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Liverpool Biennial 2014 A Needle Walks into a Haystack
1. Li ve r pool
Bi e nni a l
The UK Bi e nni a l of Cont e mpor a r y
2. Since 1999 we have
presented work by over 364
artists
34 collaborative
neighbourhood projects
692,000 visitors over 10
weeks (2012)
Economic impact of £98.9m
(2004-2012)
3.
4.
5.
6. Uri Aran, untitled, 2006, Digital video, colour, sound TRT: 03:00 min. 24 sec.
Courtesy: Sadie Coles HQ.
7. Marc Bauer, The Collector, drawing, pencil on paper, 32cm x 45cm, 2012, Private
Collection.
8. Chris Evans, Home Entertainment 4 meters, 2011, painted steel, 400 cm. Photo Credit: I-Ling
Liao. Courtesy the artist and Juliette Jongma, Amsterdam.
9. Aaron Flint Jamison, Left: Veneer Issues One to Seven, subscriber and retail editions. Right:
View of Veneer in “The Social Life of the Book,” Kabinetten van De Vleeshal, Middleburg,
Netherlands, September 2010.
11. Bonnie Camplin, Madame Funnel Contemplates Two Aspects of Funnelhood, 2012.
Courtesy the Artist and Cabinet, London.
12. Louise Hervé & Chloé Maillet , A Treatise on Baths, 35mm slide, HD video, 2013. Courtesy
Galerie Marcelle Alix, production Parc Saint Léger / Banff Centre.
13. Judith Hopf, From Up & In Between, exhibition view, Fondazione Morra Greco, Naples,
2013. Courtesy the artist and kaufmann repetto.
14. Norma Jeane, #Jan25 (#Sidibouzid, #Feb12, #Feb14, #Feb17...), 2011, coloured play
dough, 100 x 150 x 150 cm. Courtesy Giulio di Gropello. Photo Credits: Alberto Zanetti,
Tommaso Zamarchi.
15. Nicola L, Head Library, Vinyl, 221 x 213 cm. Courtesy the artist.
16. William Leavitt, Body Space, 2012. Acrylic on canvas, fiberglass, wood, and artificial
plant, 89 3/4 x 156 x 73 inches (228 x 396.2 x 185.4 cm). Courtesy the artist and Greene
Naftali, New York. Photograph: Jason Mandella.
17. Christina Ramberg, Waiting Lady, 1972 Acrylic on masonite 22 cm x 32 cm, Courtesy
of Collection Ronald Adrian Krueck, Chicago
18. Michael Stevenson, Proof of the Devil 2013, Michael Lett Gallery, Auckland, (detail: free-
standing double-door). Courtesy the artist and Michael Lett.
19. Josef Strau, Exercises, 2013 (installation) Lamps, lamp shades, ipod, metal window screen
carpets, digital slide projection, Lamps ca. 80 cm, variable diameter. Courtesy the artist and
Greene Naftali, New York. Photograph: Jason Mandella
21. Amelie von Wulffen, Untitled, 2012. Water color and indian ink on paper, 28 x 20 cm
Courtesy: Galerie Meyer Kainer, Vienna; photo: Max Color, Berlin.
24. Sharon Lockhart, Milena, Jarosław, 2013, 2014. Three framed chromogenic prints,
128.8 x 103.3 cm. Courtesy of the artist, neugerriemschneider, Berlin, Gladstone Gallery,
New York and Brussels, and Blum & Poe, Los Angeles.
33. CLAUDE PARENT
Tate Liverpool
At Tate Liverpool is a new commission by architect
Claude Parent (b. 1923, France) titled Mont des Arts built to house a
display of works from the Tate collection including:
Anni Albers , Carlos Cruz Diez, Paul Delvaux, Naum Gabo,
Mark Leckey, Roy Lichtenstein, Babette Mangolte, Gustav Metzger,
Paul Nash, Francis Picabia, Helen Saunders, Edward Wadsworth and
Gillian Wise
34. Ivor Abrahams, Helena Almeida, Richard Artschwager, Francis
Bacon, Rut Blees Luxemburg, Claude Cahun, Patrick Caulfield,
Marc Camille Chaimowicz, Saloua Raouda Choucair, Giorgio de
Chirico, Joseph Cornell, Keren Cytter, André Derain, Sam Durant,
Naum Gabo, Henri Gaudier Brzeska, Robert Gober, Nan Goldin,‑
Spencer Gore, Philip Guston, Richard Hamilton, Vilhelm
Hammershoi, Susan Hiller, David Hockney, Sanja Ivekovic, George
Jones, R.B. Kitaj, Sherrie Levine, Linder, Andrew Lord, Lucy
McKenzie, Sylvia Melland, Rodrigo Moynihan, Paul Nash, Gabriel
Orozco, Amédée Ozenfant, Blinky Palermo, Blinky Palermo and
Gerhard Richter, Thomas Schütte, Kurt Schwitters, Thomas Struth,
Andy Warhol and Rachel Whiteread
43. The Companion
Angie Keefer
Federica Bueti and Jan Verwoert
Jeremiah Day
Josephine Foster and Victor Herrero
Géraldine Geffriaud
Will Holder
Hassan Khan
James Leary
Lucy Skaer
Mounira al-Solh
Susan Hiller, Belshazzar’s Feast, the Writing on Your Wall, 1983-4. Drawing on reports of TV interference, The title of T03923 is taken from the Old Testament account of the appearance of mysterious signs or writings on the wall of the banqueting house during the great feast given by Belshazzar, the King of Babylon (Daniel ch.5, AV). In an interview, (Hiller and Lacey 1985) Hiller refers to the biblical inference that the prophet Daniel was called in to interpret the signs on the wall rather that to read them as writing: ‘I am intrigued by the distinction between literally reading and understanding signs or marks and interpreting them'