Motion Graphics Notes - Akshansh Chaudhary
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This digital notebook contains the handwritten notes by Akshansh Chaudhary. The notes are a part of the course MFA Design + Technology. MFADT was taught at Parsons School of Design, New York. For more content and study material, visit https://www.akshansh.net/.
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Motion Graphics Notes - Akshansh Chaudhary
- 2. Motion Graphics fMY172 JAFRI LEGEND Assignments Homework StoryboardingIBiamsheiming ArtistHesigneotolookup Events prospectstoexplore
- 3. 28Aug2018 0 Tools used AE g Ps Al Cinema4D ArtistDesigner PeterMillard Happy on happy RULE Alwaysbegin end on black Packaging putyour name project name Artist1Designer Oscar Fasikinger OpticalPoemCallhanddrawn Animmsync with beats complements withmusic Artist Designer JohnWhitney FounderofAE Usemechanical computers to create animations Artist1Designer NormanMclaren Createhanddrawn animations complementing it withclassical music.CBegoneDullCare Akshansh Chaudhary 1 MFADT | Parsons School of Design
- 4. Artist1Designer Mohrman Usedflash computergenerated DigitalversionofMclaren's work Using 8bitdigitalstyle Artist1Designer 8 MaxHatten Ref Designed byApple IsDone in AE CsimilarpieceMolecularinteraction Think oftheemotions your artwork is trying toconvey eg nostalgic escapingreality frightening sad happy etc ArtistDesigner Jackson Pollock Doesn'thave a synopsis in his paintings North byNorthwest Directed byAlfredHitchcock Solbaz Filmshouldstartwhentitle comes notafterit Beforethis titles came on blankscreens Akshansh Chaudhary 2 MFADT | Parsons School of Design
- 5. Enter by Gasper Flickery Graphics usingtypefacesinsteadofshapesformotion graphic sync with music Analog8 kinetic Typography Typographicanimation ASSIGNMENT I Research 8 ParallaxAnimation Effect shareexamples Due 8Sept 4g2018 Waitesthabout it CompositionSettings 1920x1080px squarepixels 30framespersecond Preset HDTV 1080 29.97 Akshansh Chaudhary 3 MFADT | Parsons School of Design
- 6. SHORTCUTS Selectthelayer press U Opensonlytheparameters thathas keyframes Q wm Opacity T Rotation Rr Anchor A Position P Scale E S o ProRes 4444 Doesn'tdestroyquality To center align an object 4Att t Chik on Pan Behindfool Akshansh Chaudhary 4 MFADT | Parsons School of Design
- 7. Parallax is creating an illusion of depth You create layers and make them move in relation to each other: Layered motion Create an illusion of circular motion: Make 3 layers: the bottom most one goes in one direction, the topmost goes in the opposite direction, and the middle one stays there. So, it appears like it’s a circular motion of camera 04Sept2018 USING PARALLAXANMATION TRACKING MOVEMENT Cohort in X axis Camera Movement Std name singTracksformoot Pedestal Movement a DOLLYEthonement in 2 axisMovement in Taxis Cameraeffect9 can be attained byscalinglayers pedestal movement 1 DOLLY f ZOOM Akshansh Chaudhary 5 MFADT | Parsons School of Design
- 8. Dollyshot Jawszoom Vertigozoom 9 A cameraeffect sing Dolly I Multi Plane Camera Patented byDisney A machine in whichthe screen moves I frame youplacethestilemirage on the layer Ideas CameraO Mone one frame at a time I takeitspicture layer Thedifferentlayershelp asf create a depth effect Layer4 keepthelayers move relatively to each other tocreate a parallax Tyrus Wong Chinese artist lead artist on Bambi worked withDisney latte Reoniger sheactuallymadethemultiplane camera Disney copiedheridea Akshansh Chaudhary 6 MFADT | Parsons School of Design
- 9. Assignment Create sthusing ParallaxAnimation 4Duenext class fbefore 8am Upload on Canvas not on a blog Inanimation think abouttheperspective what can move whatcannot beg Buildings steels are connectedtoeachother So theycan't move in difflayers Cars people etc they are disconnected So they can be onseparatelayers more relativetoeachother Video Codec forclass Mac Apple PewRes 422 Windows ExportthroughMediaEncodeo use It 264 Ifyou want a PNG Ckindof video MASK THE BACKGROUND 4 UseToggleTransparencygrid Renderit with Alphachannel video output channels RGB t Alpha Akshansh Chaudhary 7 MFADT | Parsons School of Design
- 10. NOTE The composition coloris ONLY forReference Ifyou want a bians parentbackground justsee ifyou can see the checkerboard ToggleTransparency Grid Ifyou adda solidlayer it worldbe a background Scrubbing thetimeline Ctrl t arrow keys Iframe 10framesat a time 8CtrLe shift arrowkeys Presetto use forMediaEncoder H 264 format Preset thatchSauce HighBitrate or Vimeo1080p HD QHo264 does Not support an alpha channel So to havetransparency use someother codec HEVC thefollow up ofHo264 coming soon Note when you create a loop thinkabout it Eitherthebeginning end are the same Thestart end endpoint is continuous endsproperly same pts forcontinuity Akshansh Chaudhary 8 MFADT | Parsons School of Design
- 11. You can makeone objectfollowthe other 8 Parent child Relation D Parentpickwhip button Picktheparentfromthe dropdown Using REPEATERI to createsth likesun rays Akshansh Chaudhary 9 MFADT | Parsons School of Design
- 12. I1Sept2018 Atassi'gnment Makesure therendering is perfectin terms ofloop Thereshould Not be a blackframe in theend Easyfax Addfade in fade out Animation Booklet by Richard Williams Bestbook on animation A Wnyison Mckay's Gertie Oneofthe1sthanddrawn animation Baxter Keeter Masteranimate LooneyToons tookideasfrom his work Akshansh Chaudhary 10 MFADT | Parsons School of Design
- 13. KPrinciplesofdnimatientI Squash Stretch TheAnticipation 9 bouncingballeffect Actionbeforetheaction Preparingfora scene.beforethemainscenecomes GoldenRatio 1.6184keeping thatratiowould just lookbetter proportionate TheRuleofThirds Divideframe in 9 rectangles Things thatare imp shouldbe along thosetires on at the intersection ofthoselines b o t O t A Akshansh Chaudhary 11 MFADT | Parsons School of Design
- 14. HI follow through overlapping Inertiaeffect Ease in ease out Nothing is abrupt eg when you are on a swing thespeedeases in and eases out as we are on topofa suing It gives a personality to the piece Are Nothing in realworld movesalong a straight line Secondary Action Everything afterthe primary action Adds detail theprimary Timing Thepaceofa motiontells a stay eg moving yourhead A Exaggeration Pushingboundaries just to getthateffect Akshansh Chaudhary 12 MFADT | Parsons School of Design
- 15. Useofease on yourobjectis the bestskill tohave when you are leaving a keyfsame 4 Useeasy ease out when you are approaching a keyframe Use easy ease in Usefultools theatretool Adjustthepathofan object keepingthe keyfiames constant Addy M mfhe keyframeproperty tillthe next keyframe miffightclick Toggleholdkeyframe Automaticallyreposition keyframes toshow continuity Rightclick Rover across time 3 0adjustmenttohave continuity Akshansh Chaudhary 13 MFADT | Parsons School of Design
- 16. It is imp to knowthe BPMCBeats perminute if you want to sync music classslide on BMI Seethe waveform match asfit is 606pm a sthafter every second Once you have created an animation copy the composition thenwork on the new file Moving keyframes a It know 11frameat a time Switching keyfsame'sproperty A It click onkeyframe changesfrom easy ease A normal etc Creating a bouncing ball make it work with the beatC120frames Akshansh Chaudhary 14 MFADT | Parsons School of Design
- 17. Effectofmotion blur on a composition or layer weeks only whenthelayeris moving in a composition 18Sept2018 Never use Anformat it workshorribly on a Mac Comments on thehomework 4Principleofanimation staging Thefocus goes towardsthemonkey not theballs Defeatsthepurpose Thinkaboutwhat you want tofocus in youranimation Revisethe12principles ofanimation PracticeEase In EaseOut in AE Akshansh Chaudhary 15 MFADT | Parsons School of Design
- 18. COMPOSITING o Creating an animated collage AbstractConcrete People trytohide clearlyshow your composition their compositing FourHeads is better than one Donebythegodfatherofanimation Matte Hiding theareas of a camera you don'twanttoshow Masks Teach Mattes bPartoflayerTAparatefromlager AlphaChannels R t G t B a Black lwhite whattoshow whatto hide LumaChannel Mask in Photoshop 4Black disappearing Fooks atthelightvalues 4white keepingstuff ofan image Rotoscoping Drawing ontopof a hirefootage Leg Alicein Wonderland Akshansh Chaudhary 16 MFADT | Parsons School of Design
- 19. Keying Eetactingelements from a clip Greenscreeneffect GarbageMatte Roughcutout oftheobjectCinfrontofgreen screen Then usekeying MotionTracking Whats usephotosto create beating GIFsfrompics a Gif collage Vector vs Pixel UseImagesforacollage Style Consistency Itshouldhave apurpose consistent EdwardRamsay Morin Lithics Akshansh Chaudhary 17 MFADT | Parsons School of Design
- 20. Keying shutouts keylight I 2 effect Effects keying Once youkey go to Trkthat ontheclip select Alpha Inverted Matte Theshape layer should beabove theobject Never changethatorder Rotbrush Cutspecificpartsofan object quick mask E QuickSelectionToolin Photoshop Create a collageanimation 750 750Px useimages notvectors foundfootage Useaudio 15 25seconds atleastI0movingparts Egfhadannets FIImmatauffmagoffsunemited zoomto it Collectthese elementstomake Rotatinghands banisition a collage Akshansh Chaudhary 18 MFADT | Parsons School of Design
- 21. 25Sept2018 Comments on Hw Never use an imagewithwatermark Watchthemovie Halloween Title Sequences A MauriceBinder 0 Otherwork 8 famous for007titlesequences Barbarella website whichis a great reference fordoingtitle sequences Pablo Faro Eg ThomasGaronAffair AnotherTitleSequencedesigner ey Bullitt egostrangelove Thinkaboutthescreentimethe maincharacters should getIn additiontothesizeofthetypefaces Akshansh Chaudhary 19 MFADT | Parsons School of Design
- 22. SaulBass Master inventorofTitleSequences lookupthe typefaces usedin a titlesequences The font enhances theimpact Catch the IfYouCan transitions Madthen Kyle Cooper famousforSEVENtitlesequence David Carson Used everytypeface on computer Don'tmistake legibility ninthcommunication Akshansh Chaudhary 20 MFADT | Parsons School of Design
- 23. Create a Logo foryour movie Topic Halloween Make a PPTofyour main idea sell it Makea collage storyboardforyourhorror movie Thinkaboutthe scenetransitions Make a PDFofType choices everything inthe originaltitlesequence RECREATE IT JohnCarpenter Halloween Toolkit Forany title use thebuilt in tool Animate Play with dropdown options Opacity Tracking Liehamaras forshapes Add Trimpaths 0 Tracking A Bed Letting AE Ba ca Akshansh Chaudhary 21 MFADT | Parsons School of Design
- 24. Take a lesson on typography Typography lol Todo glowingeffect change biz rightabovethetimeline left Guard Richter Painter5Throwsbig paintcans presses them Akshansh Chaudhary 22 MFADT | Parsons School of Design
- 25. 02Oct 2018 ElevatorPitch Halloweentitle comments Thecolorschemeshould becoherentwithmoodboard logo Talkaboutthewordsobjects you want tofocus on bythomoadbootwood thinkaboutwhatfirstcomesto µmmiffuke a romantic feeling thoodboard Don'tuse so manyimages It clutters the idea Getrid ofDarth Vader ColorScheme Youdon't needto give multiple variations ofrelatedcolors Ifyouuse red related versionsofred don'tneed to bementioned forthe colorscheme Youwantedtheideaofbreathing in your titles so youcanshow a clipofbreathing togive a feeling setthetone y usePinterestinstead Neveruse movieposters in your moodboard Youcan'tshow you are copyingsomeone's work Remove everypiece ofinfo don't addunnecessary things Akshansh Chaudhary 23 MFADT | Parsons School of Design
- 26. ColorScheme Show importance ofyour use ofcolor throughgraph Does BOB as perimportance Typography Startplayingaroundwith a simplefont sohu.tjangfsos.gmanyh.mgftttfmm againFfoldjhight beg uselumamat on yourfonttogiveenough feelings Onlyuse theshapes in AE to makethetitlesequence 4Don't use images Justuse shapes text bThisassignment is about amniating usingshapes Moodboard Don'tputfeeton it You want peopletosee feel not read a mood'board Neveruse Arial typeface foryour work nodesigner does that Akshansh Chaudhary 24 MFADT | Parsons School of Design
- 27. Transitions Cut Std way Cutting on Action Cuttingduring a motion cutAway 5Sceneends thentheother appears contrastcut gofromlandtosilentclose up to faraway L cut Efemimmin Audio ofone scene hinges bothers out taffeta I shape Matchout startwith an oldthing usemotion toreacha new scene Lchecksbecome cityofParis Hugo AnAndalusian Bogo Classic filmy Sniusilleout Hitchcock Sherlock Holmes ParallelEditing 2 simultaneously moving Getridofcompetition duringBaptism jumpout TheGodfather Breathlessmovie Jumpingahead in time abruptly Akshansh Chaudhary 25 MFADT | Parsons School of Design
- 28. Fades Dissolves lmontage Wipe Use it withthemovement ScottPilgrim vsthe world great wipe transitions Typography Keening letting linespacing Impactfont5 Usedonthemes storyboard ofyourtitlesequence min 9screens Sequenceshould Aspectratio 16 9 beclean Doesn't Everyscene transitionsshouldbeclear needtobehand drawn I Use exact duration 2 so SoulBasscatexample Don'treduceor extend it Akshansh Chaudhary 26 MFADT | Parsons School of Design
- 29. Shafted Repeater Makes a clone 7 8 Waggle Transform A randomizesofbasicparameters Expressions Pieces ofcode fordoing aninstruction code Javascript Is Howto add E oChick on theparameter you want to animate Go Animate AddExpression Theparameterturns red field opens toenter Javascriptfreq 4 eg wiggle12 40076value loopOutC cycle Trytogive life likefeelingusingExpressions Akshansh Chaudhary 27 MFADT | Parsons School of Design
- 30. 09Oct 2018 Actionsafe Textsafeareas in AE Action Safe Text safe 0 Changeany layerCtextsADtoshapes Rightclickthelayer7 Create Createshape from Changecolor ofshapes animate Colorama Changecolon oftext selectlayer Animate Fillcolor Akshansh Chaudhary 28 MFADT | Parsons School of Design
- 31. I0 Oct 2018 KINETIC TYPOGRAPHY Youdont needtobe able toread everything ifyou are listeningto it Reference whokilledthe music So I Imploreyou Ronnie Bence Taylor Hali o Sebastian Lange Homework pieceofmusic speech animateusing kinetic typography Preparing an ANIMATIC Textadded tomusic Karaoke Hutches animating example Akshansh Chaudhary 29 MFADT | Parsons School of Design
- 32. 3D Since we work in 3D we alsoneedto adjust theactualsizeofobjects T afmg.jo 3eneyYuenthigmaeheggue 0 changethis partofthe layer Make a vectorCADfileappear pined perfect in AE Akshansh Chaudhary 30 MFADT | Parsons School of Design
- 33. o CompositionSettings Dynamic linkninthanima us changethesettings limitations Classico3D lessgraphicsintensive animate verygraphic intensive Raytraced3D default its used forbevel extrude in 3D O changethequalityofRaytracing forbetter processing In3D maketenthotation workindividually MERRY GO ERRY GO 0 bodyworkswithTEXT Akshansh Chaudhary 31 MFADT | Parsons School of Design
- 34. 0 7Extra3Doptions for 0 Level extrude Usegeometryoptions adjustgeometryofthe 3D object Few moving objectsaround create a Null object parenteverything to it move the Null object around VoSmp Don't move theactuallayer Animatethe NULL instead Akshansh Chaudhary 32 MFADT | Parsons School of Design
- 35. 23 Oct 2018 Ifyou wantto work on volume adepthfortext etc Cinema4D is a bettersoftwaretoworkwith than AE Using 3D cameras phonethecamerain 3D Movethecameralong a path Create a camera parent it to thenullobject Makethe nullobjectrotate You can createdepthof the camera moves field fisheye effect in automatially AE you can also move thefocuspointaround Akshansh Chaudhary 33 MFADT | Parsons School of Design
- 36. F lightobjects in AE c4D We can usethem directly F diffmaterials we can use forthe object 3D Camera Examples FilmStudiologoAnimations 2othCenturyFox WB Pictures UniversalStudios NewlineHomeEntertainment Lionsgate Resolume Overlay videos animations music in realtime Works mirthlessGPU requirement 0 New Camera O Blues whatisfar away Akshansh Chaudhary 34 MFADT | Parsons School of Design
- 37. O Horeb overthecamerato selectthe X Y Z Usecamerabuttonto settheposition ofcamera shortcut c b switch b w zoom A lotofparameters to movement rotation adjust Change camera orientation layer Transform Hut Orient Create a 2 madecamera youcan seta pointofinterest So you can definewhere it would paint Akshansh Chaudhary 35 MFADT | Parsons School of Design
- 38. 2 node camera g Autofocus forour I pointofinterest To create a depthoffield adjusttheaperture Play with cameramovement in AE using theclassfiles Youcan alsoswitchbetweenmultiplecameras Rightclick on a keyframe Roneacross Tine Thisallowsthecamera tomove smoothly To mimic handfeelof a camera we wiggle expression on the camera Akshansh Chaudhary 36 MFADT | Parsons School of Design
- 39. Using light Shadows can only work on 3D Shapes So to make the shadow fallon thebackground make it 3D g Fallofffadesthelightgradually To cast a shadow on an object I Check castShadow option in light Turn on CastShadow option in the object's materialproperties Spotlight I light a spot Parallellight Display a parallel light on the surface Pointbright light in every dirt making a sun Ambientlight lights theentirescene uniformly Akshansh Chaudhary 37 MFADT | Parsons School of Design
- 40. 30Oct 2018 COMPUTER ANIMATION no History historicalexample DesmondPaulHenry o Herbert W Fraker Usedb makepatternsusing busedmlesinidaeoli machines oscilloscope taeateart Oscilloscope Benlaposky FederderNake UsedOscilloscope make art Knownforearliest foundingfathersofcomputer manifest ofcomputer art generatedart Akshansh Chaudhary 38 MFADT | Parsons School of Design
- 41. GeorgNees o Michael Noll Using computer generated boneoftheaeaketsof Laftsided shapes Photoshop MaryellenBute Mimic Madefilmsasingoscilloscope Mondrian Abstract Electronics Styleusing Abstronics computers fworkedBelllahs now owned by Nokia createda computer located in NewJersey ballet employedartistsinthepastlousecomputersto createout KenKnowlton Pioneer ofdigitalImages Stan Vanderbeek computergenerateddigital Assistedingetting artists Artist b BellLabs Experimentalfilmmaker married lillianSchwartz womaninthetechnical role Mahomett.msgenqoffo.mg 4Iimwt al Animator Akshansh Chaudhary 39 MFADT | Parsons School of Design
- 42. ClNE 4D LOGO ANIMATION Also called9 IDENTS BUMPERS Homework Createananimatedversion ofa logousing AG c4D IV Cub file lighting etc notnow cnextclass Extension of2b shapes b workswithsplines Splines SubdivisionsurfaceCLatheExtrude Sweep 1 together make a 3D object a alwaysvisible alwaysinvisible normal click drag on themain window to pan rotate duct C Bid Akshansh Chaudhary 40 MFADT | Parsons School of Design
- 43. Render settings G 0 90frames 3seconds Csofps pleaateafolderfor Eepartas a setof prig saving formaxquality Turn ontheAlpha Channel g Click on Rendentpicture viewerto exportas PNG Hootment fohinensions The noof F Bend Make polygonsthe the vertexowned objectismadefrom lowersubdivision lesssmooth 7 71 Akshansh Chaudhary 41 MFADT | Parsons School of Design
- 44. Press O tocenter the object shortcut key F forthe samething in Unity when dealingwith curves use multiples of3 g Aune 360 To groupobjects create a Null OBJECT parenteverything to it similar toOnity T Moffetaenfyuffimgsj.uts.de Q O Selecttheproperty you wantto animate selectas many Movetheobjectforthatproperty click on Add keyframetoadd keyfsames Toextrude a spline makethespline a child oftheextrude Akshansh Chaudhary 42 MFADT | Parsons School of Design
- 45. G Extrude 0T Addkeyframes changethe plugsalty Create a new sphire makeit a child ofEdrade It will put all thepreviousproperties the new spline Sweep similar toBlendpropertyin herelDRAW Youneed 2 elements group them makeit a childofsweep Theorder ofchildren willdefinesweep Akshansh Chaudhary 43 MFADT | Parsons School of Design
- 46. 03Nov 2018 Animated Setup Controls CameraMovement Pom htt MiddleChik Zoom Att t Rt click Rotate Htt leftclick Objectmovement FINE Thone Rotate Zoom Openprojectsettings Ah t d Openviewpoet shift tv Toadjust theproperties ofan objectlegbendextrude Selecttheobject Click on makeeditablebuttonCshadait c Thismakestheobjectdivisions customizable Selectthesection you wanttochange Use line Point Edge Polygon Selection 9 RightclickCorpressm Selecttheproperty you wishtochange Use objectmovementtools to adjust Hold drag an attitudeto copy on otherlayers leg v x Akshansh Chaudhary 44 MFADT | Parsons School of Design
- 47. Changemultipleproperties at once Useshifttoselectthemleg scale is 2 Use Hed t E tochange allofthem at once Ontypethevalue pressthe Enter toapplytoall Quickaccess command line forsearching shift to Right click any menu go to showhelp tosee documentation Sanemicrementalchanges as a newfile the t Att e shift t s lMy customshortcut Undo allchangesdonetotheviewCamera Movement 4 Iet shift 2 Groupmultiplelayers E Creating an nullobject inUnity selectthelayers Aet t g Add a property Clikeextrudeto multiplelayers at once Selectthelayers Go tosubdivisionsurfaceCertitude 7 options Att tselect adds extrudetoeachlayer Alte theeselect adds I extrude forentiresetof layers Tobeing a layeroutside ofitshierarchy 4Selectlayer1layergroup press shift of Akshansh Chaudhary 45 MFADT | Parsons School of Design
- 48. 06Nov 2018 LOFT Entrusionbased on thestarting ending pt ofthe splineobjects morphfromone splineshapetoother beg aide star hexagon Sweepis usedto maketheextrudermove along a pathusing splines o In reality ne edgeis totallycrisp Ffilleton alledges So add thateffectto yourobjects 4caps Fillet cap To see lights change displaysettings to GouradShading SPECULAR thehighlightof a material Akshansh Chaudhary 46 MFADT | Parsons School of Design
- 49. o Make a moiron like look go toReflectance 4Add7 Beckmann Then F a newlayer adjustits reflectance Note Faereflection Tomake a light east shadows manuallyturnit on in thelightsettings shadowproperties Tohave an infinitebackground add a floor Akshansh Chaudhary 47 MFADT | Parsons School of Design
- 50. Showkeyframewindow Show Curves for animation To give a fisheyeview selectthe camera Object7Fecallength To reset your camera position keyframe it tostart So as you move around change camera view youcan goto that keyframetogetback to your view Few creating organic shapes use SubdivisionSurface Then Click on MakeEditable on press c Then select thepolygons changeshapes Akshansh Chaudhary 48 MFADT | Parsons School of Design
- 51. when using lathe keepthe splineopen 7 ET x D When you want to smoothen a 1st on pentool selectthe pt et click chamfer keeptheautokeyingoptionturnedoff Ifits on it will add a keyframe whenever 2 a change p Akshansh Chaudhary 49 MFADT | Parsons School of Design
- 52. Ifyou want multiple objects dissociating you can use a CLONER Imayslowdownthesystemdramatically Homeworld Addmaterial otherproperties to yourlogo you made last week tenderas PNG Usefilessent on canvas Import CUBfiles in AE Import as a sequence on PNGs Check Preferences Import ensure it is sofps as perthe CHS file g Importfilesas a PNG sequence Akshansh Chaudhary 50 MFADT | Parsons School of Design
- 53. To import allsettings cameraineigide AE lwhich were made in c4D o camera lightsSelectthe cubfile Go toEffect controls Scrolldown chick on Extract Nowwhat you create in AE willautomatically be a partof the CHD settings Render settings In C4Is 8 Note when creatingeverything in cab do it at o o position It'sthe best when importing in AEo Use a PNG sequenceinside AE Don't use Dynamiclink b w c4D AE It slowsdown drastically Akshansh Chaudhary 51 MFADT | Parsons School of Design
- 54. I3 Nov 2018 FINAL ASSIGNMENT Make atrailerfora film thatdoesn't exist Experimenting with the EXPERIMENTAL ANIMATION story mediumform etc o KopoldSauvage Frenchpainter Made 1stexperimentalanimatedfilm WalterRottmann Heactuallymadethe1stexperimental animatedfilm Leopoldwasn'tabletomakeone Hans Richter Rhythms 21 experimentalancient artist Viking Eggeling Film SymphonyDiagonala Experimental Amination Akshansh Chaudhary 52 MFADT | Parsons School of Design
- 55. o Oskar Fisctungoo Made abstractmusicalanim IsHandmade Very wellsynced ninthmusic Cinema PurlE PureCinema A movementtoretainthe pureformofa film I Had artfilms LenLye bExperimentalfilmartist Tusalowa film MaryEllenBute Afemaleexperimental animation Film Synchrony No 4 Escape Carolineleaf A knownforSandAnimation NationalfilmBoard Canada Supports IndependentAnimates Akshansh Chaudhary 53 MFADT | Parsons School of Design
- 56. NormanMcLaren Scottishanimator Handdrawn filmmaking pixilation Worked at National film Board Madefilmsduringthe war time Films Dots Neighbors I cameraless filmBlinkityBlank Synchrony making Jiri Trnka Czech Republic Isknownforanimationwithpuppets Jan Jvankmajer Czechfilmmaker Shipmotion humansused aspuppets Dimensions of Dialogue I Final Assignment Breaktheconceptofnarrative don'tmake a narrative Ambiguityis ok I Don't make a predictable story More questions less answers Akshansh Chaudhary 54 MFADT | Parsons School of Design
- 57. Aristotle Unified Phety Concept Yakuza followed Freytag's Pyramid at Hollywood films HOMEWORK f Researchfilmtrailers Film TokyoDrift Make a presentation Brandedto kill Create a PDF ofthe idea tagline 1 line elevatorpitch eg a younggirlis confrontedbyher legs dark side Archetypicalcharacters travelon the endlessrollercoaster enduringtime tide Maison clips in A E Effects 7Flip Scale changethesign Ctx m x Akshansh Chaudhary 55 MFADT | Parsons School of Design
- 58. Anotherimp effectin AE offset Allows tocreate a continuous moot Effects topurchase Trapcode starghao Particular Using Adjustmentlayerin AE It's a container foreffects Another color effect in AE Oo Colorama PhaseShift CycleRepetitions OutputCycle Presets More effects Echo LumetriColor Akshansh Chaudhary 56 MFADT | Parsons School of Design
- 59. 20Nov 2018 PabloFerrodiedlastweek About Final Assignment Don't explaintoo much Ideaaboutusing subtitles think if textisregal or ifthescene is doing all the action Movietrailers are cut on a motion fastpaced So don't take the entireclip Fire colors changethe colors ofclipstomatchthe fmdhttutugenmuahkngaudi.hu decision helps gives a distopian look helps Greatsoftwaretomakemusic Reason by Propellerhead Akshansh Chaudhary 57 MFADT | Parsons School of Design
- 60. o JohnWhitney American Animato IsUsing Oscilloscopes Worked at IBM to experimentwithcomputers catalog Created TitleSequenceforVertigo PeterFoldes Madethe1stcomputeoGenerated filmwith gotan award Hunger LarryCuba ComputerAnimator artist wakedwithJohnWhitney DeadStaranimation forStarWars Akshansh Chaudhary 58 MFADT | Parsons School of Design
- 61. Calculatedthorements a UtahTeapot A statmodelthat tends to beusedin a 3D program Scanimate Motion graphicssys usedbefore AE Flash BeginningofMotion Graphics Endedafter HD came Analog tangibleinputs Usingthem Oscillators Sine wave Akshansh Chaudhary 59 MFADT | Parsons School of Design
- 62. Procedural Animation air c4D Using Sinedeformeos in CUD Lissajous Carne 2 I rotating movingup Tenfold down Noise Defamer 0 If we add a materialto an object we canchangehow the material wraps aroundthe object changetheTiling Repetitions to adjust it further click on Seamless forproper alignment Akshansh Chaudhary 60 MFADT | Parsons School of Design
- 63. thoGraph Using a CLONER E Repeater in AE thoGraph Effector7formula Effector7 Variables Changespeedofanimation Othereffectorstoadd5 Noise Random They move randomly Cnetfollowing fine wave Effector Colors are definedbythe amt ofdefamation taking place C useAlphaHttength Akshansh Chaudhary 61 MFADT | Parsons School of Design
- 64. Eachelement gets influenced individually using a formula RANDOM effector Canbeused tocreate a cluster ofobjects I Canbeusedtoplace trees randomly Akshansh Chaudhary 62 MFADT | Parsons School of Design
- 65. 27Nov 2018 strataCutAnimation A techniqueofusing clay cut it in slices record everyframe make an animation out ofit x Comments on Survive movietrailer draft Add logo in thebeginning end Cuttheaudio to 1minute Add more text animation in themovie Bring everything seamless so that they don't lookstock footage Add forofficialSelection e NEW MEDIA ART Robert Sigal 4New Media Artist Vitreous forTarget Minneapolis Akshansh Chaudhary 63 MFADT | Parsons School of Design
- 66. o Peter Burr NYbasedartist Uses Video gameengines Moireeffects Ugly NikitaDiakue Computergeneratedfilm4 AllCinemaad Another film fast RaquelMeyers Uses oldschooltech Atarikeyboards Commodore 64 film Sobbing film Soundmade bythe animation MaxHatler DivisionalArticulations 42017 Done in AE Akshansh Chaudhary 64 MFADT | Parsons School of Design
- 67. o BorisLabbe Orogenesis busedPhotoshop content Aware filltoanimate FrenchArtist DavidOreilly IsA HorseRaised by Spheres Machinima Atechniqueto make filmusing computer generatedartwork A machinima movie Everything OscarNominated Inside 9 Mattis Dorries Oldschool elated aesthete Aix Akshansh Chaudhary 65 MFADT | Parsons School of Design
- 68. MikePelletier Motioncapturedataapplied tostd characters animate WongPuig IsAll AE 4Workshown in museums Stoppeeping GoodpluginforAE MT Mograph Helpsindoinganimations without a waveform Akshansh Chaudhary 66 MFADT | Parsons School of Design
- 69. 04Dec 2018 Comments on the finaltrailer survive Thesection of BOT Centeralignit on theN07 NOT ANYMORELMakethetextwhite zoom Ofhetheq f payday OT toreveal Theperson technology cycle is disconnected fromthe footage Great easing on thelastlogoreveal Survive Use your ownfootage insteadoffoundfootage That TYFsomjmdsheatheinches better one oftheclipsis lessdramatic Make itpop x Akshansh Chaudhary 67 MFADT | Parsons School of Design
- 70. FILMFESIVALS TC 3rd Culture film Festival Fai gagJafri's film festival HongKong Whydopeoplemakefilms Exposure toshow your work Film FestivalsusedtoneedDVDsforsubmission 4Now everything is online what is neededforsubmission A shortfilm 4Duration thin 1minute Max 55minutes 4 Bestpractice 3 4min Get a Vimeoaccount create a professionalpage putyour showeredthere Free ale Vimeo vs Youtube Definitely Vimeo Akshansh Chaudhary 68 MFADT | Parsons School of Design
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