3. Copyright owners have exclusive
rights in relation to their work to
COPY - reproduce, scan, record,
download and store
ISSUE COPIES to the public -
publish or distribute
PERFORM, play or show the work in public
COMMUNICATE their work to the public
including radio and television
broadcasts and internet webcasts
ADAPT including translating
the work from one language
to another
4.
5. There is a quiet revolution taking
place in the way we use, generate
and transfer knowledge-
The Royal Society of New Zealand on embracing cross disciplinary dialogues between the sciences and humanities
10. Creative Commons is
an architecture which is
not alternative to
copyright, but in fact
builds upon it
11. Creative Commons is
an architecture which is
not alternative to
copyright, but in fact
builds upon it
This architecture uses
copyright licensing to
achieve OER
14. Attribution (BY)
Requires that the user of the licensed work credit
and acknowledge the original author
Noncommercial (NC)
Allows the licensed work to be used, but not for
commercial purposes or for profit
15. Attribution (BY)
Requires that the user of the licensed work credit
and acknowledge the original author
Noncommercial (NC)
Allows the licensed work to be used, but not for
commercial purposes or for profit
No Derivative (ND)
Does not allow the user of a licensed work to
alter the work in any way; it must stay in its
original form
16. Attribution (BY)
Requires that the user of the licensed work credit
and acknowledge the original author
Noncommercial (NC)
Allows the licensed work to be used, but not for
commercial purposes or for profit
No Derivative (ND)
Does not allow the user of a licensed work to
alter the work in any way; it must stay in its
original form
Share Alike (SA)
Requires that any new work must be licensed
under the same terms as the original work
17. The six main licences are built according to
combinations of elements/restrictions you
choose to apply...
18. Attribution
Lets others distribute, remix, tweak, and
build upon your work, even commercially,
as long as they credit you for the original
creation.
http://creativecommons.org/licenses/by/3.0/
21. Attribution-Share Alike
Lets others remix, tweak, and build upon
your work even for commercial reasons,
as long as they credit you and license their
new creations under the identical terms.
http://creativecommons.org/licenses/by-
sa/3.0/
23. Attribution-
Noncommercial
Lets others remix, tweak, and build
upon your work noncommercially,
and although their new works must
also acknowledge you and be
noncommercial, they don’t have to
license their derivative works on
the same terms.
http://creativecommons.org/license
s/by-nc/3.0/
25. Attribution-No
Derivative Works
This licence allows for
redistribution, commercial and
noncommercial, as long as it is
passed along unchanged and in
whole, with credit to you.
http://creativecommons.org/licen
ses/by-nd/3.0/
27. Attribution-
Noncommercial-Share
Alike
Lets others remix, tweak, and build
upon your work noncommercially, as
long as they credit you and license their
new creations under the identical terms.
http://creativecommons.org/licenses/by-
nc-sa/3.0/
36. Working by layers
Licence name,
acronym, symbols
or button.
'human readable'
deed
'lawyer readable' legal
code
37. At least 350,000,000 CC
licensed objects from all corners
of the earth
53 Countries with their own
ported suite of licences, ten
more currently on board
Creative Commons is also an
advocate for the Public Domain
38. You can't stop children remixing, reusing and
sharing material online. They will go on to do it
for the rest of their lives
39. You can't stop children remixing, reusing and
sharing material online. They will go on to do it
for the rest of their lives
Working with
Creative
Commons
licensed material
is a good way of
educating children
about copyright
40. You can't stop children remixing, reusing and
sharing material online. They will go on to do it
for the rest of their lives
Working with
Creative
Commons
licensed material
is a good way of
educating children
about copyright
Learning to work with
openly licensed
content makes
creators, not
infringers,
out of children
41. CC swag IV by BotheredByBees www.flickr.com/photos/botheredbybees (CC BY)
Stylised Copyright icon with permission from icons.mysitemyway.com/free-clipart-icons/1/copyright-symbol-icon-id/130496/style-
id/942/whitewashed-star-patterned-icons/business/
Frosty morning web by foxyPar4 www.flickr.com/photos/foxypar4/2124673642/ (CC BY)
A study in Depth of Field: The Dandelion www.flickr.com/photos/arcticpuppy/2319290642; Left alone
www.flickr.com/photos/arcticpuppy/4267904002; Dandelion in the wind www.flickr.com/photos/arcticpuppy/2318480423/in/set-
72157623358228246;windblown dandelion Taraxacum www.flickr.com/photos/arcticpuppy/3629699618/ by tibchris (CC BY)
To the air by joka2000 www.flickr.com/photos/joka2000/137294320/ (CC BY)
A Scholar by Rembrandt www.sai.msu.su/wm/paint/auth/rembrandt/1630 Public Domain
Copyright sign made of jigsaw piceces by Horia Varian www.flickr.com/photos/horiavarlan/4522267829 (CC BY)
Look at me I'm a dandelion by Warren Brown www.flickr.com/photos/warrenbrownpics/3439858523/ (CC BY)
Dandelion seeds by Identity Photogr@phy www.flickr.com/photos/southpaw2305/4601997097/ (CC BY)
Shedding dandelion by Muffit www.flickr.com/photos/calliope/510874382/ (CC BY)
Dandelion-Taraxacum_28126-480x360 by Public Domain Photos www.flickr.com/photos/free-stock/4811108954/ (CC BY)
Two backspaces by Marcin Wichary http://www.flickr.com/photos/mwichary/2229687763/ (CC BY)
Creative Commons by Karin Dalziel http://www.flickr.com/photos/nirak/2282406809 (CC BY)
Lawrence Lessig's WIPO keynote http://dotsub.com/view/d9c24d61-7d00-48ef-9ab9-8f0a254800d3 (CC BY)
Olympia Motor Show, King Edward Barracks from National Library NZ www.flickr.com/photos/nationallibrarynz_commons/3171737937
Public Domain
Resources Used
42. Jane Hornibrook
Public Lead
Creative Commons Aotearoa New Zealand
admin@creativecommons.org.nz
Jane.Hornibrook@royalsociety.org.nz
@cc_aotearoa
www.creativecommons.org.nz
