us that women from the lower classes were viewed as
purely sexual, and not marriage material. Secondly, there is Dorinda, who is an heiress, and is
economically objectified by Aimewell who alters his identity to seduce women, like Dorinda.
Dorinda's situation signifies inequality in women because even though Dorinda knows that Aimwell
lied to her, she sacrifices her power and become the property of Aimwell via marriage all for social
status. This represents the weakness that women from the upper–class exhibited. Both examples are
important is studying literature from the Restoration period because both examples provide clues to
the inequalities and exploitations that women went

Musee Des Beaux Arts Meaning
Suffrage
(An Analysis of Three Messages from Musee des Beaux Arts by W. H. Auden) Are museums a
happy place? A place of memory? Or a place of mourning and sadness? There are many different
types of museums around the world, some hold the greatest works of art known to man. Others,
maybe more mediocre, but still have value within the stories that can be told through its pieces. A
museum is a optimum place for writers to get inspiration. For example, W. H. Auden, a writer who
lived from 1907–1973, would often study pieces of art and write about the ways in which he was
influenced by it. Bill Larkins, a biographer, noted, "The extent to which Auden believed in various
political theories is still debated; what is clear to some critics, though, is that Auden habitually
revised his writing to accommodate any shifts in faith." This is just the way that Musee des Beaux
Arts was written. Auden sat in front of a painting called Icarus by Brueghel and he reflected onto
paper the thoughts it built in his mind. Of Auden's Musee des Beaux Arts there are three ... Show
more content on Helpwriting.net ...
In the painting Icarus, there are may other people around who seem to be minding their own
business while they boy is suffering. Michele Aaron, who writes admirable advice, said, "The
discussion focuses on the moving image of non–simulated dying, on our regarding the suffering of
others, and explores how film invites the spectator to share in the experience." Auden wonders if
those people are at fault for not notifying him. Even if they admit that they saw the boy or heard his
cry, could they do anything to help him? Every minute of everyday people are suffering. Can fault
be put on people who disregard them? Those same people will experience suffering and get little or
no recognition or sympathy. Auden slyly asks these questions to his readers to let them determine
for

Analysis Of 'Mus�e Des Beaux Arts'
Empathy is what defines us as human beings, dictating a plethora of choices we make in our daily
lives. However, apathy is also often utilized to construct decisions as it is just as important a
behaviour as empathy. It is this apathetic attitude towards human suffering which causes us to
completely ignore those in desperate need. This paper argues that the poem "Musée des Beaux Arts"
by W. H. Auden displays first hand how human apathy is a regrettable attitude toward human
suffering as apathy is one of the main reasons for the countless hardships society is going through
today.
In the poem, the author utilizes words or phrases to highlight how apathy plagues society. Although
Icarus in an attempt to escape failed miserably and was in need of dire help, the ploughman in full
sight of the incident brushed it off as it was "not an important failure" (17). This regrettable attitude
towards the suffering of Icarus displays how people can so easily ignore someone. Even the death of
someone is not "important" enough to warrant a reaction out of a person (17). No matter how great
the "failure" (17) might be, the purposeful ignorance of society will continue, and they will still be
"just walking dully along" (4) not even noticing the sufferer's existence in this world. Even though
millions of people require assistance at this moment, you will not bat an eye towards it. Like many
others, it would be considered a waste of time trying to provide help. So, continuing to propagate the

Musee Des Beaux Arts
Arguably one of the greatest writers of the modernist era was Wystan Hugh Auden. A world
renowned poet, Auden constructed some of the most popular pieces of poetic literature including
"The Unknown Citizen", "September 1, 1939", and "As I Walked Out One Evening". However, the
piece which I have based my original poem of of is "Musee des Beaux Arts". This is a piece of
ekphrasis poetry. This means that the poem consists of a detailed and graphic description of a visual
work of art. In the case of Auden, He has based his poetic piece on "Fall of Icarus", by the 16th
century artist, Brueghel the Elder. The artwork shows a normal coastal area, with farmers tending to
the land, shepards looking after their flock, wooden ships sailing to and from ... Show more content
on Helpwriting.net ...
The next 4 lines describe the message presented in Brueghels painting, which is that people will
continue on, despite hardships and difficult situations. In the painting, the tragedy is the lack of food
and game retrieved by a pack of hunters and their dogs, despite the size of the town and the number
of citizens that rely on them. This is due to the temperature and the climate of the season, with many
animals hibernating, and being difficult to find within the snow covered land. I was also able to
represent this sense of continuity within the structure of the poem, stretching the large sentence over
multiple lines with limited punctuation. Lines 8 and 9 are intertextual allusions to the artistic piece
that Auden based his poem off of, "Fall of Icarus". I mention the sailing boats and the farmers that
continue on with their task, despite the tragedy of Icarus drowning in the sea. I have done this as it is
not only relevant to the artwork that my poem is based off of, but Auden did the same thing In his
poem "Musee des Beaux Arts". He

Henry Sullivan Term Papers
Henry Louis Sullivan was born in Boston, Massachusetts on September 3, 1856 at 22 South Bennet
Street. However due to miss interpretation of the birth records during the year of his birth his
identification was read as "Louis Henry". Andrienne, his mother did not mind the misinterpretation
and decided to keep the change in honor of her father. Patrick Sullivan, his father was an English
native who studied the art of music and dancing. During his early twenties he was dancing instructor
in London. His profession allowed him to travel and explore several areas in Europe such as
Switzerland and Ireland. In his thirties he was captivated by the charms of America and by
September 7, 1847 he arrived at Boston. Andrienne F. List, his mother was Swedish native arrived in
Boston at age of fifteen in 1850. She was an excellent pianist who studied the works of Chopin and
Beethoven as well as dance music as a side enjoyment. Historian Robert Twombly ... Show more
content on Helpwriting.net ...
During 1864 to 1866 his Brimmer School Sullivan "hated everything about the place, said he
learned nothing at all." By 1866 he was promoted to the Rice Grammar School. However the same
attitude that he developed from Brimmer transferred over to Rice. Although he found his teacher's
methods and ideas quite conventional and disinterested, Sullivan stilled engage in studied, learned
and performed well. In June 1870 at the age thirteen he graduated from Rice School. Throughout his
entire life the Rice School diploma is Louis first and only diploma he would earned. His fascination
of architecture started to blossom after discovering the Merrill G. Wheelock's Masonic Temple. As
Twombly described how Louis "enjoyed how the temple would gleamed and glistened in the
afternoon, the design of the arches and the tourelle on the corner rising as if by itself, higher and
higher like a lily stem." His newly discovered love for architecture helps set his goals for his

Waiting For Icarus Poetry Analysis
The theme is a tremendously essential part of any poem. The two poems, "Musée des Beaux Arts"
and "Waiting for Icarus," contain similar themes. In "Musée des Beaux Arts" and "Waiting for
Icarus" there is a strong theme of abandonment and suffering found throughout both of the poems.
In "Musée des Beaux Arts" it is Icarus, the subject of Breughel's painting, who is being abandoned
while drowning in the sea. Auden clearly portrays this when he writes, "In Breughel's Icarus, for
instance: how everything turns away / Quite leisurely from the disaster" (lns. 14–15). Auden uses
these lines to describe how everyone is ignoring Icarus' current predicament. Auden examines the
disaster even further by stating, "and the expensive delicate ship that must have seen / Something
amazing, a boy falling out of the sky, / Had somewhere to get to and sailed calmly on" (lns. 19–21).
Here, Auden is telling his readers that even though Icarus is in pain because he is drowning; life was
carrying on anyway, a clear indicator of Auden's theme of abandonment and suffering. "Waiting for
Icarus" also incorporates the theme of abandonment and suffering, although Rukeyser does not
depict it as fatally as Auden does. Rukeyser expresses the theme of abandonment in her poem when
she writes, "I have been waiting all day, or perhaps longer. / I would have liked to try those wings
myself. / It would have been better than this" (lns. 20–22). Here, Rukeyser depicts the persona as
someone who has been waiting a long time for her lover to show up and Rukeyser makes it pretty
clear that he is not going to. Therefore, Rukeyser shows her readers that the persona has been
tragically abandoned by her lover, which evidently causes the persona a great deal of anguish.
Auden and Rukeyser both use the theme of abandonment and suffering in their poems in order to
show their readers how painful it is to be discarded by the world. Another similarity can be found in
both of the poems due to their mutual usage of the same Greek myth–Icarus. The Dictionary of
Classical Mythology details the myth of Icarus as follows, "At first all went well as they flew out
over the sea, but then Icarus was fatally overtaken by the joy of flying freely through the air.
Forgetting

Jephn De Beaux Analysis
When I first came upon the work of outsider French artist Jephan de Villiers, it immediately brought
to mind a strange rush of associations and recollections. It somehow felt like I had seen this work
before. By itself, this nagging sense of déjà vu felt like sufficient motive to research the artist. A
quick glance at the images however made connections that resonated with me. First and foremost,
the artist's secret world of organic matter shows a deep concern and passion for the environment. At
the same time, his well–crafted dramatic scenes interact with the viewers on an emotional level and
evoked fond memories of my circus days. Although de Villiers' work carries the naïveté seen in
many other outsider art, some its characteristics nonetheless ... Show more content on
Helpwriting.net ...
There's a certain reversed symmetry to our practices; while I come from the world of theater and
now make art, his artwork sometimes finds itself propelled on stage. Director Paul Claudel and
choreographer Michele Swennen rightly saw the dramatic potential of his pieces and animated them
in staged productions. But even without a scene, his assembled vignettes exude a strong meditative
quality that I'd like to capture in my own work. For instance, pseudo–sacred and playful pieces like
Rêve D'envolement Porté par la Forêt Tranquille (''On the fly–off dream Carried by the Quiet
Forest''), Les Arches du Silence (''The Arches of Silence'') and Milles et Trois Souffles d'Écorce
(''Thousand and Three Breaths of Bark'') fuse found natural materials with carved human faces. In
such a way, the French artist places mankind's memory, represented by the wide–eyed, open–
mouthed figures, in parallel with the earth's own power of remembering (audio). The characters'
expressions of amazement appear to hint at the occurrence of a "historically momentous,
transcendent event" (Andera and Stone 210). Those pieces seem to ask questions of the viewers
regarding their own relationship with the natural world. Thus, on top of expressive and touching
scenes, de Villiers' art can be seen as providing small doses of antidote against the profanation of
forests and

Comparison Of Waiting For Icarus And Mus�e Des Beaux Arts
The two poems "Waiting for Icarus" and "Musée des Beaux Arts" are narrative poems. "Musée des
Beaux Arts" is a poem written by W. H. Auden and published in 1938. "Waiting for Icarus" is a
poem written by Muriel Rukeyser and published in 1973. The poem "Musée des Beaux Arts" is
about how no one truly cares when a tragedy is taking place, unless said tragedy concerns them
directly. The poem "Waiting for Icarus" tells the story about a woman who is reminiscing being
abandoned by her lover while waiting for him at the beach. The two poems have a great deal of
similarities and differences between them. Despite the fact that "Musée des Beaux Arts" uses an
indifferent tone and irregular rhyme scheme and "Waiting for Icarus" uses a melancholic tone and
no discernible rhyme scheme, both poems use the themes of abandonment and suffering and the
myth of Icarus in order to convey to their readers how people deal with pain and misery.
Auden touches upon many topics in his poem "Musée des Beaux Arts." The Encyclopedia of
American Poetry: The Twentieth Century writes that, "the poem condemns people's habitual
inattention to the miseries of others" (Mao). In other words, one of the primary focuses in "Musée
des Beaux Arts" is that of apathy. Auden begins his poem by writing, "About suffering they were
never wrong, / The old Masters: how well they understood / Its human position: how it takes place"
(lns. 1–3). Here, Auden is setting up another one of the poem's main topics, which is human
suffering. Auden is writing about how the "old Masters" knew how to capture the image of human
suffering within the confines of their canvases (ln. 2). Auden then writes, "While someone else is
eating or opening a window or just walking dully along; / How, when the aged are reverently,
passionately waiting / For the miraculous birth" (lns. 4–6). In these lines Auden is telling his readers
that ordinary life will always go on by stating that the old patiently await the arrival of newborn
babies, which is a reference to the circle of life. He continues this idea in the next few lines when he
writes, "there always must be / Children who did not specially want it to happen, skating / On a
pond at the edge of the wood" (lns. 6–8). In lines 6, 7,

An Explication of W.H. Auden "Musee Des Beaux Arts"
In poetry, the use of allusions is very common. There are briefs, usually indirect references to
another work or to real or historical events or persons, traditionally as a way of connecting those
elements as well as enriching the meaning of the current work through associations with the other.
In his poem "Musee des Beaux Arts", W.H. Auden uses allusions as a way of drawing connections
between his poem, Peter Brueghel's painting " The Fall of Icarus", the myth, and the humanity
indifference toward one's suffering.
Icarus, the subject of this poem, was a figure from Greek mythology. He was the son of Dedalus,
who, in order to escape from prison in Crete, made two pairs of wings, one for him and one for his
son, Icarus. As Icarus and ... Show more content on Helpwriting.net ...
In the painting, the young Icarus falls out of the sky and is swept away in death's cold embrace
while the ploughman continued plowing. The ploughman did not care about the splashing sound
Icarus made, when he felt into the water. Auden's allusion to the fallen Icarus in Breughel's painting
is seen as a significant event as to make the point of the poem stronger: apathy of human suffering.
Like many other sonnets, " Musee des Beaux Arts" is divided into two parts. In general, the first
lines of the poem explore the depth of humanities indifference to one another. Auden makes allusion
to the old master painters of the museum of fine art, who were never wrong about suffering. The
"old masters" understood that people often turned a blind eye to one another's suffering. The Old
Masters were artists of the 18th century whose works, masterpieces of the Renaissance, also are
called old masters. They often painted classical scenes of pagan Greece and Rome as well as scenes
of life and death, like the Fall of Icarus.
About suffering they were never wrong,
The old Masters: how well they understood
Its human position; how it takes place
While someone is eating or opening a window...
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be

Children who did not specially want it to happen...
The poem reveals that suffering is part of everyday life, so much that those

Apple Commercial : The Connotation Is That The Information...
Apple Commercial: a) The connotation is that the Information Purification Directives is a lovely
organization that cleanses all the information but the denotation is that this organization alters
information before it's told to the people. They demonstrate that the information and thought are
restricted. b) This image shows that the natural world is banished by showing them inside a dark
tunnel. a) The connotation is that their ideas and thoughts are all pure and right but the denotation is
that all the citizens are forced to have the same mindset. This represents an illusion of a perfect
society. b) This image complements dystopian characteristics through showing a lack of
individuality. a) The connotation of this phrase is that the workers are able to be in a safe and
reassuring environment but the denotation is that the contradictory truths are censored and people
aren't able to have their own opinions. This represents a fear of the outside world and restriction on
knowledge. b) This complements the characteristic of an illusion of a perfect world. a) The
connotation is showing a strong unified group of people but the denotation is that all the thoughts
must be the same. This represents a lack of individuality and information. b) The image further
demonstrates the lack of independence. a) The connotation is that the group in charge is powerful
and the enemy ignorant and weak, but the denotation shows that anyone that thinks differently than
the society is an enemy and

Bernard Lassus's Contribution To Landscape Architecture
Bernard Lassus was born in 1929 in Chamalieres (Puy de Dome), France and is regarded as an
extremely creative and unique landscape architect due to his vast use of dramatic shapes and colours
in his designs. As a child he was encouraged to practice his independence of mind and enrolled as a
student at the National School of Beaux Arts where he studied painting and art. This education and
introduction into art encouraged Lassus to begin his career as a painter before entering into
landscape architecture. In the 1950's, Lassus took part in artistic research on visual effects of 'lights
in motion' where he developed his talent for representing moods and emotions in his work. In 1955
he took part in in the Salon de la Jeune Peinture (Salon of Young Painting) and presented his first
works in ... Show more content on Helpwriting.net ...
He gave landowners the opportunity to get involved in design choices by having input in the type of
trees planted.
In 1990 Bernard Lassus received the Legioon d'Honneur from Presiden Francois Mitterand and was
presented with the Gold Ribbon award for Motorway design in 1993 and 1997.The Director of the
Roads Administration at the Ministry of Housing and Public Works, Christian Leyrit called Lassus
to advise on a national landscape policy for turnpikes. This was the first policy of its kind in France
and influenced many future projects. One of the best designs created by Lassus is The Landscape of
Rocks in Motorway 837, Crazannes in 1993 and took four years to complete.
In 1989, Lassus' intense interest in landscape history has stimulated the invention of a doctoral
program for landscape studies. He directed this programme until his retirement in 1998 and. He
directed this programme until his retirement in 1998 and recentl received honourary soctorate from
Universities such as those in Bristol and

Comparison And Contrast Essay: The Fall Of Icarus
At some point in life, the pain and tragedy that one person faces may go unnoticed to the rest of the
world. Moreover, success is most often achieved by those who don't know that failure is inevitable.
The essence established in the works of Brueghel, Auden, and Williams, all seemingly illustrate the
falling of Icarus. As the depictions of Icarus' death vaguely differ, the central idea of man's failure is
still establish. To start with, Brueghel's painting, paints an image of how he depicts Ovid's story,
"The Fall of Icarus." However, he illustrates how the death of Icarus was unnoticed. Looking back
to the painting, it portrays Icarus legs sticking out of the water, yet nobody seen. Also, it shows the
farmer ploughing, the fisherman fishing, and the boat sailing. Nevertheless, they all had their backs
turned from the previously incident, the falling of Icarus. All in all, the individuals went on about
their day and the death of Icarus was unnoticed. ... Show more content on Helpwriting.net ...
No doubt, Auden starts with a general statement, closing with an explicit statement about the fall of
Icarus. As the story progressed, Auden expresses the way the outer world felt towards the falling of
Icarus. In Brueghel's Icarus, for instance: how everything turns away, quite leisurely from the
disaster conveying the lack of magnanimity in the people. "The ploughman may have heard the
splash, the forsaken cry, but for him it was not an important failure," and "the expensive delicate
ship must have seen, but sailed calmly on," remarks that signifies how bystanders, ordinary people
of the public goes about their daily life, oblivious and uncaring to what's going on around

The Starrry Night And Musee Des Beaux Arts By Anna Sexton
In my compare and contrast essay, I am going to be comparing two poems. The two poems that I
will be comparing are Musee des Beaux Arts by W.H. Auden and The Starry Night by Anna Sexton.
I will be comparing and contrasting their different plots and the meaning behind each of the poems.
The first poem, Musee des Beaux Arts by W. H. Auden is about a fictional being falling from the sky
and the people around not noticing it, but just going about their daily lives. The meaning behind it is
that something really bad can happen, but no one would notice it because they are too busy to see
what is happening or just to blind to notice it. The plot of the poem is that people cannot turn an eye
to someone else who is suffering or dying because they are too caught up in their lives or their own
drama to care about other people's feelings, or what is going on with them. Foreshadowing is to
show or indicate beforehand. This poem was indicating that the person falling into the ocean in the
painting about the poem was a Greek mythical character and the fall was foreshadowing the ending
of his faith or his life. Maybe he committed some kind of offense and he's being punished for it, and
his punishment was to fall from the sky. In Musee des Beaux, Auden states, "How, when the aged
are reverently, passionately waiting, For the miraculous birth, there always must be" (Auden),
meaning that they were consciously and unconsciously waiting for his doomed faith, which was
falling from the sky and

San Francisco 1915
San Francisco 1915 – Palace of Fine Arts The Palace of Fine Arts was one of the finest buildings
constructed for the 1915 Panama Pacific International Exposition in San Francisco. It was one of the
most important symbols of the fair, situated near its center, at the end of the axis on which were
located the Courts of the Four Seasons and of the Universe at the center, and the Court of
Abundance, with the Machinery Palace framing the other side. The Palace was designed by a well
known local architect, Bernard Maybeck (b. New York, New York 1882; d. Berkeley, California
1957) who studied architecture at the Paris Ecole des Beaux Arts. Maybeck then moved to San
Francisco, joined the firm of A. Page Brown, and established a private ... Show more content on
Helpwriting.net ...
The center of the arch was placed behind the rotunda, so that the two were not aligned in concentric
rings. This allowed a wider arch to be built in the same space, giving it a grander appearance. The
pergola can be more closely seen in the next image, reprinted from the same source and measuring 4
by 6 inches, as well as in the third and fourth images, which are photographs from Souvenir Views
of the Panama Pacific International Exposition San Francisco California 1915 (7 in. x 11 in.) There
were ochre columns, topped by boxes, mixed with pale green ones. The boxes were originally meant
to house small trees and hanging vines, but these were not planted for budgetary reasons. At each
corner of the boxes stood statues of women looking inwards, sculpted by Ulric Ellerhusen. They
were meant to represent the melancholy of life without art. The colonnades stood along the side of
the lagoon, as can be seen in the second image, with the reflection of the tranquil water adding a
pleasant element. Along the side of the walkway in the pergola was a garden of small trees and
shrubbery. Plants were present everywhere in the Palace, along the pergola and the rotunda, befitting
the theme of a decaying ruin, overrun by nature. According to Maybeck, "it is the water and the
trees" that people came to see (Macomber, 23). The natural scenery was integral to his design. The
combination of majestic

Musee Des Raux Arts Poem Theme
World Apathy though poem Would you ignore someone if they needed help? Though lines (15–17)
in "Musee des Beaux Arts" it can be interpreted that the farmer might have heard Icarus falling into
the ocean; to him, this wasn't an important failure. The sun still shone. W.H Auden creates the theme
through the use of language and stylistic devices: imagery, allusion, and tone to create the theme of
apathy. Firstly, Auden builds the theme of apathy through the use of allusion and imagery. This
allusion occurs in the beginning of the second stanza when the author writes " In Breughel's Icarus,
for instance: how everything turns away / Quite leisurely from the disaster; the ploughman may /
Have heard the splash, the forsaken cry,(14–16). This allusion is referring to the failure of Icarus due
to his ignorance to ... Show more content on Helpwriting.net ...
Auden creates a speaker who delivers an opinion on a painting that deals with human suffering. The
speaker seems knowledgeable and wise. Through the observer's ideas, Auden creates the theme of
Apathy. The tone is created when the author writes "About suffering they were never wrong,/The
old Masters: how well they understood"(1–2). These line helps to create an experienced tone as the
Auden uses past tense to indicate that he once thought old people were wrong about suffering and
thought people that people would do something to help. He had faith in people and thought the old
masters were wrong. The first line is a realization that the old masters were correct about suffering.
To show this the poet writes "were never wrong", the past tense helps us realize that this a
realization. He goes on to credit the knowledge the old masters possessed about suffering by saying"
The old Masters: how well they understood"(2). Auden goes on compare this knowledge to the art of
Brueghel's " Icarus: in the Musee des Beaux–arts in Belgium. Auden uses tone to create the Theme
of

The Shield Of Achilles Poetry Analysis
W.H. Auden's The Shield of Achilles and Musee des Beaux Arts encapsulate the sense of nihilism
that pervade society after World War II. It is an age of disillusionment when people can no longer
put faith in science and technology, since they have witnessed the catastrophe brought about by
machines; nor can they rely on their government, as totalitarianism has created a frigid world where
nothingness stands. However, although the prospect of the contemporary world seems bleak, W.H.
Auden still harbors a flicker of hope. Through the use of ekphrasis and other poetic techniques,
Auden implies that it is a matter of one's choice to break away from this prevailing pessimism.
Indeed, in The Shield of Achilles, it seems that Auden has no confidence ... Show more content on
Helpwriting.net ...
Paintings are mute in themselves and ekphrasis brings them alive. Auden lives in a world that is so
bleak that one can no longer find expressions – people resign to their current condition and
totalitarianism represses people's voices. Also, when we look at paintings, we "feel" instead of
"describe" – the process of verbalization takes more efforts. Very few are willing to take a step
further and take an active stance. It's a boundary that only a few attempts to take. Auden breaks the
silence by using ekphrasis; He adds another layer of sensation– auditory aspect that forces us to take
notice of the situation. In Musee des Beaux Arts, Auden uses onomatopoeia like "splashing" and
"forsaken cry," as if he is calling our attention to the fall of Icarus in reality. His use of progressive
verbs "walking...waiting...skating... falling" and repetitive sound of "ing" imply that it is up to our
responsibility to stop this continuous insensitivity. In The Shield of Achilles, he uses consonance –
"column ... column ... cloud" –– to create a cacophonous effect that stirs unease within us, raising
our awareness of the severity of current condition. Moreover, by reading the poems without seeing
the paintings, Auden suggests that we can envision, construct, and reshape our own paintings. After
all, our own realities are creations of our

Comparing The Song Icarus And Ophelia
Icarus and Ophelia The songs Icarus and Ophelia were written by two different types of bands. Each
band when writing the song had a goal and meaning behind it. In the songs were written by Bastille
and The lumineers. In the songs Icarus and Ophelia the composers have allusions and deeper
meanings then just the bare eyes can see. Just as said before the song Icarus was written down by a
commonly known band called Bastille. The song Icarus has a couple of meaning such as allusions to
Greek Mythology. For example, the song Icarus quotes " Icarus is flying too close to the sun, and
Icarus life. It has only just began..." (Bastille 6). The meaning of this quote is that someone need to
be careful when destroying their own life to early. The reader understand that Icarus is a character in
Greek mythology. Icarus in the story tried to escape Athens. The Icarus in the white references how
Icarus died when he flew to close to the sun and his wings melted. This happening after his own
father advices him to not fly too close to the water or sun. Overall someone can learn that not
listening to helpful advices can be consequential. ... Show more content on Helpwriting.net ...
This time the allusion is not about Greek Mythology, but to Hamlet by Shakespeare. The allusion is
that Ophelia in Hamlet is a Naïve, innocent girl and Ophelia in the song is more mature and hurtful
to others. The Lumineers quote "heaven helps a fool who falls in love" (The Lumineers 6). This
quote contrasting Hamlet and The song by this time the guy being In love and blinded by Ophelia.
Contrasted to Hamlet who claimed he never love Ophelia and left her; the no named guy in the song
is left by Ophelia leaving him broken

Poetry : Are The Arts Of Painting And Poetry
Are the arts of painting and poetry comparable? It is said that a picture is worth a thousand words,
but can a painting truly be represented in written form? The Modernist poets William Carlos
Williams and W.H. Auden use every grammatical tool and trick of form available to them to do just
that. Williams wrote the poem "Landscape with the Fall of Icarus" which makes a clear allusion in
the first line to a painting with the same name by Brueghel the Elder. Similarly, W.H. Auden also
wrote a poem called "Musée des Beaux Arts" which depicts the same painting, as well as others by
Brueghel, and expands upon a possible theme of the painting. That theme would be the indifference
of nature and the rest of the world to an individual's suffering. Before both Williams and Auden,
Brueghel the Elder was a famous artist from the Flemish Renaissance who focused on landscape and
genre paintings. Brueghel was responsible for the paintings Landscape with the Fall of Icarus, The
Census at Bethlehem, and The Massacre of the Innocents. Using evidence from the text of both
Modernists' poems, parallels and similarity of styles can be drawn between Landscape with the Fall
of Icarus and the poems. In the case of Auden's "Musée des Beaux Arts", similarities can also be
pointed out between the other two of the aforementioned Brueghel works.
Williams recreates many traits of the original Brueghel painting, Landscape with the Fall of Icarus.
Williams uses even the title of the poem, as well as

Comparing Suffering In Musee Des Beaux Arts And Fall Of...
Time is forever moving forward, constantly progressing and as time progresses, societal values and
beliefs adjust and develop, yet there are some values and ideas that remain constant. Despite
suffering being a natural and an unavoidable aspect of human life, people have developed the skill
of avoiding its existence. Even though created in disparate time periods, Ovid's 'Icarus', Breughel's
'Fall Of Icarus' and Auden's 'Musee des Beaux Arts', all present their society's principle of human
indifference towards the suffering and the continuance of the human life, as suffering occurs.
W. H. Auden's 'Musee des Beaux Arts' exposes society's indifference towards suffering. Through the
poet's conversational tone, Auden places the reader in front of Breughel's painting 'Fall Of Icarus',
and uses the piece to manifest how self–concerned human beings are. Suffering is a normal aspect of
life, it is occurring all the time, while we go along with our normal activities, "While someone else
is eating or opening a window or just walking dully along". Just like the enjambment of Auden's
poem, life doesn't pause, even in the face of human suffering. At the time this poem was ... Show
But just because there is suffering in the world, why should the rest of humanity care? A question

W. H. Auden's 'The Fall Of Icarus'
Arts W. H. Auden, living during 1907–1973, is a man of class. He loved to visit an art gallery, which
was called "Museum of Beautiful Art" (In French: Musee des Beaux Arts). Like T. S. Eliot, he was
both an American poet and a British poet. Going back to Auden visiting the art gallery, he stared at
this one painting. He stared at it for an extended amount of time, trying to determine what the piece
of art meant. The piece of art, which Auden was trying to decode, was called "The Fall of Icarus"
(The painter is a man named Brueghel). In Brueghel's painting, the focus is on Icarus, but you barley
notice the boy himself. It is very important to know the story of Daedalus and Icarus to fully
understand this painting, poem, and essay. If you do not know the story, then go read it and then
come read this to acquire the full grasp of what I am trying to emit out in words. The reason why
there is a poem by W. H. Auden, is because when Auden looks at the painting he sees something so
profound. So profound, he writes a poem about it. The things he finds so profound is, 1) ... Show
Yes, there are all sorts of different suffering which makes us diverge from one another and only
relates us to a select few. The word suffering, and of course the reasons it is called so, is bad (of
course). As Auden says, "About suffering they were never wrong, The Old Masters..." The ancient
ones, the people who lived way before us, knew a lot of suffering and how it takes place in human
condition, "... how well they understood its human position; how it takes place..." They knew, the
old ones, that there is a lot of suffering, in our lifetime. "While the aged wait anxiously and with joy
for the miraculous birth, there are always a child who would rather go without the happening of the
one being born." Just look at it like this, some people's joy are also other people's sadness. We
regularly cause suffering without knowing

Auden's Poem: An Analysis Of Musee Des Beaux Arts
To begin with Musee des Beaux Arts, in which follows that particular motif with the ekphrasis
through the painting of Pieter Breughel. This poem focuses on the human hardship and discomfort
but at the same time about the tolerance that might people have in certain moments. That is obvious
by the reference to the "old Masters" "About suffering... understood" who are in a position to be able
to conceive all about the human suffering (1–2). In addition to these, Auden highlights the fact that
the discomfort is a feeling which the human beings have the opportunity to experience it, although;
it does not mean that the people have the proper reaction in that. That is enhanced by the last line of
the first stanza " While someone else is....walking ... Show more content on Helpwriting.net ...
However, the poet makes a reference of "Old Masters" who Auden supports that "About suffering
they were never wrong", through that it seems that some people who might have more experience in
life and those people who might get through many experiences or might get used to pain in their
lives, they do not neglect the signs and the events of their times. On the other hand, Auden so as to
intensify the idleness which characterizes the human beings, he provides the figure of "ploughman"
who seems to walk during Icarus falling and he "may have heard the splash" but in fact "for him, it
was not an important failure"(15–16). By those two lines, Auden gives emphasis on the impassivity
that people have in their lives, they used to give attention on things that concern their microcosm.
Although that behavior has its consequences, with this intention, it is apparent that the historical
event that follows proves that

Tragic fall of Icarus--compares the myth and how it...
The Tragic Death of Icarus
The story of Icarus is a classic Greek myth that has fascinated people all over the world. The tale of
his demise has been retold many times throughout history. The myth has been honored in art, songs,
poetry and by literature artists, with one apparently inspiring the other to explore the tale in one
different approach or another. Three of the most appealing of these versions of the tale of Icarus can
be found in the poems "Musee des Beaux Arts" by W. H. Auden, "Landscape with the Fall of Icarus"
by W. C. Williams, and "Waiting for Icarus" by Muriel Rukeyser. Even though the three poems talk
about Icarus 's fall, each covers it in a different way. "Musee des Beaux Arts" and "Landscape with
the Fall of Icarus" ... Show more content on Helpwriting.net ...
Birth and death must occur simultaneously; otherwise, there will be no continuity.
Muriel Rukeyser, in "Waiting for Icarus" makes no apparent connection with Breughel 's painting.
Indeed, while the painting and works of the previous two poets convey a sense of
obliviousness to the fact that a boy has just died, in "Waiting for Icarus," Rukeyser considers the
event from a more personal and emotional perspective. This poem concentrates abandonment, and
everything comes to an end. A woman tells a story about her relationship with a man whom she
loves and anticipates his return, a man who promises her so many things. He puts her trust in him
and waits for him, only to find out her lover is man of words not deed, for none of his promises are
fulfilled. He promises her that he will be back and that their relationship is going to work out for the
best. He asks her to wait for his return at the beach and not to cry. She waits for him, but he
abandons her; she finds out that everything in life has an end. The day ends with the arrival of night.
When there is life, death will always follow. Her love story ends with Icarus 's death, broken
promises, regret, and heartbreak.
Rukeyser, in "Waiting for Icarus," conveys emotion and sensitivity that is also alluded to by W. H.
Auden and W. C. Williams in their wonderment at why the world has not noticed Icarus in "Musee
des Beaux Art," and "Landscape with the fall of Icarus." However, Rukeyser 's poem portrays love,
anticipation,

How Is Icarus And Daedalus
Charles Darwin introduced the theory survival of the fittest to illustrate the basic fact that the
strongest lives and the weakest dies. Survival of the fittest, or rather survival of the apathetic is most
relevant in Breughel's painting "Landscape of the Fall of Icarus", the poem based on the painting
that goes by the same name written by William Carlos Williams, and W.H. Auden's "Musee des
Beaux Arts". These three artists' paintings are all connected by one central Greek myth, Icarus and
Daedalus. The story is about a father, Daedalus, and his son, Icarus, who are both trapped in an
island with no way of escape. Daedalus, being the master craftsman that he is, constructed two pairs
of wax wings for him and his son to fly to freedom. Daedalus ... Show more content on
Helpwriting.net ...
In the painting, by the choice of colors and showing the insignificance of Icarus. In Auden's poem,
by showing a supporting idea above that of Icarus'. And finally in Williams' poem by adding
adjectives to describe Icarus. Sometimes being egotistical is fine, and the three authors all showed it
by relating to Greek mythology and specifically, Icarus' story. Darwin made it clear that only a
specific kind of human survives; the strongest. Emotionally, only the apathetic survives. Like in the
real world, if something bad happens and everyone is grieving except one person, this is normal
because he or she is just embracing their humane way of

Equality Of Women Through Art
The stride toward equality for women is a topic still prevalent today as it was years before. The path
and events that led equality in education, life, and treatment was carved by strong women of our
past that stood for what they believed in. Feminism through art was one of the ways in which
women took a stand. Historically, women were the center piece of many historical paintings rather
the authors. It was not until the 1960's and 1970's that the emergence of feminist art is seen, along
with the movement towards equality began, led by powerful women who took a chance to fix what
was unjust.
Paving the way for women through art was, Philadelphia native, Cecilia Beaux. Cecilia Beaux was
born in 1855, was one of the most prominent female portrait ... Show more content on
Helpwriting.net ...
Yet, being questioned still, how did this lead to women's equality? As one of the first statements on
the political and social repression of American women, the Declaration of Sentiments marked the
start of the women's rights movement in the United States. The Declaration asserts the equality of all
men and women. It argues that women are oppressed by the government and the patriarchal society
of which they are a

Biography Of Cecilia Beaux
Cecilia Beaux was born in Philadelphia, Pennsylvania as the youngest daughter to Jean Adolphe
Beaux and Cecilia Kent Leavitt. After her mom died and their dad left for France, Cecilia and her
sister, Elta, were raised by their grandparents and aunts (NMWA, 1). Beaux's interest in art started at
a young age when she was encouraged at home and in school to take up art. Her and her uncle
would visit the Pennsylvania Academy of the Fine Arts where she had her first major exposure to art
(Carter, 25). When she attended school, Beaux was unable to afford the art fee, so she began art
lessons with her relative, Catherine Ann Drinker. Drinker was an accomplished artist at this time and
became Beaux's role model throughout the time they studied together. After having lessons with
Drinker, Beaux studied with Francis Adolf Van der Wielen and then eventually took over his post
and was appointed as a drawing teacher (Carter, 37). She was mainly doing lithographs at this time
for Thomas Sinclair, a Philadelphia printer. Under the influence of Thomas Eakins, in 1876 she
started attending the Pennsylvania Academy of the Fine Arts (carter, 54). After leaving PAFA, Beaux
continued to study with more people and eventually moved to France to expand her horizons even
though she was doing so well in Philadelphia. This is when Beaux decided to devote herself to
portraiture. She eventually moved back to Philadelphia and painted many prominent members of
society, such as writers, politicians, and other artists (NMWA, 1). At the peak of her portrait career is
when she painted Seated Girl in a Long Black Dress. She painted this piece in 1885 which was the
same year that she won the Mary Smith Prize at the Pennsylvania Academy of the Fine Arts
exhibitions (NMWA, 1). Beaux was so well known for her portraits and was commissioned by many
well–known people. She was one of the most successful portrait artists of her time and received
numerous awards, had her own exhibit, and published her autobiography (NMWA, 1). Beaux
received the Chi Omega fraternity's gold medal, for "the American woman who had the made the
greatest contribution to the culture of the world" from First Lady Eleanor Roosevelt (NMWA, 1).
Cecilia Beaux was considered to best

Musée des Beaux Arts by W. H. Auden Essay
Suffering is embedded in our daily lives. There are devastating things going on in our daily
environments and yet, people seldom realize this as they occupy themselves with other tasks. W.H.
Auden's, Musée des Beaux Arts, is a statement on human perceptions and how we use them to
observe, or block out human suffering. While we are doing ordinary things like eating, or opening a
window, bad things can be happening to others and it is as easy as looking up, to see what is actually
going on. Auden illustrates societies' indifference to human suffering through the form of his poem
and by alluding to artwork that compares human perceptions and juxtaposes ordinary images with
images of suffering and tragedy. The form of Musée des Beaux Arts ... Show more content on
Helpwriting.net ...
The lines are enjambed with phrases stopping in the middle of new lines and lines spilling into other
lines. The lines do not pause to acknowledge the end of sentences like people seldom pause their
daily lives to acknowledge the suffering of those around them. Auden also uses bad syntax in the
last line of the poem, "had somewhere to get to and sailed calmly on." Auden may have chosen to
write in this free form to demonstrate that people are so indifferent to what is going on around them
that it does not make any difference what form the poem is written in, as it will only be overlooked
and not given any attention. The form of the poem allows the reader to consider the ways in which
suffering is masked by the frenzy of everyday life and that even the acknowledged suffering of
others does not seem to be of any concern to anybody but the sufferer. Auden's poem is a criticism
of human perceptions and how we use them to detect, or suppress human suffering. In the first half
of the poem Auden "compares versions of indifference by portraying youth and age, animals, and
humans" (Shmoop, 2014). In the first few lines of the poem, Auden comments on the perceptions of
the "Old Masters" and how they were never wrong in their discernment of suffering. He then
compares the old masters perceptions to the perceptions of children and animals and how they are
unaware of,

Suffering In 'Musee Des Beaux Arts' By W. H. Auden
The poem, "Musee Des Beaux Arts" by W.H. Auden is a twenty–one line poem broken into two
stanzas. To the naked eye, this poem can appear super simple, but it is actually very complex. The
first stanza is the longer of the two and focuses on the idea of suffering and where it can be found.
He lists several instances of suffering and makes note that suffering will always be there, it is
unavoidable, but the suffering is not always in the center of the frame, it is not always the main
focus of the people and things around it. I find this incredibly true and accurate in everyday life. We
are all basically background characters in someone else's life and vice versa, they are just
background characters us, so they may not and probably will not always

Comparing Museacutee Des Beaux Arts And Giorgio De Chirico's
W.H Auden's poem Musée des Beaux Arts and Giorgio De Chirico's painting The Child's Brain
share a number of corresponding themes. They both deal with forms of childlike blindness.
Similarly, The Child's Brain presents a focal point of a character androgynous in appearance. As the
title suggests, the man may have the mind of one much younger than he, or he is harboring childlike
thoughts. Musée des Beaux Arts involves another issue. Humans are so caught up in their own
affairs that significant and melancholy events are nothing more than background noise. Auden uses a
simple writing format to portray this theme in an eerie way.
He uses an apathetic tone throughout the poem, with words such as "specially" (7), "anyhow" (11),
and "doggy" (12). By doing so, he ironically mirrors the nonchalant attitude of the first paragraph.
These ... Show more content on Helpwriting.net ...
On the contrary, shared biblical and Christian references are present as well. The style of the
painting mimics that of the Renaissance era. During that time, when a book in a painting had a red
bookmark, it was agreed upon as being a bible. The birth of Jesus and his crucifixion are also
portrayed in the poem, as the "miraculous birth" (6) and "dreadful martyrdom" (10). In the face of
these significant events, both the poem and the painting share an air of neutrality. This being the
expression or lack thereof in The Child's Brain, and the casual tone of Musée des Beaux Arts. The
greatest and most prominent theme these two pieces share, is the heavy tone of a childlike mindset.
Being different from that of the "Old Masters" (2). A child's mind is not the same as one whom is
older. Comprehending large events such as death are too relative a concept for such a young mind.
On the contrary, adults and children alike share the blindness, and thus the ignorance of significant
events that are too obscure to affect them

Icarus Brueghel And Williams Analysis
In both the painting and the poem Landscape the fall of Icarus Brueghel and Williams show
selfishness, Ignorance and peacefulness. The painting displays an equal feeling as the poem does.
Selfishness is a strong feeling that is expressed. Ignorance is something that has occurred from as
early as the 14th century. Peacefulness is felt through the positive connotations of the poem, also
through the city in the painting. Selfishness is displayed throughout the poem and the painting.
Selfishness is shown when "The farmer continues farming"(Painting Bruegel) and when "The
shepherd gazes at the sky"(Painting Bruegel). After seeing the painting one might say or think "I
would rush to help him" but the people in both the painting are too selfish to understand the concept
of helping other. In the poem the farmer is "ploughing his field"(Lines 4–5 Bruegel) and "there was
a splash quite unnoticed"(Lines 18–19 Bruegel). The poem are too focused on what their doing to
realize what they heard which is the splashing that was Icarus. The painting and the poem both show
forms of selfishness. Both the poem and the painting can make the reader feel a sense of selfishness
by just looking at the painting or reading the poem because no one helped Icarus. ... Show more
content on Helpwriting.net ...
The people stand by while Icarus drowns, which the painting depicts. " the whole pageantry of the
year was awake tingling near... concerned with itself " as Brueghel states (Brueghel 10). This quote
alone proves their ignorance as they worry only for themselves, as they put themselves before others
in need. One can see that a ship nearby the location of the horrific event a ship sails slowly by, it
was ignorant of the crew aboard the ship to bypass Icarus. The men aboard the ship as well as on
land, may have been able to save him if it was not for their ignorant

Musee Des Beaux Arts Meaning
Everyone goes through hard times, It doesn't matter whether you're rich, poor, a god, a human, a
dog, a horse, it doesn't matter. Everyone feels pain and suffering at some points in their lives.
Recently I read a poem titled,"Musee des Beaux Arts," by W.H Auden. In this poem he ties in three
messages about, how people tend to look away when bad things happen, suffering is surrounded by
the hustle and bustle of life, and when bad things happen others never forget. In the poem, Musee
des Beaux Arts" the first message is, when bad things happen, people tend to look the other way. For
example, even in the most beautiful places suffering happens. You might not notice it if you are
there to see the beautiful sight. The quote that reminds me of

Comparing Museacutee des Beaux Arts and Life Cycle of...
Comparing Musée des Beaux Arts and Life Cycle of Common Man
"Musée des Beaux Arts" and "Life Cycle of Common Man" share a common theme, though the
imagery they use to express it is quite different. Both poems have the theme of life goes on or life
stops for no one. The difference in imagery is the difference between the general and the specific. I
believe that the theme of both poems lies in the same vein, but they take different paths to its
development. Auden speaks more about society in general; then, he gives an interpretation of a
painting as an example. On the other hand, Nemerov expresses the theme through the "life cycle" of
one man, but is this one man––everyman? The "they" of Auden's poem?
In the first thirteen ... Show more content on Helpwriting.net ...
This really is not the case because they are both part of the same essential experience. The only
difference is the distance they have traveled down life's path. While the "aged are reverently,
passionately waiting / For the miraculous birth . . ." the children go on about their play, thinking of
all the days ahead while the aged sit waiting and thinking about all the days behind. The only
difference between the aged and the children at this point in life is their perspective.
Instead of continuing on about the subtle differences in life, Auden goes back to how life goes on
everywhere no matter what. He moves out of the realm of people and into the ambiguous areas of
"there" and the world of animals: "Anyhow in a corner, some untidy spot / Where the dogs go on
with their doggy life and the torturer's horse / Scratches its innocent behind on a tree." He is stating
that no matter what is happening around you somewhere in the world life is going on regardless of
events good or bad. This human experience that we are all in is an all–encompassing event that will
continue along its ineffable course until its conclusion.
Auden then makes a shift from the general to the very specific by using Brueghel's Icarus as an
example of his point. He describes the painting very well‹even if you have never seen it, you could
understand what is happening in the

Musee Des Beaux Arts By W. H. Auden
Musee des Beaux Arts by W. H. Auden starts his poem by honoring painters who painted about
suffering and society's arrogance to the nature of suffering. People focus only on their lives and
children continue to play, all unconcerned with the suffering of others around them. Auden brings
the painting of Icarus to show the indifference of humanity to individual suffering. The central point
is to show that everyone is caught up in his or her own lives and enjoyment that they ignore the
suffering of the world around them. I myself agree with the poem that we as a society focus more on
our lives and what affects us. I work at a nursing home and have become very close to the residents I
care for, and every day I see them many will tell me they have

Ekphrasis In Auden's Poetry: A Work Of Art
Auden is a poet from the XXth century. As such, he has suffered the wars that have stricken the
period. The ekphrasis, which is a literary description of a work of art, is used by Auden in his poems
"The Shield of Achilles" and "Musée des Beaux Arts". As part of his great concerns were the
political and psychological conflicts that existed then. In the aforementioned poems, Auden uses the
ekphrasis to denounce people's indifference to human misery.
First of all, Auden uses the ekphrasis in "The Shield of Achilles" as a means to denounce the mores
and practices of his society. Auden's "Shield of Achilles" is derived from Homer's "Shield of
Achilles. Both authors make a description of the Achilles' shield. One (Homer's) is ameliorative and
the ... Show more content on Helpwriting.net ...
He invites us into a tour of the "Musée des Beaux Arts", in order for the reader to understand the
"Old Masters' point of view which is displayed in the paintings. The pronouns 'its" and "it"(line 3)
refer to the word suffering. Then, the following verses are meant to contrast with the suffering
people experience. Those verses are descriptions of what is happening while other people are
experiencing suffering. Unlike what we can imagine, the people described are not themselves in
pain, they are just occupied with their everyday activities: "While someone else is eating or opening
a window or just walking /dully along"(lines 4 to 5). Also, even a "miraculous birth"(line 7) does not
keep people from being self–centered. In the first stanza, the author wants to insist on the fact that
meaningful events are occurring, but people are not paying attention to what surrounds them. They
just focus on their matter. In the second stanza, Auden names the work of art on which he is making
the commentary: Brueghel's Icarus. Brueghel painted Icarus in such a way that the part of the
painting that is relevant to the title of the painting remains discrete. A disaster is occurring. Indeed,
Icarus has fallen from the sky, and is now drowning. We can see his legs outside the water. Still, no
one seems to care. The ship "that must have seen"(line 21) Icarus' legs "sailed calmly on". Auden
here personifies the ship. This

Irony Of Suffering In Chopin's The Awakening
At the end of the Awakening, Chopin wants the reader to feel a sense of pity for Edna and at the
same time feel that Edna's death is unimportant to society within the book. The first painting of the
fall of Icarus perfectly illustrates the ignorance of Icarus suffering when he falls to land due to his
actions of not listening to his father. In the first painting, the reader's eyes are immediately drawn to
the ploughboy and the scenery of the empty sky above him. This initial observation shows the irony
of the situation and that not only does the picture focus on the ploughboy instead the more important
tragedy of Icarus but also how the freedom of the empty sky is in contrast to Icarus in the sea. Like
Icarus, Edna exceeds the limits of her ... Show more content on Helpwriting.net ...
This ignorance to suffering is similar to Edna's suffering throughout the Awakening and that the
people around her are oblivious to her desires to be individualistic and not restricted to society's
norms. An example of this oblivious attitude is when Mr. Pontellier sees Doctor Mandelet to tell
Mandelet that his wife is "odd" and "not like herself" as well as ask Mandelet if there is anything
wrong with his wife because he "can't make her out" (Chopin 88). Immediately the readers see that
Mr. Pontellier doesn't get his wife's situation and that Edna is suffering due to her constant
responsibility as a mother and a wife. Edna is metaphorically drowning in society's expectation, like
Icarus, without anybody attempting to save her from this situation. From this constant struggle to
escape, Edna finally escapes but then is immediately brought back to the same problems, unable to
get rid of her responsibility. As a result, Edna holding on to her individuality in the midst of
suffering all the way to her death invokes a sense of pity from the readers and that society is
oblivious to Edna's

The Era Of The Industrial Revolution
When the Industrial Revolution started, it resulted in the world changing at a high pace. So, the
people started to desire a simpler, and a more stable time. That's when the revival of ancient
architecture started to form. Each type of revival style was associated with a specific architect, for
instance, A.W.N. Pugin was England's leading Gothic revivalist. The revivals of the ancient
architecture influenced the architectural designs of many architects of the time. Two of the most
noted architects in the nineteenth century who were influenced by the architectural revivals were:
Richard Morris Hunt, the leading architect to the Beaux Art style; and Henry Hobson Richardson,
the father of the Richardsonian Romanesque architecture. The ... Show more content on
Helpwriting.net ...
Its style combined classical ideas from the ancient Greek, Roman, and Romanesque architecture and
deployed their ideas into its architecture (Carven, 7/27/2016). The Beaux's Art style influenced
architecture between 1880 and 1920, but its popularity ended with economic hardships from the
great depression. Beaux Arts style emphasized the classical forms and features by showing elaborate
details while having heavy masonry, and massive plans. The Beaux Arts displayed elaborate details
by integrating sculpture that was influenced by the Baroque and Rococo styles. It also had classical
details such as pilasters, balustrades, and garlands. It was highly ornamented to the point that an
elaborately decorated surface with little areas left unornamented became the hallmark for the Beaux
Arts style (Architectural style of America, n.d.). Also, the Beaux Arts style is symmetrical because it
was influenced by the ancient Greek revival. Columns, arches, vaults, and domes were all elements
of the Beaux Arts. They used all of these elements and characteristics to try and imitate the
European Aristocracy houses. Beaux Arts main clients were the "would be American aristocrats"
who have accumulated a massive amount of wealth throughout one or two generations. His main
clients had to be the super wealthy people of the time because the Beaux Arts style of architecture
had massive plans and heavy masonry, which means that his clients should be

##versical Dilemmas, And Peter Singer's The Singer...
The subject of suffering has been a discussion of debate among numerous philosophers for many
decades. In the article, "The Singer Solution to World Poverty," Peter Singer forms two theoretical
scenarios to encourage readers to consider their obligations in aiding children in need; in the poem
"Musee des Beaux Arts," by W.H. Auden, employs the use of two paintings to illustrate the
indifference of humanity to individual suffering. At first, readers will say that both pieces are
noticeably different in terms of selflessness, but a thorough inspection of both works uncovers a
misleading truth that imply controversial opinions on the issue. The usage of imaginary incidents in
both writings contain problems of distortion of actuality. The inaccurate evidence will likely trigger
readers to be inclined to reach deceptive assumptions in regards to the author's proposed solutions.
First, in "The Singer Solution to World Poverty," Singer deceives actuality when he generates two
events in which an individual is faced with an ethical dilemma whether to save a child or sacrifice
his or her luxuries. In the second scenario offered by Singer, Bob faces the choice of either turning
the switch on the railroad to save a child or letting the train destroy his life savings, a Bugatti.
Furthermore, people will condemn Bob for not freeing the child. Though, Singer argues as there is
no distinct line amongst the situation and the real–life issue of donating money to children in need,
wealthy

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