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Futuresonic/FutureEverything
The UK’s leading festival for digital culture,
celebrated worldwide, and based in
Manchester.

Est. 1995.
Our Mission
Our mission is to position Manchester as a
bright, contemporary, ultra-modern place of
radical thinking.
Awards
FutureEverything was nominated for the
prestigious Lever Prize 2009, and the
Director, Drew Hemment, received an
Honorary Mention at Ars Electronica 2008.
Scale
3 days and nights
300 artists
100 events
30 venues
What is it like?
It is an urban festival of art, music and ideas
Art
The world renowned Art strand presents
astonishing artworks, including many world
firsts. Themes include society, technology
and the city plus this year Environment 2.0.
Music
The festival takes over the finest venues in
Manchester for a celebration of musicianship
and a salute to those who perform on the
cutting-edge. It encompasses many genres
and spans generations, with a focus on the
white heat of tomorrow.
Conference
The Social Technologies Summit is a leading
international conference that explores the latest
upgrade affecting today's digital culture. It
presents pioneering ideas, which will transform
the way you and your organisation operate,
innovate and interact.
Why did we start it?
Because we couldn’t live without it.
It is creatively driven, artist led.
Why in Manchester?
The festival has deep roots, and has been
shaped by and shapes the city of Manchester.

If Original Modern is about quot;the now,quot;
Futuresonic is about quot;the next thing.quot;
Audience
Last year it attracted an audience in excess of
50,000 people and its acclaimed conference,
the Social Technologies Summit, attracted
900 people over three days, with 22% of
delegates from outside the UK.
Stats
51,000 people in 2008
53% were aged 16 - 24
5.5% of audience international
51.5% from outside Greater Manchester
(based on sample)
Media Footprint
£26 million (IPBC)

On the opening day of Futuresonic in 2007
there were only two items on regional TV
news, Tony Blair's resignation and the
Futuresonic exhibition.
Impact
Festivals have a disproportionate impact
because they are the occasions when
creatives and technology companies launch
new updates and have maximum visibility.
An international community
The festival is a destination for a world-wide
community of creative visionaries in digital
art and contemporary culture.

At Futuresonic everyone is a participant.
Rapid prototyping future culture
It is the only festival in the world conceived
as an accelerator and rapid prototyper for
future culture. It creates a space where new
ideas, technologies and forms of culture
can be tested and presented.
World Firsts
Futuresonic presented in 2006 the first fully
realised live show using the TENORI-ON by
Yamaha and Toshio Iwai. It was so successful
that it led Yamaha to stage the worldwide
launch exclusively in Manchester and London
in partnership with Futuresonic.
World Firsts
Futuresonic presented the first major art
exhibition worldwide on mobile and locative
media (Mobile Connections, 2004) and the
first major art exhibition on social networking
(Social Networking Unplugged, 2008).
Relationship to creative economy
It is an international hub for Manchester
and the region, drawing visitors, inward
investment and opportunities for local
talent on a global stage.
Joined up
The festival is embedded in university
research, and is increasingly embedded in
business networks and support, so that
there is seamless transition between the
inspiration space of the conference and
year-round support and engagement.
Delegates
Artists
Senior Management
Directors
Developers

Sectors: Media, Technology, Creative
Industries, Science, Academia, Arts
Existing International Market
Germany
Sweden
Netherlands
China
South Africa
Australia
USA
Dr. Drew Hemment
Founder and Director

His work covered prominently by New York Times,
BBC and NBC, awarded an Honorary Mention at
Prix Ars Electronica 2008. A leading figure in the
fields of Social Technologies and Locative Media.

Associate Director of ImaginationLancaster rated
4th in the UK in Art and Design.
In 2010 Futuresonic will return as FutureEverything

www.futureeverything.org
With thanks to
FutureEverything has been awarded Pillar Status by
Manchester City Council, Regularly Funded Organisation
(RFO) status by Arts Council England, and three year funding
by Paul Hamlyn Foundation.

Thank you to all the partners, funders, supporters and
participants, without you the event would not be possible.

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Future Everything

  • 1. Futuresonic/FutureEverything The UK’s leading festival for digital culture, celebrated worldwide, and based in Manchester. Est. 1995.
  • 2.
  • 3. Our Mission Our mission is to position Manchester as a bright, contemporary, ultra-modern place of radical thinking.
  • 4.
  • 5. Awards FutureEverything was nominated for the prestigious Lever Prize 2009, and the Director, Drew Hemment, received an Honorary Mention at Ars Electronica 2008.
  • 6.
  • 7. Scale 3 days and nights 300 artists 100 events 30 venues
  • 8.
  • 9. What is it like? It is an urban festival of art, music and ideas
  • 10.
  • 11. Art The world renowned Art strand presents astonishing artworks, including many world firsts. Themes include society, technology and the city plus this year Environment 2.0.
  • 12.
  • 13. Music The festival takes over the finest venues in Manchester for a celebration of musicianship and a salute to those who perform on the cutting-edge. It encompasses many genres and spans generations, with a focus on the white heat of tomorrow.
  • 14.
  • 15. Conference The Social Technologies Summit is a leading international conference that explores the latest upgrade affecting today's digital culture. It presents pioneering ideas, which will transform the way you and your organisation operate, innovate and interact.
  • 16.
  • 17. Why did we start it? Because we couldn’t live without it. It is creatively driven, artist led.
  • 18.
  • 19. Why in Manchester? The festival has deep roots, and has been shaped by and shapes the city of Manchester. If Original Modern is about quot;the now,quot; Futuresonic is about quot;the next thing.quot;
  • 20.
  • 21. Audience Last year it attracted an audience in excess of 50,000 people and its acclaimed conference, the Social Technologies Summit, attracted 900 people over three days, with 22% of delegates from outside the UK.
  • 22.
  • 23. Stats 51,000 people in 2008 53% were aged 16 - 24 5.5% of audience international 51.5% from outside Greater Manchester (based on sample)
  • 24.
  • 25. Media Footprint £26 million (IPBC) On the opening day of Futuresonic in 2007 there were only two items on regional TV news, Tony Blair's resignation and the Futuresonic exhibition.
  • 26.
  • 27. Impact Festivals have a disproportionate impact because they are the occasions when creatives and technology companies launch new updates and have maximum visibility.
  • 28.
  • 29. An international community The festival is a destination for a world-wide community of creative visionaries in digital art and contemporary culture. At Futuresonic everyone is a participant.
  • 30.
  • 31. Rapid prototyping future culture It is the only festival in the world conceived as an accelerator and rapid prototyper for future culture. It creates a space where new ideas, technologies and forms of culture can be tested and presented.
  • 32.
  • 33. World Firsts Futuresonic presented in 2006 the first fully realised live show using the TENORI-ON by Yamaha and Toshio Iwai. It was so successful that it led Yamaha to stage the worldwide launch exclusively in Manchester and London in partnership with Futuresonic.
  • 34.
  • 35. World Firsts Futuresonic presented the first major art exhibition worldwide on mobile and locative media (Mobile Connections, 2004) and the first major art exhibition on social networking (Social Networking Unplugged, 2008).
  • 36.
  • 37. Relationship to creative economy It is an international hub for Manchester and the region, drawing visitors, inward investment and opportunities for local talent on a global stage.
  • 38.
  • 39. Joined up The festival is embedded in university research, and is increasingly embedded in business networks and support, so that there is seamless transition between the inspiration space of the conference and year-round support and engagement.
  • 40.
  • 41. Delegates Artists Senior Management Directors Developers Sectors: Media, Technology, Creative Industries, Science, Academia, Arts
  • 42.
  • 44.
  • 45. Dr. Drew Hemment Founder and Director His work covered prominently by New York Times, BBC and NBC, awarded an Honorary Mention at Prix Ars Electronica 2008. A leading figure in the fields of Social Technologies and Locative Media. Associate Director of ImaginationLancaster rated 4th in the UK in Art and Design.
  • 46.
  • 47. In 2010 Futuresonic will return as FutureEverything www.futureeverything.org
  • 48.
  • 49. With thanks to FutureEverything has been awarded Pillar Status by Manchester City Council, Regularly Funded Organisation (RFO) status by Arts Council England, and three year funding by Paul Hamlyn Foundation. Thank you to all the partners, funders, supporters and participants, without you the event would not be possible.