Gustave Courbet Discourse

Gustave Courbet Discourse
Gustave Courbet is one of the most important names of the nineteenth century Realist Movement.
Much of his work was completely avant–garde in nature, meaning his work often incorporated new
ideas and styles while advocating for some measure of social change. His most notable contributions
included The Stonebreakers (1849) and its efforts to normalize depictions of average laborers; The
Burial at Ornans (1849) and its implications at the end of the Romantic Movement and the
dwindling role of the church; and The Studio of the Painter (1854) and its prediction of the future.
Courbet, however, provided many other works throughout his career, and a number of them were
just as avant–garde as these, even as they seemed to maintain the status quo of ... Show more
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Among the high art world it was still one of the more popular subjects to paint, one that Courbet had
addressed with his avant–garde piece, The Studio of the Painter. The painting showed Courbet in the
center of the composition, facing a canvas on which he was painting a landscape. Behind him stood
a nude female, symbolizing himself and the art world turning away from the nude in favor of
landscape painting. Even in painting this nude he continued to be subversive, showing a classical
test of skills in the realist style of painting as opposed to idealized. It seems strange then, that twelve
years later Courbet would choose to go back painting female nudes, even for patrons, when he had
never shown an interest in such things before. In this way, Courbet's choice to paint Le Sommeil is
not as avant–garde as older works. However, despite the subject of the female nude showing favor
to the status quo of the art world at the time, the narrative of the piece means the work is still just as
subversive as past work by Courbet had been. The narrative of the nudes, in this case, is post–
intercourse rest. Presently in the painting, the two women's limbs are tangled together, the sheets
rumpled, and various objects strewn about, such as a broken pearl necklace and a golden hairpin.
These context clues make it obvious to viewers exactly what has taken place just before the events
captured on the
... Get more on HelpWriting.net ...

Egalitarianism In A Simple Heart, By Gustave Flaubert
The Enlightenment was a beginning of ideas about what the human mind was capable of. People
started thinking about what human affect this world, beside the power of god. Egalitarianism was
the buzzword of the century, and it meant the promise of fair treatment for all people, regardless of
background. Those thoughts had been expressed in the Enlightenment literature through the desires
of different fates of the lower classes for a simple life and sincere love. In spite of being a servant
(Alyosha the Pot, and A simple heart) or a Fruitseller (The Fruitseller from Kabul), they always have
their own fate and the right to decide their ways. Late–nineteenth–century writers started initiating a
new style called "realism" practiced by authors such ... Show more content on Helpwriting.net ...
This story, like many other Tagore's stories that are strongly rooted in context and period, offers a
classical perspective on humanism. The story highlights themes such as love, trust, friendship,
loyalty, class divides; which mean all the casual things that happen to an average people. The author
bring to us a contrast between two social classes. One side is Rahmat, a man from the mountains of
Afghanistan, who had left his family, his daughter behind to make his way through life. Then one
day he met a young girl, who represented for the opposite class, named Mini. He intermediately felt
attached by this little 5 years old girl because of the similarity of this girl and his daughter. The two
opposite classes had quickly became best friend. Although the Kabuliwallah came to this place for
business, he would bring the young girl dried fruits and nuts, without calculating about personal
profit but out of sheer happiness of the thought that Mini would enjoy them. One of the important
pieces of the relationship and the story was when Mini and the Kabuliwallah would sing. This small
detail has shown the link between the upper and lower class. This situation has never happened
before and it even make Mimi's mother anxious. Suddenly a turning point occurred and broke that
miracle, Mini's father saw the Kabuliwallah in the street covered in blood and being arrested.

Gustave Courbet Research Paper
Realism is a type of art that illustrates how the world and people really look. "Realism started in the
mid–19th century in which figures and scenes are depicted as they are experienced or might be
experienced in everyday life (Fine Arts)." Gustave Courbet was the first person to introduce Realism
into the art world. He was a French painter who painted Romanticism before discovering Realism
(Introduction to the Artistic Style of Realism). He inspired many other painters such as Edouard
Manet and John Sargent. Gustave Courbet took interest in art when he was fourteen and was
inspired the rest of his life (Gustave Courbet Biography). When he was fourteen, he was taught how
to paint by a minor painter (Gustave Courbet Biography). He got

Essay on A Comparison of Gustave Flaubert and Madame Bovary
A Comparison of Gustave Flaubert and Madame Bovary
We would like to think that everything in life is capable, or beyond the
brink of reaching perfection. It would be an absolute dream to look upon each
day with a positive outlook. We try to establish our lives to the point where
this perfection may come true at times, although, it most likely never lasts.
There's no real perfect life by definition, but instead, the desire and
uncontrollable longing to reach this dream.
In the novel Madame Bovary, it's easy to relate to the characters as
well as the author of this book. One can notice that they both share a fairly
similar view on life, and that their experiences actually tie in ... Show more content on
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Once Emma becomes fed up and realizes that he is "a sad creature"
(Flaubert 78), she begins her little quest to find the right man through a binge
of affairs and broken hearts.
The author of Madame Bovary, Gustave Flaubert, was born in Rouen France
(Kunitz 280). He grew up in a rather wealthy and prosperous family as a result
of his father being a successful doctor (Kunitz 280). This could easily relate
to the fact that Charles Bovary was a doctor too.
During Flaubert's younger years, he was alone most of the time. He

didn't have any friends and normally spent his days in solitude. This gave him
time to focus on his literature (Flaubert i). Since Flaubert's academics and
knowledge of literature were released at such an early age, it is explainable to
see how his profound talent was released (Flaubert i). He began to write plays
at around the age of ten. These were in–depth, romantic plays that adults would
learn to appreciate (Kunitz 280). At that time Flaubert focused his attention
on the study of History and the writings of numerous romantics as well (Kunitz
280).
Flaubert was later sent to an intermediate school in Paris to further
strengthen his academic standings (Kunitz 280). Upon completion of that, he
enrolled into law school but found

Gustave Caillebotte's Paris Street; Rainy Day Essay
Gustave Caillebotte's Paris Street; Rainy Day
The first thing that strikes me is the size of the work. About seven feet tall and nine feet wide, this
painting dominates its gallery and overwhelms the viewer. The couple in the foreground of the
painting is nearly life size, and with the man poised to take another step it seems he might climb
right over the frame and walk right into the gallery. The bold perspective thrusts the scene outward,
and with details such as the sharply receding roofline of the main building and the acute tilt of the
street, geometric and visual effects are created which push and pull the viewer and instill the
painting with action.
This work is more complex and detailed then one might first imagine, ... Show more content on
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He tilts his umbrella to the right so as to avoid collision with the couple who neither pay him
attention nor show any signs of tilting their umbrella in deference. A green (a color which stands
out) gas lamp separates these three from the rest of the painting, and also divides the canvas in half.
A little further back a lone man is crossing the street, looking down in a manner which suggests
inward thinking but also illustrates the reality of the wet and mucky road on which one must watch
their step. The rest of the figures receive less influence, but a few of them are certainly worth noting.
Directly to the left of the protagonist's head two women walk away from the viewer. Their
symmetry is visually enticing. Also, above the wagon wheel on the left side of the painting a man is
crossing the street. He piqued my attention because of the odd position of his body and feet – it
looks as if he is almost doing a jig. Lastly, one might note how the front couple's umbrella pole
occludes a woman's head in the background; she in turn holds an umbrella that obscures the head of
a workman with ladder behind her; a curious compositional detail to say the least.
The surface of the painting is characterized mostly by relatively broad painterly brushstrokes which
in that singularly impressionistic manner allow the "stuff" of paint to really show. Even though the
picture appears much more finished and

Movie Essays
Gustave Flaubert's Madame Bovary on Film
The figure of Emma Bovary, the central character of Gustave Flaubert's novel, Madame Bovary,
caused both cheers of approval and howls of outrage upon its publication, and continues to fascinate
modern literary critics and film makers. Is she a romantic idealist, striving for perfect love and
beauty in dull bourgeois society? Is she a willful and selfish woman whose pursuit of the good life
brings about her own destruction and that of her family? Or is she, like Ibsen's Hedda Gabler and
Nora Helmer, a rebel against the repressive, patriarchal society in which she finds herself? Is she,
perhaps, a bit of all three?
Two prominent modern film directors have brought Emma ... Show more content on Helpwriting.net
...
Both film versions fail, I think, but for different reasons. Minnelli is the victim of his own romantic
tendencies. Chabrol, by producing an overly–reverent, almost pageant–like homage to Flaubert,
presents his audience with a film which is visually beautiful, yet strangely lifeless.
In adapting Madame Bovary for the screen, both directors had to deal with what I term "the
narrative problem"––how to create a coherent narrative structure in a cinematic version of a fictional
work. A fictional narrative can reveal the feelings, thoughts, and emotions of the characters, and can
move the reader smoothly from episode to episode through narrative and descriptive links. This
presents a challenge for cinema, which is a visual medium.
Both Minnelli and Chabrol are well ware of the narrative problem––how to keep the episodes
flowing, how to link them, how to make transitions. But they arrive at very different solutions.
Minnelli's solution to the narrative problem is brilliant. He uses Flaubert's trial of 1857, with its
attempted suppression of Madame Bovary as an outrage to public morals, as a framing device for
his film. The staged trial scene, with the young James Mason in the role of Flaubert, clearly tells the
audience how to interpret Emma Bovary: "I have shown the vicious for the purpose of
understanding it.
Our world created Emma Bovary. There are thousands of

Gustave De Molinari
Gustave De Molinari, was a classical liberal, who lived from the nineteenth into the early twentieth
century. Molinari based his theories around the idea that society follows immutable rules. In his
great work, The Production of Security, the rule he explains is one regarding monopoly. Whenever a
government grants a monopoly, he explains, the price of the service or product will always rise, and
the quality will fall. Why would this be any different for protection? Molinari asks. Wouldn't
government monopoly on security produce the same result? Molinari argued that it would.
What was the basic message of the utopian socialists? "Utopian socialists" is a term initially used by
Karl Marx, to define early socialist thinkers like Babeuf, Henry Saint–Simon, Charles Fourier,
Robert Owen, etc. He characterized them as utopian, because of their desire to remake society based
on a blueprint; Marx believed it was impossible to know the affects of socialism until it was
instituted in a society. This blueprint idea is very sympathetic to the French Revolution, where we
see revolutionaries looking to remake society on reason alone. In the works of all these utopian
socialists, we can see the distrust of the free market. They argued in favor of a completely planned
economy, where the government decides when and where work is needed. Society needs to be
planned, they would argue, ... Show more content on Helpwriting.net ...
Give one example of neoclassicism and show how it embodies at least one of these characteristics.
Neoclassicism was an eighteenth century cultural movement that is showcased in music, painting,
architecture, literature, etc. This movement is based on simplicity, order, a revival of cultural the
achievements of Greece and Rome, and a conforming to the expectation of society. A great example
of a neoclassic work would be Pope Clement the fourteenth's tomb; with its monochromatic color
palette, serene figures, and overall

Hedda Gabler, by Henrik Ibsen and Madame Bovary, by...
Often times many authors depict their characters' inner lives as well as their actions within their
literary works. Other instances authors exemplify their probing of social problems, and the
limitations society holds on its residents. In the two literary works, Ibsen's Hedda Gabler and
Gustave Flaubert's Madame Bovary, they share a common portrayal: the main heroine faces the
complications of societal restraints. The novella by Ibsen and Flaubert's novel emphasize upon
women that struggle with what can and cannot be done in their society. The protagonists Hedda
Gabler in Ibsen's Hedda Gabler and Emma Bovary of Flaubert's Madame Bovary are estranged
individuals thwarted by society. Many of Ibsen's plays highlight a character's need for ... Show more
content on Helpwriting.net ...
During this era, divorce was unheard of; people were expected to love their spouse, in sickness and
in health, no matter what the circumstances. Hedda understands those circumstances which is why
she says, "Oh yes, Judge– I was going to say, you make your bed and then you lie in it" (255). It
implies that she distinguishes her place in society and even though she is unhappy she just has to
cope with it. Society plays a major part in marriages back in the day, by creating barriers and limits
that some woman could not handle, such as Emma Bovary. In Flaubert's Madame Bovary, Emma
Bovary is confined to an unhappy life as a result of the society she dwelled in. Social status was
imperative during the time period; the more money one had, the higher up they in class. Throughout
the novel it mentioned about Bourgeois ways because of Charles and Emma. They are put into that
social class because of how much money they possess as well as expend. The story revolves around
Emma buying and selling luxurious items either to give them to her lovers of her numerous liaisons
or to pay for her debt. Knowing what type of person Emma is, she possibly would never be happy
with whoever she settled with, but she did not chose to marry Charles. Her father had decided her
future with Charles because during the time, parents had the authority of choosing their children's
spouses. Similar to Hedda

The Impact Of Paul Gustave Dore 's 1869 Oil On Canvas,...
Around two months ago, I posted an image of Paul Gustave Dore's 1869 oil on canvas,
'Andromeda,' to a large Internet forum called 'Reddit.' If you're unfamiliar with the website 'Reddit',
it is simply a site that is heavily run by the contribution of users, providing open discussions about
specific ideas and news. To my amazement, the post made it to the front page, receiving much
attention, but along with it came other ethical discussions that related to art as a general consensus
and how the idea of 'beauty' has influenced current viewers with their expectations for museums and
galleries.
With comments on my post such as "Actual art on [Reddit!?]" and "Art isn't art unless it's old" – it
was at this point that I became more aware of Thomas Horsfall's view of, what he put as, "arts
bitterest enemies." To elaborate further, Horsfall suggested in his paper, 'Art in Large Towns...' dated
1882, historical and modern art visually entices the average viewer and their knowledge about its
context, but people who only recognise a piece for its visual aesthetics have poor knowledge of the
true approach to art. So, do we, the viewers go to museums and galleries in hope of finding beautiful
imagery? Are we, as suggested by Horsfall, positively influenced on our ideas of beauty and taste by
our viewings?
Well, firstly... What is beauty? By Oxford dictionary's definition, beauty is defined by the
"combination of qualities, such as shape, colour, or form, that pleases the aesthetic

Gustave Moreau's Painting 'The Apparition'
1. The Symbolist movement was founded around 1886 with the writing of the Symbolist Manifesto
published in the publication Le Figaro. In the later part of the 19th century, Symbolist work was
concerned with the fragility of masculinity and la femme fatale. Gustave Moreau is one of the most
famous painters associated with Symbolism. His painting titled The Apparition, painted in 1874,
depicts Salome dancing for King Herod, pointing at the floating, glowing apparition of John the
Baptist's head. Salome is depicted as a classical nude, dancing to win her reward requested of King
Herod. The fact that Salome could influence the minds of men and inflict such destruction with her
naked body is one way the fear of femininity manifests itself in Moreau's work. Salome is la femme
fatale because she exclusively uses the influence her femininity and naked body have over men to
get what she wants. In contrast to Salome's body and the head of John the Baptist, the rest of the
composition is ... Show more content on Helpwriting.net ...
Rops's painting, titled Pornocrates painted in 1878, depicts a blindfolded woman dressed in nothing
but stockings, shoes, gloves, a hat and a bow around her waist. She is walking a pig on a leash
surrounded by flying putti. At first glance, this woman would appear to be a classical nude, but her
attributes show she is only a naked woman. Aspects of Pornocrates can be compared to Alexandre
Cabanel's Birth of Venus, painted in 1863. In Cabanel's work, Venus is a classical nude positioned in
a coy, feminine pose, also with putti around her. The woman in Pornocrates wears pieces of modern
dress, depicting her as inappropriately undressed and lewd. She is the personification of the loose
morals and hedonistic nature of prostitutes found in the big city. Although also similar to Cabanel,
the putti in Rops's work are striking semi–sexual and revealing poses, dissuading the viewer of their

Gustave Flaubert Writing Style
The 1800's was a century of change. Medicine was advancing, the effects of the Enlightenment were
still underway, and a new age of exploration occurred as those of Europe began to extend their
hands across the world towards America. During these times the common folk changed and adapted
many of their ideals, and suffered many hardships and heartaches. In this period, a man of
Normandy named Gustave Flaubert caught many of these hardships within his writings. With words,
thoughts, and crafted phrases, he showed what the common people of this period went through day
by day. As an article put out by TV Tropes explains, Flaubert was famous for his precise,
straightforward writing style, filled with the ideal of realism:
"Flaubert 's writing ... Show more content on Helpwriting.net ...
Felicite, as explained at the very beginning of the story, was known for her cleanliness, making
people all around them envy Madame Aubaine for her choice of servant. Though Madame Aubaine's
story is interesting in itself, the story of Felicite is not only one of importance to the story but also to
our understanding of these times in general. Her father and mother were both killed when she was
very young, and when her siblings split up without her she was left alone to find work. Most places
where she found it were hostile to a young woman of eighteen, leaving her vulnerable to physical
and verbal abuse. She even experienced this through a brief relationship, and though she did end up
loving him he eventually revealed he was only looking for someone to marry to avoid the draft.
Walking away in defeat, she found Madame Aubaine and signed on to work for her fifty years. It's
here that she begins the biggest of her struggles. Under Madame Aubaine she suffered four
hardships that were common in Felicite's days. Her first hardship was the loss of her nephew on his
journey to America. As explained in the story, when Felicite's nephew left for the new world she
constantly paced back and forth hoping a letter from him would arrive soon. The constant anxiety of
never knowing whether or not he was alright was something that those who knew New World
travelers experienced often. Even more people lost loved ones to this voyage as Felicite did. Without
the instant communication and

Llmari Aalto: Gustave Courbet
This review will cover two artists work. Two pictures will be included in the paper and I will talk
about what I like or dislike about the painting. The two artists that will be mentioned in this review
are Llmari Aalto, the second artist is Gustave Courbet.
Mr. Courbet painted many pieces of art. As the Google site mentioned in the description above,
Courbet pained nudes, portraits, and landscapes, which are my favorite of his. Courbet did not only
capture the landscape but also the wildlife that lived in the area, which was the reason I was
attracted to his paintings. Just the way Courbet captured the animal's movements in their
environment. Courbet catches the size of the deer, you can tell just by comparing the two. Like the
Courbet painting

Misguided Views In Gustave Flaubert's Madame Bovary
Selfishness and Misguided Views in Madame Bovary
The majority of Gustave Flaubert's 1857 classic novel, Madame Bovary , tells of the marriage and
two adulterous affairs of one lady, Madame Emma Bovary. Emma, believing she is in love, agrees to
marry the widower doctor who heals her father's broken leg. This doctor, Charles Bovary, Jr., is
completely in love with Emma. However, Emma finds she must have been mistaken in her love, for
the "happiness that should have followed this love" (44) has not come. Emma is misguided in her
beliefs on the meaning of love and happiness. It is also apparent that she considers herself more
important than anyone connected with her, including her husband, her daughter, and her two lovers.
... Show more content on Helpwriting.net ...
As she is dancing, Emma observes the superiority of the wealthy compared to herself. "Their
clothes, better made, seemed of finer cloth . . .. They had the complexion of wealth,––that clear
complexion that is heightened by the pallor of porcelain, the shimmer of satin . . ." (66). This night
helps Emma erase from her memory the fact that she is the daughter of a less–than–wealthy man;
she now believes she is too grand to be of such breeding. Only a day after the ball, Emma is more
unhappy than before, as she longs for the greatness that the wealthy possess. Madame Bovary denies
herself happiness by refusing to enjoy her life with Charles, and wanting more for herself than what
she has.
Charles, though his practice is doing well, decides to move to Yonville. He wants only to please
Emma, and feels the move will be beneficial to her health; she is pregnant. Emma's selfishness even
prevents her from experiencing the happiness of motherhood. Charles considers the pregnancy
"another bond of the flesh establishing itself, and . . . a continued sentiment of a more complex
union" (115 and 116). Emma is at first astonished, and then eager to deliver, so she can experience
motherhood.
"But not being able to spend as much as she would have liked, to have a swing–bassinette with rose
silk curtains, and embroidered caps, in a fit of bitterness she gave up looking after the trousseau, and
ordered the whole of it from a village needlewoman, without

The Stone Breakers By Gustave Courbet
The Stone Breakers (1849–50) Artist: Gustave Courbet Gustave Courbet was a French painter and
chief figure in the Realist movement of the mid–nineteenth century. His paintings often contained an
emotional bleakness, and were praised for their precision and use of light. Along with Delacroix,
Courbet was a key influence on the Impressionists This painting, showing two workers, one child,
an elder, Courbet presented the same Realist snapshot of everyday life and an allegory to the nature
of poverty. While the image is inspired by a view of two people who create gravel for roads, one of
the least payments, most backbreaking work that can be thought, Courbet rendered his faceless
figures as to make the unknown Stand–in for the lowest orders of

Madame Bovary by Gustave Flaubert
In the novel Madame Bovary by Gustave Flaubert, the protagonist, Emma Bovary experiences love
and lust within and outside of her marriage. Emma is an innocent, beautiful farmer's daughter who
dreams of the perfect romance and an extravagant, exciting lifestyle. She has preconceived notions
about what life as a married woman should be like, and how an ideal husband should act towards
her. Emma marries Charles Bovary, a doctor, and they have a daughter. Charles and Emma's
marriage is dissatisfying for her, and she begins her trysts with other men. Throughout the novel,
Emma Bovary holds three different lovers; her loyal husband Charles, the womanizing Rudolphe,
and the immature Léon. The relationship between Charles and Emma is a push and pull between
love and dissatisfaction. Emma marries Charles out of boredom of her life on the farm with her
father. She hopes to find happiness and an escape with her marriage to him. Charles finds himself to
be in love with Emma, while Emma does not feel the same strong feelings as her husband does.
"Before marriage she thought herself in love; but the happiness that should have followed this love
not having come, she must, she thought, have been mistaken."(23). The Bovary's are invited to a ball
hosted by Marquis d'Andervilliers, and Emma gets her first taste of wealth and luxury at the
mansion. Seeing the more luxurious side of life makes Emma more hateful towards her life with
Charles. Emma finds Charles ill–mannered and dull. "As he

Gender Roles In Gustave Flaubert's Madame Bovary
Madame Bovary is a novel by author Gustave Flaubert in which one woman's provincial bourgeois
life becomes an expansive commentary on class, gender, and social roles in nineteenth–century
France. Emma Bovary is the novel's eponymous antiheroine who uses deviant behavior and willful
acts of indiscretion to reject a lifestyle imposed upon her by an oppressive patriarchal society.
Madame Bovary's struggle to circumvent and overthrow social roles reflects both a cultural and an
existential critique of gender and class boundaries, and her unwillingness to tolerate the banalities of
domestic life in a predetermined caste culminates in several distinct means of defiance. Emma
Bovary exploits traditional cultural values such as marriage, ... Show more content on
Helpwriting.net ...
Her relationship with the wealthy, charming Rodolphe Boulanger is a diversion from tedious
country life as well as an intentional subversion of the establishment of marriage and an attempt to
undermine her husband's authority. After her first conjugal transgression, Emma distinctly feels "the
satisfaction of revenge" and "savoured [sic] it without remorse, without anxiety, without worry"
(161). Though her husband Charles is guiltless of cruelty or vice he is representative of a patriarchy
that is entirely neglectful of the emotional, psychological, and intellectual needs of women and
assertive of its superiority and power. She is expected to fulfill the duties of a simple–minded,
submissive, and sexless creature who is devoted to the comfort of her family and upkeep of the
home. By pursuing a sexual relationship with Rodolphe, Emma invalidates the authority of the
prohibitive government institution over her actions and demands autonomy in the face of a banal
provincial life.
Material possessions are both a comfort and a preoccupation for Emma Bovary and she is largely
defined by her identity as a consumer and her efforts to subvert traditional materialism through
excess. Attending a ball at the home of the Marquis de Andervilliers is one of the defining moments
in Emma's life, in which she receives a glimpse into the life of the aristocracy and experiences a
fleeting sense of

Essay on Gustave Courbet, the Realist
Gustave Courbet, the Realist
Let's first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French
painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with
forests and pasture's perfect for realist paintings. At the age of 14 Courbet was already in art training
receiving lessons from Pere Baud a former student of a neo–classical painter named Baron Gros.
Courbet's parents hoped he would go off and study law when he moved out in 1837. To there
misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from
Flajoulot another famous neo–classicist. At twenty years old Gustave Courbet went to Paris, the
European center for art, political, ... Show more content on Helpwriting.net ...
He wrote: "Behind this laughing mask of mine which you know, I conceal grief and bitterness, and a
sadness which clings to my heart like a vampire. In the society in which we live, it doesn't take
much to reach the void".
February of 1848 rioting broke out in the streets of Paris because Louise Philippe abdicated and a
provisional republican government took control. Even though the political party's were fighting the
salon opened without a selection committee. Gustave Courbet now had ten pieces of his artwork on
display as apposed to none just years before. 1848 was the year for Gustave Courbet. The critics
loved his paintings and his first major piece was "After Dinner at Ornans" won a gold medal and the
government bought the painting. The medal means that at future salons Courbet was exempt from
the selection procedure. It was around this time the people were beginning to protest against the
realist movement. Courbet started to stray away from his original romantic style paintings and got
comfortable making pieces including scenes of Ornan. Courbet's next major piece was to be "Burial
at Ornans" which was shown from 1850–1850 at the salon. This humongous painting was too
including almost everyone from the district. The outcome of this piece looked like it was the
beginning of his end. The critics all hated the piece and said things like, it was too big, the

Gustave Eiffel Research Paper
Gustave Eiffel was born on December 15, 1832, Dijon, France and died on December 27, 1923,
Paris, France. He died from Intracerebral hemorrhage, Intracerebral hemorrhage is when blood
suddenly bursts into brain tissue, causing damage to the brain. Gustave was an engineer he was
interested in construction at an early age he also attended at a french public institution called Ecole
Polytechnique. He graduated in 1855, at Ecole Centrale des arts et manufactures which is a college
of arts and manufacturing.
One of Eiffel's first projects came in 1858, when he oversaw the building of an iron bridge at
Bordeaux, and by 1866 Eiffel had set up his own company. By the time he designed the arched
Gallery of Machines for the Paris Exhibition of 1867, his reputation was solidified. In 1876, he
designed the 525–foot steel–arched Ponte Maria Pia Bridge over the Douro River in Oporto,
Portugal, which was completed the following year. http://www.biography.com/people/gustave–
eiffel–9285294#early–projects ... Show more content on Helpwriting.net ...
As his career advanced, Eiffel moved away from bridge work, such as in 1879 when he created the
dome for the astronomical observatory in Nice, France, notable in that the dome was movable. That
same year, when the Statue of Liberty's initial internal engineer, Eugène Viollet–le–Duc,
unexpectedly died, Eiffel was hired to replace him on the project. He created a new support system
for the statue that would rely on a skeletal structure instead of weight to support the copper skin.
Eiffel and his team built the statue from the ground up and then dismantled it for its journey to New
York

Gustave Bond
The story starts off in North Korea, with our protagonist James Bond attempting to meet military
commander Colonel Moon for his mission. However, a traitor in his midst rats him out and Bond
gets captured by the North Korean military. After 14 months of imprisonment, he is exchanged for
North Korean terrorist Zhao by the M16. Bond is then accused by M of leaking information during
his confinement that led to several agent's deaths and he is immediately relieved of his duties as an
agent. On his quest of clearing his name, he sets out to find Zhao, the lone person who knows of the
traitor's identity. Bond then chases him around the world, from Cuba –where he meets Jinx, a
prominent character in unraveling who the traitor is– to London. There he finds himself acquainted
with millionaire Gustave Grave and an M16 agent ,Frost after he parries swords with the former.
Bond is then invited to the grand ... Show more content on Helpwriting.net ...
After successfully rescuing Jinx and killing Zao, he then tracks Moon down and boards his plane
along with Jinx. While Jinx battles Frost in the cockpit, Bond engages with Grave. After a strenuous
battle, Bond kicks Grave off the plane and into his demise. He and Jinx escape with Grave's riches
on a helicopter. The major theme in the movie is how betrayal can come from the most unexpected
places. Examples to support my claim would be off when Frost betrayed Bond after her showing her
suggested interest in him.Another instance of betrayal for Bond was when M accused him of leaking
information. From his perspective, the blame can be seen as a lack of trust in him. It wasn't just
Bond that experienced betrayal, however. Grave was 'betrayed' by his father because he turned his
gun against him in fear of being nuked by the US. Die Another Day incorporates themes of betrayal
and rejection to spin a tale of heart–pounding suspense and

The Orange Trees By Gustave Caillebotte
The first artwork made by Gustave Caillebotte is called The Orange Trees, the painting was
measured to be 61 by 46 inches and the creation was made with oil on canvas. It was launched in
1878 and is currently held at the Aubrey Jones Beck Building. The second artwork created by Paul
Ranson is called the Apple Tree with Red fruit, the painting was measured to be 33 ½ by 46 ¾
inches and the frame was measured 41 ½ by 55 ¼ inches. Just like Caillebotte created The Orange
Trees, it was created with oil on canvas. The artwork was launched c. 1902 and is also currently kept
at the Aubrey Jones Beck Building. Caillebotte's artwork represents the relaxation in Paris, in a
garden at the family villa. He painted "his brother Martial, in a straw hat and purple slippers, and
their young cousin Zoë, dressed in striped chiffon and red boots" to show a sense of fashionable
leisure. (MFAH). The style of the painting is impressionism because the artwork shows the
recreation of the view that the artist was trying to give an impression of. Martial, Caillebotte's
brother is sitting on a chair and appears to be larger than Zoë to emphasize that he would be closer
to us in the view of the artwork. Caillebotte's also uses curved lines to create the base of the table
and chairs. The Orange Trees artwork is definitely representational because it shows that they are
supposed to represent actual objects. The artwork to me appears to be asymmetrical due to
everything mainly being on the left side of

Gustave Le Bon
In the light of the reading materials for this unit, I will try discuss the crowd of Gustave Le Bon
which is a study of popular mind. In his book one, Le Bon has shown us several characteristics of
the crowd psychology such as "impulsiveness, irritability, and incapacity to reason, the absence of
judgments of the critical spirit, the exaggeration of sentiments, and so forth" (Wikipedia.org). Le
Bon defined "Crowd in its ordinary sense as means a gathering of individuals of whatever
nationality, professor, or sex, and whatever the chances that have brought them together"
(web.archive.org). Le Bon claimed "that an individual in a crowd is a grain of sand amid other grain
of sand, which the mind stirs up at will" (Wikipedia.org).
"From the psychological point of view the expression "crowd" assumes quite a different
signification. Under certain given circumstances, and only under those circumstances, an
agglomeration of men presents new characteristics very different from those of the individuals
composing it" (web.archive.org).For Le Bon, "the sentiments and ideas of all the persons in the
gathering take ... Show more content on Helpwriting.net ...
In his book, "Le Bon has also detailed three key processes that create the psychological crowd:
noted as anonymity, contagion, and suggestively" (Wikipedia.org). For Le Bon, "Anonymity
provides to rational individuals a feeling of invincibility and the loss of personal responsibility. An
individual becomes primitive, unreasoning, and emotional. This lack of self–restraint allows
individuals to "yield to instincts" and to accept the instinctual drives of their "racial

Gustave Delacroix And Romanticism
Romanticism was an art movement in the 18th century that focused on imagination, inspiration, and
emotion. Eugène Delacroix and Gustave Courbet, french painters, both specialized in the painting of
meaningful things. Gustave's self– portrait titled The Desperate Man was a painting filled with
uncertainty and worry. His portrait of Jo, the Beautiful Irish Girl was also an awe inspiring painting
that contained such an intimate setting. Eugène's painting Orphan Girl at the Cemetery is a true
inspiration. It consists of a girl with a face full of emotion and mystery. Both paintings inspire so
much emotion. His painting Greece on the Ruins of Missolonghi contains war and passion. It
depicts wonder and loss as well as mystery. Both painters have similar styles and methods, but they
many differences in their choices as well. But what makes Romanticism and its painters different
from any other art movement? Is it the precise and smooth, meaningful strokes or the characters
portrayed in the scene? Is it the attention to detail or the faces full of emotion? What makes this art
movement so significant? Are Eugène Delacroix and Gustave Courbet the reasons for
Romanticism's popularity?
Eugène Delacroix and Gustave Courbet most definitely contributed to the notoriety of the art
movement, but it first began as a literary movement before it journeyed to painting. Delacroix is
considered to be one of the leaders of this movement. He put expression and emotion in paintings
when the norm,

Paul Gustave Dore
Introduction Born in the town of Strasbourg in the Alsace province East of France to parents of
education and means, Paul Gustave Dore happened upon a lucrative business that made him the
bane of Parisian art critics but the most sought after illustrator in England and The United States.
His father was a civil engineer and he was the second of three male siblings. His father hoped to
break him of his wild imaginations and his propensity to put them to paper with pencil. While
accompanying his father and older brother in Paris, Gustave discovered the allure of Paris and made
known his intention to remain and pursue his career as an artist (Hubbard 5–8). His work is
generally considered as Romanticism and he has been labeled one of the ... Show more content on
Helpwriting.net ...
All the figures are dark and disheveled in appearance. Their clothing is depicted in an unkempt
appearance and the scene shows a sense of separation from the upper class society because of the
way they are lying on the bench, even though they are presented in a manner of dress inure to the
upper class. My first impression was a family waiting for transportation to where I do not know after
a night out on the town. Normally figures, during that century, waiting for transportation are sitting
upright. Dore does not address in his drawing here the same condition as Figure 1. When I first saw
this work, I chose not to look at the title and make some preconceived notion as to what was being
depicted. When I noticed the implied ship mast in the background, which setup the next perception
as a port, it inherently supported my theory of awaiting transportation. Alas, it was not correct and
this may shed some light into Dore's eventual illustration in Figure 5 of the same scene depicting a
more impoverished set of subjects on a bench awaiting the light of day. Included as a reference to
the depiction of poor vs. wealthy is Figure 6, one of just a few of the drawings the publisher thought
would be prevalent in the book. Figure 1 – http://www.bergercollection.org/artwork_detail.php?
i=167# Figure 2 –

What Is The Theme Of Confinement In Bolary By Gustave...
The confinement of females under mental and physical distress is the central theme in Gustave
Flaubert's Madame Bovary, and Wilkie Collins The Woman in White. Flaubert's Emma Bovary is a
narcissist whose self–induced obsession with literature restricts her from having a happy fulfilling
life, as nothing compares to the excitement and adventures she reads in her novels. While the plot of
Wilkie Collins The Woman in White depicts the story of two women who are deceived and
incarcerated in a private asylum. These asylums proliferated in the mid nineteenth–century as
alternatives to the established large–scale public hospitals/asylums. This assignment will compare
and contrast the methods used by both authors to define confinement, including structure, setting,
narrative techniques and genre. Furthermore, it will discuss the various forms of transgressive ...
Show more content on Helpwriting.net ...
Flaubert prefigures this when she goes to confession.
'When she went to confession, she made up little sins so as to stay there longer, kneeling in the
shadows, her hands joined, her face against the screen beneath the whispering of the priest. The
metaphors of the betrothed, the spouse, the celestial lover and the eternal marriage, such as recur in
sermons, excited a strange sweetness deep in her soul' (p34).
Irony is another method Flaubert used to depict confinement. Thus, by ironically undercutting the
romance in the novel with realism he satirically pokes fun at the bourgeoisie society. This is
apparent when Emma throws her wedding bouquet into the fire to symbolize the end of her
marriage, just before she becomes pregnant (). In her introduction to Madame Bovary, Roberts
quotes,
'This subtle use of irony always leads Emma back to reality, that works against her vision and desire
of things, 'it is this tense alternation of feeling, pathos and irony of intimacy and estrangement that
make up the sweet and sour of Madame Bovary'

Gustave Courbet Gleaners
A Formal Analysis of Gustave Courbet's Burial at Ornans and Jean–François Millet's Gleaners
The realism era came about during the time of the Romantics, the time where imagination and
ideology painted the artists canvas. To be a realist meant that an artist would paint what he actually
saw and not an idea of something. For instance, if an artist were to paint a depiction of war, then all
the gruesome details would probably be considered in the piece of art. The artist that essentially
paved the way out of Romanticism and into the era of Realism was Gustave Courbet considered by
some to be the first realist. He dismissed academic painting and insisted that Realist painting was
only what one could actually see. His most famous statement is "I have never seen an angel. Show
me an angel, and I'll paint one."
Gustave Courbet was born in ... Show more content on Helpwriting.net ...
Millet used an oil medium and centered the subject matter on canvas with dimensions measuring at
around thirty–three inches in height and forty–four inches in width. This piece appears to be
photorealistic because in the center of the work, the three peasant workers come across in an almost
life–like representation of a mundane task. The Gleaners is an excellent depiction of the daily
struggles of the of the lower income class. Paul de Saint–Victor, an essayist and literary critic of the
time bestowed on this work of art to be "The three Fates of pauperism." Millet used the appearance
of a sunset and his use of color seems to illuminate on these women as they work. The color and the
fact that Millet placed the three women so much in the foreground placed emphasis on the work and
the strength that they carry. This painting was displayed in the Salon in 1857 and has had exposure
all over the world. Currently The Gleaners is on conservation at the Musée d'Orsay in Paris,

Analysis of the Boat Scene in Gustave Flaubert's Madame...
An Analysis of the Boat Scene in Gustave Flaubert's Madame Bovary
As Gustave Flaubert wrote the novel Madame Bovary, he took special care to examine the
relationship between literature and the effect on its readers. His heroine Emma absorbs poetry and
novels as though they were instructions for her emotional behavior. When her mother dies, she looks
to poetry to decide what degree of mourning is adequate; when she becomes adulterous she thinks
immediately how she is like the women in literature that she has read about. In one scene, Emma is
with her second lover, Leon, rowing in a boat, and she begins to sing several lines from the poem
"Le Lac" by the romantic poet Alphonse de Lamartine. The poem is about two lovers rowing on a ...
She sings, while rowing with her lover, " One night, do you remember / We were sailingÖ"(186).
These lines, though they seem appropriate in the moment, barely scratch the surface of the poem's
meaning.
Lamartine wrote "Le Lac" about Madame Julie Charles, a woman that he took with him one summer
to vacation at the Lake Bourget. Lemartine fell passionately in love with Mme Charles. However,
the following winter Charles fell ill and passed away, never to return to the lake. The poem discusses
the happy memories of the summer, but that is not its primary purpose. Mme Charles' death forces
Lamartine to recognize the constant and continual passing of time, a theme that is very present in
"Le Lac". More specifically, Lamartine discusses the inevitable end of happy moments, such as the
ones he shared with Charles. He begs time to "Suspendez votre course! / Laissez–nous savourerer
les rapides delices / de plus beaux des nos jours!" (31–31). Throughout "Le Lac," the death of Mme
Charles is always forefront. It is her death that inspires the poet to revisit the lake, and it is her death
that causes the realization of the passing of time. Although her actual death is only briefly
referenced at the beginning of the poem when Lamartine comments on "des flots cheris qu'elle
devait / revoir"(7–8), the idea of death remains present throughout the entire work. It is Mme
Charles' passing that spurs

Gustave Dore Research Paper
The artist that Dante would have chosen would be Gustave Dore. I believe that Dante would find his
illustrations to reflect his story the best and it seems like that would've been Dante's style. In the end
we wouldn't be able to find out which artist Dante would have chosen but by the way the author
writes you can make the best inference. Every author writes a story so that you can imagine what
colors would be the best for illustrations or you just picture things the way the artist describes them.
Dante seemed to be a very specific person and he knew exactly how he wanted his writing to be
portrayed I think that is why this was such a well known epic poem. I've learned that Gustave Dore's
illustrations have become connected and even though

Gustave
Gustave's cognitive abilities were assessed through the use of Wechsler Adult Intelligence Scales,
4th Edition (WAIS–IV). The areas of cognitive processing ability measured include crystallized
intelligence, short–term memory, visual–spatial processing, fluid reasoning and processing speed.
The subtests measure different cognitive processing abilities and when combined they form four
index scores: Verbal Comprehension, Perceptual Reasoning, Working Memory and Processing
Speed which all together make up the Full–Scale IQ (FSIQ) score. To further clarify Gustave's
cognitive skills, separate composites were calculated for visual processing and fluid reasoning using
the Cross–Battery Assessment Software System (X–BASS).
Gustave obtained a FSIQ standard score of 89 (23rd percentile) and falls within the Low Average
range. His performance across the various indexes ranged from the Low Average to Average. His
intelligence is best understood by his performance on the separate indexes. Therefore, an analysis of
the various subtest scores needs to be taken into consideration in assessing Gustave's ability to
function and learn successfully in the educational setting due to variability within the domains. ...
On Digit Span, Gustave was first presented with increasingly long strings of numbers and required
to repeat them verbatim. He was then asked to repeat a series of numbers in reverse order and to list
the series of presented numbers in ascending sequential order. Gustave ability to maintain
information and reproduce it in the same sequence fell within above average range; indicating a
strength in his memory span abilities. On Arithmetic, his performance fell within the Below Average
range when measuring his ability to mentally manipulate and reason with

The Beauty of the Mundane in Gustave Flaubert’s Madame...
The Beauty of the Mundane in Gustave Flaubert's Madame Bovary
In Gustave Flaubert's Madame Bovary, it is difficult to know what to think of Monsieur Binet and
his lathe. His constant devotion to such an unrewarding pursuit would seem to act as the bourgeois
backdrop to Emma Bovary's quest for eternal passion and excitement, a polar opposite with which
Emma can stand in sharp contrast. However, it turns out that Binet and his lathe have more in
common with Emma and her rampant desires than what would first appear obvious. Binet's lathe
still serves as a background with which to compare Emma's quest for love and riches, but instead of
acting as a complete antithesis to everything she does, the lathe is meant to be subtly different ...
(28)
In this one sentence Flaubert not only gives example of how the works are repetitive, with similar
plots, and dying horses "on every page," but he also manages to capture the clichéd, melodramatic
style of romance novels that makes them all seem the same. The repetitiveness extends into real life
as well, as Emma's love affairs constantly lose their fire and begin to become routine, or, as
Rodolphe notes, "the charm of novelty, falling down slowly like a dress, expose[s] only the eternal
monotony of passion, always the same forms and the same language (154).
The feeling of superiority that the lathe gives Binet fits more obviously with Emma's action and
character. He uses his lathe "with the jealousy of an artist and the egoism of a bourgeois" (60). He
feels that his craftsmanship and dedication to the lathe make him superior to those deprived souls
that do not have one. We see these feelings firsthand when Binet suggests to Leon that he should
take up the lathe as a solution to his problems. When Leon admits that he knows nothing about
lathes, Binet replies "That is true," and "strok[es] his chain, with a look that mingle[s] disdain and
satisfaction" (94). The lathe fulfills Binet's bourgeois

Faubert's Lasting Impact : Gustave Flaubert's Lasting Impact
Flaubert's Lasting Impact In his novel Madame Bovary, Gustave Flaubert connects the social,
political, and historical period that he writes in, as seen through the archetypal, sociological, and
psychological critical lenses, to leave a lasting impact on society today. He masterfully works his
life and the circumstances he endured into the novel and takes the reader on a journey through this
character that he has claimed is very similar to him. Many aspects of the novel allow the reader to
make the connection between the social, political, and historical period that he writes in.
FLAUBERT'S LIFE
Gustave Flaubert was born on the twelfth of December 1821. He became a Fresh novelist and he has
been considered the leading exponent of literary realism in his country. Flaubert's father was a senior
surgeon at a large hospital in Rouen and his mother was the daughter of a doctor. He started writing
at a very young age, probably somewhere around eight years old, and his parent's influence in his
life can be seen throughout his works, especially in Madame Bovary. During the 1830s, Flaubert
attended the Collége Royal de Rouen. When he was fourteen began focusing more on his own
writings. He was inspired by his unconsummated love affair with a much older married woman,
Elisa Schlésinger. Flaubert went on to study in Paris in the 1840s, but was unsuccessful. These
experiences and some communication he had with other friends and family caused him to begin
crafting a ideology of dismissal of the state and of the Neo–catholic social and political views at the
time. Flaubert stayed in Rouen for the remainder of his life and was plagued by epileptic–like fits
which caused him to stay in his home for the most part, but gave him a great deal of time to focus on
writing. When Flaubert was twenty–six, he took a trip to Paris in order to see the French Revolution
first hand. He then traveled to Egypt and the Far East in 1851, but following these trips he stayed in
Rouen and took the next five years to write Madame Bovary. Moral outrage ensued in 1857 and
Flaubert was unsuccessfully prosecuted for it. His life calmed down in the 1860s and Flaubert
continued writing and working. In the 1870s Flaubert grew ill and after his

Emma Bovary : Gustave Flaubert, Madame Bovary
Gustave Flaubert, Madame Bovary
Emma bovary was born in a middle class society. Emma believed in her imaginations more than her
reality. She was confused when she started reading books about fantasies, sex and other things.
What destroyed Emma that she doesn't know the different between her reality, and her illusion.
Emma starts to have different affairs with different men. But at the end, Emma finds out her life
with Charles is boring, and she tries to escape form it. Then she fell in love with a wealthy
landowner but at the end, she decides to leave him because she doesn't see nothing about their
relationship is romantic. But at the end, Emma becomes ill because Rodolphe leaves her, and she
decides to kill herself because she thinks it will be a romantic death, and because she owe people
money. Emma was disloyal to her men, she was passionate to her religion, and she was very
irresponsible.
First, Emma was disloyal to her men; she finds that Charles is uninspiring, and at the end she tries to
leave him, because she was not interested in his love. She tries to love Charles and marry him,
because it doesn't work for her, because she loves her imaginations more than she loves him. She is
also embarrassed by her husband, because she believes that Charles is clumsy, because he doesn't
satisfy her. While she was in relationship with Charles, she fell in love with a guy name Leon, a
young clerk, then they become friends, and they started dating. He got her pregnant, she

Ignorance In Gustave Flaubert's Madame Bovary
Gustave Flaubert depicts setting and physical elements as literal and metaphorical methods of
confinement in his novel Madame Bovary in order to demonstrate Emma Bovary's inability to
escape the myriad of imprisoning forces within her life. Flaubert illustrates clothing as a restraint
placed on Emma, both physically, and metaphorically through her dissatisfaction with her life.
Flaubert delves into the manner in which satirizing Charles' overbearing nature explains Emma's
imprisonment by Charles. Flaubert denies the existence of true romance through confinement within
boxes. Additionally, Flaubert represents Emma's naïveté through literal and metaphorical
descriptions of setting. Flaubert illustrates both cramped and wide settings to symbolize Emma's
freedom or lack thereof as a result of her gullibility. This imagery allows Flaubert to successfully
demonstrate the oppressive forces in Emma's life through metaphor. Flaubert reveals Emma's
inability to achieve satisfaction in ... Show more content on Helpwriting.net ...
Flaubert reveals Emma's foolishness through her awe at wide open settings. Emma regards open
space as opportunity, as modeled by her affair with Rodolphe. On a trip to Rodolphe's home, Emma
"soon found herself in the middle of the field, walking with rapid steps, without looking behind her"
(115). Flaubert expresses both Emma's carelessness in her affair, as well as her naive pursuit of
romance with Rodolphe. Emma fantasizes about wide open settings due to her high, and inaccurate,
expectations of others. Emma anticipates a romance with Rodolphe like no other, and dreams about
"some splendid city with domes...and cathedrals of white marble" (138). Flaubert represents Emma's
childish delusions of prince charming through her conceptions of her ability to obtain an
unbelievable amount of wealth. Flaubert exemplifies Emma's child–like fantasies through her view
of large spaces as opportunity for

Gustave Caillebotte Analysis
Gustave Caillebotte was born on August 19, 1848. He first began studying painting when he started
going to Leon Bonnat's studio. Caillebotte's very first studio was in his parents', Martial Caillebotte
and Celeste Daufresne, home. When Caillebotte's father passed in 1874, he inherited his money.
Caillebotte showed his first piece "Floor–scrapers" in the 1876 Impressionism exhibition.
Caillebotte has a realistic style but was inspired by the Impressionism style. This painting in
particular is in the Impressionism category. Caillebotte painted a lot of standard subject matter. A lot
of his pieces are images of family members.
The model for this nude later became a Mistress of the creator, but she is unusual presence. It is part
of a set of

Madame Bovary by Gustave Flaubert
According to Jacques Ranciere, Emma's death was a verdict made by Gustave Flaubert because she
was unable to distinguish the practical–mindedness and sentimentality of art, which was the lifestyle
she had chosen to live. "Art means distinction to her, it means a certain lifestyle. Art has to permeate
all the aspects of existence" (Ranciere 238–239). Emma had sought after the church and religion
throughout this novel in seeking spiritual enlightenment. However, the self–integration of religious
art and literature in Emma's life had caused her to condone the benefits she could have received of
religion and of the church. "With a mind that was practical in pursuit of its enthusiasms, that had
loved the church for its flowers, music for the words of its sentimental songs, and literature for its
power to stir the emotions, she rebelled against the mysteries of faith" (Flaubert 36). Emma was
unable to discern that her sentimental view on religious arts substituted her spirituality; the inability
to separately define the two elements resulted in her downfall and death.
From the start of Emma's stay at the convent, she was wooed by the atmosphere of the church –
which she found sentimental – and thus began to walk the path to her own death. "Instead of
following the mass, she would study...the pious illustrations with their sky–blue borders, and she
loved the sick lamb, the Scared Heart pierced by sharp arrows, and poor Jesus, stumbling under the
burden of his cross" (Flaubert 33).

Honore de Balzac and Gustave Flaubert's Writings on...
Honore de Balzac and Gustave Flaubert's Writings on Capitalism
The Revolution in France, during the 19th century, gave power to the people for the first time in
France. French citizens now had faith that they could form a strong, independent country; but what
they did not realize was that there must be some form of financial or monetary backbone present for
a country to excel on its own in the modern world. This gave way to the rise of capitalism and all its
follies, debaucheries, and mainly the exploitive nature it excites in people. Two authors, who were
writing and observing these changes during this time in France, Honore de Balzac, and Gustave
Flaubert, exemplify the demoralization of a people caused by the onslaught of ... Show more content
on Helpwriting.net ...
Eugene's actions are exploitive because he has no regard for the well–being of his family by asking
for their life–savings. Eugene also does not take into account how he is going to recover the sums he
unethically acquires. However, capitalism's influence does not stop with Eugene in this instance.
The idea of needing expensive clothes and flashy attire influences his sister Laura that she should
use her sewing and clothes making skills in order to save Eugene some money, and therefore have a
better chance of Parisian high society accepting him. Eugene says that his sister has "become as
crafty as a thief" (87), which comments on the changes within her caused by the minute exposure to
modern, capitalistic, ideals. However, really Laura is stealing from herself by willingly exploiting
her own labor without compensation of any sort. Here, along with the ever–present portrayal of
Goriot's daughters bamboozling him for money, Balzac illustrates the most pathetic and
demoralizing form of exploitation: when one exploits or unfairly takes advantage of their own
family in a way that can lead them to starvation or even death.
Pere Goriot and Eugene are not only involved with family exploitation, but they are also taking
advantage of each other in hopes of gaining

Gustave Courbet The Stonebreakers
The paint I have chosen to observe is Gustave Courbet's The Stonebreakers. Now as to how he
rebelled against the traditions of past art style be following the art movement of portraying realism
in his art work, basically he changed what his subject matter would be for his art work. So instead of
painting royalty, fairy tale stories/myths, or even religious figure or stories to paint how the world is
by painting a young man and adult breaking rocks. Although very simple when hearing what the
subject matter is he portraited this scene of every day work of the common folk was done with
excellence detail, showing the workers hardships and the load of their work with its semi–dark color
scheme which is devoid of bright colors. Instead of painting

Gustave Flaubert "A Simple Heart" Essay
Gustave Flaubert "A Simple Heart"
Gustave Flaubert's short story, A Simple Heart, is the narrative account of one woman's painfully
unrewarding life as a humble and blindly dedicated servant, Felicite. Throughout the story
chronicling her life, she suffers a series of heartbreaking losses, but continues to love
unconditionally nonetheless. A Simple Heart brings up themes of death and loss, and unquestioning
duty and responsibility. It also calls into question conventional religious belief, through, among
other things, Felicite's warship of the parrot, Lou Lou. Felicite represents each of these themes
partly in her own ignorance and simplicity and, as a result, it is seemingly difficult to validate the
authenticity of her ... Show more content on Helpwriting.net ...
She has no control over the losses she endures; loss is inevitable. This idea of loss plays into another
theme within A Simple Heart– that of unquestioning duty and responsibility. It is Felicite's
simplicity and, at times, her ignorance that allows her to so be so blindly devoted and caring. She
works faithfully for little pay, and remains incredibly loyal to Aubain's family. For example, when
she saves Aubaine and her children from a raging bull, she puts her own life in peril without a
second thought. She takes no pride in this act, and has not the "barest suspicion that she had done
anything heroic" (1023). She also displays this when she fails to see Virginie before she dies because
she feels so strongly about making sure the house is locked and secure before she leaves to see her.
Despite her pure heart, it seems that Felicite is never rewarded. This challenges the value of such
blind and unshakable devotion in such an unrewarding and oftentimes cruel world. However,
Flaubert's most significant idea presented in this story, one that is intertwined with death and
devotion, is his questioning of mystical belief. Felicite's religious devotion seems arbitrary and
indirect. Despite this, it also appears to be quite deep and meaningful to her. The irony lies in the
fact that she gains most, if not all, of her religious experience vicariously

Gustave Cailebotte Essay
Skiffs on the Yerres was painted by Gustave Cailebotte in 1877 in Paris. This is an oil painting.
Gustave Cailebotte is the impressionist. As he interested in photography and probably, his artwork is
near to real environment. He liked using a soft impressionistic technique to bring out the nature of
countryside and urban Paris. He painted this artwork when he was a passenger in the back of the
row boat.
In the painting, those men are using their paddle along a river slowly. Although the sunlight is
shining, they are not feeling painstaking. Also, the water reflects the man's paddle. The subject
matter is the largest one man. He wears a straw hat with a red ribbon, a white long sleeve with rolled
sleeve to elbows and blue trousers. He is not any mood on his face, but he is focusing on the paddle
and rowing along the river that has many trees in the both side. On the left side of the painting, there
is a building like pavilion.
For the elements of arts, there are some lines that I found in the painting. The horizontal line is about
1/4 of the upper area, this line is separating the water and trees. Converging lines is found between
water and trees and middle of the trees. As there are some converging lines, vanishing point
appeared in this painting. The vanishing point is in the end of the river. Trees trunks that painted in
the ... Show more content on Helpwriting.net ...
Leaf shape paddle is natural shape, it is mixed with the environment. The canoe like boat's shape is
slender, it seems to enough accommodate with one person. Also, there are some dark color between
the boat and water, it lets the boat more like to be three–dimensional shape. The light source mainly
on the mid–left upper side, this light source show that the time of this painting is around afternoon.
Using the light source and shade found that the large contrast of those shape such as boat, paddle
and

The Menace Of Materialism In Gustave Flaubert's Madame Bovary
The Menace of Materialism
Written by Gustave Flaubert and published in 1856, Madame Bovary tells a story about the life and
death of Emma Bovary, a middle class woman living in mid–nineteenth century France. This novel
is known as one of the best examples of literary realism ever written, and for good reason. Through
his writing and attention to detail, Flaubert does an excellent job of giving the reader an idea of just
how mundane everyday life was like in France during the mid–nineteenth century. Through the
various characters in the novel, Flaubert is also able to portray many positive and negative
characteristics he saw in the people living during this time. Of the many different characteristics and
ideas that Flaubert uses to describe characters throughout the novel, I think that the many aspects he
saw in the bourgeoisie class and materialism are uniquely important. I believe that the ways Flaubert
uses the ideas and issues of materialism and similar principles he saw in the bourgeoisie to tell the
story of Madame Bovary, to criticize the bourgeoisie, as well as show how harmful and destructive
he believed these issues could be to a society. The historical context of the time that Flaubert lived in
is a likely reason for his use of the bourgeoisie materialistic ideas. In the time period that Gustave
Flaubert worked on Madame Bovary, the bourgeoisie were considered to be a very large class. The
bourgeoisie being a middle class of people such as manufacturers and

Gustave Courbet Discourse

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