A few images presented as the website is being finalized. I have an Etsy shop featuring the small works: https://www.etsy.com/shop/landfall

1. L O R I K E N T
Photography • Painting • Drawing • Community-based Projects

2. p h o t o g r a p h y

3. Post-Katrina Series 1 (2008)

4. Post-Katrina Series 1I (2008)

5. Post-Katrina Series 1II (2008)

6. Post-Katrina Series 1V (2008)

7. Crevice • B/W Hand-colored Photograph • 11 x 14

8. Terra Cotta • B/W Hand-colored Photograph • 11 x 14

9. Japanesme • B/W Hand-colored Photograph • 11 x 14

10. Dawn • B/W Hand-colored Photograph • 11 x 14

11. Dark Place • B/W Hand-colored Photograph • 11 x 14

12. Cloak • B/W Hand-colored Photograph • 11 x 14

13. Elephant Ear • B/W Photograph • 8 x 10 •

14. Untitled • Photogram • 11 x 14 • 2001

15. Elephant Ear • B/W Photograph • 8 x 10 • 1998
Daisy Chain • Hand Colored b/w Photograph • 8 x 10 • 2001

16. Forrest • Polaroid Transfer • 3 x 5 •2003
Untitled • Polaroid Transfer • 3 x 5” • 2002

17. d r a w i n g s

18. The Long, LongWalk (2009) Encaustic,Acrylic on Wood From the recent “The Art of Travel” exhibition at Tinku Galllery,Toronto
Untitled Drawings (Chatellerault)
Mixed Media • 5 x 7” each
2018

19. The Long, LongWalk (2009) Encaustic,Acrylic on Wood From the recent “The Art of Travel” exhibition at Tinku Galllery,Toronto
Drip/Fall (Chatellerault)
Graphite • 8 x 8”
2018

20. The Long, LongWalk (2009) Encaustic,Acrylic on Wood From the recent “The Art of Travel” exhibition at Tinku Galllery,Toronto
Luncheon (Venice)
Ink • 9” x 12”
2017

21. p a i n t i n g s

22. The Long, LongWalk (2009) Encaustic,Acrylic on Wood From the recent “The Art of Travel” exhibition at Tinku Galllery,Toronto
Study
Mixed Mediaon Canvas • 16” x 20” each
2018

23. The Long, LongWalk (2009) Encaustic,Acrylic on Wood From the recent “The Art of Travel” exhibition at Tinku Galllery,Toronto
Untitled
Oil on Canvas • 8 x 8” each
2009

24. Untitled (Seedlings)
Encaustic on Wood • 6 x 6”

25. Square Mile • Encaustic on Wood • 6”h x 4”w x 5”d”

26. P a s t o r a l I n d e x
2005
Encaustic Exhibition at the Mooney Gallery, College of New Rochelle
From the artist statement:
In this series, memory-based landscapes are reduced, veiled, and recounted from the perspective of an
automobile passenger. These images of place can be recognized by color and form as pasture, cultivated
farmland, tropical garden and iron oxide-rich desert. They serve as a visual index, guiding or pointing out
experiences of the American roadside. As indexes, they indicate relationships between landscape’s
elements.
Pastoral Index continues a long tradition of the idealization of rural life that first originated with Latin and
Greek poetry of the Third Century b.c.e.. First conventions were shaped as dialogues between
shepherds (Pastoral is from Pastor, Latin for shepherd) and have evolved in more recent history to a
focus on Nature as ideal.
Issues embedded in the Pastoral sometimes have to do with mourning, loss and a hope for immortality.
Nature reminds us of our smallness and fragility. The sparse landscape of the American Southwest, for
example, reminds travelers that it was here before us and will continue after our existence. These
neopastoral elements are nature that is idealized beyond its own ability to exist. Twenty-first century life
fights against ennobled nature, and some believe, nature itself. Louv1 argues that children now suffer
from “nature deficit” * and laments that real and imagined dangers and the seductions of high technology
rob children of contact with natural worlds. Yet, our minds and bodies were designed for pre industrial
existence. Reclaiming a place in nature could possibly make contemporary life more whole. Pastoral
Index asks us to simply reflect on neglected passion for natura.
*see Last Child in the Woods: Saving Our Children from Nature Deficit Disorder by Richard Louv.

27. InstallationView • Encaustic on Wood • 22’ x 4’ aprox.

28. Installation Detail • Encaustic on Wood

29. Untitled • Encaustic on Linen Panel • 16 x 20”

30. Untitled • Encaustic on Linen Panel
16 x 20”

31. L i v e s o f T r e e s
2004
Encaustic Exhibition at Peligro Gallery, New Orleans
From the artist statement:
The Lives of Trees stems from old memories of green worlds. These landscapes
are products of long drives across the Gulf Coast’s empty highways and of late
summer evening play. Some paintings depict grasses with distant tree clusters
while others are representations of the dignity and individualism of a single tree.
The wax surfaces veil the details of the botanic forms yet the recurring images of
southern trees creates a familiarity. This series is for those who remember a
childhood spent in undeveloped fields and woods turning trees
into imaginary worlds.

32. InstallationView

33. Installation Detail

34. Roadside I • Encaustic on Wood• 16 x 20” (2008)

35. Roadside II • Encaustic on Wood• 16 x 20” (2008)

36. F e a r o f W a t e r
November 4 – 5, 2006
Community-Based Art Project, New Orleans
About the project:
The public was invited to view art in process and engage with artists during the
Fear of Water event. Seven noted New Orleans-based visual artists gathered to
produce prints on the subject of Hurricane Katrina. A temporary studio was
constructed on the second floor of Peligro Gallery, in the heart of the French
Quarter, where artists worked and told stories about the storm. Over a two-day
period, participants collaborated on making prints on-site. Printmaking techniques
include linoleum and wood block printing, image transfer methods, and one-of-a-
kind monoprinting. The project’s vision was to bring New Orleans native artists
together to create visual and oral documentation of their lives after the storm.
The select artists are unified by long-term residency in New Orleans,
commitment to a cultural rebuilding of the city, and the need for visual
expression on this omnipresent topic.

38. Curiosity Cat
Puppet/ Performance Prop
Found Materials
6” x 6”