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Reproduction charging models & rights policy for digital images in American art museums Mellon Foundation funded studies in Europe and America Simon Tanner Director King’s Digital Consultancy Services Email: simon.tanner@kcl.ac.uk Web: www.kcl.ac.uk/kdcs
Overview ,[object Object],[object Object],[object Object],[object Object],[object Object]
Looking to America ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Opinions expressed on pricing ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
USA Art Museums: Survey Results 150 1,841,302 $10,439,327 56 Private  non-profit 115 981,785 $10,567,039 100 Totals 89 309,500 $17,700,000 10 Private 69 178,000 $7,956,500 34 Public Average Number of Staff Average Attendance Average Operating Budget Number in survey Museum Governance
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Motivations and objectives of services ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
 
 
Cinderella services ,[object Object],[object Object],[object Object],[object Object]
Money and management ,[object Object],[object Object],[object Object],[object Object],[object Object]
A way forward and recommendations ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Museum priorities: some questions ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Management ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Pricing: a suggested formula ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Case study: Art Institute of Chicago
Reproduction charging models & rights policy for digital images in American art museums Mellon Foundation funded studies in Europe and America Simon Tanner Director King’s Digital Consultancy Services Email: simon.tanner@kcl.ac.uk Web: www.kcl.ac.uk/kdcs
Survey Results: Digital Activity 2% 97% 76% Totals No Charge! Analogue asset fee Digital asset fee 12% 12% 9% 67% Totals None Mix of both Outsourced Inhouse Digitisation Activity
Service Profiles: payment & delivery ,[object Object],[object Object],[object Object],[object Object],3% Account 36% Invoice 65% Credit card 86% Check or bank transfer 7% 0% Totals Cash E –commerce Payment method
Service Profiles: rights & finding images  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],24% Personal research 26% 43% 37% 56% Totals Publications / exhibitions Locate for client Catalogue / library Website
Interview Responses: Museum profiles ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Museum profiles ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Profiling the imaging and rights services ,[object Object],[object Object]
Serving the museum’s mission ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Primary audience for services ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Image creation and volumes ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Reasons to deny use or not create image ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Relationship to other museum processes ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Business practices for images and rights ,[object Object]
Volume of sales (annually) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Rights and Revenue ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],* Based on 14 responses
How was the price tag reached? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Differential Charging ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
How was the pricing structure gained? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Revenue assigned ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Offsetting and recouping ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Reasons why – motivations & objectives ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
What motivates the pricing structure? (1) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
What motivates the pricing structure? (2) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ Fair use” ,[object Object],[object Object],[object Object],[object Object],[object Object]
3 rd  Party Rights ,[object Object],[object Object],[object Object],[object Object],[object Object]
Rights - problems ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Rights - problems ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The future? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Reproduction charging models & rights policy for digital images in American art museums

  • 1. Reproduction charging models & rights policy for digital images in American art museums Mellon Foundation funded studies in Europe and America Simon Tanner Director King’s Digital Consultancy Services Email: simon.tanner@kcl.ac.uk Web: www.kcl.ac.uk/kdcs
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  • 5. USA Art Museums: Survey Results 150 1,841,302 $10,439,327 56 Private non-profit 115 981,785 $10,567,039 100 Totals 89 309,500 $17,700,000 10 Private 69 178,000 $7,956,500 34 Public Average Number of Staff Average Attendance Average Operating Budget Number in survey Museum Governance
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  • 18. Case study: Art Institute of Chicago
  • 19. Reproduction charging models & rights policy for digital images in American art museums Mellon Foundation funded studies in Europe and America Simon Tanner Director King’s Digital Consultancy Services Email: simon.tanner@kcl.ac.uk Web: www.kcl.ac.uk/kdcs
  • 20. Survey Results: Digital Activity 2% 97% 76% Totals No Charge! Analogue asset fee Digital asset fee 12% 12% 9% 67% Totals None Mix of both Outsourced Inhouse Digitisation Activity
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