4. “Working inter-generationally
allows for a unique equality in
the relationship that I'm not
sure I've found in other
situations. I love the way age
barriers seem to get broken
down when we dance.”
– Participant
5. “This tender and affectionate
choreography on such a
large scale was a beautiful
celebration of being alive,
active and healthy.”
- London Dance.com
6.
7. “It was lovely to be
part of a project
involving such a
diverse range of ages
and style of
performance.”
- Participant
8.
9.
10. “It will send you back
onto the streets with joy
in your heart and a
spring in your step and a
renewed pride in this
wonderful place.”
★★★★★- The Public Reviews
11.
12.
13.
14. “Typically bold and uplifting...
superbly life-affirming and
hugely moving... charged with
images of rebellion against
conventional order, of standing
up to those who - for whatever
reason - exclude and
discriminate against you.”
★★★★★ The Herald
Editor's Notes
I’m Natasha Gilmore, artistic director with Barrowland Ballet.
Barrowland Ballet produce contemporary dance theatre know for work that’s rooted in personal stories and delivered with wit and humour.
We are a part of the national portfolio of companies that are regular funded to create and tour work Nationally and Internationally.
Last year alone our work toured throughout Scotland and was featured at festivals in Japan, China, Canada, the US, central and Eastern Europe, on one memorable day last year we were performing simultaneously in Shetland and Shanghai.
The company’s professional work is directly linked to its community involvement and the two are inter-dependent with one inspiring the other.
A Conversation with Carmelhttps://vimeo.com/26417408
Intergeneration work is always something I’ve been interested in as an artist
A number of our professional touring works include an intergenerational cast
A Conversation with Carmelhttps://vimeo.com/26417408 (press Alt + Q to end video before clicking to next slide)
Here is a short film about A Conversation with Carmel
Invited here today to talk about setting up and running our Intergen Company- The Wolf Pack
Set up 2016 Funded by Young Start, Postcode Lottery, with space supported by Tramway
We did a call out for participants of 7+ and were immediately over subscribed,
To put this in context we had delivered a number of participatory projects over the years.
In Dancing Voices we worked with150 older dancers from across Scotland 60+ and a 40 strong choir
Dancing voices
60 of the dancers had not participated in dance activity before other than social dancing
We developed a 3 tier approach
We also delivered a number of intergenerational projects
Bunty and Doris 2013
broke past the ‘frail’ exterior and discovered the youthful ravers beneath, celebrating the connections across generations.
Bunty and Doris 2013
cast ranging from 2 to 86 years old
Two for tea
made in conjunction with the short film ‘Two for Tea’ as part of a double bill exploring stages of life over a cup of tea.
As part of the Commonwealth Games Cultural Programme we made The River (2014)
performed site specific along the banks of the River Clyde in Glasgow and the Thames in London
The River was created and performed by Barrowland Ballet's professional ensemble, alongside a large intergenerational community cast of 150 dancers and choirs and professional musicians from across Scotland
A key factor in the background of our intergenerational company is the Barrowland Ballet Youth Group that was established from 2012 – 2016
Provide young people in Glasgow, primarily from deprived backgrounds and with additional needs, the opportunity to participate in professionally led dance workshops and performances regardless of ability or background.
Following the success of Bunty and Doris and The River in discussion with the young people who said they had really loved working with the older dancers, we decided to change the group into The Wolf Pack – an intergenerational performance company.
At this point we began recruitment for our Intergenerational company
We did a call out receiving lots of interest from past participants as well as people new to us
Over subscribed so we had a few taster sessions and then put the names in a hat
We created an Age structures to ensure all ages were represented with approx. 7 from each category
7-12 13-24 25-55 55+
The Wolf Pack
We meet weekly at Tramway and make work for stage and short dance films
The group was launched to participate in a piece called Wolves involved over 75 intergenerational participants, and reached nearly 2,000 audience members across 2 major Scottish venues.
The choreographic approach to Wolf Pack places older dancers alongside younger people, both in the rehearsal room and on stage
Playful choreographic tasks and improvisations break through assumptions regarding the vigour, dynamism and creativity of older people and disrupts the notion that only young bodies reflect and engage in contemporary culture
Through this approach, we hope to value a diversity of voices and disrupt the conventions of who is usually visible in professional theatre.
What next?
We remain committed to – curious, excited!- about working intergenerationally
The membership of wolf pack continues to evolve– allowing for new connections, conversations and creation
We are recognised as leaders in field of intergenerational dance practice. A few months ago I delivered a series of workshops in Shanghai about our intergenerational practice and we will be supporting them in the setting up of a new intergenerational performance company based at a primary school.
I will leave you with one of the Wolf Pack’s short films, Wolves
Wolf Videohttps://vimeo.com/251784094 password: wolf42 (press Alt + Q to end video before clicking to next slide)