Murder On The Orient Express

Murder on the Orient Express
Murder on the Orient Express by Agatha Christie is a novel about mystery and crime. It takes place
in winter on a train that's on its way to Paris. Unfortunately, they run into a snowdrift. Now, they're
stranded in the middle of nowhere with a murdered man on board. In the beginning, a man by the
name of Ratchett consults Hercule Poirot, (Inspector) about a problem of his which is that he has an
enemy. Ratchett would like Poirot to keep him safe since his life has been threatened but Poirot
refuses the case. Later that night, Mr. Ratchett gets assassinated. When the corpse is found, Poirot
and other men initiate an investigation to find his murder and they interrogate all of the people on
the train. Afterward, when Mr. Ratchett's identity ... Show more content on Helpwriting.net ...
The antagonist in Murder on the Orient Express is Mr. Ratchett, who is a criminal. Mr. Ratchett had
an "unprepossing face, noting the false benevolence of the brow and the small cruel eyes"(25).
Mr.Ratchett was a evil, malevolent man because he kidnapped for the money. For example,
"Cassetti, who ran the celebrated kidnapping stunts including the famous affair of little Daisy
Armstrong"(76). Mr. Ratchett is important in this novel because he's the man that got murdered and
from beginning to end they try to find out who eradicated him. The audience for this novel would be
people who are drawn into crimes and investigation. The tone of it is suspenseful and mysterious for
example the tone gets quite suspenseful when M.Bouc says, "The murderer is with us on the train
now...."(44). The purpose of this novel is to entertain because it is fiction. The message is rather
lucid and karma does exist because Mr.Ratchett thought that he could get away with all he did and
live his life but little did he know that what he was doing was coming right back at him. I enjoyed
all the mystery, it had a lot of details and it kept me wondering who the killer was throughout the
novel. One of the drawbacks however, was all of the outdated language, it would've been helpful if
it would have the meanings in the backside of the book. Also, the ending was confusing, I would've
liked to know
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Analysis Of Agatha Christie's Murder On The Orient Express
After reading all evidence in Agatha Christie's Murder on the Orient Express, I strongly believe that
Hector MacQueen murdered Samuel Edward Ratchett on the Orient Express for various reasons. All
evidence points to Hector MacQueen where he stabbed his boss twelve different times all over his
body. Hector MacQueen was Ratchett's secretary for over a year where Ratchett offered him a job
while they met in Persia. To start off, MacQueen tells Hercule Poirot in his interrogation, the
detective of the case, that he did not like nor trust his employer at all. The first point of evidence that
points to MacQueen was that MacQueen remotely thinks that Ratchett was murdered once he was
told that his Ratchett was dead, "'So they got him after all'"(Christie 49). Right after he said that I
think Poirot got him quickly off guard. The second point of evidence that points to MacQueen as the
murderer is the story of the murder of Daisy Armstrong. In chapter four, the readers learn that
Samuel Edward Ratchett was not his real name. His real name is Cassetti, the lead of the gang that
killed Daisy Armstrong. To flee America to avoid being arrested, Cassetti left the United States and
changed his name to Ratchett. You must be wondering, what does this have to do with MacQueen?
The readers learn in the second interrogation of MacQueen that MacQueen's dad was the district
attorney of the Armstrong case. To go along with MaQueen said, "'If ever a man deserved what he
got, Ratchett or

Essay about Orientalism
The definition of orientalism takes up no more than two sentences in the dictionary. Coincidentally,
Orientalism came to be such a complex and deep concept which Said devotes his entire book in
discussing about it. His book – Orientalism unfolds the history of the Orientalism, reveals the "dark"
side of an orientalist's mind and describes the different dimensions of Orientalism. He also attempts
to expose the truth of the Orient, which he warned that: "One ought never to assume that the
structure of Orientalism is nothing more than a structures of lies or of myths, which were the truth
about them to be told, would simply blow away" (Said). In order to understand the truth Said`s
referring to, one ought to first understand the origin and ... Show more content on Helpwriting.net ...
And authority here means for "us" to deny autonomy to "it" – the Oriental country – since we know
it and it exists, in a sense, as we know it" (Said, 32). [Because they have the knowledge about the
Egyptians, they feel like they have the power and authority to take over the nation and colonializing
it.] Surely, Balfour's claim of the profound knowledge about Egypt is actively linked with political
imperialism and colonization of Egypt. Said reinforces his argument about knowledge and power
once again by referring to the quote by Cromer "knowledge gives power, more power requires more
knowledge, and so on in an increasingly profitable dialectic of information and control (Said
36).Thus, Knowledge serves as a powerful tool to allow the West to explore, control and govern the
"Other". Consequently, knowledge about the Orient is the start and the result of European
domination, possession, and rationalization of the Orient, as one shall see in the following
paragraphs.
Domination/Possession:
Another key feature about Orientalism is that it puts Europe in the position of power and domination
(Said, 40). Orientalism promotes the segregation of the East

Characterization Of Oriental Society From Two Perspectives
The Other: The Characterization of Oriental Society from Two Perspectives The European's view of
the orient was not flattering. As a group, they understood that their culture was different from many
of the cultures present in the Oriental world. Unfortunately, the people of the west did not appreciate
the differences between themselves and the people of the East. Consequently, they were unable to
fully relate to the people of orient in a meaningful or sympathetic way. Their inability to empathize
with the East limited their understanding of the oriental nations as a whole. These limits revealed
themselves in the form of the Europeans' negative characterization of the oriental people. They
characterized Easterners as uneducated, lazy, and merciless individuals. Eventually these negative
characterizations led to the belief in the superiority of the Western society over the people of the
orient. However, there were some who attempted to characterize the people of the orient from a less
limited perspective. Lady Mary Wortley Montague's The Turkish Embassy Letters (1763) attempt to
create a flattering and sympathetic view of the oriental person is greatly overshadowed by some of
the inherently oriental ideas in her characterization of them. Therefore, even though Renault's
Summary Judgement under the Moorish Kings of Grenada does not attempt to create a positive view
of the Oriental society; he does echo some of the oriental ideas present in Montagu's letters. Lady
Montagu

The Stereotypes Of Orientalism In Disney Films
'Orientalism' is Westerners have stereotypical misconceptions about Easterners. It has been
presented throughout all types of both literatures and media for centuries. The Disney films are the
media that has been present 'Orientalism.' 'Orientalism' has also displayed itself within the Disney
films in order to create for the entertainment of the audiences especially the children. However,
there are still issues especially the stereotyped characters and settings of the East within these films.
For example, the stereotype of Arabs and Muslims is the murderous and violent or the Indians are
savages through the western's view. As being the main target audience for Disney films, the children
Who learn among other things, morals from these films

Japanese Animation and Identity Essay
Japanese Animation and Identity
In Orientalism, Edward Said claims that, "as much as the West itself, the Orient is an idea that has a
history and a tradition of thought, imagery, and vocabulary that have given it reality and presence in
and for the West" (5). The complex network of political, economical, academic, cultural, or
geographical realities of the Orient called "Orientalism" is a way of coming to terms with the Orient,
or to be less geographically specific, the Other. Although Said defines Orientalism to be specifically
Franco–British experience in the Arab world, his basic arguments can be applied to the process of
Othering in a more general sense. Especially his idea of "representation" plays a central role in the ...
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In other words, not only construction but deconstruction of the dubious entity "Orient" require the
West (the Orient's agent) to speak for the Orient. Another problem is what Said calls "a triumph of
Orientalism" (323) today, the major source of which is no longer Britain or France, but the United
States, the democratically totalizing economy power. It means cultural domination on the one hand
("Orientals" educated in the United States repeat the Orientalist cliché), and economic absorption of
poor nations on the other (consumerism in the Orient). A simple example Said takes up is "the
paradox of an Arab regarding himself as an 'Arab' of the sort put out by Hollywood" (325). The
Orient, in short, playacts its image as imagined by the West. This is far more problematic than the
former form of Orientalism because the subject position of an "Oriental" is now realized only as the
subject that (re–)presents itself as the Other before the Western eyes, as imagined by the West: and
this Western gaze is what the Oriental subject identifies her/himself. It is disappointing in a sense
that Said does not develop his arguments more than the idea that this phenomenon of cultural
domination is only the Orient's

A Summary Of The Orient Express
Hercule Poirot says goodbye to his partner Dubosc and boards the Taurus Express train to Stamboul.
While riding the train to Stamboul, Poirot observes two passengers, Mary Debenham and Colonel
Arbuthnot. The two passengers appear to be strangers, but Poirot notices behavior that suggests they
are not. One day passes and the train arrives in Stamboul; Poirot checks into the Tokatlian Hotel, as
soon as Poirot checks into the hotel he receives a message asking him back to London. While
waiting, at his hotel, for his next train to arrive Poirot bumps into an old friend, M. Bouc, head of
the Wagon Lit. M. Bouc arranges a space for him on the Orient Express. In the dining hall at the
Tokatlian, Poirot spots Ratchett and Hector McQueen eating dinner. Poirot knows that Ratchett has
done some terrible things, and he describes him to M. Bouc as an animal. After dinner Poirot boards
the Orient Express, he is made to ride second class because the train isn't usually full. That night M.
Bouc decided to give Poirot the last first class cabin so he could ride second. The next day in the
dining car Ratchett approached M. Poirot; he told him he needed Poirot's protection because
someone was threatening his life. Even though 20,000 dollars was offered, Poirot turned him down.
That night, M. Poirot was awoken by a scream coming from the cabin next to his, Ratchett's. The
wagon lit conductor knocks on Ratchett's door and a voice says, "It is nothing. I am mistaken".
Poirot has a very

Orientalism In The Talisman
In his book Orientalism (1978), Edward Said (1935–2003) critiques modern Orientalist prejudices
against the Orient(and Islam as a study case). To him, "No matter how deep the specific exception,
no matter how much a single Oriental can escape the fences placed around him, he is first an
Oriental, second a human being, and last again an Oriental." (102) Not only did nineteenth century
Orientalists make generalizations about the Orient, but they also tried to domesticate it, represent it,
and speak on its behalf using their own vocabulary. Said asserts that:
The European representation of the Muslim, Ottoman, or Arab was always a way of controlling the
redoubtable Orient, and to a certain extent the same is true of the methods of contemporary learned
Orientalists, whose subject is not so much the East itself as the East made known, and therefore less
fearsome, to the ... Show more content on Helpwriting.net ...
Here the individual is separated from the general. This as well can apply to Carlyle's portrayal of
Mohammad as he distinguishes the Prophet from the barbaric Orient he comes from. In Scott's novel
The Talisman, Sir Kenneth (of the Crouching Leopard) battles a single Saracen to a standoff
somewhere in the Palestinian desert; as the Crusader and his opponent, who is Saladin in disguise,
later engage in conversation, the Christian discovers his Muslim antagonist to be not so bad a fellow
after all. Yet he remarks:
"I ,well, thought that your blinded race had their descent from the foul fiend, without whose aid you
would never have been able to maintain this blessed land of Palestine against so many valiant
soldiers of God. I speak not thus of thee in particular, Saracen, but generally of thy people and
religion. Strange is it, however, not that you should have the descent from the Evil One, but that you
should boast of it." (Scott,

The Idea of Orientalism Portrayed in James Cameron's Avatar
The Idea of Orientalism Portrayed in James Cameron's Avatar
Abstract
In brief, this study discusses about the representation of orientalism idea which is portrayed in the
film Avatar. The film tells about the conflict between human and native people in Planet Pandora,
where human exploits the land and oppresses the native. This study explores in what way the idea of
orientalism is represented and how both narrative and non–narrative aspects of the film helped in
delivering that representation.
Indeed, to explore the focus of analysis, the study will be completed by applying orientalism
criticism proposed by Edward Said. Thereby, this research will be a qualitative research where the
data is taken from the film Avatar, library ... Show more content on Helpwriting.net ...
Besides all the awards and the technology this movie has presented, the clear depiction of
Orientalism idea in this movie becomes the main reason Avatar is chosen to be the subject of this
study. The plot of this movie tells about the exploitation done by human towards Planet Pandora, the
place in which the valuable mineral can be obtained. In that place, human has to face and overcome
the struggle of the native called Na'vi who opposes the land exploitation. Human scientists invent
the avatar program which enables human to drive their avatar body, a genetically–bred human–Na'vi
hybrid, and therefore human can freely observes and persuades the native to surrender their land.
Here, the idea of Orientalism clearly depicted in the way human represents the native as primitive
and uncivilized and how human tries to educate and build the native in the way human believes to
be the best way.
There are several critics towards Avatar which states that this movie contains racist themes in which
the white hero once again saving the primitive natives. The editor in chief sci–fi magazines Jesse
Washington writes that Avatar reminds her of Pocahontas story which also tells about how the main
white characters realize that they are complicit in a system which is destroying aliens or people of
color, and then go beyond assimilation and become leaders of the people they once oppressed.

Murder Of A Murderer: Murder On The Orient Express By...
Murder of a Murderer: Murder on the Orient Express by Agatha Christie While murder is widely
considered to be the most abhorrent and atrocious act one can commit, Murder on the Orient
Express by Agatha Christie takes the dark and tainted act, and raises the question of its' moral
implications. The murder victim in the novel, Mr. Ratchet, has a previous alias, Mr Casetti. He is
responsible for the kidnapping and murder of a young girl, Daisy Armstrong. He pretends she is
alive, and extorts money from her family for her "safe return". He blackmails the authorities:
allowing him to escape from the deserved punishment. Daisy's family decides to take matters into
their own hands, and seek vengeance for the young girl. The question of whether murder ... Show
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I'm rejoiced at his end. Such a man wasn't fit to live" (84). To the passengers, he is as an
abominable, cruel and disgusting individual, undeserving of life. His appalling actions outweigh one
of the most basic human rights: the right to live. Furthermore Casetti escapes all forms of
consequence for his deplorable crimes: "But by means of the enormous wealth he had piled up and
by the secret hold he had over various persons, he was acquitted on some technical inaccuracy . . . .
He changed his name and left America. Since then he has been a gentleman of leisure, travelling
abroad and living on his rentes" (71). Due to him not being held accountable by the law, the
Armstrongs and their friends take matters into their own hands. If such a wretched and despicable
man could get away with murder, thenthe family have no other option, to punish him for the death
of Daisy. Despite having no previous connections to the young girl, Poirot, Dr Constantine, and the
director of the Orient Express,Monsieur Bouc, decide to let them go: Poirot looked at his friend.
'You are the director of the company M. Bouc' he said, 'What do you say?'. M. Bouc cleared his
throat. In my opinion, M. Poirot' he said 'the first theory you put forward was the correct one –
decidedly so. I suggest that that is the solution we offer

Murder On The Orient Express Persuasive Essay
Have you ever wrestled with a question about morality, and had a difficult time coming to a
conclusion? Do you ever wonder if this is something Poirot wrestled with? I think that he has. In
Agatha Christie's Murder on the Orient Express, the conclusion comes to quite a surprise. Every
suspect on the train took part in committing the murder. What decision should Poirot make? Should
he let each person off the hook, or should he allow all twelve of them to be prosecuted? Their final
verdict is what this whole debate is about. First, Poirot presents two explanations for the murder. His
first explanation includes a small, quiet–voiced man who left the train sometime after or around the
murder. He escaped the train and was never seen again. The second explanation is the accurate one:
that each person on the train was involved in the murder. Why would they all be in on this? Each of
the twelve seemingly unrelated people were in some way connected to the Armstrong family. They
worked together to murder this man because of the damage he had inflicted on their family. Cassetti,
also known as Ratchett, is responsible for the death of Daisy Armstrong. Cassetti had not received
punishment from the law for his wrongdoing; therefore, the family ... Show more content on
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Poirot does not make the final decision himself. In fact, he turns the question over to Dr. Constantine
and M. Bouc. In the last chapter, Poirot states, "'You are the director of the company, M. Bouc,' he
said, 'what do you say" (315)? After some thought, M. Bouc and Dr. Constantine decide to tell the
police the first explanation for the murder and let the real murders be set free and unpunished. After
both Dr. Constantine and M. Bouc announced their final decision, Poirot states, "'Then, ... having
placed my solution before you, I have the honour to retire from the case...'" (315). As seen, Poirot
does not dispute their decision. In fact, he accepted their conclusion without

Murder On The Orient Express Analysis
Murder on the Orient Express by Agatha Christie gives the reader a lot of information and
reasonable suspicion for each person on the train, however, she does not definitively single out one
person who is responsible for the crime within the first two parts of the story. Once Ratchett, the
victim, is murdered, Bouc appoints Poirot to be the detective of the case. In part two of Murder on
the Orient Express, Poirot organizes a makeshift courtroom in the dining car where he can interview
each of the passengers. After the interviews, everyone has their own alibi but each person also has
some sort of suspicion surrounding them. The person I think is responsible for the murder of Ratchet
on the Orient Express is Miss Mary Debenham. From the very first chapter, Ms. Debenham is
extremely suspicious. Before the book takes place on the Orient Express, the setting in the first few
pages is on the Taurus Express in which Poirot, Miss. Debenham, and Colonel Arbuthnot are aboard.
Poirot, as he often does, likes to study people to pass the time and this time was no different. He
describes Ms. Debenham as a type of women who could take care of herself and one who is cool,
calm, and collected. During this first chapter, the train stops for a while after it arrives in Konya.
Colonel Arbuthnot and Miss Debenham go out to stretch when Poirot overhears something Ms.
Debenham told the Colonel. "Not now. Not now, When it's behind us – then –" (Christie 11). This is
extremely concerning given

A Critical Analysis Of The General Idea Of Orient Spread...
In 1978, Edward Said made a critical analysis on the general idea of Orient spread in the Western
world. He demonstrated that Orientalism is a way of cultural domination of the West against the
East, and therefore it is none other than a product of European ethnocentrism. Furthermore, the
Europe came to be self–confident that it is a mission of the West to save and develop the Orient,
which led them justified their colonisation. In doing so, he also pointed out, the conviction of their
own knowledge of the Orient gave a power of domination to the Europeans. (1978, p.11) In this
essay, I will argue that these Said's insights are useful to understand why development has been
viewed as necessary and how development has actually been conducted by the West. Cases of India
and African countries will be illustrated as examples.
Understanding the Background of Development Said's comment help us understand the background
of development. The origin of development can be truck back to the time of colonization. The 15th
century was a century of 'encounter' to the non–European people for the Western people whose
intention to acknowledge and modernize the non–Europeans was based on an idea to spread
Christianity. (Rojas and Kindornay, 2014, p.12) It was a mission for the 'us' Christians to teach
'them' who are yet to understand the greatness of Jesus Christ. As its universalist aspirations came to
mismatch the global design of the West in the 18th century, the concept of civilizing

The European 's Streamlined View Of The Orient
The European's streamlined view of the orient was not flattering. As a group, the Europeans
understood that their culture was different from many of the cultures present in the orient.
Unfortunately, they did not appreciate the differences between themselves and the orient.
Consequently, they were unable to fully relate to the orient in a meaningful or sympathetic way.
Their inability to emphasize with the orient limited their understanding of the oriental nations as a
whole. These limits revealed themselves in the form of the Europeans' negative characterization of
the oriental people. Oriental individuals were often viewed as uneducated, lazy, and merciless
individuals. They were considered inferior to the Europeans, thus the Europeans believed that they
had every right to rule over them. However, there were some who attempted to broaden their
understanding of the orient from a less limited perspective. Lady Mary Wortley Montague's The
Turkish Embassy Letters (1763) attempt to create a flattering and realistic view of the oriental
person. Her attempts are greatly overshadowed by some of the inherently oriental ideas in her
characterization of the orient that are expressed in Henry Regnault's Summary Judgement Under the
Moorish Kings of Grenada. Lady Montagu attempt to portray people of the Orient as moral
individuals' contrasts with the European streamlined understanding of the Orient. This attempt is
clearly depicted in her description of the Turkish ladies. According

Turkish Embassy Letters Summary
The primary source that I have chosen is "Turkish Embassy Letters" written by Lady Wortley
Montagu and edited by Malcolm Jack. In this reading the author describes her journey in the Middle
East. She gives her perspective on her adventure, which is very important because it can help
eliminate orientalism and the negative views about the Middle East. It also gives us an idea on how
the Middle East looked like during the 1700s. Orientalism still exists today and I will be showing
examples from the text on how Montagu's trip proves how orientalism is wrong. Edward Said stated
that, "American understanding of the Orient will seem considerably less dense (Orientalism Pg. 2)."
Everyone has their own assumptions and I believe this reading can help eliminate the assumptions
of the Middle East and to improve awareness of orientalism. ... Show more content on
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Europeans tend to have a prejudiced view on the Middle East called "orientalism". This view tends
to have a negative perspective on Arabs thinking that they are sly, lazy, erotic, poor, exotic, and not
as advanced as Europeans. However, Montagu explains that the Grand Vizier's lady and her husband
are "entirely given up to devotion". The husband never takes on bribes and they donate money to
charity (Turkish Pg. 87). If Arabs were sly, poor, and lazy they would not be donating their hard
earned money and would be taking on bets to earn more. This couple is rich and gives there all to
their god through worship, faith, and good

Essay Orientalism
Misunderstanding between East and West has become so common today that the clash between the
two civilizations has become a cliché. In recent history, numerous wars and conflicts have erupted
as a result of Occidental misperceptions of the Orient and vice versa. To the European mind, the
Maghreb, Persia, the Levant, Arabia, Anatolia, and the adjacent lands are but a single entity evoking
poetic visions of the Orient. While it may be true that among these regions, certain commonalities
exist, diversity and the richness of several cultures more aptly describes the Orient. Edward Said's
"Introduction" to Orientalism aids readers in understanding the basis for Rhonda Vander Sluis's
companions – prejudice and stereotype – in her search for ... Show more content on Helpwriting.net
...
Whether general or specific, the West's perception of the East is just that – a perception – it is the
view of an outsider, not reality. The problem this creates is that the "Orient" is merely what the West
has decided it is. The East is alien and therefore it can be studied with a pretense of objectivity and
distance without the constraints of veracity. It was the romantic images of an exotic Oriental
civilization promulgated by European and American writers that prejudiced Vander Sluis upon her
arrival in Turkey. However beautiful, the Orient was a backward place to Western sensibilities. She
initially believes that Muslims of the Orient were "'unreached people'" who can be evangelized and
brought into the Western and Christian sphere (Vander Sluis 274). Rather than being unreached, the
Turks Vander Sluis encounters are even more fervent in their religious convictions than she. Making
such broad assumptions about people of another culture is not only unfair to the people who are
judged, but also unnecessarily limits the opportunities and experiences of those who pass judgment.
Vander Sluis warns her readers to avoid the stereotypes she brought with her to Turkey so that,
unlike her, we can appreciate the goodness of the people we encounter in life without suspicion. The
specter of Orientalism is so pervasive in Vander Sluis's experience that it initially prevents her from
accepting the hospitality of her hosts

The Orientist Orient : The Orientalist's Orient
The Orientalist's Orient
In short, the orientalists' aim is to speak for the Orient. Their method was simply to render the
Oriental man incapable of representing himself or his environment. Thereafter, it became the duty of
the modern and knowledgeable Western man to speak for and redefine the Orientals. "The
unfortunate danger is that this premise is officially upheld by the Western authorities and is given
more authority than what is occurring in the orient." (Said, 1977 Pg.93–94).
Inferior and Inorganic Languages
Orientalist Renan endeavored to elevate the Semitic languages to a scientific level for the advanced,
intelligent and superior Western European mind only to boost his belief in European dominance
over the East. He regarded everything Semitic such as their language, history, and culture to be
guilty and deviant even before research and analysis. Whenever Renan referred to the Aramaic,
Hebrew and Arabic languages, he spoke with authority as though he was a Semite, but he was quick
to point out what he deemed to be mistakes and then attribute them to negative virtues like
backward civilization and defects in their language. (Said, 1977 Pg. 143). Such Orientalists
supported the idea that Semitic languages are inorganic and incapable of regenerating to fit into
modern society.
Usurping the Orient's rights and freedoms
Orientalists behave in a superior fashion taking away the rights and responsibilities of the Orientals,
and they credit anything good that

Examples Of Murder On The Orient Express
This essay aims to discuss the novel, Murder on the Orient Express by Agatha Christie as an
example of formula literature. By describing, analysing and explaining the main formulaic type of
the novel, this essay aims to indicate how the novel is either a classical or hard–boiled detective
formula, and whether the novel is typical of its formulaic type. This essay also aims to illustrate how
the novel successfully (or unsuccessfully) excites the reader, and how the novel fits into
Cawelti(reference) four hypotheses regarding formula literature.
Cawelti (1976) describes a literary formula as a framework of narrative or dramatic conventions,
which are thus utilised in many of individual works of literature. Thus, formula literature is a mix ...
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Murder on the Orient Express is considered a novel from the Golden age, or a classical
detective/mystery novel. The novel itself was majorly successful in it's own right. It was well
received and reviewed, and was made into a film in 1974; which also became one of the most
successful films ever.
Murder on the Orient Express illustrates a tale of someone committing a murder on a train that is
travelling to Europe in the middle of the night. The protagonist of the novel, Hercule Poirot – hailing
from Belgium – investigates the motives and alibis of the passengers and subsequent suspects on the
train when it becomes stuck in a snow drift.
Poirot encounters two main characters; an English woman named Mary Debenham and Col.
Arbuthnot, while waiting to board a train on his way home. Poirot is called to England to investigate
a murder, and boards the Orient Express to make his travels. He runs into an old friend who is a
manager of the Orient Express, M. Bouc, and an American with the name Ratchett. Ratchett offers a
job to Poirot as his bodyguard, fearing for the safety of his life. The next morning, Ratchett is found
dead – murdered. M. Bouc asks Poirot to investigate the murder in order to attempt to save the
reputation of his

Analysis of Main Characters in Murder on the Orient...
The scrapbook is about all the main characters in the book "Murder on the Orient Express" by:
Agatha Christie. They are all important in the book because without them there would not be a book
or a story written. They all play an important role in this story, and they help make this story
interesting. The first main character in the scrapbook is Hercule Poirot.
Hercule Poirot is extremely intelligent, and he is most well known for his curly moustache, and
short stature. He is a retired Belgian police officer, and is the most known detective. I put a big guy
in a police uniform, and police things around it. It has a police car, badge, flashlight, whistle, hot,
and police people.
Hercule Poirot and M. Bouc use to be former Belgian police ... Show more content on
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Rachett has kidnapped and murdered Daisy Armstrong for money. The Armstrong family then finds
out, that she murdered Daisy and then they murdered Rachett. I put a women who has a lot of
money, because she stole it from Daisy.
Hector McQueen is Rachett personal secretary; he was a one of the suspect in the case because he
was trying to tell Poirot that she did not speak French. I put a man who is covered in papers, and is
at a computer and stressed out because she is a secretary.
Princess Dragomiroff is a Russian princess; she is an old ugly woman. She told a lot of lies about
the other passengers on the train. I put her as a princess, with princess stickers on the next page.
Countess Andrenyi is a quite beautiful dark headed woman. She is the sister of Sonia Armstrong.
She did not kill Rachett, but people thought she did, and because of that he then tried to hide her true
identity, and changed her name on the luggage. I put a beautiful girl who looks quite in a picture,
and also a girl in jail. She is trying to hide from that because people thinks that she did kill Rachett.
Count Andrenyi is the husband of Countess Andrenyi he tried to take her place in the murder, and
helped her hide her identity, and because he is doing that he is becoming a defensive man. I put a
man who is confused, and in the picture it is saying, "What should I do?" He is trying to help his
wife hides her identity, and he took the blame for her. Cyrus

The Image Of The East In Arabian Nights : Burton Versus...
The Image of the East in Arabian Nights: Burton Versus Mahfouz Race has divided people in the
world for centuries. Issues of prejudice and racism had shape ideologies and cultures. Without a
doubt, racism is the plague of humanity. Generalization and assumptions made about a particular
race or cultural group are statements that affect societies. All the time, unfair and detrimental
perceptions within a racial group are established as a rule of labels. The bitter result of these racial
attitudes is intolerable and discriminatory. These racial beliefs can become the turning point of a
particular people who may use culture as well as legal means to suppress another race. These
cultural norms and laws can be used by the majority race to exploit and discriminate against the
minority race.
One example of the effects of superior position is called Orientalism which is a prejudice form of
perceiving the Orient and its people as inferior. Orientalism distorts the imagines and exaggerates
the culture of Arabs as uncivilized, exotic, dangerous, and subsidiary in comparison to Europe and
the United States. Edward W. Said, one of the most important figures of the late twenty century,
discussed and analyzed orientalism in his groundbreaking book Orientalism published in 1978. In
his account, he defined Orientalism as the consent in the West of "the basic distinction between East
and West as the starting point for elaborate theories, epics, novels, social description, and political

The Meaning Of Orientalism
In the introduction of his book about Orientalism, Edward Said describes Orientalism as a way of
coming to terms with the Orient within European (Western) experience. It is a place of Europe's
greatest and richest colonies, the source of its civilizations and languages and one of its deepest and
most recurring images of the Other. Orientalism expresses and represents the Orient culturally and
ideologically as a mode of discourse with supporting institutions, vocabulary, scholarship etc. It has
helped to define Europe (or the West) as its contrasting image, idea, personality, experience.
The meaning of Orientalism consists of several interdependent things. Firstly, its determination is an
academic one – anyone who academically speaks or writes ... Show more content on
Helpwriting.net ...
This style of thought is based upon an ontological and epistemological distinction made between
„the Orient" and „the Occident" and has been accepted by many novelists, philosophers, political
theorists etc. and reinforced through elaborate theories, novels, social descriptions etc.
A rough starting point for this style of thought can be set in the late 18th century when European
culture gained in strength and identity by setting itself off against the Orient; making statements
about it, authorizing views of it, describing it, teaching it, ruling over it. Therefore, what Said is
interested in is the internal consistency of Orientalism despite or beyond any correspondence, or
lack thereof, with a „real" Orient.
Furthermore, the Orient is submitted to being Oriental, Orientalized. To explain this, Said uses
Flaubert's description of his encounter with an Egyptian courtesan, which produced a model of the
Oriental woman; she never spoke of herself or represented her emotions, presence or history. He
spoke for and represented her. He was foreign, wealthy, male, and these were historical facts of
domination that allowed him not only to possess her physically but to speak for her and tell his
readers in what way she was „typically

Orient And Orientalism
The Orient is not only adjacent to Europe; it is also the place of Europe's greatest and richest and
oldest colonies, the source of its civilizations and languages, its cultural contestant, and one of its
deepest and most recurring images of the Other. In addition, the Orient has helped to define Europe
(or the West) as its contrasting image... (Edward Said, Orientalism p.1–2)
The contrast that is created of the Orient, by the other, in this case by the West, or West Europe,
whom Edward Said is speaking about in his book "Orientalism" is an explanation of the consistency
that people have when they picture the Orient. (Said, p.5) Said explains that everyone believes to
have an similar, if not identical, image of the Orient. (Said, p.5) However, he also making a remark
that we are able to see the division between two cultures because certain cultural forms predominate
over others, just as certain ideas are more important than others; the form of this cultural leadership
identified as hegemony, an indispensable concept for any understanding of cultural life in the
industrial West.(Said, p.7) The Orient as a subaltern to the West, would be correct to point out that,
under its subalternity there is a relationship of power, of domination. (Said, p.5). The West creates a
representation of the East, the "non–European," and the conception of their culture is created based
upon the Orient's educational, social and political levels in comparison to the West. This is a vision
that

The Scope Of Orientalism
Western Civilization
Instructor: Hayat Hariri
Student's Name: Amany Moghrabi
ID Number: 11431583
Orientalism
Chapter 1: The Scope of Orientalism.
Section 1: Knowing the Oriental.
At the beginning of this story, the writer Edward Said starts analyzing speeches and writings done
by two British Imperialists about Egypt in the early 20th century, with focusing on the stress
imposed by British authorities stating that they know better the Egyptian country so they have the
total right to rule it.
In other words, there were Westerns to dominate and Orientals to be dominated, which usually
means that they'll occupy their lands and control everything in it.
The reason behind the appearance of this domination was that France and Britain divided ... Show
In the beginning of this section, Said starts by stating the summary of previous two chapters.
He then distinguishes between 2 distinct forms of knowing and representing the West.
The distinction Said was building is between positivity, which is called hidden Orientalism, and
various views on the Eastern community and languages which is called clear Orientalism.
In the clear Orientalism, we can find all the changes that occurred in the Orient.
In addition to that, Orientalism presented the Orient to the West in many ways.
For years, Orientalism had explained and talked about Orient's texts, mores, traditions, civilizations
and cultures and they have been put aside because they are foreigners in Europe's eyes.
Section 2: Style, Expertise, Vision: Orientalism's Worldliness.
Researchers invented a category called 'Oriental' for the same thing that any eastern individual could
face.
At that time, Oriental experts was not required to just understand the Orient.

Experts were also required to make the Orient act and their forces, traditions and civilizations should
be standing in the Western side.
This eventually led to the division of the Orient into two sides; The new version and the old

Orientalism Oppression Between The East And East
The word "Orientalism" has a lot of meanings. One of the most commonly recognized definitions of
Orientalism is study of the Orient. A large number of people think that it is study that deals with
language, religion and literature of the East. In a broader sense, people consider that the term
Orientalism is used to make the distinction between the East and West. However, the author of
Orientalism, Edward W. Said comes up with another definition of Orientalism. He thinks that it is
Western understanding of the Orient. Specifically, Orientalism is distorted perceptions and attitudes
of the Occident toward Orient. If we continue to define Orientalism as an academic category for
scholars or style of thought that is based on distinctions between two geographies, we miss the truth
that Orientalism helped western countries have authority to dominate eastern countries. In order to
realize the influences of Orientalism on the Orient, we should have ... Show more content on
Helpwriting.net ...
Like Flaubert, the Occident arbitrarily interpret and create the Orient as a way of domination. The
Orient have no choice but to keep silence under the authority and power of the Occident. The
Occidental understanding of the East that doesn't contain opinion and position of the East leads to
prejudice and forms Orientalist discourses. These discourses solidify into Orientalism by methodical
systemization and are prevalent in the society.
In the British empire history, the East have no voice. The reason is also due to the superior position
of the West above East. The superior position of the British empire can be explained by hegemony.
Hegemony means cultural or political dominance of one country over others. There was the
hegemony of British empire about the East. This hegemony made the dominated eastern countries
accept the superiority of the West as common

The Way Out Of The Big Apple
Worm your way out of the Big Apple, drive one hundred miles east, and you'll find yourself gazing
out at the question mark that dots the end of Long Island's North Fork. Located a mile offshore of
Orient Point, Plum Island Animal Disease Center is the rumored birthplace of the "Montauk
Monster," an international bioterrorism target, and the only place in the country that is authorized to
work on live foot–and–mouth disease virus. Photographing the island is strictly prohibited. In
Silence of the Lambs, it was proclaimed the "one place fit for Hannibal Lecter." The only way to get
there is by private government ferry. Trespassing deer that swim onto the island are shot and killed.
But for microbiologist Brenda Donahue, Plum Island is just ... Show more content on
Helpwriting.net ...
In search of a way to continue incorporating her love for animals in her work, Donahue went to
veterinary school and moved back to Long Island to pursue immunology and infectious disease
research in a lab in Brookville. Then, in 1997, just after the Brookville lab lost its funding, Donahue
received word of a new job opening–on Plum Island. "The first time I had the job interview,"
Donahue recalls, "I actually turned the job down because I thought to myself, 'This is a crazy place
to work.'" Eventually, however, the intrigue of Plum Island lured Donahue back in, and in under a
year's time, she found herself back on the island, inside the claustrophobic, window–less, negatively
pressurized lab for a second interview. Twenty years later, Donahue is Plum Island's Manager for the
Repository of Transboundary Animal Diseases. "Basically," says Donahue, "that means that I'm the
keeper of all of the islets." Plum Island's collection of islets–or cell clusters–dates back to the 1950s,
when the research facility was first established by the United States Department of Agriculture. "In
the event of an outbreak," says Donahue, "if the field wanted to ask, 'Is this a new islet? Is this an
old islet? Is this something man–made?' they could cross–check that with me." As a whole,
Donahue's department, the Animal and Plant Health Inspection Service,

Theme Of Justice In Murder On The Orient Express
Murder on the Orient Express by Agatha Christie is a murder–mystery novel that takes place on a
train headed toward Calais. In the middle of the 2nd night aboard, the train comes to a halt, and the
passengers are stuck in a snowstorm. It is then discovered that a man has been murdered, and
everyone in the train is now a suspect. The novel follows Hercule Poirot as he examines the
evidence and tries to piece together the story behind the murder. Throughout the novel, the theme of
justice is very important because it is repeatedly mentioned, it was initially evaded by the victim,
and is revealed to be the inspiration behind the murder. The theme of justice is evidently important
to this novel as it is mentioned repeatedly throughout the text. The main reason why justice is
mentioned frequently is that the victim of the murder, Mr.Ratchett, was responsible for the
kidnapping and murder of a very young girl in America. This led many of the passengers to express
their relief that he had received justice. For example, on page 136 Colonel Arbuthnot mentions that
"that swine deserved what he got", when speaking about the murder of Mr.Ratchett. However, he
also mentions that he would've preferred to have seen him receive proper justice. A similar desire for
justice is seen on page 231, where Princess Dragomiroff states that she believes that "...justice–strict
justice–has been done". A third example of justice being a central idea in the text is found on page
91, where Mr. MacQueen

A Critical Analysis Of Edward Said's Thesis Of Orientalism
In his introduction to the term "Orientalism," Edward Said begins by paraphrasing the writing of a
French journalist's view of the present–day Orient in order to express the major common Western
misconception about the East. This misconception exists in the
Western mind, according to Said, as if it were irrelevant that the Orient itself was actually
sociologically affected. He then goes on to describe the basis of Orientalism, as it is rooted in the
Western consciousness.
Said uses the phrase "The Other" to describe the Western fascination with the
Orient. This is a reference to Jacques Lacan's terminology, which describes the mirror stage of
development. This is the stage in growth during which children supposedly learn their own identity
... Show more content on Helpwriting.net ...
The study of Orientalism could not exist had the East not been the victim of
Western power and domination. Next, Said differentiates between the types of society and how
cultural influence is derived. He cites Antonio Gramsci as distinguishing between civil and political
society, and the different configurations and responsibilities therein. According to Gramsci, a
political society is one in which the citizen is directly dominated and imposed on by the state, who
create and maintain the social institutions. Civil society, however, is made up of citizens voluntarily
affiliating themselves with certain social responsibilities. Only under this type of society does the
derivation of cultural enterprise instantiate itself.
Gramsci's main argument as that in any form of society that is not totalitarian, certain types of
culture will thrive. It is this societal happening that he calls hegemony, which
Said explains is the phenomenon that necessitates interest in cultural 'otherness' such as
Orientalism.
After listing the three aspects of his contemporary reality, Said discusses and attempts to address
three realities that would bring the puzzle of Orientalism closer to

Gertrude Bell 's Persian Pictures : A Study Of The Landscape
Hassan Al–Kalo
Student No. 201209804
Module No. 14124
Oriental Eyes in Gertrude Bell's Persian Pictures: A study of the Landscape This essay is an attempt
to investigate how the Eastern landscape has been othered by the West through inspecting Gertrude
Bell's travel book Persian Pictures (1894). The essay adopts Edwa rd Said's concept of Orientalism
to highlight the western ideology of othering the foreign landscape. The crux of 'Orientalism', being
the vehicle of studying the colonial conflicts and the cultural hegemony, demarcates the European's
map road of dealing with the Other. It is one–sided ideology that reflects the Westerners' views of
the Orient as they have imagined it to be. I aim in this essay to scrutinise Bells' narration of using
the male voice in tackling the landscape in the texts under investigation. The abundant reports,
literary narratives, and the variety of representations of the early travellers, present the Orient as
strange, eccentric, savage, hostile, irrational, exotic, and mysterious, that has unresolved secrets,
alien creatures, sensational women, monstrous and beast–like people. Said claims that it is sufficient
for 'us' [Orientalists] to 'set up these boundaries in our minds', and 'both the Other's territory and
their mentality' have been 'designated as different from "ours"' (Said, 2003: 54). The essence of
Orientalism in its true form, is to define the non–European and his landscape as the Other. This
process could only be

Analysis Of Murder On The Orient Express
Murder on the Orient Express was written by Agatha Christie, and was first published on January 1,
1934. The story takes place on a train heading toward Stamboul, and then a train from Stamboul to
London, probably around the year 1930. The story begins with Hercule Poirot a famous detective
boarding a train. During the ride however, there was a murder in one of the compartments. Hercule
Poirot is the main character in the story. He is a worldwide famous detective, known primarily for
solving murder mysteries. M. Bouc is an old friend of Poirot's and is the director of the train
company, the Orient Express. Pierre Michel is the conductor who prepares all the different
compartments all around the clock. Dr. Constantine is the man who examines the body, and also
tries to help solve the case. Mary Debenham is an English governess, on her way to meet the new
family she will be with. Colonel Arbuthnot is an English colonel for the Army of England. Mrs.
Hubbard is an American matron who won't stop talking, especially about her daughter. She seems to
be a daydreamer and a drama queen. M. Ratchett is a man who does not seem so bad at first but
often wears a scowl on his face that frightens other people. Hector MacQueen is M. Ratchett's
secretary who acts more like a translator. Edward Henry Masterman is M. Ratchett's personal valet
who does not talk much at all. Antonio Foscarelli is a big Italian who talks a lot, but seems innocent.
Cyrus Hardman claims to be an American detective

Stuart Hall 's The West And The Rest And Edward Said 's...
Stuart Hall's The West and the Rest and Edward Said's Orientalism both explore notions of power
and discourse with regard to the dynamics of the Western world and the non–Western world. The
works engage with the concept of a worldwide binary of two unequal sides, and how certain
discourses, namely that of "the West and the Rest", and Orientalism, have both stemmed from this
idea and worked to maintain it. While Hall engages with the idea of "the West and the Rest" – the
Western world and how it has been defined in opposition to the non–Western – Said analyses the
relationship between "the Orient and the Occident" (2). Said's work reflects in a more concrete way
what Hall proposes in his, using the example of "the Orient" as part of "the Rest" against which the
Western world positions itself. Both pieces convey significant ideas about how power informs
perceptions of difference between societies, and in turn how discourse forms and maintains global
hegemonic power.
Stuart Hall's work introduces readers to the discourse of "the West and the Rest", and outlines how
the "system of representation" it provides serves to validate the power of the Western world (186).
He highlights how the dissemination of discourse about Western superiority and the comparative
"otherness" of the non–Western world work to maintain power hierarchies. Hall pinpoints several
historical events, from the Crusades to colonisation, as instrumental in forming a Western identity
through opposition to "the

How Does Mrs. Hubbards Change Throughout The Murder On The...
In the novel, Murder on the Orient Express by Agatha Christie, the character Mrs. Hubbard shows
change in personality throughout the storyline. In the beginning of the novel, Mrs. Hubbard showed
herself as an innocent lady, who was frightened and afraid. Mrs. Hubbard had exclaimed to detective
Hercule Poirot, "There was a murderer in the train last night, and the murderer was right there in my
compartment!" (Christie 113) This proved that there was no possible way she could have murdered
Ratchett, if the murderer was in her room. M. Poirot had asked a question having to with the
Armstrong family because the victim of his current case was the murderer of many of the Armstrong
family. "Were you acquainted with any of the Armstrong family, Mrs.

Pacific Geopolitics During The 21st Century
POLS320
Pacific Geopolitics in the 21st Century
Critical Review
Critically discuss Edward Said's key points/arguments (from Orientalism) and the extent to which
these are relevant to the Pacific.
Hayley Catlow
Introduction
Orientalism tries to answer the question of why, when we think of the Orient, we have a
preconceived notion of what kind of people live there, what they believe, and how they act; even
when we may have never been there or met anyone from there. Said argues that the way we acquire
this knowledge is not objective, but rather the end result of a process that reflects certain interests.
Said claims that the way the West looks at the countries and peoples of the Orient is through a lens
that distorts the actual reality of those places and people.
Key Arguments
In a 1998 interview with Sut Jhally, Said explained that Orientalism for him stems from a place of
personal experience. The images he saw of the Orient were ones of mystery and magic, and he
found these portrayals to be fairly consistent across all types of art. While these portrayals spark a
sense of wonder, they have very little to do with the real lives and histories of the people who live
there. In this way, Said states that you can't get realistic representations of the Orient, whether in
literature or music or painting. This extended even further into writings by experts who had studied
the Orient (Sut Jhally, 1998).
Said claims that 'because of

The European View Of The Orient
The European's view of the orient was not flattering. As a group, they understood that their culture
was different from many of the cultures present in the Oriental world. Unfortunately, the people of
the west did not appreciate the differences between themselves and the people of the East.
Consequently, they were unable to fully relate to the people of the orient in a meaningful or
sympathetic way. Their inability to empathize with the East limited their understanding of the
oriental nations as a whole. These limits revealed themselves in the form of the Europeans' negative
characterization of Eastern people. They viewed Easterners as uneducated, lazy, and merciless
individuals. Eventually, these negative classifications led to the belief in the superiority of the
Western society over the people of the orient. However, there were some who attempted to
characterize the people of the orient from a less limited perspective. Lady Mary Wortley Montague's
The Turkish Embassy Letters (1763) attempt to create a flattering and sympathetic view of the
oriental person is greatly overshadowed by some of the inherently oriental ideas in her
characterization of them. Therefore, even though Renault's Summary Judgement under the Moorish
Kings of Grenada does not attempt to create a positive view of the Oriental society; he does echo
some of the oriental ideas present in Montagu's letters. Lady Montagu attempt to portray the people
of the Orient as moral individuals' contrasts he European

Orient In Orientalism Analysis
In order to explore the relation between the Occident and the Orient, Edward Said publishes his
book Orientalism in 1978. Borrowing from Foucauldian discourse analysis, Orientalism, as Bill
Ashcroft and Pal Ahluwalia stress, "pivots on a demonstration of the link between knowledge and
power, for the discourse of Orientalism constructs and dominates Orientals in the process of
'knowing' them" (54). The conception of Foucault's discourse has established an important
foundation for Said to discover how Europe defines the Oriental knowledge by possessing power.
John McLeod highlights in his book Beginning Postcolonialism that "[Edward Said's] Orientalism is
one particular theorisation and manifestation of how colonial discourses might operate, ... Show
In this way, Orientalism written by Orientalists seems having troubles in faithfully representing the
Orient. Said insists that "exteriority of the representation is always governed by some version of the
truism" (21). The problem is this truism does not amount to the truth especially as it involves
"evaluative interpretation[s]" (Said 227). In this way, it loses objectivity by including personal
viewpoints. Nevertheless, the Occident takes advantage of the Orient by insisting the Orient is not
capable of presenting itself. Thus, the West has to take this responsibility to represent the pathetic
Orient in order to make the Orient be known. By making this statement, the Occident justifies the
action of representation to the Orient and at the same time, gains the power over the Orient. As the
Orient has to be represented, even though the representation is entirely wrong, it has no voice to
correct any mistakes. Thus, the West has absolute power to construct its fascinating Orient. Edward
Said, therefore, concludes that Orient is "almost a European invention"

Control And Pervasive Evil In Journey Into Fear And Murder...
Control and Pervasive Evil in Journey Into Fear and Murder on the Orient Express In Eric Ambler's
Journey Into Fear, Graham literally descends into a persistent state of fear, fostering a grand scale
perception of evil as the plot unfolds. Unlike Graham, Hercule Poirot in Agatha Christie's Murder on
the Orient Express has a firm grip on evil, as he expertly maneuvers through murder and his
surroundings. At the heart of both these character's journeys is evil and their ability to control it,
based on their own perceptions of its pervasiveness in their respective worlds. Graham navigates
through acceptance of his own death sentence, flickering between the weight of his own importance
in the on–going war. To Kopeikin, Graham claims to be "the most harmless man alive," to which
Kopeikin replies: "Are you?" (Ambler 42–3). Kopeikin's doubt is well–warranted and later
supported by Graham's recollection of a man maimed during one of his experimental gun tests. He
describes the man's agony as a "thin, high, inhuman sound; just like the singing of a kettle" (120).
Graham likely owns a kettle similar to the one that conjures this memory, which waits for him
unsuspectingly in his Northern England abode, next to a plate of freshly baked gingerbread, courtesy
of his wife. The domestic implications of the kettle are not lost but suggest a new meaning for
Graham's life back home, that he faultily champions as peaceful normalcy. The association of the
screaming "clot of blood" with the kettle, sheds light on the innate violence in Graham's engineering
career and puts into question his definition of "normal," a term he uses to describe his life pre–
Moeller. He is not only abnormal, but he is a complicit participant in the bloodshed of war, and
consequently, inside Banat and Moeller's realm of deviancy, that he names the "strange land with
death for its frontiers" (160). However, Graham also expresses estrangement with his home–life,
adding, "Stephanie... was a face and a voice dimly remembered with the other faces and voices of a
world he had once known" (160). The more time he spends in the midst of Moeller and his
henchmen, the more uncomfortable he is with his previous perception of his home–life's cushy
nature. A

Morality of Murder in Murder on the Orient Express by...
Morals are principles which help people to behave rightly. Also, they need to protect the rules.
However, in Agatha Christie's novel, Murder on the Orient Express, the characters act dishonestly:
twelve passengers on the Orient Express murder Cassetti, they lie to the Belgian private detective,
Hercule Poirot and the protagonist overlooks the passengers. Agatha Christie wrote these intensions
fairly. From Murder on the Orient Express, the readers can learn that some set of morals are
endorsed. Before the explanation of twelve passengers' moral, the description of Ratchett's
background is essential. Ratchett's real name is Cassetti. He kidnapped Daisy Armstrong and her
parents paid 200,000 dollars for her return. However, the ... Show more content on Helpwriting.net
...
This person is unlike any of the passengers aboard the Stamboul–Calais coach. Hildegarde Schmidt
tells Poirot she saw a man in a Wagon Lit Conductor's uniform moving quickly down the hallway
that matched Hardman's description. The passengers attempt to create an enemy and a person that
entered the train, murdered Ratchett and quickly left. The passengers use the idea of a typical
murderer to convince Poirot that the mysterious person kills Ratchett. The twelve murderers use the
concealment and the lie to hide their identities and erase any connection to the Armstrong case. In
most mystery novels, the murderer must arrest and bring to the justice. In Murder on the Orient
Express, there are multiple characters involved in the murder of an evil man, Ratchett. The
investigator, Hercule Poirot, leaves it to the train director, M. Bouc, to decide whether to allow the
possible solution that Rachett has been murdered by a single unknown intruder who escaped or to
pursue the real solution that multiple characters executed Rachett as payment for his wrong doing.
As the result, M Bouc chooses the first solution to protect the family. Poirot and Dr. Constantine
agree. This means they ignore the multiple killers. This moral will not be acceptable. However, fully
in sympathy with the Armstrong family, and feeling nothing but disgust, Poirot accepts Mrs.
Hubbard's appeal for committing the crime. There are other reasons why Poirot overlooks them.
First, Ratchett is more evil

Essay on Orientalism
Orientalism is a study of language and traditions of the people and their culture in the Middle East.
These studies are mostly done by people outside of the culture that is being looked at, and mostly
the studies are being performed by white western men. Edward Said believed that there was a
problem with the way in which other people were studying and writing about his culture. He was
upset and spoke up when he wrote a booked called "Orientalism," in his book he points out many
reasons why the study of orientalism is hurting the cultures in which they are studying. The study of
other cultures and countries better known as the Orient has become a popular discussion since Said's
book on orientalism was published. This paper will take a look ... Show more content on
Helpwriting.net ...
He argued that
"...Orientalism is not so innocent a form of knowledge as this. Instead, he redefines Orientalism as
the ubiquity of a sense of the division of the world into two spheres in aesthetic production, popular
culture, and scholarly, sociological, and historical texts. In other words, he is suggesting that the
concept of difference between east and west is a geopolitical difference which is written up
throughout the texts of western culture whether through travel writing, political texts, paintings, or
in academic discussions" (Sharp 2009, 31).
He saw this through many ways and because of what was mentioned in the above quote and "the
Middle East crisis of 1973 that provoked Said to research and write Orientalism, which was
published in 1978" (Irwin 2006, 281). His book however, is not a book about the "history[s] of the
Oriental studies, but rather a highly selective polemic on certain aspects of the relations of
knowledge and power. Its style and content strongly suggest that it is addressed exclusively to a
Western readership" (Irwin 2006, 281). In his book he starts with two points or problems that he saw
happen with what others said when studying the Orient. The first one was from Karl Marx who
stated that "They cannot represent themselves; they must be represented" and the second was from
Benjamin Disraeli who said "The East is a career" (Krishna 2009, 73). Both these points did not sit
well with Said as they showed that knowledge or

Case Study Of Orient Electronics
Table of contents
Introduction
Company Profile
Mission and Vision
Products
Corporate Social Responsibility
Channel Management of Orient Electronics
Questions/Answers Introduction
Orient Electronics is a symbol of innovation in Pakistan. Its innovative products like Orient
Entertainer Refrigerator, Orient Econotech air–conditioners and recently launched Orient Quad Core
LED TV are most trusted by the consumers.
Company Profile
Orient Group of Companies has been on the forefront of design and development, by coming up
with new products and increasing its presence in all its featured markets. Established in Lahore in
1957, today the Orient Group of Companies is one of the largest consumer goods companies of
Pakistan. Orient ... Show more content on Helpwriting.net ...
Demand
d. Dealer relationship
e. Credit Policy
8. How much time does it take for delivery of the Orient Electronics products after ordering?
a. 10–12 Hours
b. 3 to 4 Days
c. 5 to 6 Days
d. More than7 Days
9. How do you rate the promotional schemes of the Orient Electronics?
a. Excellent
b. Normal
c. Meager
10. How do you rate the credit policy of the Orient Electronics?
a. Excellent
b. Normal
c. Meager
11. How do you rate the profit margin of the Orient Electronics?
a. Excellent
b. Normal

c. Meager
12. How do you rate the quality of the Orient Electronics products?
a. Excellent
b. Normal
c. Meager
13. How do you rate the brand pull of the Orient Electronics?
a. Excellent
b. Normal
c. Meager
14. How do you rate the supply norms of the Orient Electronics?
a. Excellent
b. Normal
c. Meager
15. Does the company executives of Orient Electronics convey promotional schemes on time?
a. Yes
b. No
16. How do you rate the representative behaviour with retailers?
a. Very Contented
b. Contented
c. Discontented
d. Very Discontented
17. How do you rate the damage policy of the Orient Electronics?
a. Very Contented
b. Contented
c. Discontented
d. Very Discontented
18. Are you satisfied with the distribution channel of Orient products?
a. Yes
b.

Themes Of Justice In Daisy Armstrong's Murder On The...
There are many different recurring themes in the novel Murder on the Orient Express. The book
opens with a fully packed train full of supposed strangers and the world–class detective, Monsieur
Hercule Poirot. They end up finding themselves in the middle of a fiasco of tragedy including
murder, lies, and forbidden love. A stranger named M. Ratchett, whom the reader, as well as M.
Poirot, later discovers was the mastermind behind an infamous kidnapping and the murder of a
young child: Daisy Armstrong, earlier that year in America, is brutally murdered the second night of
their trip. The novel follows the deduction of Poirot in his attempt to discover which man, or
woman, is behind this case. A constant theme that the novel follows is the theme of justice and
judgement. One example that explains the use of the theme of justice in the novel is what Ratchett
(or Cassetti, as we learn) did to subject himself to his undesirable fate. Ratchett was an infamous
leader of a group of individuals who make money off of holding innocent children for ransom. They
would hold the child until the police would begin their investigation, then they would kill the child
and ask for a ridiculous amount of money. Upon receiving, they would release the dead body to be
found. In this specific case involving the Armstrong family, Ratchett and his coterie demanded an
outrageous sum of two hundred thousand dollars and when the family discovered the death of little
Daisy Armstrong, they were absolutely

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