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Li ve r pool
Bi e nni a l
The UK Bi e nni a l of Cont e mpor a r y
Since 1999 we have
presented work by over 364
artists
34 collaborative
neighbourhood projects
692,000 visitors over 10
weeks (2012)
Economic impact of £98.9m
(2004-2012)
Uri Aran, untitled, 2006, Digital video, colour, sound TRT: 03:00 min. 24 sec.
Courtesy: Sadie Coles HQ.
Marc Bauer, The Collector, drawing, pencil on paper, 32cm x 45cm, 2012, Private
Collection.
Chris Evans, Home Entertainment 4 meters, 2011, painted steel, 400 cm. Photo Credit: I-Ling
Liao. Courtesy the artist and Juliette Jongma, Amsterdam.
Aaron Flint Jamison, Left: Veneer Issues One to Seven, subscriber and retail editions. Right:
View of Veneer in “The Social Life of the Book,” Kabinetten van De Vleeshal, Middleburg,
Netherlands, September 2010.
Rana Hamadeh, from The Big Board, or…'And before it falls, it is only reasonable to enjoy life a
little', 2013. Performance and Stage Set with various objects, duration 55 min / 300 cm x 150 cm x
70 cm . Work commissioned by the Lisson Gallery for The Magic of The State exhibition, 2013, ©
the artist; Courtesy, Lisson Gallery, London. Photo Sean Dower.
Bonnie Camplin, Madame Funnel Contemplates Two Aspects of Funnelhood, 2012.
Courtesy the Artist and Cabinet, London.
Louise Hervé & Chloé Maillet , A Treatise on Baths, 35mm slide, HD video, 2013. Courtesy
Galerie Marcelle Alix, production Parc Saint Léger / Banff Centre.
Judith Hopf, From Up & In Between, exhibition view, Fondazione Morra Greco, Naples,
2013. Courtesy the artist and kaufmann repetto.
Norma Jeane, #Jan25 (#Sidibouzid, #Feb12, #Feb14, #Feb17...), 2011, coloured play
dough, 100 x 150 x 150 cm. Courtesy Giulio di Gropello. Photo Credits: Alberto Zanetti,
Tommaso Zamarchi.
Nicola L, Head Library, Vinyl, 221 x 213 cm. Courtesy the artist.
William Leavitt, Body Space, 2012. Acrylic on canvas, fiberglass, wood, and artificial
plant, 89 3/4 x 156 x 73 inches (228 x 396.2 x 185.4 cm). Courtesy the artist and Greene
Naftali, New York. Photograph: Jason Mandella.
Christina Ramberg, Waiting Lady, 1972 Acrylic on masonite 22 cm x 32 cm, Courtesy
of Collection Ronald Adrian Krueck, Chicago
Michael Stevenson, Proof of the Devil 2013, Michael Lett Gallery, Auckland, (detail: free-
standing double-door). Courtesy the artist and Michael Lett.
Josef Strau, Exercises, 2013 (installation) Lamps, lamp shades, ipod, metal window screen
carpets, digital slide projection, Lamps ca. 80 cm, variable diameter. Courtesy the artist and
Greene Naftali, New York. Photograph: Jason Mandella
Peter Wächtler, Untitled, 2013, from “B.A.C.K.” at Ludlow 38, New York.
Courtesy the artist.
Amelie von Wulffen, Untitled, 2012. Water color and indian ink on paper, 28 x 20 cm
Courtesy: Galerie Meyer Kainer, Vienna; photo: Max Color, Berlin.
Sharon Lockhart, Podwórka, 2009
Sharon Lockhart, Milena, Jarosław, 2013, 2014. Three framed chromogenic prints,
128.8 x 103.3 cm. Courtesy of the artist, neugerriemschneider, Berlin, Gladstone Gallery,
New York and Brussels, and Blum & Poe, Los Angeles.
James McNeill Whistler, The Gold
Scab: Eruption in Frilthy Lucre (The
Creditor), 1879
Harmony in Blue and Gold: The Peacock Room, 1876-77
(James McNeill Whistler vs. Frederick R. Leyland)
Claude Parent, Venice Biennial installation, 1970
CLAUDE PARENT
Tate Liverpool
At Tate Liverpool is a new commission by architect
Claude Parent (b. 1923, France) titled Mont des Arts built to house a
display of works from the Tate collection including:
Anni Albers , Carlos Cruz Diez, Paul Delvaux, Naum Gabo,
Mark Leckey, Roy Lichtenstein, Babette Mangolte, Gustav Metzger,
Paul Nash, Francis Picabia, Helen Saunders, Edward Wadsworth and
Gillian Wise
Ivor Abrahams, Helena Almeida, Richard Artschwager, Francis
Bacon, Rut Blees Luxemburg, Claude Cahun, Patrick Caulfield,
Marc Camille Chaimowicz, Saloua Raouda Choucair, Giorgio de
Chirico, Joseph Cornell, Keren Cytter, André Derain, Sam Durant,
Naum Gabo, Henri Gaudier Brzeska, Robert Gober, Nan Goldin,‑
Spencer Gore, Philip Guston, Richard Hamilton, Vilhelm
Hammershoi, Susan Hiller, David Hockney, Sanja Ivekovic, George
Jones, R.B. Kitaj, Sherrie Levine, Linder, Andrew Lord, Lucy
McKenzie, Sylvia Melland, Rodrigo Moynihan, Paul Nash, Gabriel
Orozco, Amédée Ozenfant, Blinky Palermo, Blinky Palermo and
Gerhard Richter, Thomas Schütte, Kurt Schwitters, Thomas Struth,
Andy Warhol and Rachel Whiteread
Susan Hiller, Belshazzar’s Feast, the Writing on Your Wall, 1983-4
Andy Warhol, Untitled (Beauty Products), 1960
Patrick Caulfield, Braque Curtain, 2005
Ivor Abrahams, Sundial I (Summer),1975
J e f Cor ne l i s
Jef Cornelis, Documenta 5, 1972
The
Compa ni on
Jeremiah Day, Ghost Dance Song, 2012
(March 26, 2014 performance - Lower Saxony State Chancellery, Berlin)
The Companion
Angie Keefer
Federica Bueti and Jan Verwoert
Jeremiah Day
Josephine Foster and Victor Herrero
Géraldine Geffriaud
Will Holder
Hassan Khan
James Leary
Lucy Skaer
Mounira al-Solh
Annua l
Commi s s i ons
2014
Edward Wadsworth, Dazzle-ships in Dry Dock at
Liverpool, 1919
Edmund Gardner Ship, National Museums
Liverpool
Left: Caracas, 1958 Photo: © Atelier Cruz-Diez Paris /
Right: Paris, 2011 Photo: © Benoît Linéro
Symphony No. 11: Hillsborough Memorial
Michael Nyman with the Royal Liverpool
Philharmonic Orchestra, in Liverpool Cathedral
Pa r t ne r
Exhi bi t i ons
John Moores Painting Prize
Bloomberg New
Contemporaries
Exhibition Research Centre
Adrian Henri
Open Eye Gallery
Not All Documents are Records: Photographing
Exhibitions as an Art Form
Federica Buetti
Founding Supporter
James Moores
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Liverpool Biennial 2014 A Needle Walks into a Haystack

  • 1. Li ve r pool Bi e nni a l The UK Bi e nni a l of Cont e mpor a r y
  • 2. Since 1999 we have presented work by over 364 artists 34 collaborative neighbourhood projects 692,000 visitors over 10 weeks (2012) Economic impact of £98.9m (2004-2012)
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  • 6. Uri Aran, untitled, 2006, Digital video, colour, sound TRT: 03:00 min. 24 sec. Courtesy: Sadie Coles HQ.
  • 7. Marc Bauer, The Collector, drawing, pencil on paper, 32cm x 45cm, 2012, Private Collection.
  • 8. Chris Evans, Home Entertainment 4 meters, 2011, painted steel, 400 cm. Photo Credit: I-Ling Liao. Courtesy the artist and Juliette Jongma, Amsterdam.
  • 9. Aaron Flint Jamison, Left: Veneer Issues One to Seven, subscriber and retail editions. Right: View of Veneer in “The Social Life of the Book,” Kabinetten van De Vleeshal, Middleburg, Netherlands, September 2010.
  • 10. Rana Hamadeh, from The Big Board, or…'And before it falls, it is only reasonable to enjoy life a little', 2013. Performance and Stage Set with various objects, duration 55 min / 300 cm x 150 cm x 70 cm . Work commissioned by the Lisson Gallery for The Magic of The State exhibition, 2013, © the artist; Courtesy, Lisson Gallery, London. Photo Sean Dower.
  • 11. Bonnie Camplin, Madame Funnel Contemplates Two Aspects of Funnelhood, 2012. Courtesy the Artist and Cabinet, London.
  • 12. Louise Hervé & Chloé Maillet , A Treatise on Baths, 35mm slide, HD video, 2013. Courtesy Galerie Marcelle Alix, production Parc Saint Léger / Banff Centre.
  • 13. Judith Hopf, From Up & In Between, exhibition view, Fondazione Morra Greco, Naples, 2013. Courtesy the artist and kaufmann repetto.
  • 14. Norma Jeane, #Jan25 (#Sidibouzid, #Feb12, #Feb14, #Feb17...), 2011, coloured play dough, 100 x 150 x 150 cm. Courtesy Giulio di Gropello. Photo Credits: Alberto Zanetti, Tommaso Zamarchi.
  • 15. Nicola L, Head Library, Vinyl, 221 x 213 cm. Courtesy the artist.
  • 16. William Leavitt, Body Space, 2012. Acrylic on canvas, fiberglass, wood, and artificial plant, 89 3/4 x 156 x 73 inches (228 x 396.2 x 185.4 cm). Courtesy the artist and Greene Naftali, New York. Photograph: Jason Mandella.
  • 17. Christina Ramberg, Waiting Lady, 1972 Acrylic on masonite 22 cm x 32 cm, Courtesy of Collection Ronald Adrian Krueck, Chicago
  • 18. Michael Stevenson, Proof of the Devil 2013, Michael Lett Gallery, Auckland, (detail: free- standing double-door). Courtesy the artist and Michael Lett.
  • 19. Josef Strau, Exercises, 2013 (installation) Lamps, lamp shades, ipod, metal window screen carpets, digital slide projection, Lamps ca. 80 cm, variable diameter. Courtesy the artist and Greene Naftali, New York. Photograph: Jason Mandella
  • 20. Peter Wächtler, Untitled, 2013, from “B.A.C.K.” at Ludlow 38, New York. Courtesy the artist.
  • 21. Amelie von Wulffen, Untitled, 2012. Water color and indian ink on paper, 28 x 20 cm Courtesy: Galerie Meyer Kainer, Vienna; photo: Max Color, Berlin.
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  • 24. Sharon Lockhart, Milena, Jarosław, 2013, 2014. Three framed chromogenic prints, 128.8 x 103.3 cm. Courtesy of the artist, neugerriemschneider, Berlin, Gladstone Gallery, New York and Brussels, and Blum & Poe, Los Angeles.
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  • 26. James McNeill Whistler, The Gold Scab: Eruption in Frilthy Lucre (The Creditor), 1879
  • 27. Harmony in Blue and Gold: The Peacock Room, 1876-77 (James McNeill Whistler vs. Frederick R. Leyland)
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  • 30. Claude Parent, Venice Biennial installation, 1970
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  • 33. CLAUDE PARENT Tate Liverpool At Tate Liverpool is a new commission by architect Claude Parent (b. 1923, France) titled Mont des Arts built to house a display of works from the Tate collection including: Anni Albers , Carlos Cruz Diez, Paul Delvaux, Naum Gabo, Mark Leckey, Roy Lichtenstein, Babette Mangolte, Gustav Metzger, Paul Nash, Francis Picabia, Helen Saunders, Edward Wadsworth and Gillian Wise
  • 34. Ivor Abrahams, Helena Almeida, Richard Artschwager, Francis Bacon, Rut Blees Luxemburg, Claude Cahun, Patrick Caulfield, Marc Camille Chaimowicz, Saloua Raouda Choucair, Giorgio de Chirico, Joseph Cornell, Keren Cytter, André Derain, Sam Durant, Naum Gabo, Henri Gaudier Brzeska, Robert Gober, Nan Goldin,‑ Spencer Gore, Philip Guston, Richard Hamilton, Vilhelm Hammershoi, Susan Hiller, David Hockney, Sanja Ivekovic, George Jones, R.B. Kitaj, Sherrie Levine, Linder, Andrew Lord, Lucy McKenzie, Sylvia Melland, Rodrigo Moynihan, Paul Nash, Gabriel Orozco, Amédée Ozenfant, Blinky Palermo, Blinky Palermo and Gerhard Richter, Thomas Schütte, Kurt Schwitters, Thomas Struth, Andy Warhol and Rachel Whiteread
  • 35. Susan Hiller, Belshazzar’s Feast, the Writing on Your Wall, 1983-4
  • 36. Andy Warhol, Untitled (Beauty Products), 1960
  • 37. Patrick Caulfield, Braque Curtain, 2005
  • 38. Ivor Abrahams, Sundial I (Summer),1975
  • 39. J e f Cor ne l i s
  • 42. Jeremiah Day, Ghost Dance Song, 2012 (March 26, 2014 performance - Lower Saxony State Chancellery, Berlin)
  • 43. The Companion Angie Keefer Federica Bueti and Jan Verwoert Jeremiah Day Josephine Foster and Victor Herrero Géraldine Geffriaud Will Holder Hassan Khan James Leary Lucy Skaer Mounira al-Solh
  • 44. Annua l Commi s s i ons 2014
  • 45. Edward Wadsworth, Dazzle-ships in Dry Dock at Liverpool, 1919 Edmund Gardner Ship, National Museums Liverpool
  • 46. Left: Caracas, 1958 Photo: © Atelier Cruz-Diez Paris / Right: Paris, 2011 Photo: © Benoît Linéro
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  • 48. Symphony No. 11: Hillsborough Memorial Michael Nyman with the Royal Liverpool Philharmonic Orchestra, in Liverpool Cathedral
  • 49. Pa r t ne r Exhi bi t i ons
  • 53. Open Eye Gallery Not All Documents are Records: Photographing Exhibitions as an Art Form Federica Buetti

Editor's Notes

  1. Susan Hiller, Belshazzar’s Feast, the Writing on Your Wall, 1983-4. Drawing on reports of TV interference, The title of T03923 is taken from the Old Testament account of the appearance of mysterious signs or writings on the wall of the banqueting house during the great feast given by Belshazzar, the King of Babylon (Daniel ch.5, AV). In an interview, (Hiller and Lacey 1985) Hiller refers to the biblical inference that the prophet Daniel was called in to interpret the signs on the wall rather that to read them as writing: ‘I am intrigued by the distinction between literally reading and understanding signs or marks and interpreting them'
  2. Richard Artschwager, Table and Chair, 1963-4