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Lesson 6:
Support Systems,
Institutions, And
Initiatives Across The
Regions
WHAT DO YOU MEAN BY SUPPORT
SYSTEM OF ARTS?
SUPPORT SYSTEMS OF THE ARTS INCLUDE:
FAQ
 institution – a place where an organization takes care of
people for a usually long period of time.
 Organization and collectives – are composed of
individuals who share similar or related practices.
 Media - is the collective communication outlets or tools
that are used to store and deliver information or data.
 Alternative platform – is an independent studio that
develops online multiplayer games and apps. We are
engaged in projects where people can compete, work in a
team or simply communicate with each other.
THESE SUPPORT SYSTEMS PROVIDE THE
ENVIRONMENT FOR FACILITATING PRODUCTION
AND THE CIRCULATION OR DISTRIBUTION OF ART.
ART WORLD AND THE BROADER PUBLIC-
NEWER TYPE OF SUPPORT SYSTEMS ENSURE THAT
ART WORKS BECOME MORE ACCESSIBLE.
THE PHILIPPINE ART GALLERY HELPED FROM A
PUBLIC MODERN ART IN THE 1950’S.
FAQ What are the different types of institutions,
organizations, and platforms?
Support systems can be government initiated, community or municipality based
privately supported, university oriented & artist-run or internet based.
Anino Shadowplay collectives and the Sipat Lawin Ensemble are groups that
challenge our concepts of theatre production by mixing up performativity media
and even trying out new modes of public engagement.
Academe – is an extensive training ground for artist, curators, scholars-critics,
and other practitioners in the arts.
Studio Or community- develop an art project like an exhibition or a performance.
Ex. Casa San Miguel- located in the pundaquit fishing village in san Antonio
Zambales offers training in music and the visual arts at the grass roots level.
Leonor Orosa
o Dance choreographer
(awarded) in 1976.
o Creating fusion
between classical
ballet and Philippine
folk dances.
Ramon Obusan
 He decided to travel the
entire country to study
and document traditional
folk dances.
 National Artist for dance
(awarded 2006).
 He provide a social
context to various tribal
and ethnic dances and
how these interfaced
with culture, tradition
and ritual.
Frank Rivera
o He traveled to Marawi in
Mindanao and with the help
of the marawi state
university, formed the sining
kambayoka theater group
which made use of
traditional Maranao folk
tales and more current
issues that concerned the
muslim communities of
Mindanao.
THESE ARE SEVERAL PROVINCIAL DANCE
COMPANIES W/C STILL PERFORM TRADITIONAL
FOLK DANCES AND COMPETE REGULARLY IN
FOLK DANCING COMPETITIONS.
1. Kalilayan
folkloric dance
group (old name of
Tayabos, Quezon)
2. Universitiy of
San Carlos Banse
troup
3. The Hiyas ng
Maynilad Dance
troup
4. The Leyte
Dance Theater
5. The University
of the Philippines
Filipinaina Dance
Troup
6. The Lyceum of
Batangas Folk
Dance Company
MUSEUM – TRADITIONALLY BASED ON A
COLLECTION OF OBJECTS.
MUSEO SAN YSIDRO DE PULILAN IN BULACAN
FOUNDED BY THE TOWN’S HISTORICAL SOCIETY
COMPRISING OF YOUNG ARTIST & CULTURAL WORKERS.
IN SOME WAYS HAVE APPROPRIATED THE
PROTOCOLS OF FESTIVAL IN ORDER TO LINK
ART MORE CLOSELY W/ EVERYDAY LIFE.
Festival of Contemporary art
ITS NAME COMES FROM THE
ARTIST COLLECTIVE THAT
ORGANIZES THE FESTIVAL YR.
AFTER YR. JUST BEFORE THE
OFFICIAL TOWN.
Neo Angono Public Art Festival.
CRACKED & DISMEMBERED TERACOTTA FIGURES OF RALLYISTS
CROUSHING IN DEFENCE OF TRUNCHEONS BY KIRI DALENA
SHE TRANSLATED THIS INTO AN INSTALLATION OF WOOD PIECES
REFERENCING THE CLAY FIGURES AS CARVED BY SCULPTORS FROM
PAKIL,LAGUNA.
HAS BEEN THE LEADING AWARD GIVING BODY THAT
HAS ENCOURAGED & ACKNOWLEDGED THE WORKS
OF FILIPINO PLAYWRIGHTS, NOVELISTS, POETS, &
SCRIPTWRITERS FROM FILM & TELEVISION.
The Carlos Palanca
Annual Awards
FRANCISCO COACHING
 National artist for the
visual arts.
 He is the one of the
foremost graphic
novelist.
 A Filipino comic books
illustrator and writer
and is regarded as one
of the “pillars of the
Philippine comic
industry”
ESTRELLA ALFON
She is fictionist
and poet.
Her works may
be accessed on
the Philippines lit.
PREPARED BY : GROUP 6
*Kevin P. Brigoli
*Mariel Brigoli
*Anthonieta I. Escasinas
*Roque D. Ababa
THANK YOU

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Lesson 6: Support Systems for Arts Across Regions

  • 1. Lesson 6: Support Systems, Institutions, And Initiatives Across The Regions
  • 2. WHAT DO YOU MEAN BY SUPPORT SYSTEM OF ARTS? SUPPORT SYSTEMS OF THE ARTS INCLUDE: FAQ
  • 3.  institution – a place where an organization takes care of people for a usually long period of time.  Organization and collectives – are composed of individuals who share similar or related practices.  Media - is the collective communication outlets or tools that are used to store and deliver information or data.  Alternative platform – is an independent studio that develops online multiplayer games and apps. We are engaged in projects where people can compete, work in a team or simply communicate with each other.
  • 4. THESE SUPPORT SYSTEMS PROVIDE THE ENVIRONMENT FOR FACILITATING PRODUCTION AND THE CIRCULATION OR DISTRIBUTION OF ART. ART WORLD AND THE BROADER PUBLIC- NEWER TYPE OF SUPPORT SYSTEMS ENSURE THAT ART WORKS BECOME MORE ACCESSIBLE. THE PHILIPPINE ART GALLERY HELPED FROM A PUBLIC MODERN ART IN THE 1950’S.
  • 5. FAQ What are the different types of institutions, organizations, and platforms? Support systems can be government initiated, community or municipality based privately supported, university oriented & artist-run or internet based. Anino Shadowplay collectives and the Sipat Lawin Ensemble are groups that challenge our concepts of theatre production by mixing up performativity media and even trying out new modes of public engagement. Academe – is an extensive training ground for artist, curators, scholars-critics, and other practitioners in the arts. Studio Or community- develop an art project like an exhibition or a performance. Ex. Casa San Miguel- located in the pundaquit fishing village in san Antonio Zambales offers training in music and the visual arts at the grass roots level.
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  • 9. Leonor Orosa o Dance choreographer (awarded) in 1976. o Creating fusion between classical ballet and Philippine folk dances.
  • 10. Ramon Obusan  He decided to travel the entire country to study and document traditional folk dances.  National Artist for dance (awarded 2006).  He provide a social context to various tribal and ethnic dances and how these interfaced with culture, tradition and ritual.
  • 11. Frank Rivera o He traveled to Marawi in Mindanao and with the help of the marawi state university, formed the sining kambayoka theater group which made use of traditional Maranao folk tales and more current issues that concerned the muslim communities of Mindanao.
  • 12. THESE ARE SEVERAL PROVINCIAL DANCE COMPANIES W/C STILL PERFORM TRADITIONAL FOLK DANCES AND COMPETE REGULARLY IN FOLK DANCING COMPETITIONS. 1. Kalilayan folkloric dance group (old name of Tayabos, Quezon) 2. Universitiy of San Carlos Banse troup 3. The Hiyas ng Maynilad Dance troup 4. The Leyte Dance Theater 5. The University of the Philippines Filipinaina Dance Troup 6. The Lyceum of Batangas Folk Dance Company
  • 13. MUSEUM – TRADITIONALLY BASED ON A COLLECTION OF OBJECTS.
  • 14. MUSEO SAN YSIDRO DE PULILAN IN BULACAN FOUNDED BY THE TOWN’S HISTORICAL SOCIETY COMPRISING OF YOUNG ARTIST & CULTURAL WORKERS.
  • 15. IN SOME WAYS HAVE APPROPRIATED THE PROTOCOLS OF FESTIVAL IN ORDER TO LINK ART MORE CLOSELY W/ EVERYDAY LIFE. Festival of Contemporary art
  • 16. ITS NAME COMES FROM THE ARTIST COLLECTIVE THAT ORGANIZES THE FESTIVAL YR. AFTER YR. JUST BEFORE THE OFFICIAL TOWN. Neo Angono Public Art Festival.
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  • 18. CRACKED & DISMEMBERED TERACOTTA FIGURES OF RALLYISTS CROUSHING IN DEFENCE OF TRUNCHEONS BY KIRI DALENA SHE TRANSLATED THIS INTO AN INSTALLATION OF WOOD PIECES REFERENCING THE CLAY FIGURES AS CARVED BY SCULPTORS FROM PAKIL,LAGUNA.
  • 19. HAS BEEN THE LEADING AWARD GIVING BODY THAT HAS ENCOURAGED & ACKNOWLEDGED THE WORKS OF FILIPINO PLAYWRIGHTS, NOVELISTS, POETS, & SCRIPTWRITERS FROM FILM & TELEVISION. The Carlos Palanca Annual Awards
  • 20. FRANCISCO COACHING  National artist for the visual arts.  He is the one of the foremost graphic novelist.  A Filipino comic books illustrator and writer and is regarded as one of the “pillars of the Philippine comic industry”
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  • 24. ESTRELLA ALFON She is fictionist and poet. Her works may be accessed on the Philippines lit.
  • 25. PREPARED BY : GROUP 6 *Kevin P. Brigoli *Mariel Brigoli *Anthonieta I. Escasinas *Roque D. Ababa THANK YOU