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 To Entertain
 To Narrate


    Something happens
       to someone,
       somewhere,
        sometime
   Your story needs to have a plot, at least
    one character, and a setting for the
    action.




   It also needs a point of view and a
    narrator.
   Most plots are based on problems.
   Characters may have conflicts with other
    characters, society, nature, or even with
    themselves.
   If you can keep your characters working to
    solve problems, your readers will stay
    interested.
   Is your character stranded on a distant
    planet, lost in a jungle, struggling to win a
    baseball championship, or building a secret
    hideaway? Make sure the character is
    challenged by his or her situation.
Writing a story
conflict and
resolution
   One of the satisfactions we get from
    reading stories and watching them on
    TV, in the movies, or in the theater, is
    seeing the successful ending, or
    resolution, to the conflict.
                      While EVERY minor
                     conflict in a story might
                     not have a happy
                     ending, the MAIN
                     CONFLICT usually is
                     resolved in a way which
                     satisfies the audience.
   Name: _______________________________________
   Title: __________________________________________________
   Author: __________________________________________________

   Setting
   Where: __________________________________________________
   When: __________________________________________________

   Characters
   Main Characters: _________________________________________
    _________________________________________________________
   Other Characters: ________________________________________
    _________________________________________________________

   Main Problem
    ____________________________________________________________
    ____________________________________________________________
    ____________________________________________________________
    ____________________________________________________________
    ____________________________________________________________
   Solution to the Main Problem
    ____________________________________________________________
    ____________________________________________________________
    ____________________________________________________________
    ____________________________________________________________
 Creatures from another planet are trying
  to take over the Earth.
 A sick young girl is losing her will to live.
 A crazy prowler is terrorizing a
  neighborhood.
 A MMA fighter is trying to regain his title
  from an arrogant young opponent.
 Victims of a shipwreck are struggling to
  survive on a lone island.
**Each plot involves a conflict…a struggle
  or confrontation of some kind**
Think of a satisfying ending for each of the
   plots. Match it with the correct conflict.

                     Between a person or people, and
•Creatures from      nature (person vs nature)
another galaxy
                     Between groups (person vs person)
•Sick girl           Between an individual and a group
                     (person vs society)
•Crazy prowler
                     Between two people (person vs
                     peson)
•MMA fighter
                     Within one person (person vs self)

•Shipwreck victims
Directions: Think of at least three more plot ideas for each of the
   conflict types below. KEEP IN MIND ALL OF THE GENRES OF FICTION –
   science fiction, historical fiction, mystery, myth, fable, fairy tale, etc.


• Between a person or people, and nature
(person vs nature)

• Between groups (person vs person)

• Between an individual and a group (person vs
society)

• Between two people (person vs peson)

• Within one person (person vs self)
 The reader wants to know when and
  where the action takes place.
 Details about the setting should include
  information about time of day, weather,
  landscape, buildings or other structures,
  etc.
 Is the action taking place now, 100 years
  ago, 100 years in the future…?
   The setting – a description of the place,
    the weather, the time – helps to create a
    mood or give information about the
    characters.

One day Scrooge was busy in his
 countinghouse while his clerk was
 copying letters in another room.

   Did you learn much about Scrooge, his
    clerk, or the day?
   Read the passage as Charles Dickens wrote it.

Once upon a time – of all the good days in the year,
  upon a Christmas Eve – old Scrooge sat busy in his
  countinghouse. It was cold, bleak, biting, foggy
  weather; and the city clocks had only just gone
  three, but it was quite dark already.
The door of Scrooge’s countinghouse was open, that
  he might keep his eye upon his clerk, who, in a
  dismal little cell beyond, a sort of tank, was
  copying letters. Scrooge had a very small fire, but
  the clerk’s fire was so very much smaller that it
  looked like one coal.

EXPLAIN WHAT THE DESCRIPTION OF THE SETTING
  ABOVE ADDS TO THE BARE FACTS. WHAT DETAILS
  DID WE LEARN?
 Readers want to know what
  the characters look like,
  sound like, think, and feel.
 Details include their physical
  features, clothing, habits,
  likes, dislikes, etc.
 If your story has more than
  one character, make them
  different enough that the
  reader can tell them apart
  by their actions as well as
  their words.
   Direct Characterization – the author tells
    facts and details about each character

   Indirect Characterization – the author
    shows the character’s qualities through
    description in 3 ways:
    › What the character says
    › What others say about the character
    › Through showing the character’s actions
Dear Mr. Birkway,

Here it is: my summer journal. As you can see, got a little carried
   away. The problem is this, though. I don't want you to read it.

I really mean it. I just wanted you to know I did it. I didn't want you to
    think I was one of those kids who says, "Oh yeah, I did it, but I lost
    it/my dog ate it/my little brother dropped it in the toilet.

But please Pleeeassse Don't Read It! How was I to know all this stuff
   was going to happen this summer? How was I to know Carl Ray
   would come to town and turn everything into an odyssey? And
   how was I to know about Alex...? Sigh.

Please Don't Read It. I mean it.

Sincerely, Mary Lou Finney
Tuesday, June 12
I wish someone would tell me exactly what a journal
   is. When I asked my mother, she said, "Well, it's like a
   diary only different." That helps. She was going to
   explain more, but. Mrs. Furtz (the lady who just
   moved in across the street) called to say, that my
   brother Dennis was throwing eggs at her house,
   and my mother went berserk so she didn't finish
   telling me. How am I supposed to write a journal if I
   don't even know what one is?
I wouldn't be doing this anyway, except that Mrs.
   Zollar asked me to. She's an English teacher. She
   asked us to keep a journal this summer and bring it
   in (in September) to our new English teacher.
This journal is not as hard as I thought. I just hope I am doing it
     right. It would be terrible to do it all summer and then take it
     in and have someone look at it and say, "Oh, but this isn't a
     journal, dear."
I tried to ask Mrs. Zollar a million questions about the journal
     when she gave it to us, but Alex Cheevey said, "Geez. We
     don't want to know too much about it. Then we'll have to do
     it right. Can't you ever keep quiet?"
And now I will reflect on that. I used to think Alex Cheevey was
     cute, because his skin is always a little pink, like he's just been
     running a race, and his hair is always clean and shiny, and
     once we had to do an oral report together and even though
     I did most of the work, he patted me on the back when we
     were done, as if he realized what a good job I did, and he is
     certainly the best player on the basketball team and so
     graceful when he runs and dribbles the ball. But now, as I
     reflect on it, I see he is really a jerk.

THE AUTHOR SHOWS ABOUT THIS CHARACTER. WHAT DO WE KNOW
   ABOUT THE MAIN CHARACTER, MARY LOU?
   Sam Finney (whose age I am not allowed to tell you) is the
    father. He is a pretty regular father. Sometimes he likes us and
    sometimes we drive him crazy. When we are driving him
    crazy, he usually goes out in the garden and pulls some
    weeds. When he is at work, he is a geologist and spends his
    days drawing maps.
   Sally Finney (whose age I am also not allowed to tell you or
    anyone else) is the mother. She also is a pretty regular
    mother. Sometimes she drools all over us and sometimes she
    asks my father if there isn't something he can do about us.
    When we are driving her crazy, she usually cries a little. When
    she is at work, she is an oral historian and spends her days
    tape-recording stories that elderly people tell her. I think that
    by the time she gets home to us, she is a little tired of hearing
    people talk.
   Maggie Finney (seventeen years old) is the oldest daughter.
    She's my sister. She is your basic boy-crazy, fingernail-painting,
    mopey ole sister with whom I have the misfortune of sharing a
    room. She does not like me to touch her things.
   Mary Lou Finney (thirteen years old) is the next oldest. That's
    me. I don't know what I am. I am waiting to find out.
   .
The girl on the
  left…

1. What do you
   think her
   hobbies and
   interests are?
How would she like doing this:


                          2. How
                             do we
                             know?
How would she like doing this:


                          3. How
                             do we
                             know?
   A story can be narrated from a single
    person’s point of view using the 1st person
    (I) point of view, or from a more universal
    point of view using 3rd person (he/she)
    narration.

   The important thing is to be consistent!
   As the action progresses, let the reader
    know what the characters see, hear,
    and feel. In some stories, you may even
    want your characters to describe what
    they taste or smell.
   Quoted material can be attributed to a
    speaker in 3 ways.

    › Before the quote:
        She said, “No! I won’t eat broccoli-ripple ice
         cream.”
    › In the middle of the quote:
        “No!” she said. “I won’t eat broccoli-ripple ice
         cream.”
    › After the quote:
        “No! I won’t eat broccoli-ripple ice cream,” she
         said.
 Begin a new paragraph whenever a
  speaker finishes. (Indent!)
 Commas and periods ALWAYS go inside
  the quotation marks.
 Make sure the dialogue sounds realistic.
 You might find it helpful to whisper your
  characters’ words to yourself as you
  write.
Directions: Edit each of the following sentences to
   include correct dialogue punctuation.

1.   I can’t get this to work Rebekah said.

2.   How Stephen wondered does this make sense?

3.   Zach looked out the window and announced I
     love snow!

4.   Madison yelled watch out or you’ll get hurt.

5.   Wow Pam admitted this is so much fun.
Dialogue Practice
Directions: Use the comic strip to develop a
   paragraph using dialogue and quotations,
   describing what each character is doing, while he
   is saying his lines. Ex. “Hey, Snoopy, Look!” Charlie
   Brown yelled as he ran across the yard.
Directions:
1. Watch the movie clip.
2. Pay attention to:
     1.   The action
     2.   The characters’ facial expressions (emotions)
     3.   The setting
3. Draft dialogue that fits the scene.
4. Remember
     1.   punctuate correctly
     2.   start a new paragraph after each speaker
     3.   Use descriptions, not just words!

    Jingle All the Way
The cop burst through the door into the
warehouse looking for Arnold. A quick glance
around showed only boxes. “He’s not here,” he
muttered and turned around to keep looking.
   Meanwhile, Arnold, who was hiding around
the corner, felt someone grab his shoulder. The
relief he felt turned to confusion when the man
who grabbed him seemed to mistake him for
someone else.
    “Is it you? I’m so glad you’re here.” he
exclaimed.
   Arnold had no idea what he was talking
about, but when he tried to say so, the man
interrupted him again.
  “Guys, I found him!” Joe yelled over his
shoulder. “Let’s hurry – we don’t have a lot of
time….”

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Fictional narrative writing new ppt

  • 1.
  • 2.  To Entertain  To Narrate Something happens to someone, somewhere, sometime
  • 3. Your story needs to have a plot, at least one character, and a setting for the action.  It also needs a point of view and a narrator.
  • 4. Most plots are based on problems.  Characters may have conflicts with other characters, society, nature, or even with themselves.  If you can keep your characters working to solve problems, your readers will stay interested.  Is your character stranded on a distant planet, lost in a jungle, struggling to win a baseball championship, or building a secret hideaway? Make sure the character is challenged by his or her situation.
  • 5. Writing a story conflict and resolution
  • 6. One of the satisfactions we get from reading stories and watching them on TV, in the movies, or in the theater, is seeing the successful ending, or resolution, to the conflict. While EVERY minor conflict in a story might not have a happy ending, the MAIN CONFLICT usually is resolved in a way which satisfies the audience.
  • 7. Name: _______________________________________  Title: __________________________________________________  Author: __________________________________________________  Setting  Where: __________________________________________________  When: __________________________________________________  Characters  Main Characters: _________________________________________ _________________________________________________________  Other Characters: ________________________________________ _________________________________________________________  Main Problem ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________  Solution to the Main Problem ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________
  • 8.
  • 9.  Creatures from another planet are trying to take over the Earth.  A sick young girl is losing her will to live.  A crazy prowler is terrorizing a neighborhood.  A MMA fighter is trying to regain his title from an arrogant young opponent.  Victims of a shipwreck are struggling to survive on a lone island. **Each plot involves a conflict…a struggle or confrontation of some kind**
  • 10. Think of a satisfying ending for each of the plots. Match it with the correct conflict. Between a person or people, and •Creatures from nature (person vs nature) another galaxy Between groups (person vs person) •Sick girl Between an individual and a group (person vs society) •Crazy prowler Between two people (person vs peson) •MMA fighter Within one person (person vs self) •Shipwreck victims
  • 11. Directions: Think of at least three more plot ideas for each of the conflict types below. KEEP IN MIND ALL OF THE GENRES OF FICTION – science fiction, historical fiction, mystery, myth, fable, fairy tale, etc. • Between a person or people, and nature (person vs nature) • Between groups (person vs person) • Between an individual and a group (person vs society) • Between two people (person vs peson) • Within one person (person vs self)
  • 12.  The reader wants to know when and where the action takes place.  Details about the setting should include information about time of day, weather, landscape, buildings or other structures, etc.  Is the action taking place now, 100 years ago, 100 years in the future…?
  • 13. The setting – a description of the place, the weather, the time – helps to create a mood or give information about the characters. One day Scrooge was busy in his countinghouse while his clerk was copying letters in another room.  Did you learn much about Scrooge, his clerk, or the day?
  • 14. Read the passage as Charles Dickens wrote it. Once upon a time – of all the good days in the year, upon a Christmas Eve – old Scrooge sat busy in his countinghouse. It was cold, bleak, biting, foggy weather; and the city clocks had only just gone three, but it was quite dark already. The door of Scrooge’s countinghouse was open, that he might keep his eye upon his clerk, who, in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk’s fire was so very much smaller that it looked like one coal. EXPLAIN WHAT THE DESCRIPTION OF THE SETTING ABOVE ADDS TO THE BARE FACTS. WHAT DETAILS DID WE LEARN?
  • 15.  Readers want to know what the characters look like, sound like, think, and feel.  Details include their physical features, clothing, habits, likes, dislikes, etc.  If your story has more than one character, make them different enough that the reader can tell them apart by their actions as well as their words.
  • 16. Direct Characterization – the author tells facts and details about each character  Indirect Characterization – the author shows the character’s qualities through description in 3 ways: › What the character says › What others say about the character › Through showing the character’s actions
  • 17. Dear Mr. Birkway, Here it is: my summer journal. As you can see, got a little carried away. The problem is this, though. I don't want you to read it. I really mean it. I just wanted you to know I did it. I didn't want you to think I was one of those kids who says, "Oh yeah, I did it, but I lost it/my dog ate it/my little brother dropped it in the toilet. But please Pleeeassse Don't Read It! How was I to know all this stuff was going to happen this summer? How was I to know Carl Ray would come to town and turn everything into an odyssey? And how was I to know about Alex...? Sigh. Please Don't Read It. I mean it. Sincerely, Mary Lou Finney
  • 18. Tuesday, June 12 I wish someone would tell me exactly what a journal is. When I asked my mother, she said, "Well, it's like a diary only different." That helps. She was going to explain more, but. Mrs. Furtz (the lady who just moved in across the street) called to say, that my brother Dennis was throwing eggs at her house, and my mother went berserk so she didn't finish telling me. How am I supposed to write a journal if I don't even know what one is? I wouldn't be doing this anyway, except that Mrs. Zollar asked me to. She's an English teacher. She asked us to keep a journal this summer and bring it in (in September) to our new English teacher.
  • 19. This journal is not as hard as I thought. I just hope I am doing it right. It would be terrible to do it all summer and then take it in and have someone look at it and say, "Oh, but this isn't a journal, dear." I tried to ask Mrs. Zollar a million questions about the journal when she gave it to us, but Alex Cheevey said, "Geez. We don't want to know too much about it. Then we'll have to do it right. Can't you ever keep quiet?" And now I will reflect on that. I used to think Alex Cheevey was cute, because his skin is always a little pink, like he's just been running a race, and his hair is always clean and shiny, and once we had to do an oral report together and even though I did most of the work, he patted me on the back when we were done, as if he realized what a good job I did, and he is certainly the best player on the basketball team and so graceful when he runs and dribbles the ball. But now, as I reflect on it, I see he is really a jerk. THE AUTHOR SHOWS ABOUT THIS CHARACTER. WHAT DO WE KNOW ABOUT THE MAIN CHARACTER, MARY LOU?
  • 20. Sam Finney (whose age I am not allowed to tell you) is the father. He is a pretty regular father. Sometimes he likes us and sometimes we drive him crazy. When we are driving him crazy, he usually goes out in the garden and pulls some weeds. When he is at work, he is a geologist and spends his days drawing maps.  Sally Finney (whose age I am also not allowed to tell you or anyone else) is the mother. She also is a pretty regular mother. Sometimes she drools all over us and sometimes she asks my father if there isn't something he can do about us. When we are driving her crazy, she usually cries a little. When she is at work, she is an oral historian and spends her days tape-recording stories that elderly people tell her. I think that by the time she gets home to us, she is a little tired of hearing people talk.  Maggie Finney (seventeen years old) is the oldest daughter. She's my sister. She is your basic boy-crazy, fingernail-painting, mopey ole sister with whom I have the misfortune of sharing a room. She does not like me to touch her things.  Mary Lou Finney (thirteen years old) is the next oldest. That's me. I don't know what I am. I am waiting to find out.  .
  • 21. The girl on the left… 1. What do you think her hobbies and interests are?
  • 22. How would she like doing this: 2. How do we know?
  • 23. How would she like doing this: 3. How do we know?
  • 24. A story can be narrated from a single person’s point of view using the 1st person (I) point of view, or from a more universal point of view using 3rd person (he/she) narration.  The important thing is to be consistent!
  • 25. As the action progresses, let the reader know what the characters see, hear, and feel. In some stories, you may even want your characters to describe what they taste or smell.
  • 26. Quoted material can be attributed to a speaker in 3 ways. › Before the quote:  She said, “No! I won’t eat broccoli-ripple ice cream.” › In the middle of the quote:  “No!” she said. “I won’t eat broccoli-ripple ice cream.” › After the quote:  “No! I won’t eat broccoli-ripple ice cream,” she said.
  • 27.  Begin a new paragraph whenever a speaker finishes. (Indent!)  Commas and periods ALWAYS go inside the quotation marks.  Make sure the dialogue sounds realistic. You might find it helpful to whisper your characters’ words to yourself as you write.
  • 28. Directions: Edit each of the following sentences to include correct dialogue punctuation. 1. I can’t get this to work Rebekah said. 2. How Stephen wondered does this make sense? 3. Zach looked out the window and announced I love snow! 4. Madison yelled watch out or you’ll get hurt. 5. Wow Pam admitted this is so much fun.
  • 29. Dialogue Practice Directions: Use the comic strip to develop a paragraph using dialogue and quotations, describing what each character is doing, while he is saying his lines. Ex. “Hey, Snoopy, Look!” Charlie Brown yelled as he ran across the yard.
  • 30. Directions: 1. Watch the movie clip. 2. Pay attention to: 1. The action 2. The characters’ facial expressions (emotions) 3. The setting 3. Draft dialogue that fits the scene. 4. Remember 1. punctuate correctly 2. start a new paragraph after each speaker 3. Use descriptions, not just words!  Jingle All the Way
  • 31. The cop burst through the door into the warehouse looking for Arnold. A quick glance around showed only boxes. “He’s not here,” he muttered and turned around to keep looking. Meanwhile, Arnold, who was hiding around the corner, felt someone grab his shoulder. The relief he felt turned to confusion when the man who grabbed him seemed to mistake him for someone else. “Is it you? I’m so glad you’re here.” he exclaimed. Arnold had no idea what he was talking about, but when he tried to say so, the man interrupted him again. “Guys, I found him!” Joe yelled over his shoulder. “Let’s hurry – we don’t have a lot of time….”