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10/13/2021
Anil Kumar, Lecturer(Textile Design),FOD, SUPVA, Rohtak
1
Pt. Lakhmi Chand state University of Performing &Visual Arts, Rohtak
Anil Kumar (Lecturer)
Department of Textile Design
PLCSUPVA, Rohtak
Basic of Design
Email-anilkumar@plcsupva.ac.in
Contact No. -9729138649
Principle of design
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
2
•Design guidelines used to
organize or arrange the
structural elements of
design.
•The principles of design
are the rules a designer
must follow to create an
effective and attractive
composition. The
fundamental principles of
design are Emphasis,
Balance and Alignment,
Contrast, Repetition,
Proportion, Movement
Principle of
design
Balance
Rhythm
Harmony
Emphasis
&
Contrast
Proportion
Proximity
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
3
Balance
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
4
Balance
 Balance in design is similar to balance in
physics. A large shape close to the centre can
be balanced by a small shape close to the
edge.
 Balance provides stability and structure to a
design.
 It’s the weight distributed in the design by the
placement of your elements.
 Balance is one of the important points the
success of a design.
 Everyone loves the convenience (not lame) to
what they see. Balance in graphic design can
be achieved by adjusting the visual weight of
each element, both in terms of scale, color,
contrast, etc.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
5
Balance
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
6
Type of
Balance
Symmetrical Asymmetrical
Types of Balance
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
7
Symmetrical Balance
 Symmetrical balance occurs when the visual
weight of design elements evenly divided in
terms of horizontal, vertical, or radial.
 This style relies on a balance of two similar
elements from two different sides.
 Conditions in the symmetrical equilibrium is a
general style that is often used to achieve a
balance in design.
 Although it is easy to implement, symmetrical
balance is difficult to evoke emotion from the
Visual readers because it was impressed too
"planned".
 Symmetrical balance is also commonly
referred to as formal balance.
 This style relies on a balance of two similar
elements from two different sides.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
8
Symmetrical Balance
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
9
Asymmetrical Balance
 occurs when the visual weight of design elements are not evenly distributed
in the central axis of the page.
 This style relies on visual games such as scale, contrast, color to achieve a
balance.
 We often see a design with the big picture offset by the small but visible text
balanced because of the visual games.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
10
Cont….
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
11
Rhythm generally means a "movement marked by the regulated succession of strong and
weak elements, or of opposite or different conditions".
Leads the eye from one point to another, creates motion.
RHYTHM
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Design),FOD,
SUPVA, Rohtak
12
TYPES OF RHYTHM
 Rhythm by Repetition
 Rhythm by Gradation
 Rhythm by Radiation
 Rhythm by Opposition
 Rhythm by Transition
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Design),FOD,
SUPVA, Rohtak
13
Rhythm by Repetition
 Rhythm created by duplicating (repeating)
shapes, colors, pattern, line, texture.
 Beams in the ceiling are repeated. Window
panes, repeat. Stripes on ottoman and chair
are repeated.
Rhythm by Gradation
 Rhythm created by a
gradual change in size or
color.
 Paint on wall changes
gradually in value.
 The size of the same
room objects changes
from large to small or
from small to large, from
light to dark or vice
versa.
 This creates a nice rhythm
drawing the eyes up and
down the line of gradation.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
14
Rhythm by Radiation
 Rhythm created by identical
objects coming from a central
axis.
 Radiation is an element of
rhythm in interior design when
the features in the room are
balanced and repeated around a
center point.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
15
Rhythm by Opposition
 Rhythm created by lines at right angles or contrasting colors.
 Contrasting black and white tiles and the lines intersecting at right angles.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
16
Rhythm by Transition
 Rhythm created by curved lines that carry your eye across a straight
surface.
 Rhythm through transition gently leads the eye through a
continuous, uninterrupted flow from one area within a space to
another.
 Example, curved lines are generally used to lead the eye along a
desired path.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
17
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
18
Unity & Harmony
(Unity +Variety = Harmony)
Unity-everything works together.
Variety-design is not boring, several elements used to hold viewers attention.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
19
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
20
Discussion
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
21
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
22
&
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
23
Emphasis & Contrast
 Emphasis is the center of interest, which draws
and holds the attention more than any other part.
 All Product has a area of emphasis on it which
makes the center of attraction of the garment.
 Emphasis can be achieved by means of-
Contrasting Colors
Bold and unusual shapes
Eye catching patterns
Complex Textures
Attractive Design Details
Interesting Trims
The visual having emphasis on face with the use
of collars in contrasting colors, a bright colored
scarf or necktie, jewelry and hats.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
24
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
25
Simply contrast tells the viewer where to look first
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Design),FOD,
SUPVA, Rohtak
26
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
27
Proportion
 Proportion is the
relationship of two or more
elements in a design and
how they compare with one
another.
 Proportion is said to be
harmonious when a correct
relationship exists between
the elements with respect to
size or quantity.
 Good proportion adds
harmony, symmetry, or
balance among the parts of a
design.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
28
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
29
Discussion
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
30
Proximity
 The principle of proximity
is simply the process of
ensuring related design
elements are placed
together.
 Any unrelated items,
should be spaced apart.
 Close proximity indicates
that items are connected or
have a relationship to each
other and become one
visual unit which helps to
organise or give structure
to a layout.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
31
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
32
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
33
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
34
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
35
Principals
Means
(A laws of human perception.)
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
36
Gestalt Principals
 Gestalt Principles are principles/laws of human perception that describe
how humans group similar elements, recognize patterns and simplify
complex images when we perceive objects.
 Designers use the principles to organize content on websites and other
interfaces so it is aesthetically pleasing and easy to understand.
There are six individual principles commonly associated with gestalt theory:
Similarity,
Continuation,
Closure,
Proximity,
Figure/Ground,
Symmetry & Order.
 There are also some additional, newer principles sometimes associated with
gestalt, such as common fate.
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
37
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
38
Coffee is my fuel — you can buy me one if you
want to boost the sketch-creation process
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
39
Gestalt Examples
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Desin),FOD,
SUPVA, Rohtak
40
11/18/2021 4:29 PM
Anil Kumar, Lecturer(Textile Design),FOD,
SUPVA, Rohtak
41
With Best Wishes

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Basic Design I Principals of Design I

  • 1. 10/13/2021 Anil Kumar, Lecturer(Textile Design),FOD, SUPVA, Rohtak 1 Pt. Lakhmi Chand state University of Performing &Visual Arts, Rohtak Anil Kumar (Lecturer) Department of Textile Design PLCSUPVA, Rohtak Basic of Design Email-anilkumar@plcsupva.ac.in Contact No. -9729138649
  • 2. Principle of design 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 2 •Design guidelines used to organize or arrange the structural elements of design. •The principles of design are the rules a designer must follow to create an effective and attractive composition. The fundamental principles of design are Emphasis, Balance and Alignment, Contrast, Repetition, Proportion, Movement Principle of design Balance Rhythm Harmony Emphasis & Contrast Proportion Proximity
  • 3. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 3 Balance
  • 4. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 4 Balance  Balance in design is similar to balance in physics. A large shape close to the centre can be balanced by a small shape close to the edge.  Balance provides stability and structure to a design.  It’s the weight distributed in the design by the placement of your elements.  Balance is one of the important points the success of a design.  Everyone loves the convenience (not lame) to what they see. Balance in graphic design can be achieved by adjusting the visual weight of each element, both in terms of scale, color, contrast, etc.
  • 5. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 5 Balance
  • 6. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 6 Type of Balance Symmetrical Asymmetrical Types of Balance
  • 7. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 7 Symmetrical Balance  Symmetrical balance occurs when the visual weight of design elements evenly divided in terms of horizontal, vertical, or radial.  This style relies on a balance of two similar elements from two different sides.  Conditions in the symmetrical equilibrium is a general style that is often used to achieve a balance in design.  Although it is easy to implement, symmetrical balance is difficult to evoke emotion from the Visual readers because it was impressed too "planned".  Symmetrical balance is also commonly referred to as formal balance.  This style relies on a balance of two similar elements from two different sides.
  • 8. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 8 Symmetrical Balance
  • 9. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 9 Asymmetrical Balance  occurs when the visual weight of design elements are not evenly distributed in the central axis of the page.  This style relies on visual games such as scale, contrast, color to achieve a balance.  We often see a design with the big picture offset by the small but visible text balanced because of the visual games.
  • 10. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 10 Cont….
  • 11. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 11 Rhythm generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". Leads the eye from one point to another, creates motion.
  • 12. RHYTHM 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Design),FOD, SUPVA, Rohtak 12
  • 13. TYPES OF RHYTHM  Rhythm by Repetition  Rhythm by Gradation  Rhythm by Radiation  Rhythm by Opposition  Rhythm by Transition 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Design),FOD, SUPVA, Rohtak 13 Rhythm by Repetition  Rhythm created by duplicating (repeating) shapes, colors, pattern, line, texture.  Beams in the ceiling are repeated. Window panes, repeat. Stripes on ottoman and chair are repeated.
  • 14. Rhythm by Gradation  Rhythm created by a gradual change in size or color.  Paint on wall changes gradually in value.  The size of the same room objects changes from large to small or from small to large, from light to dark or vice versa.  This creates a nice rhythm drawing the eyes up and down the line of gradation. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 14
  • 15. Rhythm by Radiation  Rhythm created by identical objects coming from a central axis.  Radiation is an element of rhythm in interior design when the features in the room are balanced and repeated around a center point. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 15
  • 16. Rhythm by Opposition  Rhythm created by lines at right angles or contrasting colors.  Contrasting black and white tiles and the lines intersecting at right angles. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 16
  • 17. Rhythm by Transition  Rhythm created by curved lines that carry your eye across a straight surface.  Rhythm through transition gently leads the eye through a continuous, uninterrupted flow from one area within a space to another.  Example, curved lines are generally used to lead the eye along a desired path. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 17
  • 18. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 18
  • 19. Unity & Harmony (Unity +Variety = Harmony) Unity-everything works together. Variety-design is not boring, several elements used to hold viewers attention. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 19
  • 20. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 20
  • 21. Discussion 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 21
  • 22. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 22 &
  • 23. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 23
  • 24. Emphasis & Contrast  Emphasis is the center of interest, which draws and holds the attention more than any other part.  All Product has a area of emphasis on it which makes the center of attraction of the garment.  Emphasis can be achieved by means of- Contrasting Colors Bold and unusual shapes Eye catching patterns Complex Textures Attractive Design Details Interesting Trims The visual having emphasis on face with the use of collars in contrasting colors, a bright colored scarf or necktie, jewelry and hats. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 24
  • 25. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 25 Simply contrast tells the viewer where to look first
  • 26. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Design),FOD, SUPVA, Rohtak 26
  • 27. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 27
  • 28. Proportion  Proportion is the relationship of two or more elements in a design and how they compare with one another.  Proportion is said to be harmonious when a correct relationship exists between the elements with respect to size or quantity.  Good proportion adds harmony, symmetry, or balance among the parts of a design. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 28
  • 29. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 29 Discussion
  • 30. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 30
  • 31. Proximity  The principle of proximity is simply the process of ensuring related design elements are placed together.  Any unrelated items, should be spaced apart.  Close proximity indicates that items are connected or have a relationship to each other and become one visual unit which helps to organise or give structure to a layout. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 31
  • 32. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 32
  • 33. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 33
  • 34. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 34
  • 35. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 35
  • 36. Principals Means (A laws of human perception.) 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 36
  • 37. Gestalt Principals  Gestalt Principles are principles/laws of human perception that describe how humans group similar elements, recognize patterns and simplify complex images when we perceive objects.  Designers use the principles to organize content on websites and other interfaces so it is aesthetically pleasing and easy to understand. There are six individual principles commonly associated with gestalt theory: Similarity, Continuation, Closure, Proximity, Figure/Ground, Symmetry & Order.  There are also some additional, newer principles sometimes associated with gestalt, such as common fate. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 37
  • 38. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 38 Coffee is my fuel — you can buy me one if you want to boost the sketch-creation process
  • 39. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 39
  • 40. Gestalt Examples 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Desin),FOD, SUPVA, Rohtak 40
  • 41. 11/18/2021 4:29 PM Anil Kumar, Lecturer(Textile Design),FOD, SUPVA, Rohtak 41 With Best Wishes